Three (or more) little Indians and The…Clerk

http://www.youtube.com/watch?v=KStsPPgeka4

Three Little Indians (and The…Clerk)

First the three little Indians:

1. I bought, from Bells, the Arcadia book on Candlestick Park. I noticed on page 28 reference, by Ted Atlas to a Coastanoan mound that was disturbed in the building of the stadium.
2. Further, it says, on page 35, that the architect patterned his design for Candlestick after something he had seen on a Mayan dig.
3. Circling back to Zizek, I should elaborate (and thanks to the dude whose cellphone video revisits the events, and provides a document, though paling compared to actually being there) about my reference to Native Americans. Zizek says that in visiting Missoula, Montana Native Americans there (Cree, or Creek?) said they like the term “Indians” because it is a model or monument to white man’s stupidity.

what’s more
4. On my way to madly add this to all things “plastic” or “alto” (or as I said a few posts before, if horizontal axis goes from “P” to “A” then vertical goes from “M” for “Marx –Groucho” to “R” for Riemann (or should that be a “Z” for Zeta?) I grabbed from the library shelf a couple more potential dramitis personers. To wit:
5. David Leavitt, “The Indian Clerk” I seem to recall hearing about this; was it made into a play or musical? I believe it to be – from the cover – a reference to the famous lower class or lower caste South Asian clerk who corresponded with real mathematicians at Cambridge and then was invited to study there. I think his name was Pollygollydingdonganddem or something. I think that when I met recently the visiting scholar (as far as I can tell) Satish and put him on the line with Paul J. Cohen’s son Eric that we learned a) that Andrew Wiles work on Fermat was not one of the Hilbert 20 and b) Paul Cohen didn’t think much of the feat. Unless I am confusing one, two, three,  or many recent conversations about math and India, Satish could recall quite easily the actual name of Pollygollydingdonganddem; certainly he knew the story, though he was a Brahmin. I recall Leavitt being a few years ahead of us in high school, coming to the freshman classes to recruit for his literary magazine.
6. Mary Morgan Finegan I reference last post, my classmate and former neighbor back in the 94022: it was she who talked me out of taking a Freshman Seminar on “The Untouchables” and suggested Marlowe (and James Shapiro). This only fits because Dartmouth was of course the Indian.
7. But certainly I will have to check with my guru on all things black I mean red Mateo Romero on whether the Zizek story resonates; Mateo who was part of a lawsuit about either Washington Redskins or Atlanta Braves or both. Mateo the Cochiti. Who joined a black fraternity at Dartmouth, Alpha Phi, he said because he was the only light-skin on a mostly black football team at Berkeley High circa 1985. I actually kinda remember the step dancing routine with the five or six pledges and the tall lighter guy (phenotype not on-his-feet) at the end of the line. Mateo is said to be visiting soon The Bay Area (the Yeh Area??? We could only Hopi) as is my Oaxacan Brahmin exchange brother Guillermo Gomez Abascal. Memo, perhaps feeling the fleetingness of life due to the demise of Jobs, is coming for four nights and also to check out his beloved Los Steelers at The Stick (hey this is kinda hanging together, well-woven, as it were, like Two Grey Hills or what-not.
And I also found a Larry McMurtry book in non-fiction – I am writing from public library natch – “Oh What A Slaughter: Massacres in the American West, 1846-1890 (Simon Schuster, 2005).
8. True or not I now believe my namesake Morton Benjamin Weiss was a real estate developer in Chicago who with partners built Indian Village there; art deco faux Indian little Lomaquha-esque gems.
9. This is not Indian (other than it partly takes place at Stanford) but I have a new initiative I may even debut tonight, at the Lardner Y Hermosilla called working title “The Harbaugina Monologues” about Our Boy Jim. I wanted to call it The Vagina Monologues because Jim Harbaugh is a pussy — a squaw — but the name is taken. I want to tell my little Harbaugh stories until the inevitable day – as Zizek says, quoting Stalin, “we just serve history” – that Harbarph, incised and scrafittoed by these accounts, comes to the show and either a) most likely, punches the little Jew out – in which case I donate $10,000 to domestic abuse charity or something or b) kisses me on the lips in which case I donate $1 million to something PLUR (peace love understanding respect). So far I’ve polled Eugene Robinson who is going to train me to take that punch; be prepared; Dave Siqua librarian and former St. Francis gridiron monster – who suggests I go ring Harris Barton. I left a voice mail monologue on this for Dr. Doug Scout Shevin in Springfield, IL, and I also had about 30 seconds with Joe Sib whose “Callifornia Calling” is an influence and has a riff about flag football. I also had written Doug Keare about my 8th grade flag team with Nick Sturiale. My parents were right, I know just enough about football to get my teeth knocked out.
10. I will add this above but the Shakespeare play (not sure any Indians lurking therein although my Bevington is red, if not well-read), but the last tragedy is called Coriolanus.

Go long. (or is that “Go to”?)
How? Or did I mean the Agatha Christie book movie:

http://www.youtube.com/watch?v=gA8PFd_st5I

edit to add, Oct. 30: Maybe the Harbaugh piece could be called “The Squaw-baugh Monologue”?

This thousand words rant is a massacre of narrative.

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Lardner and Hermosilla Free Show Wednesday at Lytton Plaza

First of all, it would not be un-American to hear great Spanish folk music and tape or skip the World Series Games 6 and 7. Second, Sam Lardner said he wants to make sure that if people check out the impromptu just-added Wednesday “hora feliz — happy hour” show in Palo Alto — 5 pm at Lytton Plaza on University Avenue in Palo Alto that it would not mean they could or would miss the actual show Thursday in SF.
And I also wanted to say that Mary Morgan Finegan and I had the chance to catch up by phone Sunday — she was concerned that I had RSVP’d but missed the show at her home Saturday. We talked about gossip about the 12 or you but also recalled that it was in 1981 that we first met in that her family hosted some people from the Oaxaca Sister Cities Exchange to swim and hot tub — this was a year before we met again as Dartmouth admits; relevant because of the Spanish-language theme here, and because out of the blue the same Oaxacan — my exchange brother Guillermo — called last week  to express lament over the loss of Steve Jobs and say he is visiting me for the first time in 30 years next month.
So in honor of all of this I want to invite all comers to check out Lardner and Hermosilla “busking” (playing in the streets, as troubadours have done for centuries, unplugged, without amps* rain or shine) in Palo Alto tomorrow at Lytton Plaza.
I work in the music business — Stretch and Hulberts for example caught I show I did with the then-unknown Train years ago — and hung with Senor Lardner years ago when he played Freight and Salvage. I think checking him out in these contexts is not just being a good ’86 or Green — his music ranks with people I’ve known such as Jimmie Dale Gilmore, Martin Sexton, Bloque and Rupa Marya.
They are planning to play for about an hour — until the third inning or so. Some of us might retire to nearby Old Pro to drink and eat and talk about how great we were as Little Leaguers. Actually there is a Wednesday jam at Lytton Plaza with a sound gear and I just might be coaxed into doing my 25-minute tribute to Allen Ginsburg called Beat Hotel Rm 32 reads Howl — I don’t wear a beard or chase underage boys but let the formerly banned text of “Howl” perform itself, as musicians improvise a background. I’m just the wave not the ocean.
I asked Sam and Pedro to play partly to support my ongoing advocacy for music programming here in Palo Alto (where Melissa is on the school board not incidentally, and I ran for City Council but lost).
Nos vemos espero que si y wah hoo wah,
Mark Weiss
*actually it turns out although Sam is ready to play old school and without amps the people I am representing in their fight to bring music to Lytton Plaza were planning their weekly jam session that day anyhow and will set up their stage and gear early to fit Sam and Pedro’s schedule, if Sam and Pedro want to be amped…speaking of which, maybe our classmate Diarmuid “Doc” O’Connell of Tesla and them can take a cue from the buskers and  can come up with an unplugged car that is not gas-guzzling or electric but is solar and man-powered like Fred Flintstone used??? Actually I surprised myself after a Tesla test drive how good it sounded to become a “team member”: only $15,000 down and $2,000 per month if I give up my apartment and move in with my girlfriend; it’s like the Woody Allen bit about working in burlesque for $50 per week — its all he can afford. My high school friend and former client Dan Adams– the Oxbow bassist  and jazz drummer — is, like O’Connell big at Tesla; and I was Chris Paine’s driver when his “Revenge of The Electric Car” played the Palo Alto International Film Festival, if you excuse the plasticity of going from Lardner and Hermosilla to Tesla.
Earthwise Productions presents Lardner and Hermosilla, Wednesday, October 26 , 2011, 5 p.m. free concert at Lytton Plaza, 200 University Avenue (at Emerson), Palo Alto, Calif., U.S.A, Sam Lardner and Pedro Hermosilla, on tour from Spain, will perform one set before Sue Webb’s ongoing acoustic jam session at Palo Alto’s version of People’s Park. RIYL: Jimmie Dale Gilmore, Martin Sexton, Bloque, Rupa Marya, Center for Ocean Solutions, Chico Carrasquel.
edit to add: Concert went great, and although I showed the musicians a photo of police brutality in Oakland and warned that there was a slim chance we would be shut down here in Palo Alto, the event went sin hitch.
I suggested to Lardner that he might want to do a whole album of Steve Wonder with flamenco accents — lke Robbie Fulks and his Michael Jackson cd “Happy.”

P.J. Hermosilla y Sam Lardner en Lytton Plaza, Palo Alto, California E.U.A, miercoles el 27 de octubre de 2011

Posted in music, Plato's Republic, sex, sports, Uncategorized | Tagged , , | 3 Comments

Ear elephant earwopa whatever

 

Posted in chapel hill, media, sex, sports, this blue marble | 4 Comments

film studies teacher

The Zizek lecture was actually Monday, October 17, 2011 at Cubberley Aud

this is really just my rough draft:

Is Zizek a Tzadik?
 
Zizek spoke at Stanford yesterday to standing room only at Cubberley Auditorium. There was a giddy acceptance over almost anything he said, no matter how outrageous, inscrutable, non-PC or hard to figure behind his accent. True, a few people left before the Q and A was completed. He is inspiring. Ipso facto, here I am writing about him. (I also met him briefly, as he and a bald guy and a hot chick entered Cummings, twenty minutes before the hit; I caught, despite my lacan of German or Czech or Serb or what not, some disparing remarks about Toni Morrison; I think he called her the B-word, and on top of that referred to her by her phenotype. But I agree. Toni Morrison, beyond the Nobel Prize, is a be-atch. I got this on good account from my ex-girlfriend the trauma surgeon who got all dressed up and stood in line and paid good money for a meet and greet, this was for “Errol Garner” inPhiladelphia, in 2005, and was put off. Nearly to the point of tears. Maybe they were discussing the Othello-derived piece that is playing in Paris right now. He did go into a long riff about Corilonius. Although I did not get who the producer was. I asked him or name-check Astra Taylor. He made a self-assuming remark about it being “stupid” or showing “one stupid face” (meaning his). During the Q and A a perhaps too earnest (I was the same way, in the 80s, around Kurt Vonnegut) asked about “his documentary” meaning Zizek’s and Zizek responded “do you mean “Examined Life” but it was the other Zizek.
Is Zizek a Tzadik? Or what does he Stand For?
Yo, microphone check one two vat iz dis: 
Zizek spoke at Stanford yesterday to standing room only at Cubberley Auditorium. There was a giddy acceptance over almost anything he said, no matter how outrageous, inscrutable, non-PC or hard to figure behind his accent. True, a few people left before the Q and A was completed. He is inspiring. Ipso facto, here I am writing about him. (I also met him briefly, as he and a bald guy and a hot chick entered Cummings, twenty minutes before the hit; I caught, despite my lacan of German or Czech or Serb or what-not, some disparaging remarks about Toni Morrison; I think he called her the B-word, and on top of that referred to her by her phenotype. But I agree. Toni Morrison, beyond the Nobel Prize, is, indeed, a be-atch. I got this on good account from my ex-girlfriend the trauma surgeon who got all dressed up and stood in line and paid good money for a meet and greet, this was for “Errol Garner” in Philadelphia, in 2005, and was put off. Nearly to the point of tears. Maybe they(Baldie, Hot Chick – but not Jamina Bocik —  were discussing the Othello-derived piece that is playing in Paris right now. He did go into a long riff about Corilonius. Although I did not get who the producer was. I asked him or name-check Astra Taylor. He made a self-assuming remark about it being “stupid” or showing “one stupid face” (meaning his). During the Q and A a perhaps too earnest (I was the same way, in the 80s, around Kurt Vonnegut) asked about “his documentary” meaning Zizek’s and Zizek responded “do you mean “Examined Life” but it was the other Zizek.
 
Zizek is sort of like: Marshall McLuhan, especially in the Woody Allen movie “you know nothing of my work”; Vaclav Havel, Andrei Codescu, but a misanthrope, George Costanza, especially the “backwards George” riff; George Carlin, Lenny Bruce, Guy Debord. Borge Y Yo, which reminds me that I sat next to a Stanford English professor, named Saldivar or something, and blathered him with a long list of name-checks: Stegner, Festiner, Elizabeth Wiltsee, Juvenal Acosta, Enrique Chagoya, Gustavo Ramos Rivera – he’s probably an Elizabethan, like David Shapiro, which makes me a racist; he had a little earring. I sat between he and an undergrad(?) who was reading a book on Colonialism and “wild men” but not the Woody Allen movie.
 
It reminded me of the lecture I saw in San Francisco some years ago after which I was invited back, with one or two others, to the flat of a lady who said she dropped acid every day in Japan with the “Japanese Tim Leary.” I was at a Tim Leary lecture, at the JCC.  I recall that within  the first 500 words Leary took the mic from the stand and started to walk with it and had to tear the chord from the gaffing job, the mic was taped into place. I had just seen the Joseph Campbell series and recalled an anecdote about a monk giving a lesson where his signal – lifting a flower, in a toast or salute, was the lecture and the actual text or speech was just epilogue. I said to self “the tearing of the microphone chord from the arbitrary tape job was the message – “break free”, “resist”, “don’t be confined, arbitrarily”. So years later I could not help but drift from the cascade of words and thoughts and funhouse-mirror commentary and ask “Is there something else going on here that I am supposed to be attuned to?’ A revelation, perhaps. A briefly considered whether I was actually interceding between “Saldivar” and the student then went back to the lecture.
 
The film professor had introduced Zizek with a joke about Lacan: the punch line is something like “You fools!” And he ordered a beer that he did desire.” I think I had exactly one lecture on postmodernism and therefore without searching too much for more info let’s assume here that Lacan in this context means all bets are off as to intent. (As opposed to Lamark which means lamarkable virtually nothing about giraffes elongating their necks to reach the apple of knowledge, not to mention Steve Jobs or Jasmina Bojic, again, and her apple, the apple of her eyes, or all our eyes, the fourteenth United Nations International Film Festival, which features something like 40 visiting filmmakers but regratably not Astra Taylor, I wouldn’t think. And speaking of Jobs, but thinking of not Bill Rose this time but Groucho Marx – always, it seems, as if it is in my blood, my genes, my pajamas even, though how Groucho Marx got into my pajamas I will never know, as Freud would say, or Jung – did he, Baldie, but not the Bald Soprano, say “an Etruscan mask”? to symbolize Jung? – and Candye Kane – that’s her real name – and her pancreatic cancer. She was barred from singing at a blues festival near Birmingham , Alabama for her alleged eating pussy – can I say “eating pussy”? on the internet? Not even apropos of Zizek? Can I say “with mother finally ____?” She kissed a girl, maybe even my former client Laura Chavez, theSaint Francis. As opposed to the St. Ignatius grad Tonilyn Sideco, of PMSTA (“This is What Democracy Looks Like”). And I posted, perhaps inscrutably, perhaps foreshadowing my Zizek encounter, “Maybe she should go to Tuscaloosa ”.
 
Because the undergrad had a cute little notebook and labeled “Zizek lecture 10/17” I pulled my black sketchbook from my over-stuffed REI backpack and mimicked her. Here is a verbatim reproduction of my notes:
Zizek lecture
Oct 17, 2011
You Fools. Orders a
Beer, he does not desire
Lacanian
Jungian – Etruscan mask
Freudian – cigar\
Shamanism Colonialism + Wild Man
Lacan
“What Does Zizek Want?”
Film studies teacher (that’s like man bites dog – I didn’t actually write that)
“Salvadar” 20 yrs
Zizek
Serbian joke about Gypsy/Roma
(a crude drawing of two musical notes that look more like pi

pi or chet

or Hebrew chet)

Racist and specist joke
Our name is a monument to white men’s stupidity
Indians
________
tolerance v. class struggle
Krugman 2008
Would think you not difficult w/funkaahge!
(GDR) “NO” ?? (I admit I don’t recall what the funkaahge)
Psychoanalysis
LIFE IS BEAUTIFUL>>{LIE IS BEAUTIFUL}
EGO – Baby
Dirty water
{superego, id?}
Don’t throw out baby with the bath water is opposite of psychoanalysis??
 
I stopped taking notes about 15 minutes into what turned out to be a two hour lecture. I thought of Jello Biafra (Eric Boucher) and his four-hour diatribes. The student next to me, who I inferred must be some kind of a super-genius, acing her courses despite a possible language-gap, finally opened her little book about 75 minutes in and wrote two or three succinct sentences that seemed to sum up the matters much more cogently than here.
 
It also occurred to me to ask the grad student in comp lit from Johns Hopkins to send me her photos. We met when I asked for directions to Cubberley and she had us both heading perhaps towards Mem Aud – where indeed Zizek is speaking to students only NOW i.e. was to be speaking the next day, at noon – and then I flagged down a Stanford staff member in a golf cart and said “Take the girl. I will walk”. She sat two rows directly ahead of me, but apologized or at least acknowledged the humor of out little interaction. I tried to sit with her but the open seat was spoken for. (It had been speaking to me, but I misunderstood).
Here the computer crashed on me as I was referencing accurately thanks to the Daily News the Toni Morrison piece that is coming to Berkeley later this month “Desdemona” although the writer says that it is a passing reference to Barbary that is “the beating heart” of the new work, the derivative work, ala Stoppard’s “Rosenkranz” or Mark Stewart’s “Passing Strange” — the title comes from Othello discussing Desdemona. Rokia Traore. Peter Sellars. It’s a digression.
Tzadik is a label by John Zorn, was mentioned in Times’ review of Coen “A Serious Man” but is also, according to wiki attributed to Maimomedes a man whose value outweighs his iniquity — wickedness.
I mean to link to Astra Taylor “Zizek” — it seems to be posted in entirety, but misspells her name. Her sister Sunaura Taylor to me steals the show in “Examined Life” My Lacanian or Zizek-like conception is that it is a love-letter between the sisters. I should probably strike the cunnilingus reference — so direct — especially if I plan to run for City Council in Palo Alto in 2012. I ran into Gennady Shyner of the Weekly on my way to Zizek and gave him the ad I clipped from Stanford Daily. He said he has caught Karla Kane band several times. I am jealous. Zizek is like a rock star. Or the devil. But the Devil in the Pentatarch is more like an accountant. And we blow the shofar to confuse him. I was confused by the little flyer announcing MCM or someone Haggai Cohen Milo doing Zorn — Palo Alto performances booked by Suzanne Warren had a but not the John Zorn play once. I was moved by the Cantor at Rabbi Michael The Lesbian’s Reform and Reconstruction Afternoon Yom Kippur Service playin Leonard Cohen “Hallelujah” and I some day will learn to spell that or at least remember to search it. See also Steve Bernstein “hosanna”. They are all mensch: the Cantor, Leonard Cohen, Steven Bernstein, maybe this Haggai Cohen Milo — great name! — fellow, a bass player, studied with Danilo Perez; Gennady Shyner, although he is a little repressed –he need Zizek more than I! Mensch, Tzadik, not sure the distinction, demand curve shifts to right. Moral compass. But Zizek, I’m not sure. Agnostic. Isn’t it pretty to think so. Bang.
Do I say in here my construct that “Examined Life” is a brilliant love letter from sister to sister in that when Sunaura Taylor sister of filmmaker Astra Taylor appears in the film, shopping and talking and wandering the Mission with Judith Butler she sort of steals the show ?
this write up is sort of a review of “Examined LIfe” and “Zizek” by Astra Taylor more than a coverage of the talk. And I did get to greet Zizek and ask him about the films. Describing my Zizek adventure to a friend had me recounting the Elephant 6 bands that I worked with (as her husband Jeff Magnum of Neutral Milk Hotel is part of that scene): Apples in Stereo, Creeper Lagoon, Beulah, The Music Tapes, Olivia Tremor Control.
Note: I think I mean “Margaret Garner” not Errol Garner, which reminds me that my then-girlfriend and I had a happier experience meeting Denyce Graves at a signing at a chain book store in Center City. When I shook her hands she gave a little hoot and called me “Mr. Soft Hands” which I took as a compliment but my girlfriend said it was a slight in that a manlier dude would have rougher hands.
My backpack is actually from North Face.
I meant to amend the opening to reference The Bald Soprano and The Hot Chick who is not Jasmina Bojic.
They may have been discussing “Desdemona” an Othello derived work by Toni Morrison and Rokia Traore.
Ramon Saldivar is the professor of English literature at Stanford.
My professor was James S. Shapiro, whose book I just bought today, and if he got his Phd from University of Chicago in 1982, my Marlowe seminar in 1983 must have been one of his first classes.
I actually posted somewheres, on Aug. 14, 2011, to be exacting, that Candye Kane, barred or pulled from a gig near Birmingham, AL, that “she should go play where the tusks are looser.”
This is the book that the student next to me, who I suspected of a secret connection with Saldivar — they hoped no idiot like me would actually take that open seat between them — was reading, or at least carrying:
Enrique Chagoya’s art and hopefully his corpo santo will be at Smith Andersen Editions tattoo art show, with a reception Thursday, November 3,  6 to 9 p.m. and it appears that Akira Tana trio will augment that night. McSweeny’s actually has a version of the Lacanian joke about the three guys entering the bar, which I found by search-injuning “etruscan mask” and “jung”. Please don’t tell me that the Stanford Film Studies teacher that I photographed above and I call The Bald Soprano was sitting at his computer the day before Zizek and typed in “lacan jokes” and found the same May, 2008 article by James Warren. What if he did but instead he found first Jen Dziura and then my derivative of hers about vagina and hamburgers and Zimbardo?
Wyndham Lewis was not along of finding Coriolanus the least lovable of Will’s tragic heroes, or so says Frank Kermode, 1392 and all that, down by the Riverside.
Posted in austistic, film, media, music, Plato's Republic, sex, words | Tagged | 3 Comments

Alan Eagle My Luddite Brother

My former neighbor and fellow Dartmouth alum Alan Eagle is featured in a New York Times article about the Waldorf School in Los Altos and the fact that they recommend children abstain from using high tech devices during formative years. Wah-hoo-wah! (Dartmouth for “hurrah”).

He is by the way a computer science major and employee of the leading search engine (a phrase I often call “search-injun”). I think he got his job through his not my Gunn classmate, who we both used to play mid-twenties hoops with too many years ago, the recently retired multi-vested Jon Rosenberg, a guru and legend, and Lee Major’s league bonus baby.

The kicker to Alan Eagle not letting his kids use even the sleekest of Silicon Valley gadgets is, and you have to have known Eagle since his childhood to even know this — his Alpha Chi Alpha brothers probably don’t know this — and its a true shibboleth, like calling Burlingame Council member Michael Brownrigg “Ferb” — his childhood nickname is…wait for it..one G, two G, three G…Mac! (or Mack, but hey shine on you crazy names his dogs for baseball heroes wrote children’s football early days book and keeps the kids old school Luddite diamond Dad).

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dog dude illusion

When my girlfriend texted me a photo of her holding the chin of her dog Frida, I at first saw a dude, maybe an image of John Lennon, or maybe some kind of post-Warhol Mister BrainWash type image, of a human with sunglasses looking off to the left, in semi-profile.
See also the more famous W.E. Hill illusion of old woman young woman I link to.

In a perhaps related matter, I took this self-portrait to send to an old friend; Rodin’s “Orpheus” is what I am leaning against, and over my shoulder is something I forget what it was called, and cannot seem to find it online: I thought it said “Catyrid”. To me the highlight of the expanded Rodin show were two watercolors of nudes by Georgia O’Keefe and I thought these pieces may have influenced Nathan Oliveira’s Santa Fe nudes.

Am I allowed to jump from W.E. Hill illusion/Warhol/Frida (Kahlo) to Rodin and then O’Keefe and Oliveira? That’s more spastic than “plastic”.

And the image here of the so-called illusion works less well than on my phone screen. Ok, I’m tripping.

The Rodin show, here til January, was decent but not on par with the recent Picasso and Matisse orgies in SF. I also detoured upstairs at the Cantor and noticed an Oliveira bust they must have rotated in:

An Oliveira bust

 

Returning full circle to Frida the dog, I had been meaning to post this photo of Mr. Brain Wash “Charlie Chaplin” mural in the courtyard of the Doris Day-owned Cypress Hotel in Carmel. We took Frida there to the dog-friendly hotel for a summer holiday, and stayed in a room that Barbara Eden is said to be fond of.

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Coupa, Beisbol and The World Serious

I’ve been watching the World Series on television since Roberto Clemente’s Pittsburgh Pirates beat the Orioles in 1971 so I am celebrating 40 seasons as a baseball fan by enjoying a Venezuelan coffee (and scrambled eggs, I presume from Sonoma or somewhere nearer by) at Palo Alto’s uber-popular spot to sip, chat, plan the next billion-dollar IPO and check your social media page, Coupa Cafe on Ramona Street (not to be confused with either of the three Coupas on campus).

I commandeered my girlfriend’s laptop to work remotely from said cafe this a.m., breaking from my typical Luddite stance of doing my computerizing in private or at the public library. I was going to write about Zizek but decided to punt that for Our National Passtime.

I’ve also seen parts of four World Series in person: 1973, A’s vs. Reds in Oakland; 1989, Giants vs. A’s in SF — for the earthquake and then the replay; 1992, Braves vs. Blue Jays in Atlanta; and 2002, Giants vs. Angels in SF. I did not see live any of the 2010 Giants World Series championship games although Tim Harris and I did take his kids to the ballpark exterior that night so we heard some of the excitement, and could sense it.

I also saw Bill Gould speak recently on the labor history of baseball.

I keep promising J.P. Coupal (pictured above) to compile a list of Venezuelans on current MLB rosters, from the Baseball Digest I bought last spring.

J.P. and I, with his lovely companion Maria, who is actually Panamanian, had opportunity to reference, Rod Carew, Rodney Klein (the cab driver who helped Carew’s mother deliver), Omar Vizquel, Danilo Perez (a pianist not a pitcher, who delivered a grand slam of a music seminar for Orlene Chartain’s Music For Minors students, a few years ago), San Jose’s Jessica Johnson the jazz singer, and Mariano Rivera.

I proferred the happy thought that the team, Texas Rangers or St. Louis Cards, who have the most Venezuelans will have the edge in the Fall Classic.

I am referencing Ring Lardner’s “You Know Me, Al” in my spelling of “series” in my title here. The book is about an epistolary relationship with two friends circa 1920, one of whom is a Chicago based baller, and his excitement about a post-season tilt between Cubs and Sox that he calls the “City Serious.”

Last night, prompted partly by on screen graphics researched and posted on TBS, and while watching Paul Giamatti (son of the former MLB commish A.P. Giamatti) playing a hockey-loving Mordecai Richler archetype in “Barney’s Version”, I made this list of baseball greats that represent five eras of great Cardinals champs: Rogers Hornsby, Joe Medwick, Stan Musial, Bob Gibson and Ozzie Smith. It is also true, albeit trivial, that my former client Jack Walrath and I were each born in a year in which the Cardinals won the Serious: 1946 and 1964.

Mainly I am for St. Louis based on my respect for former A’s skipper Tony LaRussa.

Frida likes Ducky Medwick fine but loves PureBite freeze-dried chicken liver snacks.

Frida at Coupa

I am punting Zizek, or pinch-hitting for him, although here as a preview is a thumbnail of my picture of him and his entourage (next to a Henry Moore) on campus Monday:

Zizek et al

Ok, this is a weak segue, more of a spitter than a curve or slurve, but the St. Louis ace and starter tonight is Chris Carpenter while Zizek Monday at Cubberley Auditorium on Stanford campus spoke at length of John Carpenter’s 1988 film “They Live” something about putting on magic goggles to see the world (or The World Serious) as it actually is. Lacking. Or as Lacan would say: pfff! Play ball!

edit to add, a cup of coffee later: Getting back to (one of ) the original premise and conceit of this post, wiki lists 270 Venezuelans who have appeared in Major League Baseball, including more than 150 active players, starting with Alejandro (Alex) Carrasquel, a pitcher for the Senators who debuted in 1939, continuing with his nephew Alphonso “Chico” Carrasquel, who played shortstop for the White Sox in the 1950s, Luis Aparicio, Hall of Fame shortstop for the ChiSox, Dave Concepcion of the Big Red Machine in the 1970s, Ozzie Guillen, another great Chicago shortstop, Vizquel, who debuted in 1989 and is still active, Giants fan favorite Pablo “Panda” Sandoval. It looks like the World Series roster gives Texas the edge in this category: Cards pitcher Eduardo Sanchez matched by Rangers all star shortstop Elvis Andrus and backstops Max Ramirez and Guillermo Quiroz.

1953 Bowman Carrasquel

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Palo Alto Needs Music

Palo Alto Needs Music (detail)

This is a detail of a drawing offered by the lovely Annie Pletz of Berkeley  regarding TLPW456, the initiative to revive the historic and beloved Varsity Theatre in Palo Alto. The drawing actually shows a bass player performing under a proscenium and there is a label PALO ALTO NEEDS MUSIC. I met Annie during the breaks of the recent Woody Guthrie tribute by Country Joe McDonald at Freight and Salvage in Berkeley. Annie volunteers there and she said she is studying bass. Meeting her and perhaps being too moved by Country Joe channeling Woody Guthrie I had a notion of starting a band with Ms. Pletz called Fcak (pronounced “fake”) that would do nothing but cover the music of Sacramento’s Cake, arranged for acoustic bass and vibraslap/vocals. I had the idea before but had never pictured any particular personnel.

Steve Baker of Freight and Salvage said he would tour 456 University and offer encouragement or sage advice on the initiative but said that his soccer-loving son fractured a foot and that displaced his Palo Alto visit from his schedule. Palo Alto City Manager Jim Keene said he was in Berkeley during the time period that Freight and Salvage raised the $13 million to relocate and expand, so he agrees it is some kind of precedent to what could happen here.

I subscribe to the Horton Hears a Who theory that the more people who offer utterances, ideas, and happy thoughts about a musical future for 456 University could someday add up to actual progress. Thanks, Annie for your offering and keep up the good work! (Fcak will have to wait. Oh that there were world enough and time…)

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This Is What Democracy Looks Like

Market Street at Sixth, San Francisco, Saturday, Oct. 15, 2011 march

Terry Acebo Davis and I attended a matinee at Bindlestiff Theatre in San Francisco Saturday, featuring PMSTA, a Filipino themed comedia dell’arte group: Pinays Maintaining Sisterhood Through Art.  We were quite impressed with the program of six one- act works that explored issues of feminism, sexuality, exploitation and the Filipino diaspora. Three of the writers acted in other writers’ shows. I thought the piece about imagining Oprah Winfrey visiting an imprisoned woman was like Mindy Kaling’s “Matt and Ben.” Christina Ying was the author and it starred Teresita Brown and I think Andrea Almario (there were three Almarios in the production, so excuse my confusion). I found myself mentioning “Passing Strange” more than once. I wonder if this show, or works by some of the principals, could workshop further at Stanford or in town at Dragon Theatre. The sequence, backed by a grant from the Zellerbach Foundation, was called “Death of a Player.”

I was also impressed with Tonilyn Sideco, who starred in a piece by Shannon Lee L. Pacaoan . She said that she is a Saint Ignatius grad inspired by Stevie Wonder and Lea Salonga. I took the opportunity to mention to her the great Chicago singer-songwriter Anna Fermin, and also mention David Byrne’s song cycle about Imelda Marcus, “Here Lies Love“. I would love to produce a version of that work, or an excerpt, that showcases a versatile and powerful Pinay performing voice — the album features several different singers.

After the Q & A, we ran into the Occupy march, at Market and Sixth. The hundred or so — two hundred — demonstrators chanted “THIS IS WHAT DEMOCRACY LOOKS LIKE!” I made eye contact and gave thumbs up to two people, and also trotted after to shake hands with a young singer-songwriter I know, J__ B_____.

The day before I was approaching El Camino via Oregon on bike and I could make out a crowd gathering at what I knew to be a retail outlet for a large phone company. By the time I got there I realized it was not a protest but people lining up to buy a newly released phone product. They were not singing or chanting or even relating to each other; most were on their phones. I did chat with one guy whose corporate badge revealed him to share a name with a famous football player; I had sat next to the actual Dwight Clark on a airline a few months ago but didn’t speak to him. As I watched the PMSTA showcase I tried to tell myself not to project potential projects onto the young cast, but when the meet-and-greet started and Terry was chatting them all up, I could not help but offer my ideas; I got three cast members, and the Bindlestiff managing director, Allan Manalo, to sign my program. And I snapped this ensemble shot of not the Algonquin Round Table but something that might prove equally historic:

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Beat Hotel Rm 32 Performs Howl

I’ve performed as Beat Hotel Rm 32 Performs Howl five times now:

1. Inception, for “Palo Alto World Music Day” with Steve Rothblatt, percussion, June, 2009 (the idea came out of a discussion with Steve)

2. At Bell’s Books, with Beth Custer (clarinet) in August, 2009

3. bits of it, with Joel Betts and Sue Webb, at Lytton Plaza, summer, 2011

4. with a local musician named Jim Byron,  in front of Caffe Trieste, September, 2011

5. with Michael Akatiff (guitar), at Lytton Plaza, September, 2011

It takes about 25 minutes to perform, and the idea, that I got from Charlie Hunter, is to have a rotating cast. I talked to Scott Amendola about doing “Howl” while playing Monk, and he said he would do it if I also got Joe Goode to read.

Out of this comes also, indirectly, the upcoming “Lami@50” event, regarding Alden Van Buskirk’s 1961 text. Ginsberg wrote the intro to Van’s book. We are planning an event for Thursday, December 15, 2011, at Books and Bookshelves, 901 Sanchez in San Francisco. Matt Gonzalez said he will be one of the readers. David Highsmith, poet, publisher, shopkeeper, cabinet-maker, is our host.

edit to add, October 30: my spontaneous new partner at Caffe Trieste was Jim Byron or Jim Bryan. He was a Dylanesque young man with a soft nature and skills on guitar and voice and a lovely girlfriend and respect for and of some of the regulars at Trieste.

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