‘Our House’ the obscure Corner Laughers version VS ‘Burning House’ the 48m viewers Cam song video

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You are giving me ideas, dearie

I’m tempted to have corner laughers, local band fronted by Karla  Kane that I believe started at Marin catholic about 18 years ago open for cam April fools day it’s a sold out show at Mitchell Park chiefly because they do a version of our house the New Wave British invasion is it by madness?

Cam is managed by Danika Gurley who is a good Catholic girl went to Notre Dame Academy of San Jose before UC-Davis where she met Cam parentheses Camaronmarvel Ochs. Danika was also an air talent On KRTY.  KRTY is giving away the last 10 pairs of tickets mainly because a charming personal anecdote told by the director of  sales, Tina Ferguson thinking of loved ones whenever she sees a penny — She was in Cupertino Rotary with my father Paul Weiss for many moons.

I also got word of a Catholic country singer named John McGaraghan of Palo Alto a local attorney.

YouTube hopefully reminds me that More obviously is David Byrne song or talking heads also Karla had a funny thing… She told me in private correspondence that when she saw the TheatreWorks show about Sally ride she noticed Allison Miller the drummer for the Erin McKeown version of the Harold Arlen 1930s song paper Moon and of course my plastic response to that is that in 1978 my baseball coach Ralph Vetterlein who seemed reasonably macho otherwise told us that his CB name on radio was “paper Moon” and I remember Chris Kelly cracking up but trying not to be observed doing so.

 

https://m.youtube.com/watch?v=dIUtuE3rsS8

The goal bottom line is for Mitchell Park ball room to be our house.

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Year of the Cat

Mark Weiss photo by Sam for The Weekly, February, 2020 at the Mitch

I was born Year of The Cat and graduated Gunn in 1982, which means I am not 57, as Yoshi Kato states in his story.

I thought the story was fine, other than I think there should be separate stories about Parlour Game, Akira Tana and Earthwise. It’s kind of a jumble.

I got my hair cut — by Annice of Juut — directly before the shoot. Sam was professional but I thought a little casual. This shot and most of the time together it seemed like he just got me yammering and clicked (or filmed?) as he saw fit.

I thought the health warning at the end was gratuitous and unfair. Yet, I did joke to Yoshi that maybe Bill Johnson would kill the story for health reasons.

I just added a show for October and have a few more offers out there for May, June, July, and the fall. I’m tempted to bring Mother Hips back for another brace of shows for March, 2021.

Mainly I am saving my energy where I can for my big March and April, and checking the newscasts too frequenty perhaps for updates on public health.

I think music is healing. Attending this type of commnity-oriented event will help us get thru these times. Original title of draft: Portrait of the promoter as a year older than he really is, by Sam and Yoshi in the Weekly
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Short clip of Sully original from 3/6/20

 

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Cam announces shows at Troubadour and The Mitch

Nashville by way of Lafayette California and UC Davis country sensation cam parentheses “burning house “, “ till the end” parentheses has announced to California shows one at the famous troubadour in Los Angeles and one at little old Mitchell Park community Center in Palo Alto.
tickets went on sale this morning and are nearly sold out.
KRTY 93 in San Jose has 10 pairs to give away. I’ve never actually listen to the station except passing through the static but I like their advertising director Tina Ferguson who was a rotary partner of my father in Cupertino.
in terms of social distancing it’s possible we will play with the sliding doors open and the knot hole game can watch from the courtyard.
Meanwhile the county has declared a halt to all events with more than 1000 people gathering. Stanford seems to be canceling everything with more than 150 people. They canceled their Cecile McLaurin Salvant show in being yet are keeping their Pedrito Morales Brothers show in the Bing studio.

I have 10 shows on sale and I am constantly checking for updates and guidance from health officials. My base assumption is that Earthwise music fans are healthy and would not attend if they were carrying any virus let alone covid- 19.
Yoshi Kato reports that he has submitted an article to the weekly about the series but mostly about Monday show with Jenny Scheinman and Allison Miller.

jon parales of the times five years ago:

Cam wrote all the songs on “Untamed” with various collaborators; the wordplay is taut, and the sentiments are rarely sugary. Cam presents herself as a lover who’s scrappy when she needs to be; she’s clearly an admirer of the Dixie Chicks and Miranda Lambert. She

and again last month, St Valentine’s Day no less:

Credit…

The song is an arena-country promise of uninhibited back-seat passion: a march with a spacious, booming beat, echoing guitars and a growing chorus of Cam’s voice, offering all she’s got. The video turns it into something much more ominous: one last fling during the apocalypse. PARELES

To be honest I have not heard of this person until the agent mentioned it and I don’t know if I’d heard this train song; but if you’re friends with P you’re friends with me I was saying that the show kind of reminds me of the night the kfog send a DJ to introduce the band it was the week they signed to Sony.
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Dao Strom sight’em in SF

Dao Strom, teacher and illustrator Thi Bui, Isabelle Pelaud, February, 2020


Dao Strom the author, educator, mom and singer-songwriter was the focal point of an event last week at SF Asian Museum.
She is celebrating the reissue of her book “Gentle Order…”.

Go, Dao.

b/w
Cambodian Rock Band, play, in SF, in The New Yorker and Times, two shots:

this machine kills fascists, i think.

she’s got those mother hips

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Douglas Bruster VS Buster Douglas

Thirty years ago Buster Douglas beat Mike Tyson.
Three minutes ago, I was reading the Times online and I found a column about 10 new songs one of which was a Vietnamese parody about beating coronavirus, “rub rub rub” in the context of hygiene or washing see also “rub a dub dub, three men in a tub” for instance and I posted — there are 6M views on Youtube and 9,000 comments “ay, there’s the rub” and that led me to this post. Bruster, Douglas teaches at UT Austin where they may or may not be doing SXSW this year.
I have the Mother Hips at the Mitch with a call in 3 hours.
I think music has a healing power.
I likes me a Bevington… To be, or not to be, that is the question: Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take Arms against a Sea of troubles, And by opposing end them: to die, to sleep; No more; and by a sleep, to say we end The heart-ache, and the thousand natural shocks That Flesh is heir to? ‘Tis a consummation Devoutly to be wished. To die, to sleep, perchance to Dream; aye, there’s the rub, For in that sleep of death, what dreams may come, When we have shuffled off this mortal coil, Must give us pause. There’s the respect That makes Calamity of so long life: For who would bear the Whips and Scorns of time, The Oppressor’s wrong, the proud man’s Contumely, The pangs of dispised Love, the Law’s delay, The insolence of Office, and the spurns That patient merit of the unworthy takes, When he himself might his Quietus make With a bare Bodkin? Who would Fardels bear, [F: these Fardels] To grunt and sweat under a weary life, But that the dread of something after death, The undiscovered country, from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have, Than fly to others that we know not of. Thus conscience does make cowards of us all, And thus the native hue of Resolution Is sicklied o’er, with the pale cast of Thought, And enterprises of great pitch and moment, [F: pith] With this regard their Currents turn awry, [F: away] And lose the name of Action. Soft you now, The fair Ophelia? Nymph, in thy Orisons Be all my sins remember’d. and1: the opening act is ms lee and mr tuttle: oh, that this too Sully flesh would melt! I, 2 Act I Scene 2
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Earthwise cure for the common cold via good music in safe environment

Earthwise CEO Mark Weiss and Tim Bluhm of the Mother Hips, at CoHo, circa 2000

I have 10 concerts on sale at Mitchell Park Community Center, between March 6 and May 3, so best case scenario I will be sharing some incredible musical experiences (and escape from tension) with 2,000 of my neighbors and friends and fellow travelers (dancers, singers, people moved to near ecstasy by sound and sight).
Worst case scenario: I will refund all no-shows for people who are feeling under the weather. I will be renegotiating all 10 shows, mostly via the agents — I want to ensure that if a performer feels under the weather, he or she will rather reschedule than appear in Palo Alto.
For me this whole issue is an opportunity to develop my relationships with artists and audiences, and something to build on moving forward. The show must go on, but only in a safe healthy and fun environment.

I presume personally I will get a cold and then get over it. (I won’t work if I’m sick — I will either have a sub run the show or maybe cancel and refund — It could be slightly different deal with each headliner, for each date, but I will have a plan going forward).

I presume many Palo Altans and Californians will get this virus but few will die of this. Fewer than 2 percent.
God bless.
God bless you.

Keep on rockin’ in the free world.
Mark Weiss
Earthwise Productions of Palo Alto
(indirectly speaking for The Mother Hips, Akira Tana, Jenny Scheinman, Allison Miller, AJ Lee, Sullivan Tuttle, Wayne Horvitz, Lisa Mezzacappa, Marcus Shelby,Valerie Troutt, Tiffany Austin, Mike “that1guy” Silverman, The Dartmouth Coast Jazz Orchestra, Motoko Honda, Laura Veirs, Myra Melford, Liberty Ellman, Ron Miles, Rudy Royston et al)

I’ve had the experience of being CURED by live music at a concert.
I’ll be constantly updating these policies based on what goes on with Stanford Live, The Sharks, SXSW, Fox Theatre Oakland, The Fillmore, et cetera. And yes, I noted that David Packard shuttered his theatre.

We’ve been selling, thru 15 events so far in the last year and a half, 80 percent of our tickets via EventBrite and so it’s really easy to issue updates on cancellations (one so far, last fall) or refunds.

and1:
I have another thread under another PAW / TS article on this topic.

Friday March 13, besides the Paly jazz concert, Stanford has a big jazz concert at Bing, plus my company Earthwise Productions is hosting a jazz concert at Mitchell Park Community Center with Akira Tana Otonanwa which is an all-Japanese and Japanese-American jazz group performing original music, part of the purpose is to raise awareness over relief efforts for the 2011 tsunami — Akira — a Gunn grad and incidentally the quarterback of the last Gunn team to win league — 1969 — !! — did a similar event last year.

I have 10 shows on sale at The Mitch between Friday March 6 and May 3 and am updating my policies for refunds and cancellation. Basically, if you are feeling sick, stay home I wil refund your money. If the performer is under the weather, I will try to reschedule him or her. Likewise, I won’t work if I get sick.

But music is healing!

edit to add:

two down, nine to go.

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Dead musician guy my age, in the Times VS selfie reference shot after Weekly photo session yesterday with Sam Dallas

8C1AC28E-EB96-45BD-9C71-A84F35F7EA93AD9869CB-F2DF-4B0A-AF43-A5ABC6196EE2 I know that I felt younger than this guy looks

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There’s a movie about Pavement tonite at The Roxie I will not likely go because it’s sold out, plus I’m old and slow, and because I have tickets to a hockey game tomorrow VS random screen freeze of San Jose singer Jessica Johnson video in Island paradise – -and she sang ‘Star Spangled Banner’ at a Sharks game I and I attended recently

But more to the point: in the Superchunk movie “Take the Tube” they ask Mac what his favorite new band is, and he says “Pavement” but he says it with three syllables, like the word “vehement” — he breathes the end of the first syllable as if to create a second syllable, second of three not first of two – and this is nothing like, in sum, Miriam Makeba in the “When We Were Kings Movie” breathing hard and rhythmically into the mic or Sudan Archives Monday night at Swedish Hall who did a bit of that as well, or better.

I’ve always wondered why he said “puh” + “vey” like in “oy vey” and “ment”. What he meant?

Oh, this might be related: Terry, TMW Terry My Wife, Terry Acebo Davis and I or me and Terry or Terry and I I forget the grammer part we stopped at Les Claypool’s wine tasting room Saturday last after the Patty Barber show in Occidental — we went thru Guernville, Sebastapol not quite Point Reyes nor Inverness not quite Stinson — no room at the inns – and Forestville. Isn’t there a Pavement cd that references Gilman street and Forestville, like “924 Forestville”? Did I mention that the server from Pachyderm Cellars or what not looked like Roger Daltry so Les apparently calls him “Pinball”.

edit to add, like a minute later, so only about 6,000 people read the beginning wrong version: at minute 54 or so ina version of take the tube (which I call “sick transit gloria”) he says that thing, but then Jon Wurster goes into a long riff I think on fake bands from Iowa so they were just joking the dude had asked about nirvana and if that changed everything. he asked laura ballance what is it like to be the new queen of grunge?
I cannot go to the city tonite — on the account of age — but I can watch 14 minutes Superchunk Tiny Desk Concert here on my laptop.

 

jessjohnvid

the singer Jessica Johnson who is part panamanian and part red headed mother’s daughter, made a video on an island

 

pavementshow

if I had superhuman supercharger powers, I would go from Hockey game to Dayna Stephens at Kuumbwa — I also won tickets at KZSU for Duster at Fillmore Noise pop, but that show is canceled — I had forgotten I had Sharks tickets

 

 

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Remembering Brad Johnson of The Variable Stars

Someone asked me about why Earthwise is doing so many shows now after so many years of fewer shows; or none in 2017 and one in 2018, to be precise.

And that got me thinking of about 100 other topics but then also Brad Johnson. Brad played one of my shows, on a bill with Venus Opal Reese a Stanford grad student and monologist — who I had — Venus not Brad — open for Henry Butler — at which time I think Brad Kava –not Johnson — used my wording “wordless story teller”. The Brad Johnson Variable Stars, maybe just a duo with Astrid, was at Art 21 Gallery, now offices of Premier Property, at corner of Hamilton and Alma. I did about 10 shows there, including EST, Ethan Iverson, my then client Annie Lin around whom the entire matter was produced, Steve Poltz, Papa Mali.

Here is what is searchable on Brad, who recorded a cd with Allan Clapp of The Orange Peels, another former client, for my sputtering artist management business. (Currently, zero clients; all-time, ten to twenty client, depends how you count).

Bradley Nicholas Johnson ~ “Our Shining Star”

Many of you probably already read or heard this at Brad’s service yesterday (thanks Agata for printing it & Blimpy for reading it!), but I wanted to post it for those who could not be there or did not get a chance to know what an amazing person Brad was. Thanks also to the super-band that we formed for the day to perform Lights Above Los Gatos in Brad’s honor!
He will be dearly missed. ❤


(Cover of the new special edition “Lights Above Los Gatos” single)

Bradley Nicholas Johnson
“Our Shining Star”

What does it mean to be bandmates? Being bandmates is a very special relationship. Of course, first and foremost, we come together to share our passion for music and to push each other to always be the best that we can be. We talk about upcoming shows and set-lists, other bands we like to play with, and new ideas for songs. But we talk about everything else too—our thoughts, our hopes, our jobs, gossip, and all the little details from our day that no one else wants to hear. We alternate between being serious and focused, as we isolate trouble areas in a song, to silly and joyful as we dance around the practice space, flailing around and bursting into laughing fits.

The Variable Stars members were almost all friends before the band, and if not then we soon became very close. Being a bandmate is much like being in a strange, sometimes dysfunctional, five-person relationship. When we bicker, it’s like an argument with five significant others, each with his or her distinct perspective. And each one of us thinking that we are obviously the one who is right. But these differences are part of what makes a band unique and beautiful. When we finally get a song right, there is an almost tangible ecstasy that we share as we look from face to face and know how much we all gave to get to that point. At that moment, Brad would invariably shout out an exclamation like, “Yes! I love you guys! This is what it’s all about!” We would all exchange cheesy high-fives or run out into the parking lot and chase each other around before getting back down to work.

Outside of practice, we go to movies and out to dinner or just stay up all night talking; it’s like a built-in social network and a phone-tree all in one. Brad has always been our fearless leader, our biggest advocate, and our most prolific songwriter. He tried to maintain his humility, but we all knew that he was our shining star. When we performed, all eyes were glued to him. He possessed that certain something that compelled you to watch and see what he would do next. I remember a show that Brad and I went to together in San Francisco a couple of years ago. During a particular song, a giant, six-foot tall projection of the lead singer’s head appeared above the band and continued to rotate over the stage as they played. I nudged Brad and teased him, “I know that’s secretly what you want, isn’t it?” We could barely stop laughing as we pictured it, and it continued to be a running joke between us that that was what we would do when we “made it.” Until then, though, over the past seven years or so, we have played countless little bars around the Bay Area, fun venues like the Chabot Space Center, and even a Laundromat one time. We once had a band garage sale to raise money for our cause. And Brad was constantly designing funny t-shirts online or sending us files to listen to of songs that he wanted to do in the future. In a way, for all of us, being in the band is a way of life. It constitutes so much of our time and our imaginations. Brad said we were like a family, and we couldn’t have put it in any better terms.

What does it mean to be a bandmate? It is to be a loyal friend, a partner in artistic vision, a cheerleader for the team, a drill sergeant, a student, a teacher, and a dedicated musician. Brad was all these things and more, and he inspired us to always set our sights high. So now, as we come together again with Brad in our hearts, we try to keep in mind his vision for us, both as individual musicians and as a group. We try to think of things in a positive light, as Brad would always have us do, and keep close the sentiments that he conveyed with his lyrical and musical gift. In the beautiful words of Brad Johnson’s song, “Twilight Land”:

It was his favorite time of day
When the sun had gone away
And everything white turns purple at dusk

And there is a land across the sea
Where Loki plays and one day he will be
Beneath the clouds at the horizon it lies
Where nothing good ever dies
And it’s twilight all the time

I also knew Brad from his work at the library and Stanford theatre. A friend of a friend called him “the Ska guy” because he used to go around talking up the latest ska shows — ska, as I explained to a driver the other night, on my way back from Sudan Archives, is a type of reggae mixed with horns. Unless Reggae is a type of ska without horns. There used to be a Ska List, published by a lady who took journalism from my ex-girlfriend Charlotte Gerstein, at Tennyson High in Hayward. Small world, expanding, dark and light, we make the best of it. 
(There’s also a Brad Johnson who played Cubberley married to a Mary a band called Virginia Dare — I saw him in December at The Make Out Room party; I remember Mary on the phone asking me to bump her fee a bit “we have a baby” — Brad said said baby is now out of college, mazel tov). 
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