Rm 222 (KFlay v. KVal)

This is the two-hundred-twenty-second post of mine on wordpress under the moniker “Plastic Alto”.

I am with Toure of the Times in that I think K.Flay could eat Kreayshawn’s lunch (but would not eat her East Bay under-educated, under-seasoned, how does that Creole Rapper I mean Zydeco Squeeze-Boxer, say it, “pussiere”?)

“Room 222” was a network tv show back in the day, in my youth, about high school. Kinda like “Welcome Back, Kotter”? I don’t recall.

Room 100 is British slang for bathroom. Like the word “loo”. I have a post about Kent Lockhart and how they should rename various parts of Stockton Park or Seale Park for him. See “The Lockhart Loo”.

The Donnas’ Moms and Dads turned out Cubberley as a music venue, and then they posed for a major indie magazine spread in the Cubberley bathrooms, although they stopped playing Cubberley once they got to 924 Gilman, despite my entreaties. I also lobbied for them to be included in The Fillmore Sessions, and got BGP Management intrigued enough in their story that someone there interceded to get Allison Robertson’s guitar worked on by Carlos Santana’s shop in time for her to go back out on the road, to Europe, if memory serves.

Two days ago at Lytton Plaza I jammed with a dude named Mike who said he went to Cubberley. (Mike the drummer, who paints nudes onto the side of his conga).

I don’t think Cubberley had a Rm 222 — I think it had a different system.

I never watched Beverley Hills 90210 although I know that Blind Boys of Alabama once played there; if I cared more I would make a list of ten fictitious high schools.

Oh, King Dork!!! (A combination of Hillsboro High and Mills High — I will edit to add).

I just wanted to do something with the 222. I can factor it pretty simply: 2 x 3 x 37.

I am filing this under “math” and “media”.

This is actually indebted to Dr. Brian E. Moore of Springfield, Illinois, who is indebted to Aiden Vizari of the Chron, but “I am with Toure of the Times in that I think K.Flay could eat Kreayshawn’s lunch (but not her East Bay under-educated how does that Creole Rapper I mean Zydeco squeeze-boxer, say it, “pussiere”); to wit

end quote, or air quote and snaps. ”

p.s. i am leaving this with labels “math” and “media” because I read somewhere that KFlay got a 750 on her math SATs, and maybe studied at Stanford with Paul J. Cohen.

edit to add, 30 seconds later: if L7 means “square” but is also a groundbreaking chick band, then maybe “Rm 222” could be something derogatory or inflagrating that one chick rapper could throw at another as an insult or challenge, like that is so juvenile and under-evolved. But I would like to see KFlay if she is reading this, maybe she could remix Rosie Ledet and dedicate it to Kreayshawn:

Here is the Times joint, from 12/23, it’s like so six days ago, and the dude says KFlay is better than Kreayshawn. Word. Coinkydinky I am wearing a Dessa shirt today. I think I met Dessa from Doomtree or at least took a cellphone photo of her, along with Ted Leo, at Macalester College in St. Paul, I was walking from a screening of Coen Brother’s “A Serious Man” to the old school bowling alley (pictured on my Plastic Alto nameplate) in fall, 2009 for my cousin’s bar mitzvah; his band at the time was called Souldiers, although I suggested changing it to Mouldiers, for Bob Mould, who I have never met, unless it was one of those nameless quick exchanges at The Stud. He might have been the guy who whispered to me “Hold my pickle, hold my lettuce, special orders don’t upset us. My safe word is “Macalester College.” Which was most people’s safe school. But not KFlay. She got in.

I am generally not this “with it” and generally not as happening as that fall day in St. Paul. Just lucky sometimes.

Rm 222.

edit to add, like two minutes later, although Frida the Cockerspaniel is still moaning that she wants her morning walk:

wiki says “pousiere” means “dust” or “speck” — I guess I have a dirty mind to think it has something to do with girl pleasure, the Rosie Ledet song. In this case it calls to mind Bill Rose’s doc “This Dust of Words” about Stanford grad Elizabeth Wiltsee, her prof Felstiner and mental illness. I would like to see KFlay remix that(Rosie, not Wiltsee), maybe with help from MC Lars, who played with Allison Robertson or was that just Brett Anderson, going back to the Donnas. I would venture that KFlay is as brilliant as Wiltsee; we hope she sticks around longer.

I guess you could read this as “rim 222” as in rim shot, when I drummer highlights a bad joke. Rm 222. Bob Mould would probably call this “rim 222.”

edit to add, about a minute after that, it is now 9:40 Thursday morning, only like 7 hours till 4:20 but for me 9:40 means I am jonesing for Coupa or Philz: KFlay already did do a version of Elizabeth Wiltsee story, about two years ago, in her send-up of Cee Lo and dem, “Crazy” (and by the way, just having seen “Kung Fu Panda” on cable, I like the origi of “Kung Fu Fighting” by Carl Franklin way better than the Cee Lo):

this also reminds me that my DF correspondent Guillermo Gomez Abascal tells me that there was a Mexican rock band, femme fronted, called Tabasco but were forced to change their name by the corporate thugs at McIlhenny, which is enough to make me, like Papa Mali, switch to Louisiana Red Dot. And that also makes me want to shout to Arienne Landry of Just For You in SF Dogpatch who I put briefly two days ago during the rush on the cell with Ann Allen Savoy in Lafayette, Louisiana in the 337, talk about flavor!!!!

edit to add: K.Flay will appear at Treasure Island festival Oct. 13, 2012. Also, it turns out that Bob Mould actually did attend Macalester College although I’ve never met him nor actually seen him play. But I would say despite my nutty professions here, I mean him no disrespect and would say I am a fan. What would a K.Flay/ Bob Mould joint be? The only connection being the people who manage Bob also co-produce Treasure Island. Think about it, guys. Oddly, as I backtracked to re-title this (from “Rm 222” to “Rm 222 (KFlay v. KVal)”, I realized that I am now up to 444 posts, so this is halfway there.

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Tommy Jordan sits in with Beat Hotel Rm 32 Reads ‘Howl’

Mark Weiss reads "Howl" at Lytton Plaza photo by Tommy Jordan

I don’t know if the 20 second video that Tommy Jordan sent me of the last bit of what was a 25-minute performance today at Lytton Plaza will upload properly to this wordpress substrate. The bit is me reading the dateline of Allen Ginsberg’s “Howl”, it says “San Francisco 1956-1957” and I improvise by adding “Palo Alto” just as I previously substituted “Lytton Plaza” for “Union Square” as was written — and I also switched sound effects for choice “blue language” like as in “mother finally ******” maybe three times — there is a code among street performers not to use explicit language, at least according to what seems to be a healthily vetted article on wikipedia — and I added “2011 and two thousand twelve” all the while I was trying to sing the lines to the melody and intonation of “Star Spangled Banner” — I am off but in defense of my lameness Tommy and the other two musicians were probably playing a different key. I think I did a bit of “America The Beautiful” directly above this moment. I was thinking of Rene Marie doing “Lift Every Voice” to melody of “Star Spangled Banner” in Denver — N.C. was in Denver, right?.

Most of the reading was just a straight read. I used, for the very first time in about five or six performances, a talk mike. Street bluesman Dave Hidie was doing his normal bit, with a percussionist named Mike, who said he was a Cubberley grad, and agreed to yield for 25 minutes then even better, after he met Tommy, agreed to let us use his rig then ended up joining in. Tommy said it was the best “Howl” reading he had ever seen. He also said he just got back from Glastonbury backing a performance poet whose name I did not catch. I told him about the Casti grad at Duke who is a Francophile and International Studies major I met at Keeble and Schuchat and is looking into careers in music. He made a note. We also talked about Patti Smith “Just Kids” and the Ginsburg cameo. He buys her a sandwich and then laments out loud that she is a chick. The word “chick” here is probably my wording but I am thinking of posting or just did actually the scene from “Portlandia” where Carrie Brownstein as I guess Nance and Fred Amisen are ordering chicken and get briefed on the lifestyle of the little guy or chick who committed to their enjoyment, as the old saw goes. (“the difference between ‘committed’ and ‘involved’ is like the ham and eggs breakfast where the pig is committed and the chicken is involved”) Tommy liked my little mic check ad lib and said I should try writing poetry someday. When I said I have posted 219 times on my blog he was surprised that I had abandoned so much of my Ludditism. I said I still don’t own a computer but use the library and my lady’s rig. Thinking back, it was probably Tommy who said “Dude, you’d be the sick blogger type” back when I was hardcore straightedge X to blogging. The dude Michael from Cubberley said that he too worried during those years that they would drop the bomb on us, like I was describing the context of “Howl” to those gathered, the musicians and a lady with midriff showing, who knew Hydie.

I texted about 40 people about this rather impromptu gig and got about five responses.

nope. not permitted.

I will bump to Tommy and Greg Kertsin doing their big hit and then to Rene Marie bit, although I should also give props to bumcello.

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Take me, “Portlandia”

I saw Sleater-Kinney three times.
Sold out show Friday in SF.
I didn’t realize I even get channel 503 IFC — yeah!
I’m only a year or so behind the times!
Photo of Carrie Brownstein at NPR showcase, at SXSW day party, 2009.
Aidin Vizari interview in today’s Chron.

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420 Cambridge

420 Cambridge home to new James Franco stoner reality show

“Four Twenty Cambridge” is a new HBO Comedy, executive produced by James Franco, starring Tom Franco, Teddy Franco, Betsy Franco and Andrew Shue, as two brothers, in the shadow of their hot shot brother, who move in with their mom, and her hot new husband, who himself lives in the shadow of his even hotter sister, in a set of “detached townhomes” — which in itself is a stoner joke, how something can be both “detached” and a “townhome” — and a metaphor for “family” — above a marijuana dispensary, you know, the mythical legal kind. Garrett Morris plays their retail tenant, who comes from not the wrong side of the tracks but too, too, too close to the tracks (nice verismilitude that) and has a son, played by Mark “Stew” Stewart (of “Passing Strange and “Spongebob Squarepants” fame) who is a Stanford Thespian Shakespearean and, like the Jonathan Richman character in “Something About Mary” delivers all his lines in original song, and you are not sure if he is diegetic or non-diegetic. George Schultz and Condoleeza Rice make guest appearances as Garrett Morris’s sponsors. Adam Werbach plays a weird eco-too-friendly cult-leader and pseudo-activist who comes over in every episode to shower and then never appears dressed again and always is babbling on about “heat” and “joules” and the principals not being “Gaia enough”. !!

In episode 1 Lauren Weedman plays a recent Stanford grad who wants to live in the 420 Cambridge bike locker while training for the 2012 Olympic Cycling team. They turn her out, but not before running a credit app.

edit to add, nearly two years later: James Franco is producing a set of films locally based on his “Palo Alto Stories” so maybe this will actually happen, and by the way that last unit seems to be still out there, with the truth. Also, in a perhaps related development — for the theme music, perchance — Steve Jenkins’ “Semi-Charmed Life” is getting second life in the new KFOG.

Posted in art, ethniceities, film, la la, music, Plato's Republic, sex, sf moma, sports, words | Tagged , , , , , , , , | 7 Comments

Thanks to Gary Meyer, the Chron and the good people of Serendip

et tu, balboa theatre?

Clearing space in my old school (ie circa 2008) phone, I uploaded to here (via my email server) this photo of Gary Meyer, which appeared in the San Francisco Chronicle in August. I guess I am skirting copyright issues by drawing the circle around it and calling it fair use. I ended up in a very useful, inspiring and appreciated text-to-email conversation with Meyer, about the Varsity Theatre. He has an interesting view in that we was the founder of Landmark Theatres, and had a previous round of trying to save the Varsity back in the 1980s (for example, he advocated splitting the screen to keep it going but as a duplex; I advocate restoring it to some kind of flexible concerts, film programming mix, but keeping the options flexible for seating of up to 900 for assembly, and certainly not subdividing into upstairs/downstairs/retail and office; its a class A historic building, the rarest kind).

People continue to offer their ideas and support to my initiative to affect 456 University, which I call “The Last Picture Waltz 456”. For further example, my old neighbor back in PAUSD-district, west of 280, Los Altos Hills — where I lived for 25 of my 47 years — Pete Foley said Saturday that he had retrieved for me from his archive or attic the last program guide of the old Varsity. Again, my Horton Hears a Who theory of activism tells me that the more people who add their utterances to the cause, maybe eventually we will get heard.

Serendip, by the way, for people who read the headline to this post is the historic name of  Sri Lanka, and the source of the word “serendipity” meaning something good you find that you were not actually looking for, or a “happy accident”. (But not the accident in “It’s A Wonderful Life” wherein George Bailey in a drunken rage slams into a tree, not unlike the beleaguered “George” tree (huh?) at 900 Cowper; my only problem with IAWL is that the device of the angel is deus ex machina; I also liked the line “Down here money comes in very useful, bub” which I want to capture and mount for my friend Brian “Bub” Evans who teaches economics at Foothill; I digress).

Thanks, Gary, for your input to the problems of three or three thousand little people down here, which so far do not amount to a hill of beans.

Another quibble seeing IAWL again is that in the bizarro-other-world sequence, the Potterville sequence, jazz is depicted somewhat disparagingly, as it is in “D.O.A”. But I also liked the line somewhere in the film where Bailey (Jimmy Stewart for those just tuning in) calls Potter (the one-percent banker) part of a group of “small, scurvy worms”. (I wrote the accident phrase down on a flyer handed to me by Occupy activists, urging us to “move our money”, to smaller banks; I can update later).  “In the whole vast configuration of things I’d say you’re nothing but a scurvy little spider” search reveals.

Meanwhile Terry’s Thomas Aquinas coffee klatch believes that Jimmy Stewart was a General stationed at Moffett Field, who frequented JC Penny’s on Uni Ave; I will suss that and report. (edit to add, three minutes later: yep, amazingly, to me, he was a Bigadier General and then promoted by Ronald Reagan to General; that deserves even here a fuller telling, plus will send me to peep my David Thomson). Or see wiki.

edit to add: the Balboa seems to be rocking on in the free world; not sure what the change  is: http://www.balboamovies.com/ Gary sent me background on the site here, contacts with theatre preservation orgs in the Bay Area and general well-wishes, plus his name was given to city staff who were to report on the viability of renewing The Varsity Theatre.

Serendip is an ancient name for what is now modern day Sri Lanka, an island nation of 20 million people, and let me guess 5 million diasporics, including singer-songwriter Bhi Bhiman. Here is wiki on the legend: http://en.wikipedia.org/wiki/The_Three_Princes_of_Serendip

Oh there is more to the world than your philosophy, Horacio. (I will leave my fairly weak mis-quoting but add that it is from Hamet Act I scene V; reminds me that I was trying to explain “what’s the frequency, kenneth” at Chanukah dinner to my bro the engineer; that’s nine oblique or direct literary or art references here, plus a real tree and several actual places and people):

Gary Meyer (the article was July 21, 2011, by Peter Hartlaub with this photo by Chris Hardy)

Brian Evans

Bhi Bhiman

Jimmy Stewart

Terry Acebo Davis

It’s A Wonderful Life

Casablanca (“hill of beans” reference)

The Three Princes of Serendip

Hamlet

Julius Caesar (the “et tu” in the cutline)

The Last Picture Show

The Last Waltz

D.O.A.

Horton Hears a Who

Let’s see what 456 University looks like in 2012 as far as being worthy of anybody’s “A” game.

Posted in film, Plato's Republic | 1 Comment

Check “YES!” for Alex Carbonel music and hoops

La di dah dot tot dah

I caught via the tube a live performance on a sports show of a point guard from St. Mary’s University of Moraga, California (East Bay, halfway to Winnemucca), named, and they didn’t even have titles, Alex Carbonel. Pretty passable skill set. I would say one up on Barry Zito in that she wrote her own song. It reminds me of hearing Rachel Garlin, the former Harvard player, doing “Sweetly” on KPFA a few years ago. Or Vienna Teng in that Vienna was a sleeper, doing software by day recently out of Stanford; this lady is a senior with good grades, at a good school. Or my recent meeting with ex-Penn player Ugonna Udweytu. Or Laura Chavez, playing guitar for Candye Kane, a one-time St. Francis prep player and Columbia admit. Or, as I told a Duke senior interested in the biz today, a former Castilleja girls player, the former Santa Clara and Pinewood player Yasemine Kimyacioglu  , who wants to sing,  in Turkish even.

At the very least, you can bet on ex-athletes because they bring a lot of energy into their projects.

Her song was somewhere between Christian rock and a lesbian confessional. And it was kinda wordy like a talking blues; the lines did not scan. But a pretty fair skill set, sent me to my screen here in Plastic Alto land, for two hours.

This could send me to check a game, maybe with a sign YES. and a check mark.

edit to add, part one: Alex Carbonel. Pinay. You can find her doing covers of John Mayer and Bruno Mars, plus a few origis. How about “Prettier than Zee Avi, writes better than Barry Zito and can take it to the hole”? Reminds of me trying to convince Kent Lockhart and Marlinda Fitzgerald, in 1988, when he was MVP of the SF Pro Am league to send a letter to NBA scouts with his original artwork and the catchline “You need a 2-guard who can really draw fowls”. (Village Voice said of then-client Stew, “Dude is funnier than Jimmy Webb and sings better than Richard Pryor”, circa 2002).

Here is “Check Yes” video:

edit to add, part two: She’s a 5’6″ point guard from American High in Fremont –like my girlfriend Terry Acebo Davis, the Fremont part at least, maybe the whole thing — and they play New Year’s Eve at 2 p.m. versus BYU or skipping ahead to Feb. 11 down here in Santa Clara.

She is third on her team in scoring, at 9 points per game, and first in assists and steals. She has game.

I think she could or should hook up with PMSTA. Or West Coast Songwriters, or Folk Alliance. It also reminds me of that label in Daly City Classified Records, Jocelyn Enriquez and all that. Or Megan Slankard.

edit to add, part three: She played for Manny Pacquiao, or I should say, she went to meet him somewhere, got access and for better or for worse brought her guitar and a film crew. He was going to drop everything and be her manager but decided not to quit the day job.

Also coming to mind: a) that I miss Anna Fermin “Northern Lights” and I hope this young lady has at least checked out David Byrne’s Imelda song-cycle “Here Lies Love”. The bubble kinda pops or deflates when you watch more of Alex Carbonel but even still she is young and if she got the chance to focus on her music who knows where it could go? Or, there is always room for good people on the scene.

I would want to check her out both at a game and a show. And I am someone who very deliberately went to watch Johnny Dawkins coach for what I could learn about coaching-management; I was impressed by his immersion into the scene and trying to use body language to get his guys in the right places defensively. Go, Alex!!!

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Skee3 Hendrix tribute ongoing Saturdays at Lytton Plaza

I was called out of the house Saturday evening by the syren call of live music coming from  Lytton Plaza and circled in my car to locate the source, Skee3 doing their ongoing Hendrix tribute. I watched a member of Palo Alto public safety get out of her car and ask “You are finishing what time?”  — it was more of an order than a query — and then indeed the band played on for another 40 minutes, until about 10:15, for more than a few impressed onlookers. I heard later from their bass player — whose day job is for a hot start-up — that they got parking tickets while they were loading-out, for parking in the alley, both of their cars. And I keep seeing as well the drummer, who works for Palo Alto Bicycles and basically has spun off from Sue Webb’s ongoing Wednesday and Friday’s showcases.

I am invited to be in a “focus group” next month regarding Lytton Plaza and live music.

I’m concerned that meanwhile there are plans to tear out the grass at Cogswell Plaza and futch with it in a way that would preclude the reviving of Brown Bag Series.

As Neil Young says, it is darkest before the dawn. I should really link however, for a variety of reasons, to Jimi Hendrix “Machine Head” — dedicated to all of us keeping up the good fight for the First Amendment and Democracy.

I have his card — Skee — and we had a brief talk about the biz so I would consider him or them a potential client although I explained that I was more interested in the issue of Lytton Plaza per se; I did ring him once to confirm the thing about the tickets. I think they might have let it slide.

At :48 of this two-minute trailer to Coen Brothers “A Serious Man” they flash a still from the scene I call Sussman Can’t Sleep which is also the title of a Hendrix tribute I propose, with Glenn Hartman and Beth Custer and Mark Weiss, that mixes Jimi with klezmer and a reading of that scene (“Machine Head” plays throughout).

Ok here’s a six-minute video mostly audio actually labeled soundcheck at Berkeley “Machine Head” I went out and bought — while researching my “Sussman Can’t Sleep” Jimi at Berkeley — the trailer of course has Airplane.

Posted in art, music, Plato's Republic | 4 Comments

Floating the Palo Alto libraries

Somehow I ran up a $21 fee (yet unpaid) for being overdue with our public copy of 2008 SideOne Dummy release by Flogging Molly, “Float”.

Leading on-line market says I could have my own copy for a mere $12.98.

In the meantime — and not finding the moment to pop cd into the player of my car or home — I am pretty sure I talked to SideOne Dummy prexy himself — Joe Sib — regarding   turning my Harbaugh-hater routine into a one-man show.

Sometimes I rationalize my laxness on getting library books and media back on time as a type of public service — the fines that is. If there is actually someone out there who claims he has been in the cue to borrow this title and I am keeping him waiting, ring me and I will get a copy donated to him, either by label or by Earthwise Productions.

(I have for instance found time to write new director of Palo Alto libraries Monique LeConge to complain about commercialization of the library, especially downtown and its 8-foot banner touting a search-enginge’s foray into hardware).

I am also a former applicant to the Library Advisory Commission — I was the only candidate who mentioned even one author in his or her application or interview — and got not votes; the guy who was re-seated spoke about using RFID to prevent theft.

Anyhow, public apology if someone is waiting to hear Flogging Molly.

I had previously had them run off my list of titles I had paid fines on — more than 30 certainly. I was going to publish it. I don’t know if they keep track of things I’ve borrowed.  I think we once voted to defy federal attacks on privacy in this area.

Youtube has this morsel:

This is world’s worst Flogging Molly column – I should say that they are about to embark on the Eighth Green 17 Tour – but not sure what that is — and say something about I knew their agent Josh Humiston and his wife, also an agent when they were both assistants. Or something about the music beyond that I am apparently responsible for Palo Alto library “losing” that title.

http://www.floggingmolly.com/index.cfm?page=tour

edit to add, the next day, which is also Christmas Eve — yes, I am the Jew sitting around Christmas Eve, to compensate for the world’s worst album of band review, of Flogging Molly “Float” and I have no idea what The Eighth Green Something tour actually is — I am going to type, at least until my gentile girlfriend gets back from the mall, a very cool concert review in the form of poetry I found for two zuzim (that’s three dollars) from 1967, from my coreligionist Allen Ginsberg. To wit:

PORTLAND COLOSEUM

A brown   piano in diamond

white spotlight

Leviathan auditorium

iron   rib  wired

hanging organs, vox

black battery

A single whistling sound of

ten thousand children’s

larynxes asinging

pierce the ears (i almost wrote “arse”)

and flowing up the belly

bliss the moment arrived

Apparition, four brown English

jacket christhair boys

Goofed (and because I studied Shakespeare I would sound that syllable like a type of farm boy, “goo fed”) Ringo battling bright

white drums

Silent George hair patient

Soul horse

Short black-skulled Paul

wit thin guitar

and then i got tired of typing here and afraid that what i just wrote would not be saved so i typed those last three words into the search engine and found an Italian translation of the poem so like a good David Shieldsian lifted the next couple lines:

Lennon the Captain, his mouth
a triangular smile,all jump together to End.
some tearful memory song
ancient two years,

and then I will steal the rest in Italian: (that plus girlfriend en route) plus to feed the Cocker; here’s the link

Ragazzi a milioni
migliaia di mondi
balzano sulle sedie, si battono
i fianchi, stringono
le gambe nervosi
Strillano di nuovo & applaudono
diventano un Animale
nell’Auditorio Nuovo Mondo
– mani agitate miriadi
di serpenti – pensiero
strillano ultrasonici

mentre una fila di poliziotti a
braccia incrociate monta
la sentinella per contenere l’estasi
in maglioni rossi
che si innalza verso il
soffitto di filigrana.

something red, I recall. My original source is a worn copy of 1967 “Planet News” on City Lights, aka Pocket Poet Series Number Twenty Three. $9 on leading website or $40 if my first edition was not so beat

 

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Earthwise presents in San Francisco a tribute to Alden Van Buskirk (1938-1961), Tuesday, December 20, 2011

Tuesday, December 20, 2011, at Books and Bookshelves, 99 Sanchez in San Francisco’s Duboce Triangle, a group of fans and friends of the late poet Alden Van Buskirk will gather to mark the 50th anniversary of the publication of “LAMI” (Auerhahn Society Press, San Francisco).

The panelists and speakers will include Matt Gonzalez, Jack Hirschman, Garrett Caples and David Highsmith.

Van Buskirk was a 1960 graduate of Dartmouth College, where Hirschman was a professor, and moved to Oakland after also attending graduate school at Washington University in St. Louis. He died on December 11, 1961 at SF General of a rare kidney disease called PNH.

Allen Ginsberg wrote a brief introduction to the volume, and was also instrumental in getting the imaginative yet challenging work published in journals like City Lights and Fuck You, according to John Paige, of Oakland, who befriended Van on the Dartmouth ski team and also roomed with him on the West Coast. The volume “LAMI” — a pun on the word “friend” — was published by Andrew Hoyem who now operates under the name Arion Press.

More info at (650) xxx-xxxx or (415) 621-3761. The event is free and open to all, starting at 7:30 p.m. Earthwise Productions is a Palo Alto-based concert and artist management company whose founder Mark Weiss is, like Van Buskirk, a Dartmouth College English major graduate, although he graduated a generation later. (He studied poetry with Tom Sleigh, for example). Weiss became interested in Van Buskirk after a chance meeting in 2010 with City Lights founder and poet Lawrence Ferlinghetti.

“I asked him if he had ever lectured at Dartmouth”, Weiss said of the author of “Coney Island of the Mind” who published Ginsberg’s “Howl”. “He said that he had visited Hirschman there in 1961; I couldn’t picture Hirschman in Hanover– it’s quite a conservative place — so was intrigued. My subsequent sussing around made me think it was a timely idea to fete Mr. Van Buskirk. I didn’t imagine that soon I would be having tea and biscuits with his former roommate or ringing his ex-girlfriend, people who seemed quite willing and quite pleased to indulge my little whim. My ‘whim’ being their dear, departed friend.”

##30##

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Mr. Gore and Me

Digging the bumper of the NFL on Fox after Frank Gore scored a 37-yard touchdown in the third quarter, to put Niners up 19-7 in what became a loss in Arizona: they had Bay Area rock stalwarts Counting Crows, from their debut “August and Everything After” the song “Mr. Jones” and the line about wanting to see myself looking back at me on television.
Actually Adam Duritz is a big Cal Bears fan but not sure if he is a Niners fan; could be a Raider Nation regular. When Stew was on tour with Counting Crows, Adam came out for an encore wearing a helmet — the Bears opener was later that night. (This was 2002).
Duritz is know as “A.D.” but to me that moniker is Anthony Davis the former Trojan, the one who scored six touchdowns against Notre Dame in 1972.

The verse is strong enough it deserves insertion here in “P.A.”:

Mr. Jones and me staring at the video
When I look at the television, I want to see me staring right back at me
We all want to be big stars, but we don’t know why and we don’t know how
But when everybody loves me, I’m going to be just about as happy as can be
Mr. Jones and me, we’re gonna be big stars..

Yeahhhhhhhh.

edit to add: speaking of Adam Duritz, you gotta click to his protogee Chris Seefried of God’s Child, Joe 90 and Low Stars, here doing their first big hit, which I once had on VHS from Letterman, “Everybody” — “wash me clean of all my sins….”

or just watch the first minute, especially twenty seconds of the bass player — what well-defined triceps that young man has, from 0:20 to 0:40 or so, bip. Yeah-yi-yi-yeah!

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