No balls and two strikes

No, Pat your argument is specious, mine is solid.

I spoke with our mayor Pat Burt today and he told me that although he initially thought he could raise $40m (towards our roughly $200m budget) via a business tax, he has lowered his expectations to $10m. At a recent public hearing he was discussing $20m. At this rate, by the time there is something on the November ballot, we may be asking our billionaires and trillionaires to pitch in a measley million dollars, or just let us literally eat the remains of their scrumptous power lunches; let us eat cake!

I told Pat that people in Palo Alto like winners, and they like heavy hitters. I name dropped Palo Alto Vikings’ Henry Bolte, who had 13 homers for the #2 top public school in the entire Bay Area (and had 48 steals). Our mayor Pat Burt, using my baseball analogy said he was trying to bunt the ball to avoid striking out.

I said Pat, you are a leader. You should stand up in public and act your conscience. If you think the fair share for business — like Tesla, $742b market cap, Amazon, $1.25T (trillion) market cap, Google, $529b market cap, Ford $55 HP, $41b market cap, is $40 million for the public coffers and not a measly million say so, no matter how loud the opposition.

He said that he had commissioned three polls and the pollsters said the voters don’t want $40 million or $20 million or maybe not $10 million, and he will feel peachy if he raises a mere million. I asked him how much the pollsters cost us, and he said he didn’t know. I asked him if it was true that our pollster or consultant is affilated with Jarvis Gann the famous anti-tax activists and he said he thought Jarvis Gann was a sidewinder for the St. Louis Browns. He said “Jervis Gunn”*, it sounded like. 

Mayor Burt doesn’t know “Jarvis Gann” from Gene Bearden

I said, what about VCs? Did he know that there is a company called Ribbit Capital on University that has announced, via the Silicon Valley Business Journal in January, 2022, that it raised $1.1 BILLION for a venture fund. Ribbit which is above CVS and whose entrance is next to a homeless lady who sleeps where the exit is blocked off to the pharmacy.

He said he thought VCs, because they have relatively small offices and few employees would leave and go to Menlo Park and Mountain View if we tried to tax them. I said one, Menlo Park and Mountain View unlike Palo Alto already have business taxes, and two, since Palo Alto has the greatest concentration of venture capital in America, we should have the most progressive tax on venture capital.

He said my argument was “specious”, jumped up from his perch, brushed past me (and my small dog, Daffy) around to the other side of the porch (of Printers Ink, the former bookstore turned coffee house turned part-coffee-house part-wine-bar). I said “Define specious”.

As he was climbing on to his bike and (for no good reason) strapping on a helmet, I said, facetiously and a bit irked, “Thanks for not attacking me”.

He said that I had not learned anything nor shown any human growth since he last attacked me (which was in March, 2011 during his previous council term, at the same joint, but 50 feet away, inside the shop).

“You are just like Eddie Haskell”.

I said that if he was my therapist the Eddie Haskell remark might mean something to me, but as a mayor and purported businessman he had no business analyzing me, calling me names, resorting to ad hominems, or dodging my questions. I meant to say, because I had rehearsed this with an ally a few minutes before approaching him, that at best he wil go down in history as someone who gave concessions to power, and was concillatory with special interests.  I said that the Castilleja result — he voted the previous night to let them rebuild their campus and expand their student body despite their flagrant violations of their Conditional Use Permit — plus the business tax debacle — an extension of what I call a “tax holiday for Palo Alto’s billionaires and trillionaires”– will foment class war, the ultra-rich versus you and me, dear reader.

To the extent that Eddie Haskell was a character in a 1950s sitcom about American life and American Family — “Leave it To Beaver” — starring Ken Osmond as a villain or very flawed but funny minor character who tried in vain to kiss up to the adults and misrepresent in a classically ironic sense, this slur applies to Pat Burt way more than to me. I texted him later to say I had in earnest tried to be nice to him, find good in him, laud him when he did something right. This despite the fact, as he admitted he attacked me, bullied me (more than once). When I discussed this dynamic with then-mayor Alex Yiaway Yeh he said that all seven other council members had complained of Pat’s tactics – they called it being “burted”. When Pat ran again for council in 2020 only one of those seven endorsed him. The other six of his peers shunned him.

Pat attacked me  because I wrote on the comment board of the local paper that I didn’t believe him when he said that billionaire builder John Arrillaga had merely initiated a proposal to build an office tower on park land at 27 University and that “we were taking the lead now”. Sure enough, I was correct, and the  Santa Clara County Grand Jury reported that Pat Burt and other council members had violated The Brown Act and our own policies by meeting serially with the billionare to secretly advance his pet project. This cost the tax payers $500,000 — money we foolishly spent fleshing out his plans; maybe it’s not too late to ask the Arrillaga estate to repay us.

Taxing the the vast business capital here a feeble $10m is like giving big business a $100m per year tax holiday, if you consider what cities like San Jose and Mountain View do. That we’ve never enacted a tax, while the Dow has grown from 8,000 in 2003 to 32,000 today, is like squandering a potential billion dollar rainy day fund. 

During the Covid era compounding our problems, our libraries have been open only a third of the possible hours, and we furloughed hourly workers who might have worked at community events at places like The Palo Alto Art Center.

Pat Burt is a coward and a fool in that he pretends to work for the people but is really the useful idiot for the ultra-rich and the small group of landlords who runs things here. It’s hard to tell, honestly, whether he thinks he is doing a good job, or if, if he actually listened to a 10 minute tape of himself, he would realize he is way out of his class. 

Maybe “corruption” is too strong a word for this dynamic. [I had written to council last month calling attention to a situation in Anaheim, California where the FBI caught their mayor in multiple serious misdeeds and claimed that a “cabal” ran that city] But I hope, in these writings, that come November we can find three Palo Altans to run for Council who are willing to bite their lip and take their swings at the plate and not bunt the ball, in the analogy that Pat gave me. We need people who are willing to make Democracy like baseball our national pastime, and not yield to crony capitalism like Pat Burt appears to do. 

Our business tax should target the 100 largest and wealthiest companies that do business here, and it shouldleave alone Mom and Pops; instead, current leadership calls for spreading the taxes among 1,000 companies, mostly family owned. I saw Pat with Nancy Coupa discussing the topic at her Ramona Street cafe but told her today she should not have been bothered at all. (The Chamber of Commerce put her in their anti-tax ads: how does it hurt Mom and Pops – -the majority of your members, Charlie Weidanz, if We The People tax the ultra-rich?). 

The VCs might just as likely  brag about raising a billion for their funds while raising $10m for the libraries, rather than slink away to some lesser locale, as Pat Burt claims to fear. Or show me evidence that they are as lily-livered and un-American as our current unfortunate mayor.

Maybe on top of finding a good candidate for council and then mayor, we should work on a recall of Pat Burt (who after, all, was termed out once before). He is a disgrace to American principles and our community. He is the Eddie Gaedel of batsmen at a time when we need Stan the Man (or “Oh Henry”). 

*Dizzy Dean was a great picture who said things like “slud” into third rather than “slid” or “slid”. Dazzy Vance was another good pitcher of that era, who I read about or collected his trading cards. Gene Bearden I do not recall. But I do know and am indirectly referencing Con Dempsey the father of my contemporary and opponent Dave Dempsey, who told me his father’s career was ruined when the expert Branch Rickey made him switch from sidearm to overhand. Don’t trust the experts, trust your gut, be it baseball or corporate creep. There is no Jervis Gunn or Jarvis Gann of the Browns, to my knowledge. But I am “city serious” (Lardner, 1924) that I taped Pat Burn making a fool of himself walking back his bungling and not even bunting of the tax initiative. Sit down, Meat!

Posted in filthy lucre, Plato's Republic | Tagged , | Leave a comment

It’s not unusual to picture Tom Jones and Louise Erdrich in a love powwow

Happy birthdays, gemini

Posted in Uncategorized | Leave a comment

June swoon >>> just added

I’m cutting and pasting this from last week’s post plus a few other just added:

Mary Gauthier and U.S. Army Sergeant Joshua Geartz met in his hometown of Buffalo, NY.

TAMMY HALL, solo piano at Johnson Park, downtown north Palo Alto, 2 p.m. Saturday, September 10, 2022 – (note: Stanford plays USC later that afternoon, nearby, at 4:30 which means Tammy’s show is for the hippest of the tailgate crowd or people who gave up on football somewhere between Al Davis moving to LA and the Chargers’ retired star Junior Seau killing himself due to a diagnosis of traumatic head injury and depression, if that is not too dour a note on a Monday morning).

MADS TOLLING, quartet, free at Lytton Plaza — and are “tammy hall” and “mads tolling” some kind of homophone, wordgame or just cool idea for a euponic duo someday? Thursday, September 29, 5 pm free at Lytton Plaza, presented by Earthwise (note Earthwise founder Mark Weiss also owns this blog Plastic Alto).

More shows

This is too post modern with which to futz

AKIRA TANA STEVE SANO DUO — this does not actually exist but because Akira played with Tammy recently at PAJA’s party at First Congo — they call it that — AND Steve’s mother recently deceased was a member of First Prez — I thought the two should jam together in her honor. Check back.

AKIRA TANA ERIK LAWRENCE DUO OR TRIO — Lytton Plaza, September 9 a Monday. They have never met but did record some sessions together during Covid, at my suggestion, for my quasi label Lions With Wings.

PEACE HAS COME TO ZIMBABWE — that’s not a band it’s a lyric by Stevie Wonder and I spoke it into the microphone during my send off last night at the DaShawn Hickman show. For the record, I bought DaShawn Hickman, Wendy Hickman and Brevin Hambden ribs and things from Armadillo Willy’s – -I had a brisket sandwich — while Vicki Randall later got takeout from Dohatsuten ramen– and Charlie Hunter asked me if the sandwich intended for the soundman and or my wife was for him, I said “of course!” and I don’t know if he ate it but someone took the meat of the sandwich from the bun. Whatever that means metaphorically, especially from a guy who has an album called GENTLEMAN WE REGRET TO INFORM YOU YOU WILL NOT BE GETTING PAID.

whatever I said below the correct answer we are looking for is Clarke Hart Wilson Harrison for Stanely Clarke bass Billy Hart drums, Cassandra Wilson vocals and composition and Donald Harrison Jr saxophone, but I went at the invitation or urging of Ethan Iverson an accompanist on piano whose recent Monk tribute with Dayna Stephens I helped produce

SFJAZZ MARSALIS GALA raised $1.7M according to freelancer and 408 Yoshi Kato but I was oblivous to such even though I am a donor. I am sponsoring in various ways Beth Custer in November at SFJAZZ. But I was focused on DaShawn and Charlie at Kuumbwa, my 831 debut, so didn’t focus on the lost opportunity at SFJazz. I did see Ethan Iverson, Ron Carter and Cassandra Wilson remote getting NEA honors (the latter two) at SFJAZZ. Which is run by my former advertising colleague Greg Stern to succeed Randall Kline who told me once his debut as a promoter was here in the 650 though it was 415 at the time, Oregon at The Varsity.

And from before: in brief, I have a cluster of shows at Lytton Plaza, then a bunch on Sundays outdoors at Mitch Bowl, usually at 2 p.m., maybe some add-ons to the Marta Sanchez show downtown 6/25 because it is also PALO ALTO WORLD MUSIC DAY, but nothing hard ticket or indoors until December 18 at the Mitch which is Hannukah (Jewish year-end gala) but no specifics about that.

Stay tuned or as Shakespeare once said, spit in the hole and tune again, man.

add one: I’ve added local stalwart and streek busker Gaby Castro, a Casti grad, to the Mary Gauthier show which also features Jaimee Harris from Austin and Nashville.

addadd: I gave a small gift to KCSM in honor of John Shiflett and Chris Cortez was kind enough to send me the air check. Native Elements featuring Chris Cortez on drums will appear at Palo Alto’s Mitchell

Thursday, June 9, Sony Holland Plays the Music of Linda Ronstadt; 7 p.m. Lytton Plaza, 200 University Avenue, Palo Alto; Free, advance registration available at EventBrite.

Saturday, June 11, early show, nooner, Russian Telegraph Band (Beth Custer – Clarinet, Voice; David James – Guitar, Voice; Chris Grady – Trumpet; Jordan Glasgow – Keyboard; Keith MacArthur – Bass; John Hanes – Drums;

Russuan Telegraph left to right Igor, Vlad, Tolstoy, Keith komizdat and Elif (not pictured Theremin)

Tuesday, June 14, 7 p.m. Will Bernard and Freelance Subversives with Will Bernard guitar, Adam Klipple, keys; Eric Kalb, drums; Victor Little, bass; Josh Jones percussion.

Monday, June 20, Mary Gauthier. Reprise of her 2021 concert here, but moved to Lytton Plaza, 7 p.m. Jaimee Harris, Gaby Castro are special guests.

Saturday, June 25 Marta Sanchez Quintet, 7 p.m. Lytton Plaza, free. This is simultaenous to the Palo Alto World Music Day and as such might be expanded i.e. with opening acts or a longer bill or performers – check back or just if you are by Palo Alto downtown that day keep your ears peeled. Marta and her group will be if not the closing show the featured show — somebody might go on after her set, for example to squeeze out more juice from the grapes, use more of the near-Solstice light and all that. 

July 10, Mitchell Park Bowl – Tne Waybacks (interestingly, an early version of this band appeared circa 2003 at Cogswell Plaza downtown, on the city budget, by We The People, as part of the Brown Bag series. In that year there were 18 civic shows in Palo Alto, twelve in the Twilight Series — which were on Tuesdays — and six in the nooner series. And most of them played original music not merely covers. The Waybacks features James Nash and Warren Hood but are a full band not a duo.

July 17, Amendola VS Blades, 2 pm Mitchell Park Bowl. The fifth time that a version of Amendola VS Blades has played Palo Alto earthwise either at The Mitch, the Art Center, Lytton Plaza or Mitch Bowl. 

July 24 Citta di Vitti band featuring Philip Greenlief and Lisa Mezzacappa, somehow inspired by foreign films. 

July 30, San Francisco Mime Troupe, Mitchell Park Bowl, 2 pm; the famous agit prop comedia del arte group has been in and out of Palo Alto in recent years, at either Mitchell Park or Cubberley amphitheatre but Earthwise is proud to be the exclusive producer of this show. 

 

August 8, Erik Lawrence, Akira Tana duo or trio.

August 7, Native Elements, Mitch Bowl (note: new date)

August 19, ROVA with Thollem McDonas at either The Art Center  or Lytton Plaza, or possibly both. Yes, both. 

October 7 Marley’s Ghost at Lytton Plaza, 

 

 

Posted in filthy lucre, Plato's Republic, sex | Tagged , | Leave a comment

The gentle parry of Wallace Stegner, imagined


Wallace Stegner was my neighbor and when I graduated with a BA in English from Dartmouth another elder on our little corner of the universe suggested I go meet him. I had just read crossing to safety. When I started to speak too definitively about it being autobiographical he stopped me and said it was not. He pointed out that the main character in the book was a woman in a wheelchair whereas his wife Mary was able bodied. He is or was such a big man that he would probably not be terribly angry at you or Roxanna he would probably chuckle and give a very gentle counter argument.

when I say “parry” above —-and I will check back to make sure I’ve spelled it correctly —I can also picture an old man who still moves gracefully despite being a fairly large man on a tennis court approaching the net and making a very solid backhand volley to win the point .

Posted in Uncategorized | 1 Comment

Brothers Gibb tribute by downtown Palo Alto troubadour

 

let there be love by luke cole:
Posted in Uncategorized | Leave a comment

It was 55 years ago today

Release Jun1, 1967
Posted in Uncategorized | Leave a comment

Tammy Hall at Mem Chu by Clay Carson

Tammy Lynn Hall at Stanford Memorial Church on January 17, 2019

I have never met Tammy Hall but got to see her play Sunday at First Congo in Palo Alto, with Akira Tana and Palo Alto Jazz Alliance. Clay Carson, the expert on SNCC and MLK who loves to play hoops I ran into him and mentioned the show and he sent me this photo.

Posted in Uncategorized | Leave a comment

We are the world

Gertrude Stein said I write for myself and strangers. As I sit the world around me is increasing, approaching 9 billion souls and bodies. I am actually South County today, so we are more like 2 million not the 60,000 fellow denizens of our fair city, Plastic Alto.

And I am writing to about 10 people in particular, members of leadership: elected council members, appointed commisisoners, paid staff. And the blog – -the name, by the way, is a jazz reference, to Ornette Coleman — gets on average about 500 hits.

And I guess I am writing for or to myself. I am conjuring the familiar subvocal voice that goes with the taptaptaping of the keyboard. I’ve been hearing this voice for about 50 years or so, it started early. I am guided by voices, and only slightly annoyed and not energized by the neo-soul soundtrack at Nirvana Soul, on South First, in the Hotel St. Claire building, across from Anno Domini and near the California Theatre.

“We are the World” conjures the supergroup that sang an antifamine song in the mid-1980s. Lionel Ritchie — who was at Stanford recently – Bob Dylan, likewise, Huey Lewis, whose stepfather was a Paly track star, et cetera.

But my usage today is referring to World Music Day, which is coming back to Palo Alto on Saturday, June 25. I learned this from a blast from City Manager’s office. the City Manager is Ed Shikada — who used to work in San Jose – -he likely knows this building and certainly the South First. He is also Hawaiin and Japanese. He came to my Akira Tana Otonowa show, the day before Covid. I saw Akira with Tammy Hall at First Cong this weekend, the 50th anniversary of Palo Alto Jazz Alliance, started by Herb Wong. Sorry to digress.

I am writing this to Pat Burt, mayor; Tom Dubois, former mayor, current council member for another seven months; Alison Cormack, seven months; Jeff LaMere, parks commissioner; David Moss former Parks Commissioner; David Goldman a retired baseball coach and grandfather currently traveling in Europe – i can tell by the tones when I tried to ring him — we’ve never met; he’s on the board of Palo Alto Recreation Foundation. With Camille Townsend, former school board member, grandmother, and my sometime ally. Kris O’Kane, staff. Claude Ezran, former chair of the Palo Alto Human Relations Commission who most notably and relevantly founded Palo Alto’s World Music Day in 2009, based on his having visited (his native) France during Fete De La Music, which loosely translates as Make Music Day, which I believe meant he was in France during Solstice, in 2008.

Solstice for people new to the hood means the longest day of the year. It’s on Tuesday, June 21 this year which means sunset is not until 8:33 — I looked it up a couple days ago and wrote that from memory. I think today the sun goes down at 8:20. So over the course of the month our daylight increases by about 10 minutes. And, as I said below, here in Plasty, that has made or will make (French: fete or fe or Fais or something) all the differance. Viva the differance. Live the difference. Use this.

In 2009, Palo Alto’s first World Music Day was on both Solstice, the longest day of the year, and Father’s Day, a Sunday. Auspicious start. I was both a member of the first planning committe for such — although I jumped in late, in January or February, i.e. about four months out — presumably Claude was working on it for about a year. Beyond Claude, I am certainly the world’s expert on Palo Alto World Music Day, but I will –seriously — try to self-edit, for brevity. I just said to my wife that the World Music Day meeting was one of our first dates — Terry, Terry Acebo Davis, was chair of the public art commission at the time – -we were suggesting that the Human Relations commission and the Public Art commission should collaborate to make the idea fly.

I was also a participant, a performer at World Music Day that year, althought i am not actually a musician or performer. (I’m a writer, duh!)

Beat Hotel Rm 32, 2009

Steve Rothblatt and I debuted a project called Beat Hotel Rm 32 Reads ‘Howl’ which is an Allen Ginsburg tribute project. I read “Howl” the formerly controversial and “obscene” poem – though with, note the quotes, “redeeming social value” and Steve, passbly, played congas, a set of handdrums. Two, if memory serves. The act takes about 25 minutes — it’s a long poem, even without the coda. I don’t recall if I bleeped out the most obvious obscene phrase — with mother finally f_____ — the poem itself I think bleeps it out– and there is a history about buskers of NOT doing blue material. I apologize to anyone who has seen Beat Hotel Rm 32 Reads ‘Howl’ on the street and was shocked if I actually said “fucked” and not, for instance “fit” — sometimes I say “fit” not “fucked” and make a hand signal to draw attention to the elission or gap. (note ot self: look up “elisson” –like elipsis i think — I mean a part that has been cut or changed.

Speaking of parts that have been cut or changed, Palo Alto has had 11 World Music Days all of which have been on Sunday except the one coming up three weeks from Saturday. In 2020 , it was cancelled. In 2021 it peeped its nose up more like Killroy than a ground hog and spread itself out over four stages, two on Cali Ave and two on University Ave, and several Sundays and Saturdays. I don’t have the exact number. I know I saw five or so acts, sometimes parts of two concurrent or competing events.

The real World Music Day or Fete De La Musique features multiple stages – I think at its most active Palo Alto had four flights over 10 stages or something. But a main feature of World Music Day or Fete De La Musique is that you cannot see it all, you take your choices, or you graze. Which is similar to saying that no two people see the same event.

I forgot to mention above that I am listed on the program that first year as 1700 Singers – -initially I was trying to form an a capella group with some of my neighbors at Oak Creek — I was in building 1788 and I was trying to impress a young Persian divorced pharmacist in 1728 the buildng next to mine. (I had met her before I met my future wife, Terry, the arts commissoner I mentioned above). There was also an elder piano player at Oak Creek who I met in the clubhouse and we very briefly had a band called One Day Vacation (Tracy Chapmen reference) but she fired me after five minutes becuase I could not sing nor hear the half step between two notes in “They’re writing songs of love but not for me”. It was literally not for me. (I think I sing one measure in the entire 25 minutes readin “howl” — I imitate “Eli Eli” a famous Jewish lament, somewhere in there the the author writes “eli eli” or something. And I had performed or read as Beat Hotel Rm 32 six or seven times before I realized I could compare my reading to things left by Ginsburg himself, again, excuse the digression.

interlude:

Jujitsu is based on the notion that people need distance to hurt you. Instead of keeping away, you pull your opponent closer, so that your bodies are touching, so their arms and legs are too close to strike you. Then you have to learn to feel at home in the grasp of a stranger. (Adam Johnson, “Teen Sniper”, circa 2000 — besides shooting people, a precocious Palo Altan studies martial arts — and please do not look for a metaphor about judo and me and my wife, or me and leadership, or Earthwise Producitions and either Palo Alto Community Services or Palo Alto Parks Foundation. Or you will be, if not shot, then thrown down metaphorically speaking with great panache, or whatever the Japanese word for panache is, maybe Wa.)

Briefly: I am producing a Marta Sanchez show on Saturday June 25 at Lytton Plaza simultaneous to both World Music Day and a Drew Harrison Sunk Kings Beatles concert at Rinconada Park a mile south – -I am suggesting that rather than staggering the events, so that people can in theory see Marta Sanchez quintet – -five musicians — a very fab five I must say – and the New York Times, in 2,000 words no less — said as much — that we joint market the evens to make the series of six to ten performances seem more like a party, a fete, an event or Make Music Day.

I’m also likely to write to Drew Harrison and ask him to add a sitar player and definitely cover “Norwegian Wood”, “Within You, Without You” and the subset of Beatles songs that are also World music – -jai god day ah and all that.

Or as Stevie Wonder said or says “peace has come to Zimbabwe”.

There’s also an Indian jazz concert that night at Stanford and Jim Nadel of Stanford Jazz Workshop is also someone I think about as I write here. As in:

Palo Alto World Music Day June 25, 2022

Sunk Kings (Beatles Covers, including the Sitar Ones) (Rinconada Park)

Marta Sanchez Quintet (from Spain –Lytton Plaza)

Kale and Brooks Indian Jazz (at Stanford -tickets required)

Music from local and touring groups, 12:30 to Sunset — 8:33 or so.

Some thing like that. (and when I read or write this I say “some” rhymes with “poem”)

 

I might also add one, two, three, four or even five more acts and close to 20 musicians all in for Lytton Plaza that day — our permit says we are there from 10 a.m. to 11 p.m. Stay tuned. When a listening occurs, that will make the difference. Differance, even.

 

Notes:

one, I am leaving the mistake but modifying here below: The New York Times, perhaps procured across from Lytton Plaza at Mac’s in February, and persisting in mediation on the world wide web had 800 words about Marta Sanchez, the show I am bringing to Palo Alto, drawing from her new recording:

The words, in Spanish, are a bereaved soliloquy: One verse translates to “I had imagined that we would have many days/where you would tell me/the secrets of your past.” This time, writing from inside a desire that will never be fulfilled, Sánchez has crafted a melody of great simplicity and beauty. 

When Marta Sánchez’s mother died unexpectedly in late 2020, the pianist was at a loss. But Sánchez knew, almost instinctively, where she could process her grief: at the piano, pen and paper in hand, sounding out new music for her quintet.

In the decade since she moved to New York from Madrid, the quintet has been Sánchez’s main creative outlet. And since the release of its strong 2015 debut, “Partenika,” it has made itself known as one of the most consistently satisfying bands in contemporary jazz — largely thanks to the well-ordered complexity and openhearted energy of Sánchez’s tunes, which blur the divide between lead melody and accompaniment, steady pulse and unruly drift.

The group’s personnel rotates often, but the format has never shifted: a pair of saxophones out front, often in high contrast with one another; a bassist; a drummer; and the tension-raising technique of Sánchez’s piano.

Two, as I review this I recall Dione Warwick’s song written by Burt Bacharach that came out in 1968 the year I moved from Chicago to Santa Clara Valley but not San Jose. I link to the video above but do not embed it, exsqueeze the expression.

Three, my favorite World Music Day acts include Palo Alto Jazz Quintet, Gaby Castro. I had a guy named Johnny Law play that first year – -he went to high school with my South County friends from grammar school. 

Four, Nirvana Soul, my hosts this most lovely morning is a Black–owned small chain with outlets on South First Street in the old St. Claire Hotel and near Vallco and near Apple in Cupertino. The owners are named Jeronica Macey nd Be’Anka Ashaolu. 

Five, world music in our sense of the world, the instant matter, means “world-wide”. As we are doing our event, so our hundreds of other communities, although this is more true on Solstice, that Tuesday than that Saturday. I am actually as Earthwise Productions doing a show even closer to Sostice on Monday, June 20 with Mary Gauthier. Also at Lytton Plaza. I have shows this month at three locations on the following June dates: 3, 5, 9, 11, 14, 20 and aforementioned 25. Then back on sunday, July 10 at 2 p.m. at Mitchell Park with The Waybacks. Five of those seven shows are free to the public.

Six, world music typically means songs sung in Spanish or Portuguese; music made by brown or Black people; songs from continents or referencing geography beyond Europe and North America; songs from below the equator. In Palo Alto, at best, the event organizers meant to include world music among six or seven types of music welcomed or offered that day.

Seven, one of the debates beween Claude Ezran and I in the meetings that influenced the first World Music Day here, in 2009 were about my suggestion to pay some performers, to seed the event, to have a main stage and not, like in its purest or more French form be mostly local denizens. Honestly when Peter Drekmeier then mayor told me, at Printers Ink a January morning 161 months ago but very much like today, that “Palo Alto” or We The People was hosting a “world music day” I thought he was asking if I would be the talent buyer and that he had a budget for talent of around $20,000 – which would be about $50,000 in today’s dollars. Previous world music concerts I had presented includes ones with Femi Kuti (Nigeria), Bloque (Colombia), Ozomatli (LA but multi-kulti), Danilo Perez (jazz but Panamanian or Pan-Americano – literally, the name of the project) and Kemuri (Japanese ska). My first thought was Rupa Marya, the physician and activist and Castilleja grad who led or leads Rupa And The April Fishes, who sing in French, Spanish, English – in that order – and Hindi. So on some level it is satisfyng  if World Music Day in Palo Alto takes my advice and pays its headliner the Beatles Cover Band Sunk Kings with Drew Harrison. With or without the sitar songs. And I do think it is better to jointly market the Marta Sanchez show with the Sunk Kings show and think of it as giving people options not making them choose. There would be no, excuse the expression, Louisers. Sun Kings on Sostice actually has a ring to it. The song “Sun King” from which Harrison drew his band name actually includes lyrics in Spanish and Italian so in a loosey-goosey sense is world music. And references the French monarchy, preserving the French motif. (As does the cognate “motif”). For the record, and because I was an exchange student, Palo Alto has sister cities in Mexico, the Philipines, Japan, France, The Netherlands, Germany, and Sweden. I often say Neighbors Abroad should be down with our World Music Day.

Eight, Palo Alto’s Tommy Jordan was on David Byrne’s label with Geggy Tah and also plays with musicians from many other countries. Luaka Bop.

Nine, I am producing a reggae concert at Mitchell Park August 7 2 pm with Native Elements. I’d call reggae world music. 

Ten, I don’t often explain within the text or explicate other parts of the text or the headline. But here I am referncing that song and also the idea that leadership is still We The People, government is a we not a they, et cetera. Or I am asking such. Is it? There is an election coming up. I wrote privately two or three previous versions of this. Crickets. As Buddy Holly might say. 

Eleven: Bob Dylan is playing Fox Theatre Oakland Saturday, produced by Another Planet or APE — and Earthwise is one of 156 independent concert promoters in CA according to Pollstar and was founded five years or so before Another Planet and is an influence on Another Planet in that Gregg Perloff had a file on Earthwise like his file on Mystery Machine while at BGP — which is one of the reasons my Russian Telegraph (Beth Custer, David James et al) show is at noon — should be a buzzy downtown since it is also Stanford commencement. 

Posted in music, Plato's Republic, sex, this blue marble, words | Tagged , , , , , , , , , | Leave a comment

June swoon

DaShawn Hickman, a sacred steel (guitar) player from Mt. Airy, North Carolina, headlines Sunday June 5 at The Mitch, with a band featuring Charlie Hunter on electric bass, Vicki Randle on drums; short sets by Rome Yamilov (guitar) and Nikita Manin (sax) open the show.

EARTHWISE FEATURES SEVEN CONCERTS NEXT MONTH, IN THREE VENUES

Upcoming concerts via Palo Alto’s Earthwise Productions:

Friday, June 3, DaShawn Hickman Sacred Steel featuring Charlie Hunter bass and Wendy Hickman vocals; 8 p.m. Kuumbwa Jazz Center, Santa Cruz, CA. Tickets at EventBrite, $22. (This is Earthwise’s first show in Santa Cruz);

Sunday, June 5 DaShawn Hickman Sacred Steel featuring Charlie Hunter bass and Wendy Hickman vocals; 7  p.m. Mitchell Park Community Center, 3700 Middlefield Road, Palo Alto. Tickets at EventBrite, $20. Special guests Rome Yamilov, Nikita Manin.

Thursday, June 9, Sony Holland Plays the Music of Linda Ronstadt; 7 p.m. Lytton Plaza, 200 University Avenue, Palo Alto; Free, advance registration available at EventBrite.

Saturday, June 11, early show, nooner, Russian Telegraph Band (Beth Custer – Clarinet, Voice; David James – Guitar, Voice; Chris Grady – Trumpet; Jordan Glasgow – Keyboard; Keith MacArthur – Bass; John Hanes – Drums; Note: we will not, contrary to rumors circulating, be serving American-made vodka shots although it is no coincidence that Earthwise started a concert series very near The Old Pro a popular sports bar that Earthwise founder Mark Weiss frequents and which is known to pour a strong Tito’s and Tonic. The band’s name denotes a region in San Francisco bounded by Russian Hill and Telelgraph Hill and does not indicate a proclivity towards Putin — Russian Hill was founded by people who fled the Tsar. In the way that Starbucks is not really a literary reference to Herman Melville:

David James and Beth Custer played Earthwise’s summer in the parks series last August:

Tuesday, June 14, 7 p.m. Will Bernard and Freelance Subversives with Will Bernard guitar, Adam Klipple, keys; Eric Kalb, drums; Victor Little, bass; Josh Jones percussion. Free, advance registration or tickets available at EventBrite (some people like to sign up for things, or get things and make transactions that are free; during the worst of the pandemic, if I can say that without jinxing the matter and condemning hundreds more to cruel fate, requiring registration seemed important for tracking purposes, contract tracing. And yes its ironic to comment on the health policy under the band calling itself freelance subversives). 

Monday, June 20, Mary Gauthier. Reprise of her 2021 concert here, but moved to Lytton Plaza, 7 p.m. Jaimee Harris opens the show. Earthwise aficionados and stalkers might search the alfresco dining of Palo Alto earlier that evening or late lunch hours because I promised Mary, a renowned chef and restaurateur a decent meal, our finest finery — Mark Weiss, blogger, pomo mofo. 

Saturday, June 25 Marta Sanchez Quintet, 7 p.m. Lytton Plaza, free. Two shows in a row where the artist is repeating a previous season’s show — Marta played as a duo in January, 2020 and returns with her full band. Playing material from a new and acclaimed cd. 

Marta Sanchez

So the lucky numbers for June music fans are: 3, 5, 9, 11, 14, 20 and 25

The City of Palo Alto has announced that its World Music Day — Fete De La Musique — Make Music Day — which occured ten times on either Solstice or Father’s Day will be merged with its Twilight Series and annual Beatles cover band show and be moved to Rinconada Park — perhaps in the bowl perhaps on a stage. The event runs from 12:30 to about 7, details coming (beyond Drew Harrison’s The Sun Kings). Check back these same Bat channels to see if the Marta Sanchez Quintet show announced from about 7 to 8:30 somehow morphs into a full day of music at Lytton Plaza. Earthwise’s Mark Weiss reports that his permit actually runs from 10 a.m. to 10 p.m. The more awake of the earthlings might note that Make Music Day started in France and deliberately took advantage of the long hours of daylight, for the concert experience. Sunset today is 8:22 but on June 25 is continued to 8:33 and those 11 minutes make all the difference. 

coda: The Waybacks mark Earthwise’s return to Mitchell Park Bowl, Sunday July 10, at 2 p.m. 

codacoda: Palo Alto Jazz Alliance which is not affiliated with Earthwise of Palo Alto but has a loose alliance — in the way Earthwise sometimes interracts or co-mingles with Stanford Jazz Workshop, SFJazz, Freight and Salvage, KPFA, Dartmouth’s the Hopkins Center — has a 2:30 pm. show today Sunday May 29 featuring Akira Tana, Tammy Hall and vocalist Kenny Washington. at First Congregational Church, 1985 Louis Road.

andand:

I shouldn’t even be doing this but I am looking forward to meeting Anna McNulty a budding journalist at Stanford writing about the nexus of technology and culture – -I’m somehow a source. McNulty is the daughter of my Dartmouth classmate Lanie Bertsche also known as Lanie McNulty who graduated Phi Beta Sigma Kappa and has a Harvard MBA and worked on big deals for a few years before becoming a globetrotting art photographer: 

 

detail

I generally prefer the local coffee shops or local chains (Peet’s, Coupa et al) but today I am at the Starbucks on Cali Ave, because there is also a farmer’s market here, with music, and the occassional find but I am noticing how excellent it is to sit on the bench in the west side of the store and look east, up from your drink or your conversation or in my case the instant matter my computer and behold the triptych featuring David Huffman, Chris Johanson and Joey Piziale. Probably the high mark of Palo Alto’s public program. I added a cheap flyer to the bulletin board in the store:

Starbucks in Palo Alto near murals by Chris Johanson, David Huffman and Joey Piziali. 

detail of previous and I’m proud o fmy collage flyer featuring DMX and some shows from a catalog I boght in the mission

Charlie Hunter says he thinks DaShawn and Wendy are going to be huge but so far there is scant info about them on the internet:

Last words:

Remember to get enough rest\remember to eat enough food\also make sure the meals have a lot of good nutrients \communicate with people because if you or someone is lonely the loneliness may go away when you connect and coexist \also it is good to help people out and support small business first. Chris Johanson, detail of his 2002 Palo Alto mural

Posted in music | Tagged , , , , , , , , , , | Leave a comment

Tanaka endorsed by The Night Stalker

Posted in Uncategorized | Leave a comment