LevitaTVed Mass

It took me 342 days to transport Michael Heizer’s “Levitated Mass” from LACMA to my living room, with help from corporate sponsors Samsung(stupid cell phone), Samsung(flat screen tv, actually belongs to Terry), Apple(laptop computer, actually belongs to Terry), Yahoo(email service, I pay $10 per year for), and most especially “Art and Soul” a public television magazine out of Minnesota, that airs locally on KQED.

From July 25, 2012:

HeizerView6

From July 2, 2o13:

screen capture of "Art and Soul" segment on Heizer piece

screen capture of “Art and Soul” segment on Heizer piece

edit to add, moments later: in a related dealio, I saw James Turrell on Charlie Rose, re-read the relevant section in Kimmelman, and noticed a piece on Turrell last week in Time: note distinction between Rodin (French sculptor), Rodan (from Japanese sci-fi films) and Roden the crater earthwork by Turrell, not far, conceptually or geographically, from Heizer’s piece. (The distance from Turrell “Roden Crater” to Heizer “City” is about 408 miles, I got from this website).

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My Song Got Played On Pandora 1 Million Times and All I Got Was $16.89, Less Than What I Make From a Single T-Shirt Sale!

I ran into David Lowery at the Santa Fe Bandshell a couple years ago and would have gladly paid twenty bucks for that free show.
Here he talks about Pandora, who I despise:

Dr. David C Lowery's avatarThe Trichordist

Pandora less than t-shirt sale

As a songwriter Pandora paid me $16.89* for 1,159,000 play of “Low” last quarter.  Less than I make from a single T-shirt sale.  Okay that’s a slight  exaggeration.  That’s only the premium multi-color long sleeve shirts and that’s only at venues that don’t take commission.  But still.

Soon you will be hearing from Pandora how they need Congress to change the way royalties are calculated so that they can pay much much less to songwriters and performers. For you civilians webcasting rates are “compulsory” rates. They are set by the government (crazy, right?). Further since they are compulsory royalties, artists can not “opt out” of a service like Pandora even if they think Pandora doesn’t pay them enough. The majority of songwriters have their rates set by the government, too, in the form of the ASCAP and BMI rate courts–a single judge gets to decide the fate of songwriters (technically not…

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Baby what’s new to me

Researching vintage posters, I came across Bill Quarry who booked shows into the East Bay. Peter Wheat and the Breadmen, Barry M. Carlos, one of the Teens and Twenties bread-and-butter acts, recently corresponded with Elinor Blake pka April March, who as The Shitbirds, covered their underground classic “Baby What’s New”. To wit:

Here’s the original, which was on a compilation called Pebbles:

I am meaning to pull from storage and then swede in my April March poster, designed by Meredith Megadeath (and then someday I will correct her name — came to SF from Chapel Hill, worked for the Bay Guardian…)

Bill Quarry’s website, http://www.teensntwenties.com/Photos.html, among other wonders, has a gallery of about 100 vintage posters. Another good article on Mr. Quarry, who still runs Minit Printing in San Leandro, at Collectors Weekly.

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Sharon Washington and Colman Domingo in Palo Alto

sharonwashington81
The Dartmouth Alumni group sends me a note that a group of alumni will check out the Theatreworks show “Wild With Happy” based on the fact that a featured performer is Sharon Washington, who is a Dartmouth alumna, class of 1981 (to my 1986 — i.e. she is five years ahead of me, we missed each other by two years, or she was a classmate of the famous Kemp to Shula combination).

I was planning on, in my head, not quite in “Plastic Alto”, to interview the show’s creator and co-star Colman Domingo, on the strength of having seen him at Berkeley Rep’s version of “Passing Strange” which was created by my former client Stew. I met Colman briefly backstage  there.

I sent a little note to the Theatreworks publicist, although it might have gone into their spam file, since all I did was reply to a group email about the show.

I said somewhere else in here that I also left a note on Leah Garchik’s voice mail about Colman Domingo and his connection to “Passing Strange” — Garchik’s son, the trombonist Jacob Garchik — had played with Stew at times.

“Passing Strange” featured another Big Green alum, Chad Goodridge ’87.

Colman also appears in the opening scene of “Lincoln” the movie although I didn’t realize that at the time. Perhaps reason enough to rent the film.

He also appeared in a production of “Blood Knot” by Athol Fugard, a version of which I caught and liked at ACT. And “Scottsboro Boys” a big deal.

Colman is a rising star and maybe too busy to talk to little old “Plastic Alto”.

The Chron and the Merc had favorable notices of the production, which also played at Public Theatre of New York.

I recall seeing notice in The New York Times about an earlier Colman Domingo show, and called the theatre (off Broadway, or off-off) and maybe was put through to his producing partner  Tony Kelley). I think I have the clip and my notes somewhere.

Anyhow, this is the best I can probably do. There are 22 shows left, including tonight’s.

Break some legs, yo!

DARTMOUTH NIGHT PERFORMANCE OF WILD WITH HAPPY FEATURING SHARON WASHINGTON ‘81
Center for the Performing Arts, Mt View
Tuesday, June 18th at 7:00pm

Join the Dartmouth Class of 1981, the Black Alumni of Dartmouth Association, and the Dartmouth Alumni Association of Silicon Valley for a special performance by Sharon Washington ’81 in Wild With Happy, an absurdist-flavored new play about family, death, and healing. Read more | iCal

 

edit to add: big print say “in Palo Alto” small print say “in Mountain View”; all good in “Plastic Alto”. (show is actually at Mountain View Center for Performance Art, on Castro)

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San Ho

HoRun

Brian Ho is playing tonight in San Jo, at Hotel De Anza but I hope to trek only as far as Los Altos to check out Foreverland, a Michael Jackson tribute featuring Morty Okin (of Morty and Connie fame).

I saw Ho, on organ, with Lorca Hart on drums and a cool sax player whose name I am spacing right now. Tall handsome maybe brozillian dude, Oscar? Oscar Pangilinan, I mean. (And he mean; he play a mean sax).

I booked Ho with Akira Tana trio some time ago at Santa Clara University party for tattoo art show, via Smith Andersen (Ho site says he and Tana-san also recently played World Baseball Classic).

Ho site says this is his 57th gig of the year, not too shabby!

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Yellowman “Zungguzeng” for blogger A.B.

I’ve been researching various “world music” threads and found myself in Jamaica, although I thought I was in Brazil or Tanzania — the internet can be dizzying, like a caravan. Or a night in tunisia.

Seh if yuh have a paper, yuh must have a pen
And if yuh have a start, yuh must have a end
Seh five plus five, it equal to ten
And if yuh have goat, yuh put dem in a pen
And if yuh have a rooster, yuh must have a hen, now

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This way for bike signage reflectivity clue

NewBikeSignsRushing home, at my customary 22 mph, to water the aging Cocker Spaniel — my mother’s euphemism for letting the dog out to make water, I stopped for a moment to shoot the new signage at Bryant and Everett, along the Ellen Fletcher Bicycle Boulevard in Palo Alto.

After parking the car — the gardener was in the driveway — closer to Poe, a half-block up, I took a closer look at our new little (metallic, reflective, bureaucratic, semiotic) babies, delaying checking on the aging but still loveable pet just long enough to for her to test me, or so it appears —

file photo of the Cocker

file photo of the Cocker

she was still sleeping by the door. I meant to only plug in the battery-dead laptop, but it sucked me in for about 10 minutes before poochie’s bad dream awakened me from my spell.

Bryant

Any hoo, I found time in my busy afternoon to suss through the search-engine long enough to ask and hopefully direct these quick three (actually seven) questions (to a website run by either the City or a vendor called Alta) and post in kind:

Three quick questions:
1) how much did we spend on the study (i.e. to Alta)?
2) how much is the total budget for the bicycle improvements, according to this site or report or initiative?
2.a does that include the $10 million bike bridge over 101 that County is paying for?
3. I notice some new signage (blue not white, lowercase, more reflective, conforming, with a bike logo) on Bryant near our home — how many of these are there? a. what is the total cost for this exact type of signage? b. what is the total cost of signage, or as percentage of the total in 2), above? c) how much per sign, i.e. like the one I photographed at NE corner of Poe/Bryant?

Mark Weiss
resident
(650) 305-XXXX

ok, I admit that is actually 7 questions — could not find answers in your 128 page document…

edit to add, a few minutes later, an hour all-in, and I really should be doing my workout and still bothers me to think I might have saved poor aging ward from her embarrassment if I and not she had just “let it go”: Palo Alto Weekly had this on-point from two years ago, by G. Sheyner.

By my quick reckoning (distinct from, for example, reflection) the chief difference in the signage is that it is reflective and incorporates the bike logo, as you approach Bryant, and apparently have no clue. I also notice the sign is blue not white, is “upstyle” but not all-caps, indicates “street” as opposed to “avenue” and points in the direction of ascending numbers, if that matters. Ok, but at what cost?

Seems to me there is a dissonance between the fact that we like to bike to work and we are part of this work culture that is so obsessive about outcomes. But of course I am also curious about the bureaucratic response to this and its effect on the semiotics. (My hypothesis, albeit cynical and only semi-informed, is that somehow the obsessive work culture undermines “we the people” from self-governing to our highest standards; that is, there are factors that seem to obscure our ability to be more bike-friendly — but I am willing to hear the counter-arguments and admit where I am clueless; like truing a wheel, our process can be improved).

I have a mental list of people I know who track this more closely.

See also, the improvements at Stanford Avenue and El Camino. (I went to a party for, and recall we spend $1 million or so to improve the crosswalks and what-not; one friend, SR, felt it was well-worth-it in terms of safe-to-school, i.e near or towards Escondido from Evergreen Park area.

The difference between this and reporting (and recall I went thru training program at Times Tribune in 1984) is that I am putting online the first three (seven) questions that pop up in my notebook.

coda: a couple weeks ago, I drove, as typical, from Palo Alto North towards Downtown per se, and when I got to the light at Lytton, a guy in bike get-up passes me on right and stops in front of me, but then turns around and glares at me and I think I can hear him thinking “you dirty rat”. What I assume happened is that, Joe Biker He, was either drafting me or riding in my blind spot on the right for a spell, completely unobserved, and maybe as I veered right to give room for an oncoming bike — a mom, or a lady on a commute bike — maybe he had to correct to avoid me. I think he was of the mind that cars should stay off Bryant even around downtown. I am sure I was going a bike-speed — my usual 22 mph hereabouts. I am thinking, if I get his drift, that he should take the middle of the road, in this case behind me directly, rather than pass me on the right, even if he can.  One point is that Bike Boulevards, in this case Bryant, probably work better outside of Downtown, and maybe two, it is more geared for a commuter than a racer. Three, and this is my bad in this case, it is hard to communicate your point if one or both is behind a wind-shield. And, finally, not sure how these new signs help in this case, but I feel him. Lo siento.

edit to add, a few minutes later: Actually, GS has two stories on this, one from July, 2011, I linked above and a second from July, 2012, that I found from link from Alta site. Alta is a bike-advocacy consulting group with offices in Portland, Berkeley and about 10 other places, and about 100 staff. Again, not to be too cynical, but there is a distinction between what is good for an abstract like “bicycling” — for instance, good for environment, good for our health — and the real world, what we get, institutions that feed off other institutions — to what extent does the bike lobby have its own agenda, or has been compromised, for example, hypothetically, by the Reflective-Sign-Mongers (friends of the Ten-Million-Dollar-Bike Bridge-Backers)? Also, in glancing at the comments feed of the second cite from the Weekly, I think it is Doug Moran who uses the term “spandex bikers” which is the shibboleth for people like the Joe Biker He, I described. I bike mostly as a commuter — although I am self-employed — and wear mostly cotton shorts not spandex.

edit to add, the next morning: I ran into my friend B.K. an avidly self-powered Palo Altan, and asked him if he had noticed the new signs on the Bryant Street Bike Boulevard. He said no, but that he had noticed that the awkward bike lane on Park, over Oregon, between Sheridan and the AOL Complex on Page Mill, had been improved some with a green painting fill-in. On his suggestion, I circled Ventura neighborhood via Park and side-streets to find that the Bike-friendly sections of Park now featured these same style of new signage, the blue reflective signs with the bike logo — I counted six of them, up past Gryphon and one block into the residential section, or 3300 Park, but no further. Similarly, after posting above last night, I drove — : ( — Bryant from Embarcadero to the creek and counted a total of 17 of the new signs, including two each at Lytton and Uni.

Pedaling on, up this hill of information, I found this comment by City consultant Jaime Rodriguez, posted on Quora, from October, 2011:

Great responses so far.  Any Bike Boulevard prioritizes bicycle use on a corridor over vehicles through traffic calming measures as noted by other responders.  In Palo Alto, we will begin branding of bike boulevards through new signage and roadway markings treatments as well as aggressively expanding our bicycle boulevard network. New purple brand signs will be installed at each intersection and gateway signs at major intersections.  The City’s first green bicycle lanes will be installed on Channing Avenue between Newell Avenue and Lincoln Avenue. A similar concept for Bike Boulevards will be used called Super Sharrows.  Please be sure to check out the City’s DRAFT Bicycle & Pedestrian Transportation Plan 2011 at: www.cityofpaloalto.org/bike

A “sharrows” is a symbol that tells motorists to share the road with bikes. (“share” plus “arrow” as in merge, I guess) BK made a morbid joke about their utility.

The Barron Park neighborhood website covers this topic, including a post from my former neighbor Art Liberman, who I think of as an avid runner, and also a leader in terms of the discussion of the risk of toxics exposure from nearby BPI; in Barron Park, they are inputting to leadership’s treatment of proposed expansion of the bike plan to include Matadero connecting to Margarita — sounds iffy, due to its narrowness; it travels along the creek and has no bike lane per se.

As B.K. and I finished our discussion of the topic, I turned around to notice our current mayor Greg Scharff meeting with the Weekly’s Gennady Sheyner but held back from approachig them with this topic.

I also found coverage in the recent couple of years from Patch and Bay Citizen.

To oversimplify my point, or my question: once we have established, forty years ago, Bryant Street as a “Bike Boulevard” meaning bikes sharing the road with cars, and removing stop signs for bikes, while adding some obstacles for cars, how does signage per se augment that, and at what cost?

There’s also a somewhat recent document apropos of using county funds to create a Palo Alto w. Stanford Bay to Skyline bike path that quotes from the 128 page Palo Alto bike plan but is itself only 10 pages. And a 6-page one.

There is also a Palo Alto Bicycle Advisory Committee (PABAC), chaired by Robert Neff and Eric Nordman that met last night at Cubberley as I was writing this.

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To Be Young and Well-Strung (Jim Campilongo, Stella Brooks, Beth Lisick riff)

I’ve done about 500 posts now and have about 20,000 hits, which works out to roughly about 50 people per post. I got to thinking most of them stop by on their way to something else. At first I numbered each post in Roman Numerals, like the Super Bowl, which has the amusing effect that the thirtieth post, about street musician Emily Palen, is a huge hit: people find it while seeking out porn (“XXX”). It is true that I ocassionally post some blue material, but more likely I talk about the blues. Do you consider the Groucho Marx joke about shooting an elephant in his pajamas dirty? I’ve probably referenced that bit about ten times here in “Plastic Alto”; I also said that when Candye Kane was removed from a festival in Alabama that she would do slightly better in Tuscaloosa. (She’s doing fine, god bless).

I have a picture of Beth Lisick on a post under the headline “To Be Young and Well-Hung in Palo Alto” which is actually about the Stein family who had a collection of Matisse here, famously. Looking back (and repenting) I clicked thru to a Beth Lisick post in the Chron where she talks about Jim Campilongo and Norah Jones playing at the Make-Out Room in 2002. They played a song named “Stella” which makes me wonder if it is somehow related to Stella Brooks (who, I should disclose, i was for 18 months working for her estate or at least her niece on “legacy” work — as compared to the fact that I am a fan of Jim Campilongo but I don’t recall ever hiring him; at one point I had his cellphone number and when I was subletting Jenny Scheinman’s Carroll Gardens apartment I was supposedly also authorized to look for a place for Jim Campilongo — I guess I missed out on the chance to be a bigger part of his picture. He may have played Cubberley with Steven Yerkey, in 1995).

The link above or embed shows a player named João Pedro Martins· Joao Pedro Martins doing a minute of the Campilongo “Stella”. We presume it has lyrics in the version Norah joins.

There is also a 45 minute tutorial and conversation with Jim and Justin Sandercoe.

Jim’s site has numerously teaching aids where you can learn how he plays many of his riffs.

I have two of his earlier cds, and hope to someday complete my set.

I did see the very early Norah Jones show with Jim at the Jupiter.

Beth Lisick, who like myself once attended elementary school in Saratoga, performed at Cubberley in 1996 or so as Beth Lisick Ordeal (BLO), opening for Ozomatli and she sometimes takes my call or answers my emails years later.

With her long brown hair pulled back into a ponytail and a pair of specs perched on her famous face, Blue Note chanteuse Norah Jones took the stage at the Makeout Room last Sunday night, sitting in for a couple songs with local guitar hero Jim Campilongo. Last week, in 2002, she means.

Stella Brooks is a jazzsinger who recorded for Moe Asch Smithsonian Folkways six tracks or so, in 1946, then left the limelight to return to SF and was a hair stylist, but she also was a muse or friend to people like Marlon Brando, Tennesse Williams and Terry Abrahamson. I still think someone should re-release her tracks on a local imprint with an update on the liner notes, but what do I know?

edit to add, hours later: fact-checking the first 600 words here, I found this strange Stella Brooks tribute (coming from me!), someone adding cue drops to a novel “The Recognitions” by William Gaddis, which includes “Little Piece of Leather by Stella Brooks. Gaddis pops up sometimes when I am checking up on Stella but I haven’t quite grasped what it is, other than the fact he has a fan who would post 38 cues. To wit:

 

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A&R: stitsr

The New Yorker

The New Yorker

smoke signals from search-injuns leads to>

Spires That In The Sunset Rise

hsl03-cover-web1

In 2012, STITSR released Ancient Patience Wills It Again Part 1 and 2 available as separate LP releases.
Available in the US at record stores, Hairy Spider Legs, or at our upcoming shows. Distro at Carrot Top/Saki. In Europe, available from record stores, Norman Records and Shiny Beast. Distro at Clear Spot.

Part 1

  1. Veiled Undertow 
  2. Grandma 
  3. Child of the Snow 
  4. November 
  5. Well Tempered

Part 2

  1. Before Dawn
  2. Smoke
  3. Ancient Drains
  4. Winter Song
  5. Ours Is Not The Only Society
  6. Revella

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Stevie Nicks at Cubberley Aud, 1967

Stevie Nicks, of Fleetwood Mac fame, was a Menlo Atherton class of 1966 grad and sang with a local band, Fritz Rabyne Memorial Band, for a Christmas Dance, 1967, the FM fans sussed out, thanks to the Cubberley Catamount, on line in various places. I was researching a reference to a Buffalo Springfield concert at Cubberley, the Tri-School Concert, from 1967 — found a picture of the promoter, Rod Jew, student, and posters by Bill Sperry.
Lindsay Buckingham was also in this four-piece, all students at M-A, later forming Buckingham Nicks and then FM, according to those who know.
For what its worth, I had recently been reading Danny Goldberg’s book, “Bumping Into Geniuses” and the section on Nicks (he was her manager for a while). I have never met Goldberg, but saw him lecture at a conference when he was with Mercury, way off topic, which is Palo Alto cultural history.
A wikipedia entry, that doesn’t get much traffic, on Cubberley Center lists about a half dozen concerts there, the bulk of them produced by Earthwise:
Cubberley also once hosted rock shows by local bands and touring artists including Buffalo SpringfieldSantana, William Penn and His Pals, CakeThird Eye Blindblink-182, Daniel Tsai Band, and Frank Black.
William Penn being among other things a Gregg Rolie early project (during the days at Cubberley High, which has its own wiki….).
edit to add, a couple hours later: this seems like a pretty seminal article on the early days of rock and roll on the Peninsula, with Mike Shapiro, a Cubberley grad who co-founded William Penn.
Paul Freeman fairly recently with Gregg Rolie in the Merc. Robyn Israel for the Weekly with Rolie, about 10 years ago. (with the hilarious headline “His roots are showing”….)
edit to add: this is from nearly 6 years ago — I am updating in March 2019, a visitor from the future. A man named H_ wrote me, after coming to a Scott Amendola show at Palo Alto Art Center to say:
(the above)
was taken by Bill Parrish, Cubberley class of ’69. Bill’s younger brother, Michael “has been writing about rock, folk, bluegrass, world music, and jazz for two decades in publications including the Chicago Tribune, Dirty Linen, Sing Out!, Down Beat, and the Deadhead’s Taping Compendia. In his real life, Parrish is a university administrator” at San Jose State University.
also on related topic I went, with TMW who at the top of this page was merely TMT, to The Fox in Oakland and saw a show with Neal Schon and Gregg Rolie, and loved it. To the extent that Leo Herrerea seems to have a yearly Santana Tribute show in the City of Palo Alto civic series, I always say we should try to get Gregg, a founding member of both Santana and Journey, both Hall of Fame bands. I also spoke to Lenny Siegel then mayor of Mountain View and Jerry Hill now an outgoing State elected, to erect a plaque in Mountain View near the site that Gregg met Carlos.
And 1: Greg Brown once called me to say he was digging thru his archives and found a flyer he drew for Old Brown I think it was called, a band that he claimed featured Schon or Rolie – -I know forget. But he never delivered it to me for inspection and Julie I mentioned this to, but she hasn’t in earnest gone thru the somewhat sad task of archiving the Greg Brown vault. I pass the murals every day, one or more, about four.
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