In my run-up to my eARThwise Charlie mUSslewhite show, 2 more cites of other Palo Alto hits

I have noted herein, at Plastic Alto, that Charlie Musselwhite, the focal point and hopefully vocal pointman of my Earthwise event Sunday at Palo Alto JCC, played a show years ago at The Big Beat, also on San Antonio Road.

I found additional references and visual evidence of two other show:

a) at a Be-In type event — in the wake of the more well-known Grateful Dead concert — at El Camino Park — which maybe because it was so close to San Mateo County and Menlo Park that the convervative powers that be let it “Be”;

b) at PoppyCock, a club at the corner of High and Uni, where more recently there has been a Stanford book store and a bed place, I think. Poppycock was adjacent to another historic Palo Alto club, Top of The Tangent.

Also, and this appeals to me more than it might to Charlie Musselwhite blues fans who find their way here, one of the flyers also had a side bar for a Roscoe Mitchell show in East Palo Alto. I have a long article about the history of jazz here but maybe I can add some EPA info as it rolls in or rises to the surface. Poppycock--19691108 flyer

and

El_Camino_Be_In_19680623

There’s also a guy named Bernstein who produced some Sonny Terry shows at a warehouse downtown on Alma, and some shows at The Stanford Theatre.

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January 25, 2020: piano shootout Mona Golabek (TheatreWorks at MVPAC) VS Marta Sanchez ( Earthwise at The Mitch)

One is a one-woman show about a real-life story involving someone who fled the Nazis and then had a daughter or two daughters in the arts and probably cost 50 bucks for 90 minutes*.   The other is a piano – saxophone duo with a slightly younger and “ho”t in the sense of getting good reviews this year including top 10 in the New York Times pianist from Spain now living in New York City Marta Sanchez and there’s an opening act featuring another piano duo and it’s only 20 bucks and it’s probably two hours or more of music.

Marta Sanchez, jazz pianist from Spain and NYC

links:
The Pianist of Willesden Lane (based on a book by the performer) at TheatreWorks MVPAC

note:  you probably cannot see both shows in one day but the theater work show which is recommendable is playing I think a total of 10 performances whereas Marta as a quintet has a couple other Bay Area plays plus Earthwise has Patricia Barbar trio another pretty competitive coup, February 13 Thursday at The Mitch and, in a new wrinkle, at Occidental Center for The Arts in Sonoma County on Valentine’s Day Friday, February 14. We then have Myra Melford group April 17, Friday, tickets on sale January 28.

Mona Golabek author and performer

*Actually $35-$100, but a quality production — really apple and oranges comparisons but I recommend all three events.

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Christgau on ‘Hamilton’ VS Jere Daniell, Dartmouth history professor, summer, 1984 on ‘The American Rev

1. Christgau went to Dartmouth;
2. Jere Daniell taught at Dartmouth, many, many years, maybe back to Christgau days, early 1960s;
3. Daniell’s class was on American History, the Revolution; I took this Sophomore Summer, which for me was
1984. I probably got a B more likely than an A; I remember thinking that some of these kids had ancestor who fought in that war; on both sides. I remember that Danell said that the Revolution was perhaps an over-reaction.
4. A writer in today’s Times — Jay Ruttenberg — lauds Obama’s year end lists and correctly points out that for many people, artists and listeners and concert promoters with tiny management practices alike – the year end lists are more relevent than the Grammies;
5. Went online to read Times and quickly flipped to Christgau, while TMW slaves away in the kitchen; I’m using the term ironically and somewhow referencing the racist history of this country; It’s Christmas for Christga’s sake, and she really does work better when I’m out of harm’s way.
6. I’ve only been reading Christgau for 20 years, so I missed some stuff.
7. In about 1998 there was an event in Hanover, NH for the 200th anniversary of the student press at Dartmouth. Budd Schulberg was there; I remember Paul Gigot hitting on my then girlfriend; i remember sitting with Ed Burns, Jack Steinberg, Wilgoren of the Post who was a freshman; at a certain point I grabbed an opened a year book Aegis from a whole wall of such in lobby of Hanover Inn– easily a 100 to choose from, opened a page at random and there was Robert Christgau. I said to Steinberg — a reporter for the Times who wrote a book about college admissions — “did you know that Christgau went to Dartmouth?” I think he said “who’s Christgau”.
8. The guy who sat next to me at the Bob Dylan concert who was a friend of Dr. Lorry Frankel, a former UCLA lineman, said he and Jere Daniell had the same mentor.
9. I wrote some story about Dartmouth per se and used Jere Daniell as a source and he used an expression I had never heard “livespots” he meant that the people on one side of the issue were older.
10. Christgau said to buy the LP of the musical, becuause it has lyrics including who is saying what. He said that it is okay to love Hamilton even if you are over 12 yo, yo.
11. Somehow my mind flashes back to Rebecca Naomi Jones, “Oklahoma” the musical revival, that Rebecca I thought I read recorded the demo to Hamilton — I always say I think Passing Strange influenced Hamilton — and the Tulsa Race Riots which were new to me until a week ago, and in fact supressed from history books until about 2000.
12. How many of Christgau’s top 100 of 2015 reference race and is that important?

13. Jere Daniell is an 86. Christgau like I said is class of ’61 or so. Daniell is class of ’58

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Jonas Mekas’ ‘Lost Lost Lost’ VS ‘Watchman S1:04

This gallery contains 9 photos.

edit to add: I wrote that in honor of Jonas Mekas’ 97 anniversary of his birthdate. He was a filmmaker and founder of Anthology Film Archives in New York, on Second Avenue, where I briefly volunteered in 2001. I just … Continue reading

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Late for the A(J) – Train: My meeting with AJ Lee at Peet’s in Palo Alto in October, 2019 means that others have known her first for 12 years or more

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2007 video of Aissa “AJ” Lee

I DO NOT BELIEVE that the phrase “Like I Used To” is a direct reference to the 2007 Father’s Day jam:

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Dan Ackroyd ‘We’re on a mission from God’ VS Charlie Musselwhite at the JCC Palo Alto Sunday / Hanukkah

Charlie Musselwhite dressed as Dan Ackroyd (“Trading Places”) Halloween, 1990

Please join us on Sunday, December 29 for American legend and blues master Charlie Musselwhite and his band at Palo Alto’s Jewish Community Center, a concert presented by Earthwise.

The JCC performing art center presents diverse programming of its own — though nothing as funky and earthshaking in its 10-year history as Charlie Musselwhite — in this case performing with Valerie Troutt featuring Howard Wiley and special guest MC Lars.

Personally I saw Black Violin at The JCC and was impressed — that’s an act of obviously hip and ethnic looking musicians playing classsical instruments with technical stylings and also keeping it real or street. I paid $50 per ticket which seemed high; I think the families with kids paid less or were comped in. {Actually, I just looked it up and Black Violin presented by the JCC was $80 EIGHTY DOLLARS and $60 for kids so there was some serious papering going on — and for that price you can take your whole family to see Charlie Musselwhite and two other acts, by Earthwise merely renting from the JCC though my parents were founders and funders, I’m just saying…)

Charlie Musselwhite spoke to Ben Sisario of the New York Times here in 2018, here internet not here here Silicon Valley

Here is a link to Charlie talking to New York Times

Other JCC shows I’ve been to were Amy Tan, the author and the City of Palo Alto State of The City Address and Sedge Thompson West Coast Live featuring the late great (and I think Jewish) Kathi Goldmark — I remember getting autographs on the program. Also, I went to a second stage event with author Sylvia Bronwrigg (Juliet Bell), who was married to Sedge and also went to my high school and elementary school but not Terman, which was renamed for a Jew named Mrs Fletcher.

I’m pushing the Chanukah or Hanukkah theme more than I intended here, to the exclusion — so to speak — of Charlie’s prowess and amazing career.

My understanding is that Charlie was from the South, Mississippi and Memphis, TN and noticed that friends of his had left home for Chicago and then returning with nice cars, from having good jobs, urban jobs. So he followed suit, so to speak, and years later was wearing a nice suit, and dark glasses and jamming on the South Side — where coincidentally I was born around that time but had not yet found the blues — with black musicians.

So, to some people’s reckoning, when Dan Ackroyd and his friend John Belushi started a comedy musical act with a backstory to some extent the Blues Brothers were based on Charlie Musselwhite — I have been following Charlie since 2002 or so when I managed the blues pianist Henry Butler and they did a tour together but did not think of the Blues Brothers, who after all play soul more than the blues.

standback

I am praying that he is playing his famous medley 20 minutes “Cristo Redemptor>>>Hava Nagilah”

Also, and here I go again, if you search “Charlie” and “Palo Alto” you get a flyer from a show he did right across the street, San Antonio and Charleston is the site of the new JCC, at a place called The Big Beat. And if you check “Charlie Musselwhite” and “Jewish” beside a couple references to our Charlie show you get an interview with Musselwhite about his visit to Israel, on tour. Filling in for Lee Oskar, who is to Israelis what Jerry Lewis was to France. (which made me think about the horrible movie Jerry Lewis as a clown in a concentration camp – if I want to digress about Nazi’s besides Comedian Harmonists and a movie about The Jazz Guys — the Nazi’s thought jazz was degenerate — recently I saw Jojo Rabbit which is interesting and imagines a boy whose mother is murdered for her resistance and he has Helter as an imaginary friend and also the biopic about Gerhard Richter, whose sister was killed for being mentally ill).
Charlie Musselwhite did some recent work with Cyndi Lauper, Ben harper and Blind Boys of Alabama, which helps his crossever appeal.

He’s in his 70s so now is the time to check him out and get on that train, that train, that train. Or, if not now when?

If you do not go — Sunday — for Charlie Musselwhite, who do you go for? Valerie Troutt is an amazing artist based in Oakland and Richmond who I met backstage at a Ruthie Foster show at Stanford Jazz Workshop.

MC Lars is from Stanford but I reached out to him because he is from Pacific Grove, CA near Monterrey and they eat shellfish which is not kosher but he had the good taste and fortune to meet Matt Sever, pka Matt the Electrician, who played Cubberley in another recent Earthwise show. Matt mentined Lars from the stage and I cheekily emailed Lars about such and then read aloud onstage Lars’ return greeting to Matt and then decided to add him to the show, as a walkup, meaning not sure when his set is or how long it is, and it will be fractured and he will wander and wonder which reminds me of the line after The Day After when Seymour Hersh said “The Whole World is Now Jewish”. Chaim Potok? I.B. Singer? Noam Chomsky, certainly not. Italo Calvino — actually Lisa Mezzacappa not a Jew has an Italo Calvino show set for the Mitch next April. Weirdly, I cannot think of the guy, the Holocaust writer guy. Not Amoz Oz.

Earthwise is at not the Mitch but The J partly because my parents Paul and Barbara Weiss z l were active in the Jewish Community and mostly because COPA shuts down between the 25th and the 31st and Charlie Musselwhite was available the 29th and I could not spin that Dreydl and get nun.

So celebrate the 7th day of Hanukkah or just being alive with us at Earthwise Welcomes Charlie Musselwhite Sunday, December 29 lord willing and the creek don’t rise. Only $25, retail. Online at EventBrite, see the link in first line, or at door.

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Dobos Torte VS Tom Dubois

I got this from the Palo Alto Weekly:

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let them eat cake, he never says

The motor home parked in front of Chef Chu’s sells special layer cakes, sometimes known as Dobos Tortes, and they have a brick and mortar spot in Los Altos.

Tom Dubois, of whom there is a video jawing away with PAW’s Jocelyn Dong, is on city council, drives a cute little import jobber, plays hoops at lunch hour at the Y — i.e. he is layered.

Screen Shot 2019-12-24 at 1.51.41 AM

Dig? (that’s an inside joke, about volleyball)

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Helen Foley, songwriter and bassist, was my neighbor for the first ten years of her life, a very quiet girl, with big, beautiful eyes

helen

The great and growed Helen Foley

I’m a newbie to the whole Molly Tuttle / Gryphon / Redwood Bluegrass vortex but in it with a passion, so I totally tripped out when I recognized the former little girl from next door, all growed up and plugging a bass and singing an original old timey song, jamming with the very close to stardom A.J. Lee and Blue Summit featuring Sullivan Tuttle.

I kind of geeked out and sent AJ a long text explaining my glee and surprise.

If Mom mentioned this to me, last I saw her, it was just before it clicked who Molly was — I saw her picture on the wall at Gryphon where her dad works while shopping with Jimmy Vivino who played July 6 in my concert series. I saw to Jeannette that I had seen a picture of her son in the student newspaper — the Gunn Oracle — about a band or recording project and if she mentioned to me all this it didn’t register so much.

Now I’m forgetting if CJ or Helen was a water polo goalie.

I had seen the mom jamming before a show at Redwood Bluegrass at a church on Cowper in Palo Alto, a couple years back.

Interestingly, at least to me – enough to stick it up here on this welltraveled blog — I also found out recently that Rupa Marya of Rupa and The April Fishes was also our — Helen and my — neighbor for many years growing up. More true for Helen, in that I think i moved to SF for four years when Rupa was in high school — at Castilleja — then Rupa would have been off to college when I came back.

We all lived near where Wallace Stegner lived for many years, when he taught at Stanford and wrote about the west and the land. and some stretchers.

I wonder if anyone else has ever mentioned “Helen Foley” and “Wallace Stegner” in the same breathe. I’m a gonna invite Helen into my songwriting project, Women On the Walls, based on the short stories of WS.

Wallace Stegner, Rupa Marya, Helen Foley — suss them out.

rupa

I’m likely the only person on the planet who knew all three of these creative people: Rupa Marya, Wallace Stegner and Helen Foley; the three of us grew up near Stegner’s longtime abode.

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‘Mendocino County Line’ Willie Nelson Leanne Womack by Bernie Taupin VS ‘Mendocino’ Sir Douglas Quintet by Doug Sahm

Fortythree cds stand out, recent acquisitons or somehow important (more so that the boxes I donated to the Palo Alto library — ironically, I buy cds back from the Mitchell Park library sale, especially when I am loading in a show, which happens every month or so).

1. Willie Nelson
2. Sir Douglas Quintet
3. Johnny Gimble
4. Cajun anthology
5. Kotoja Dan Storper 1991
6. Jean du Pree the classical bass prodigy
7. Barber addagio (vs Patty Barber art music)
8-12 Dave Rempis
12-15 Larry Ochs
16. Naomi Moon Siegel with Wayne Horvitz
17 Allison Miller Boom Tic Boom Glitter Wolf

I prefer Doug


18. Parlour Game Jenny Scheinman and Alison Miller with Tony Scher and Carmen Staaf
19. Mitch Woods Tip of The Hat to Fats
20. Maria Muldaur Feel My Leg recorded in New Orleans 2018 with David Torkansky, Herlin Riley, Roland Guerin;
21. Yo La Tengo tho that’s more than a year ago, the one with the Turtle, although I gave away my turtle shirt to a fan I met at Stanford Bing;
22. Dayna Stephens
23. Bob Margolin
24. Dave Douglas engage with Jeff Parker
25. Dave Douglas Uri Caine
26. AJ Lee and the Tuttles w liner notes by Kathy Kalick
27. Linda Ronstadt Nelson Riddle
28. Terry bought Rolling Stones Forty Licks anthology to replace somehow the one i lost from the library, but then found;
29. Matt The Electrician The Doubles — a lot of these are signed by the artist;
30. or feature people who recently appeared in my music series;
31 John Santos with Omar Sosa I think;
32. Darren Johnston I think something about buildings in Chicago
33. Todd Sickafoos got a mixing credit I think on Jenny Scheinman cd while Ben Goldberg got a producer credit;
34. I also have several boxes, many new purchases to at least eyeball if not listen to;
35. When Dave Rempis handed me five titles I said to whoever was listening that it would take me a lifetime to learn to discern each set or song in the stack.
36. I’ve run out of recollection of this collection by title but am vamping until I get to the number referenced in the title
37. I sometimes call this “quotidian in quodlibet” which means a list of boring things and sometimes in the wrong order;
38. Elvin Bishop Big Fun Trio;
39. Sharon Isbin
40. English anthems ‘Lord Knows Why’
41.
42.
43.

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Jumpin’ On the TD wagon, only 20 years late to the dance, excuse the mixtape metafollicle — hey, that almos’ means something, (the ditty — don’ say ‘t——-‘)

Bw

watchman with me as I become the 3,000th person to see a 12 year old MC Lars live livin’ large video with the emphasis on “12 yo”, yo — I see what I and I did there.

If (Antoine)  you are following along at home you might predict that the next thing I’m going to say is to explain that I am thinking of MC Lars because he will be appearing with Charlie Musselwhite and Valerie Troutt and Howard Wiley and a couple others maybe they will have an uncoordinated dance off which is kind of a pun in six days about 6 miles from here. Or: To what extent is Lars influence by Tenacious D or is it the other way around

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