Attiyah Ahmad, after Abu-Lughod, Sharin Nesrah, Stanford April, 2015
The lecturer, who has two degrees from Duke, and is a visiting scholar in the Stanford Humanities program, recommends this book:
and1: I have a tremendous respect for the Cantor exhibit “She Who Tells A Story” and have covered if in abundance here. I have more measured reactions to the excellent panel I caught the bulk of yesterday. And I wanted to further my tribute my posting or re-posting or re-contextualizing a group of portraits of women I shot or collected recently, here and on my smarty pants phone-camera do-hicky.
Not sure this belongs here but the madness must be catching:
Near the spot I read “Howl” destroyed by madness et cetera a clerk I could see from the street had a matching message on her right foot, damn the kerning
Which somehow reminds me I want to translate Ginsberg “Howl” into Farsi.
If I had to try to make sense and be stood here I would say the entirety of the matter is the distinction between surface and substance, and that media only makes the issue worse. So RTFO for the countering efforts of heroic artists and utterers, with or without udders. But I must say I am torn or see-sawing between reverence for the text/content versus poet/photographer/artist/scholar. I did briefly correspond (and basically worship) Rania Matar; I actually wrote a graffito on a bench near Cantor: matar. Partly for the pun. I came upon the panel quick by accident, stayed for close to an hour but not the entirety. Then I re-visited briefly the show itself. I’ve seen several eye-opening and horizon-widening Persian programs at The Farm.
I was also thinking of Brian Swimme notion that the universe is a story as much as a place. Mixed with Whitman notion that all our thoughts, our words and deeds all matter. Mixed with Chaos Theory. Add in Heisenberg. And magic. Namaste. One love. Shalom. Salaam. Peace.
To the matter put. One, I don’t know. Two, I am guessing she AbuLugod is arguing against intervention and for a version of “sisters are doing it for themselves”. When I left NPR had a show about Kotex ads for very young women. Weird segue. Rahimieh added to Ahmad’s notion on the hand. Oh, yeah. And later that evening Courtney Love was on Letterman while Madonna was on Fallon. And she has a song “bitch, I’m Madonna”. Also: It’s not nice to fool Mother Nature. Theres apparently a youtube about kotex with 30 million views, for vetter or for verse.
I wrote and thought about an upcoming land use proposal, which took me most of my morning. I am also prepping for a significant and real-enhanced little ten minute spurt, around 8 p.m. on Wednesday April 15 at 250 Hamilton, City Hall, when the nine or so current council member will vet my application for Human Relations Commission. I guess it’s natural to think about that a lot as well and meanwhile. To be, or not to be, a commissioner or board member. (This is my fifth attempt, or rather part of an ongoing process or six years. Or rather, part of an ongoing process of 25 years. Or rather, fifty one years. What I call “Area 51”, as in it’s a bit of a mystery. Rich Freed, a drew me a picture in my yearbook of a particular favorite teacher of ours, with a caption “coming or going?” Rich Freed, author of
1) “Wired Child: Debunking Popular Technology Myths”, by Richard Freed, PhD. (self-published, 2015, and he sent me a review copy). Dr. Freed is a former Gunn football player, and attended Cubberley as well. He is a CPA turned therapist, for Kaiser. I think he underplayed the fact that he also heard R.E.M and U2 before nine-tenths of their eventual planet, i.e. he has an ear for music and a left brain. I’d rather hear Rich’s voice more clearly in his long list of notes and sources (I think I counted 260 of them). I left him a voice mail that two of his sources, Alan Eagle and Walter Mischel, have Gunn connections, or that he shares with them this part of what Vonnegut called the granfalloon{edit to add: I mean karass}. I am trying to be helpful. For what it’s worth, and not to digress too far from children or media studies. when I met Kurt Vonnegut in 1983 he was younger than I am today — yikes! — and he apparently was one, two or three-sheets to the wind, speaking of a mediated experience. He told me that wearing an Oxford-cloth shirt did not make me Ivy Leaguer. I’ve only had a good hour or so to “meditate with great minds” (a Vonnegutism, on reading) with WCDPTM and the good doctor. And drinking strong Peets coffee I am flashing to, Dr. Billy Taylor and Nina Simone, on being freed. I wish I knew how it would feel to be free(d). Richard, please know your book help some.
I was also this a.m. between kissing my sweetie goodbye and hopping back on the old purple Schinn about Mark Twain or Sam Clemens and or Jim Cox and most specially, which i occasionally do do, focus, Huck and Jim. To wit: and there is “Cliffs Notes version” and hear either “Weiss notes version” or “Plasty” and this is probably where a thousand ships were launched and sunk by their undergraduate advisors, how dare you spend a mere hour or so, Freed (“Freeded”?) or not, on THE Adventures:
Huck lives Jim. Despite calling him “N”, or “N Jim”. Yes, you heard me. This is 1861 or so, a fictitious version of such. Jim is a “slave”. In America they’ve had nearly 100 years of such. “Democracy” + “slavery” (including “N”). (My computer wants to call “Huck” “Hunk” and who am I to argue?). Also, Huck thinks he is going to “hell” because he is breaking the law. The law says Jim must stay in Missouri but Huck thinks Jim is better off otherwise. He says something like “Well, if I have to go to hell because I love Jim, then I will go to hell”. Years later, we did change our little arbitrary minds or collective mind and restore the missing fifth of Jim’s 4/5s person hood and free him and we probably pardon Huck for his breaking of the law and the affront to the moral universe. I was thinking a version (better version) of this would be a neat intro for my one minute strutting my rhetorical and moral self on that brief candlezixed stage, April 15, 2015, from 8:00 to 8:01 and tying it in to Buena Vista. As in, the moral and ethical thing to do is to take the $16M and grab Jisser’s hand and grab the hand of the residents or their lawyer or their banker and broker a deal and then if we are sued for breaking the law, so be it. As in, (but don’t say this part), Huck and Jim are to the antebellum legal system what the public sector anti-lassivfearing with Buena Vista and their landlord or owner. Not sure why calling Jim “Nogger Jim” helps my case other than who are we to change, even years later, the words? It is definitely not a word I would in contemporary speech or apply to real and not fictional fellow citizens but rather to redact history is probably worse than not owning up to it. That we called our fellows such things and subjugated them 150 years ago and now choose not to is stronger than pretending we did not do or say such things. Those who don’t know their history are condemned to repeat it.
So cheaply goin back to Freed/2015 media of all types among its other faults, compared to actual real life experiences permits a sloppy revisionism. His book, is of course a medium, compared to Richard talking to me directly or 10,000 of us, sure. But I prefer the medium per se. The book works better as a book rather than part of a video game. And yes, I am writing this as a blog. I’d rather put the money into printing 1,000 copies of this and handing them out at Ki;king and Uni even, or tacking them to the doors of 250 Hamilton, 525 Uni, 431 Kipling, and dem.
I would think reading to children is a better activity than letting them play video games. If you, too, dear reader, were faster, stronger higher.
Actually, I was also reading about in The New Yorker, Kidzania and maybe wanting to go back to Bruno Bettelheim and the value of play. Maybe compare Kidzania to Freed. (The Kidzania article is in the issue that has Eiffel Tower as a pencil; it’s a chain of amusement parks that force children to not play but act like adults! reminds also of Vonnegut “Player Piano” or something.)
2) Palo Alto Comprehensive Plan, or “Comp Plan” or “Enhancing The New Century: Palo Alto 1998-2010 comprehensive PLAN” government document, 1998 or so; I also ran into Rob de Geus, our newly promoted head of community services who agreed and confirmed and roughly quantified something that I suspected or knew anecdotally: we have cut, by measure of staffing, our WE The People policies and programs, from 100 to 70 employees, or nearly one-third, in the time he’s been there. It’s like we are asking him to do all these things with one-hand tied behind his back, or hopping around rather than walking with his legs belted together. Anecdotally, we have moved good and capable people like Kash Alegy from rec department to development; dealing with the billion dollar commercial real estate cartel costs us in terms of what we are not taking care of in services. (And we are constricted grammatically and linguistically, from “Arts and Culture Division” to “Arts and Sciences” — why are we short-selling “culture”?) I want to read up on commissioners per se, their selection, their purpose. Seems to me, for instance, that the Comp Plan is to be implemented or enforced, and amended, by commissioners, per se who act as volunteers or amateurs or because they love our community and not by professionals per se, or consultants, to the tune of $2M in this case. On the other hand, we should probably pay them a small stipend, as we did for a while or until recently, like $500 per term or per year, as an incentive to get good people and get good outputs.
3) “A Brief History of Seven Killings” a novel by Marlon James, about Jamaica or about Bob Marley, yet I wonder how it shapes my thinking on all these policy and life issues here, in the present, in Palo Alto, which even with NoLas and the coconut hut or whatever on High is about as far from the islands as you can get. I also have a clip or reference to a social science recent book on that part of the world. I didn’t realize that Ato Bolton Olympic sprint medalist was also a CCS champ for Piedmont Hills or something (thanks to Chris Rogers of Bay Sports and the late John Spalding for that nugget). You can fool some people some time, but you cannot fool all of the people all of the time, he say, the Snger The Singer (not the Singer, Peter, but worth checking, i missed here recently-lke). Him the cap fit he wear it, likewise. Ato the trini. as compared to ATO Records, Dave Mathews, an Africaner.
4) “The Unwinding: An Inner History of the New America” by George Packer, and by the way Ann Packer was just here, and I missed again. Or tonight? At Keplers? And it has still not been in the papers at all her auntie, Jane or Jean, Nancy Packer’s sister who passed away earlier this year, I only know because she was for her last ten years a neighbor of my parents. I am wanting to re-read the section on Elizabeth Warren (“Prairie Populist” pp. 345-351) and maybe “Silicon Valley” (pp. 381-398) I have procured and disseminated 10 cpies of this me self. And who said there is no reading only “re-reading”? (edit to add, atypically mid-document and not at the bottom although I am thinking of remounting and revising this to clarify the Freed review intent, I did skim if not ponder-read the Elizabeth Warren chapter and found it inspiring; here is David Brooks on this 2013 tour da force and sorry Rich for the inter rupture. Is Freed inspired by Warren?
5) and this is totally random and out of the blue but there is a song from the 1970s “i’ve got my blue jeans on I’ve got my old blue jeans on” that is headline head-like in that Terry my Terry bought me a new pair of Levi’s 505 that I am wearing out today. or is that 2 mediums?
6) a self-publish limited edition thingy I guess “Heritage: Palo alto Jazz Quintessence” and I have to hcekc that title, it was bantered about an bowdlerized nd “de-niggerized” so to speak by the good people at PAHA, a quasi-governmental document of We The People or our NGO (nee-goes?) — better take our vitamins viet-amens — on the ngo — I mean to watch again the 60 minute version of the panel featuring Akira Tana, Seward McCain, Rebecca Coupe Franks and me Mark Weiss on jazz here. Maybe make and publish a transcript. Towards what ends.
7) way off topic: T.J. Kirk, former James T. Kirk, charlie hunter, will bernard, Scott Amendola and John Schott on Monk, James Brown and Roland Rahsaan Kirk, even if four were 1 20 years further into jazz and repeated listens to just tracks 4 and 5 can I begin to suss out the monkisms in the way walrath could hear from the next room “haitian fight song” in Jamie Cullum?
8) this is one time item: “the times of Harvey Milk” by Robert Epstein and Richard Schmiechen 1984/2004 and by the way I double-checked to not disc out Richard Schmiechen sic Mike Weiss no relation although I met him at least once at really I cannot find that name, corner of Vallejo and Montgomery, talk about “area 51” not Printers inc but Caffe Trieste WOW! REALLY! ET TU BRUTE GREAY MATTER actually I left it at Terry’s “Double Play” I think, but there is an odd crossover the bonus material has a panel of a prosecutor a gay prosecutor or that matter and the defense team, Schmid and him and they refer to Mike Wise who may be in that house and dismiss some of his more cock-amine theories. I am oddly sympathizing or empathizing or finding some comparison to me and both Harvey Milk and Dan White. Or that Dan White lacked some artifice and technique in his political dealings, duly noted. There’s a photo of Dan White with shirt off and little tattoo on his right bicep or tricep that looks a little not honky or Huck-like but and not that I would really know “h” you “n” “k”.
this is one of the longest posts without posting let’s see I don’t get burned.
Note that the version of the book I got from new library is an update with a DVD and not first edition. The book came out in the 1980s, as did the film. How did they influence or contaminate each other? There’s also Shilts, better on Milk per se. Weiss has a pun on “white” and “milk”. I’m surprised there is so little backlash even 20 years but 20 blocks away on “got milk?”
Yesterday I also trolled San Jose and thinking “land use” w. “we the people”. I think of Palo Alto as both near and parallel and co-contamaninte with both San Jose and San Fran. There is a black or a plaque that says “First State Capitol” here. It’s funny to compare a sketch by Orozco of Quetzcoatl’s clenched fist (prefacing the Dartmouth murals) with the Robert coiled serpent (and damned if I cannot immediately without interuprture of flow find Angelica Houston’s deceased husband’s name). I tenet not to edit to fix tho s bublme bumble hog. humble blog. He does not sound Latino. Mostly female forms, like in Santa Monica or Venice, turnabout. Saw more work at Imago of Palm Desert. I’ll at least put the name in the tags.
7 or 8: The New Yorker, has a black guy staring into a smart phone, and a butterfly, by K. Nelson and here is weird shout out to Marsh McCall and his recent article or groping or grouping “Why I am Cool Enough For Your Band” which are remountings of things he wrote “Seriosly Folks” for Gunn Oracle in 1978-1982, Feb. 23, 2015 and Terry thanks for suggesting bit about Meyer the sound company by Alex Ross “Wizards of Sound: Retouching acoustics, from the restaurant to the concert hall”
and that got me back to something that flitted in and out of gray matters, gray being the new electronic version of the former bits of ink, black and white more or less by Hart Crane i think: the man I killed by Ernest Lubisch being serious and german and wow, dad and I took in at Packards film museum, 1931 or so, with Zasu Pitts as the maid, Lionel Barrymore as the dad doctor about WWI and afgermouth in Germany, Germans w. French and we as both partis, anti-war as it were.
Until dot dot dot color of a man’s skin, me say war. Everywhere is war.
If I do one thing, it is to read, for an hour, next session, this thing about the Meyers. We could probably use them at 456 Uni. The tags if you check back, should list about 20.
This is for Rich. Right on RTFO.
edit to add, minutes later: if you only have 7:32 for this and unlike today’s children described and prayed for in his secular and educated and caring way by Dr. Freed, who are foolishly like by a pied piper led downy he path of multitasking shorthand for attention deficty by design — they make money off of this, tons of it — you are old school and like to FOCUS, I suggest merely watching The Singer, Bob Marley “until the day that the philosophy that holds one class superior and the other inferior is permanently abandoned and discredited, we make this war” rather than sorting thru my ramblings. OR do check back as I add links and smoothing of edges:
Another one that i took in recently (two years ago) and is always in the fore lobe is Shields “Reality Hunger” both for the impossibility of sorting self from other but also truth from fiction. He says, for instance, that the very act of remembering is a type of composition and therefore a fiction. From whence I get this pseudo-sloppiness and tossed off quality. (In reality, this is hard)
And1: I haven’t strictly speaking stopped counting only that at 7,000 dead that’s a nice round number and I mean the number of American young people dead in Afghanistan and or Iraq and that’s not counting walking wounded and foreign killed. And why? How are actions today and here related, our choices, what we did with this place and time, to what happens, and in our name, there? Or what did you do in the war, daddy? Did you realize there was a War? And why not? Or as Jimi Hendrix and I am not sure if the title “wired child” is a pop reference, to a “wild child” (??) said in Berkeley 1968 “pick up an axe and fight like a farmer”. He did not say “x-box” or what not.
I likes me a Bob Mathias and a 12 foot pole and not Mark Zuckerberg and social whatever, for heroes. I’m old school, you betcha. Not a 12 billion ipo. Dig?
andand: kudos and there’s my Greek theme to Tommy Farley, nephew of Dar Williams, Julie Williams’ boy, formerly known as “Munchie” for his team-leading discus toss of about 140 feet — and he is a wrestler — and also to Jeff Heidenreich-Lee the basketballer for high jumping 6′ 2″ I think which surpasses Mr. Passell and here is for those who do the mathias:
Rich Freed in his youth looked something like Bob Mathias
Kenneth Baker tells me that Paule Anglim has died.
I immediately call Paula Kirkeby and speak to her assistant Karen (a former Palo Alto arts commissioner and married to one of the coolest guys in the world, LF).
Terry, my Terry, the artist and former arts commissioner Terry Acebo Davis, in one of our most successful collaborations, created a fake baseball card contest in honor or a Terry Allen show at Paule Anglim Gallery in SF. Terry and I have been to PAG more than we have been together to the Fillmore!
I am calling Terry next (Terry my Terry and not the Texan).
The odd headline here references the article I wrote below called “Please slud yourslefs to SF to see Terry Allen”.
Link to Baker.
Link to obit.
My Gunn classmate John Beech the artist is repped there.
Ed Shikada (left) and an unidentified former San Jose co-worker
Jim Keene has named the former city manager of San Jose Ed Shikada to an interim position on the 7th floor of 250.
Word on the street is that Keene is sick and tired on Our Fair City not having a mascot. Shikada in San Jose worked very closely with Sharkey (the hockey mascot, but an ad hoc or blue ribbon overall mascot as well).
This is not an April Fool’s Joke. This actually came up because Tsuchiura our sister city has a mascot and we don’t.
translates as “rooty”
in a related matter, Mayor Karen Holman has asked staff to look into enlarging the elevators to accommodate her frequent visits from uber-supporter Niner, one of the Bol Park donkeys. Niner likes 250 but is somewhat claustrophobic in the lift.
The Stanford Tree (which incidentally is a woman of color, for the first time) could not be reached for comment. Perry:
andand: coinkydinky, peter hartlaub of brand chron ran a blurb about Crazy Crab; he did not mention jon crawford the ad wizard and brain-trust there, but kudos nonetheless, for remembering even 30 years later that he was an anti-mascot and to be booed. Palo Alto needs a mock mascot more than a totem per se. This fell off the rails several edits ago but the actor who played the crab also apparently had a character named Dick Nimby, probably too hip for the 94304.
cracked crab
And add Monday another candidate ReviewNinja by “Jay”
Four of the acts I punched up from this flyer seem to not have this on their schedule, yet from where I sit at Oak Creek I can hear some loud music as if they are sound checking at nearby FloMo field near CoHo.
I generally call this “Area 51” meaning at age 51 I am not sure what is hip
edit to add:
I’m kind of out of it, yet I am pretty sure I was at this show, maybe in this shot:
photo by Regan McMahon
and1: I’ve heard 2 Stanford kids here at Oak Creek talking up the show, so I guess it is for-reals even if none of the headliners list on their website — maybe its the gray area of a student show NOT being also open to the public — then why do you do it outdoors where 1/10th of Palo Alto can’t not hear?
here is the listed set times:
3:00pm – 4:00pm Made in Heights
4:10pm – 4:35pm Real People Music
4:45pm – 5:10pm Alta Mar
5:20pm – 5:45pm Camp Youth
5:55pm – 6:20pm Arswain
6:30pm – 6:55pm Siberian Front
7:05pm – 8:00pm Chrome Sparks (DJ Set)
8:05pm – 9:05pm Sango
9:10pm – 10:05pm Goldlink
andand: Actually I re-ripped a Siberian Front (Damian McGlotlin et al) plug from the Daily about 9 months ago; and here is Stanford Daily on Made in Heights / Kelsey Bulkin, who are a headliner but appear first, might have to do a “Round Midnight” which means stand outside venue but listening in..:
MADE IN HEIGHTS — Murakami — as described by jake friedler
In a novel, the climax comes near the end; in a post-Skrillex world, we get impatient when a song doesn’t drop in the first minute. Setting aside questions of instant gratification, stamina, and other issues plaguing “our generation”, I remark here only on the boredom that arises when electronic music follows such a template, so that each song has only a finite and small number of plays before the drop loses its lustre and we have to move on to the next level(s). But what if the drop weren’t so predictable – what if you hardly knew it were coming? It could be used not just to meet an expectation, but rather as a turning point in the story. This seems to be the role that it plays in this track by Made in Heights. Just as Haruki Murakami’s novels synthesize dreamlike tales and violent history, the synths on “Murakami” layer ethereal beats with whimsical trap samples, as Kelsey Bulkin’s vocals – first a lullaby, then a rap – dance nimbly back and forth across the line between fact and fiction, real and dream. It progresses from a soothing melody to blaring, Hudson Mohican horns: just, as Bulkin repeats, “like the universe is singing a song.”
and maybe this does not belong here at all, except in the sub-theme about why I entering “male menopause” or something will bike my way to the edge of an event I am not invited to — this is more about aging that about culture — but I also recalled that last week Peter Hartlaub of the Chronicle had a list of cool concerts over the years and I was going to make my own list. I did not see Tom Petty at the Fillmore but I recall that Bruce Solar Cake’s agent, then with Absolute of SF and not TAG of LA-LA, telling me there was no way to sneak me into the Cake at Slim’s sold out show but would I settle for Tom Petty? As in, Cake was a hotter ticket. Likewise I did not see Tibet show but have the poster (now that Peter Kirkeby is down-sizing, or I bought it at his mother’s garage sale). I did not see U2 at Embarcadero Plaza but recall that Bono sprayed STOP TRAFFIC on a famous sculpture. I did catch every note of the Bill Graham thingy, however, thanks to the AWBY crew I was adjuncted with. (although never heard what a, w, b y means…)
AFI headlined a four band bill produced by Earthwise The Cubberley Sessions / Warm Weather Series in 1996
edit to add: I name-checked AFI in 2012, during my campaign, because the PAW had an item about Tim Gray’s and my campaigns, as “Rage against the machine” – I was quoted as saying Palo Alto has a Chicago-style machine, running things behind the scene; but then I commented that I was more “AFI” than RAM.
RAGE AGAINST THE MACHINE … Palo Alto City Council candidates Tim Gray and Mark Weiss have one thing in common: Each thinks the city’s political process has become far too exclusive and too welcoming to entrenched politicians. Both had run for council in 2009 and both finished near the bottom of the 14-member pool. Both are planning to run again in November. But they have one major difference. Gray, whose 2009 campaign chest totaled of $800, said he plans to make a “big loan” to his campaign in hopes of being more competitive this time around (though he said he will be the campaign’s sole funder). Weiss, who often bemoans the influence wielded by local developers, is less interested in money. He told the Weekly that he will not accept donations and he will put together his campaign ideas through “crowd sourcing” — that is, figuring out between now and November what residents would like to see on his platform. “I’m trying to be someone in the election who is creating an alternative to a machine, or to a system that cranks out a particular type of candidate,” he said.
Thanks, Gen. Rage Against the Machine? I’m more about AFI, who played Cubberley in 1996, in terms of style. Or Ozomatli, or Steve Earle. AFI stands for “a fire inside” or “asking for it.” fyi
The biggest news right now in terms of agitprop is Pussy Riot
and1: actually we had AFI, Cake and Medeski Martin Wood in one weekend, well over 1,000 people all in. (That would be about 10,000 tickets today, like Shoreline, or at least Greek Theatre).
The photo is either by Lisa Vian or Trish Leeper.
andand: I taped this performance on Kimmel and remember thinking how grown up they look, relative to 1996:
Here he or they is circa 1999:
andandand: I cannot believe I never noticed this review, unsigned, from Santa Cruz Metro:
D.I.Y. Diplomats
Locals rock yuppieville and Gilman punk-politics fest
Fury 66 hit the road on Thursday to open for A.F.I. at the Cubberley Community Theater in Palo Alto, which is better suited for children’s plays than punk shows–the floors slant in neat rows of bolted-down seats and awkward aisle spaces. The audience itself was overwhelmingly juvenile, with the exception of several rows of bewildered, yet patiently smiling, chaperones seated in the back. Three-piece Vintage 46 opened with a well-executed but redundant set, replete with many Rancid-isms that were difficult to ignore. Fury singer Joe Clements managed to pull some of the kids out of their passive, TV-watching slouch and up to the narrow strip of space in front of the stage to jump around, but the energy was soon tainted by a few big drunk jocks who began extracting theater seats and throwing them on stage.
While the Fury guys took this with weary grace, Roach, guitarist for the Groovie Ghoulies, wasn’t so forgiving after getting hit with a big piece of wood and metal. Incensed, the band stopped cranking out their Ramonesey feel-good hits and Roach ordered the culprit to come up and explain himself. Unable to verbalize, he could only respond by shrugging his shoulders, picking up the seat and throwing it down again, at which point he was quickly escorted off stage by a bouncer.
As far as I could tell, A.F.I.’s set went without incident. Their show at the Vet’s Hall Basement on Friday was fun, from what I could see through my bifocals and hear through my hearing aid in the old folks’ corner behind the stage, where I dragged my weary bones after some kid’s skull cracked open my lip during Mock’s set. The sound was up and down all night, with A.F.I. falling into the nadir (look it up, kid–it’s on the SAT!). Despite the lack of a guitar mic and other problems, they had the kids in a frenzy like small, bloodthirsty sharks, thrashing around to mile-a-minute guitar lines and Davey’s snotty, high-pitched vocals. It must be observed that not only has Davey lost his curled forehead spike, but the whole band was sporting new sneakers and generally looking less grimy. Oh well–they still rock and the new hair is still pretty cool.
Andy Nystrom was kind to Earthwise at the Cub, back in the day, for the Town Crier — Earthwise of Palo Alto sometimes pretended to be for expedience reasons based in Los Altos Hills.
He and his eventual wife Carrie also took in a few shows.
I exchanged emails with him just today, spurred by something about Death Cab for Cutie that he had written a few years back.
Here’s his skateboard, courtesy (internet euphemism for I STOLE THIS) of his blog. Called something hard in there.
Keith Smith against St. Francis in December; I noted at the time they were only 68th in the state, but obviously kept improving
Congrats to Brian Botteen and the San Ramon Valley Wolves on their State Championship in basketball, division I, which means all but the open division (won by Bishop O’Dowd of Oakland the next night).
I caught two early season Wolves games at the St. Francis tournament and followed them from afar. My former coach Hans Delannoy taught there for 30 years (and coached the lady Wolves to a section title in 2006).
Keith Smith greeted Hans after that December game, and I met him as well.
Hans says that Botteen was a longtime assistant and this is his first year as head coach.
Compared to December (when they lost to the Lancers) he said that the football players like Christian Fuca and JJ Koski improved their game and the team play.
I also noted that Kyle Spackman started over Gregg Polosky against Chino Hills, and that the double-big-men lineup was key to their triumph. That plus Chino’s superstar Lonzo Ball fouled out with 3 minutes to play in regulation (after scored 30 beautiful points).
Eric Sondheimer of LA Times adds his notes:
Keith Smith, the nephew of L.A. Windward Coach Steve Smith, had 20 points for San Ramon Valley (27-6). Christian Fuca, whose father, Joey, was an athlete during his days at Crespi High, had 18 points, including four three-pointers.
“We made some critical mistakes in not guarding Fuca,” Baik said.
Smith, in discussing the strategy for Lonzo Ball, said, “We tried to attack him every chance we got. He’s a key component to everything they do, so the idea was to get him out of his comfort zone, be physical and tire him out. He’s an unbelievable player. One of the best I’ve played against.”
Hans also told me that the top three athletes on that team, Fuca, Smith and Koski, were the best trio of teammates he had noticed in 30 years. MaxPreps has SRV finishing at #14 in the state, ahead of De La Salle and Monte Vista, both of whom had beaten them during the regular season. They finish 27-6.
and1: The Daily News listed their top 15 players on the Peninsula, including Kevin Mullin of Paly (1st team), Alex “al-Palo Alto” Gil-Fernandez of Gunn (2nd team, a junior) and Chris Russell of Gunn (3rd team). I counted having seen 9 of the 15, plus Chris Bene of Sequoia (Tony Fenwick’s nephew) on tv highlights plus radio. I probably caught parts of 40 games on 20 occasions, mostly at Gunn.
This doesn’t fit here really but it is the Dollies and Tree Sarah Young ’17 (by suss) at the Stanford victory of Vanderbilt in NIT action. I sat next to Dr. Dahl and his wife (also Dr. Dahl, I think) and pledged to donate $500 if they could correctly identify the song the band was playing (which was Green Day, “Welcome To Paradise” — I may make a smaller gift in his name in that I at least got him to humm the melody):
The Downtown Cap as prescribed in the Comp Plan, on the books since at least 1998, would dictate a moratorium on further builds there, pipeline be damned.
That current council, 5/9s of which were elected as so called “Residentialists”, changes the subject from “Downtown Cap” to “Annual Floating Approximate Pretty Please Thank You Sir Can I Have Another Cap, Halo or Scarf” is simply put, cowardice.
I would say “moratorium” or “total recall”.
(And although Steve Levy always deletes my obscure pop references, “Total Recall” is also the name of a movie in which a future Governor of California or his character sends himself a video letter about the things he has forgotten to do, or the true nature of the crazy dystopian world he lives in).
edit to add: Steve Levy edited out 3/4s of my comment and then what remains is “false’ so I added a comment 9 hours later:
OK Steve you are correct and I have oversimplified the case or am technically incorrect in that it was Sophie Martin of Bhatia et al who Jim Keene commissioned that is paid to tell us on December 10, 2014 at the Planning Commission meeting to switch the discussion from Policy L-8 or whatever in the Comp Plan from Downtown cap, ” to “annual cap” which I would term s regulation or guideline yet rather permissive and gutless and ultimately ineffectual and a capitulation as much as what I so disresoectfully or irrelevrntly or irlevyly called a failure of will of leadership here to face down the billion dollar real estate cartel, the people you are indebted to and reliant upon for your survival and that likewise Bill Johnson is.
But feel free be my guest to alter my words and then have the gall to call “false” you pausing to remove your fat face, burpingly from your deep suck of the Moloch teet.
Posted by Mark Weiss, a resident of Downtown North,
9 hours ago
Mark Weiss is a registered user.
The Downtown Cap as prescribed in the Comp Plan, on the books since at least 1998, would dictate a moratorium on further builds there, pipeline be damned.
SL; The above statement by Mark is false., There is a downtown square feet limit of 350,000, with a trigger for study when 235,000 square feet have been built. The city just initiated a study because the downtown square foot 235,000 square foot trigger has been met. The study findings are available below for interested readers.
[Web Link ](to the study by Bhatia SF about 70 pages I skimmed before replying — by the way, how much did we pay those guys?)
[portion deleted–disrespectful and irrelevant comments
and1: I wrote this on my handheld, my cell, while sitting outdoors at dusk, under ReedMadden poppies on Cali Ave, enjoying a yogurt parfait from Palo Alto Cafe and skimming the Chron for relevant gist for the mill but checked back to see what had become of my post and then counter-posting, jumped into my car to rush back to Terry’s place to open my laptop jobbie to cut and paste and rescue my work before it’s imminent slaughter. Like I say, the Weekly is not so much a market place of ideas as a slaughter house and mockery of such.
posted this minutes later:
and1: I wrote this on my handheld, my cell, while sitting outdoors at dusk, under ReedMadden poppies on Cali Ave, enjoying a yogurt parfait from Palo Alto Cafe and skimming the Chron for relevant gist for the mill but checked back to see what had become of my post and then counter-posting, jumped into my car to rush back to Terry’s place to open my laptop jobbie to cut and paste and rescue my work before it’s imminent slaughter. Like I say, the Weekly is not so much a market place of ideas as a slaughter house and mockery of such.
My language is metaphorical: I don’t actually imagine the Good Doctor of social science engaged in intimate acts with monsters, mythological or otherwise.
Moloch is Biblical, but it appears in Ginsberg “Howl” which is partly about the same issues, real estate development and crass commercial culture.
andand: Wow. By the time I posted that last bit,the entire Moloch section had been all et up.
andandand: This is the relevant plot bit from the 1990 movie:
After evading his attackers, Quaid (Arnold) is given a suitcase containing money, gadgets, fake IDs, a disguise, and a video recording. The video is of Quaid himself, who identifies himself as “Hauser” and explains that he used to work for Cohaagen, but learned about the artifact and underwent the memory wipe to protect himself. “Hauser” instructs Quaid to remove a tracking device located inside his skull before ordering him to go to Mars and meet “Kuato”, the leader of the rebels. I am saying we may need a type of intervention before we agree to remember what we told ourselves we would do in 2015. The story, based on Philip K. Dick is set in 2048.