Shame on local leadership for silence on Buena Vista

Posted by Mark Weiss, a resident of Barron Park
0 minutes ago
Kudos to Winter Dellenbach for her compassion and diligence and tenacity here.

Shame on local leadership — Council, commissioners and staff — for not doing more to broker a deal along the lines that Winter indicates. I would think converting the park from a group of disorganized renters to an HOA would entail a significant improvement to the site from a physical standpoint.

I thought it notable and slightly confounding that there was disconnect and dissonance between the referendum at Maybell and the defense of our neighbors at Buena Vista. I would think in both cases the principle is stopping greedy interests acting in their own interests but adverse to everybody else. People I like and respect were For D AND passionate about saving the park, for instance — Nancy Krop comes to mind. And there are plenty of Against D who haven’t said boo about BV.

The deal offered Jisser would be a reasonable profit for him. Why he is entitled to maximize his profit, especially given the externalities?

It is notable that GS reports that Palo Alto Housing Corp would have worked with Prometheus to develop the property but have not apparently figured out a way to help the BV residents organize and defend or buy their homes.

This is another good litmus test for the upcoming Palo Alto City Council candidates.

By the way I think discourse would be improved considerably if more than 5 of the first 55 posters here would do so under their full names.

Lastly, is there someone living at BV who wants to step up and run for Council? We need more residentialist and opposition candidates.

By the way, is it time for a Rent Board or Tenants Union here and not just a pro-landlord “mandatory mediation process”?

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Phil Elwood, Steve Lacy and Pete Douglas in heaven

steveSOPRANO SAXOPHONIST Steve Lacy, with Jean-Jacques Avenel, string bass, and John Betsch, drums – a “free jazz” ensemble – performed exquisite and innovative chamber music for the Bach Dancing & Dynamite Society in the Pete Douglas Beach House at Miramar on Sunday.

Lacy, a New Yorker, came on the jazz scene in the early 1950s, a soprano sax era dominated by the classic New Orleans stylist Sidney Bechet. Although Lacy did play clarinet, then soprano, in many Dixieland groups, his distinctive sax sound, thematic structures and improvisations bore more resemblance to such swing-era giants as Lester Young and Willie Smith.

He eschewed Bechet’s broad vibrato but still occasionally growls out a note, as did Bechet. Lacy’s is a strong, clear and flexible horn sound – a recognizable style on his recordings made in 1957-58, before John Coltrane was playing the soprano. It was at an Apollo Theater band-battle that ‘Trane heard Lacy playing soprano with Thelonious Monk and soon took up the instrument himself.

In those years, Lacy also recorded and played with composer-pianists Cecil Taylor and Gil Evans and others who were moving into “free jazz.” He stayed in the New York area, playing and recording until the 1960s when he toured South America, then Europe. After a stay in Italy, he moved to Paris, where he has lived for 27 years.

The Douglas Beach House is a perfect home for chamber music, whether Monk or Mozart. Lacy’s pure, strong tones carry beautifully through the 200-seat room with no need for amplification and Avenel’s resonant string bass sounds, whether bowed or plucked, melodic or rhythmic, are projected with clarity and richness.

On this 30-concert tour, Lacy is using no pianist, although he still includes Monk tunes in a performance. On his original compositions like “The Door,” or “The Rent,” Lacy regularly refers – in his jagged rhythmic patterns – to Monk.

Drummer Betsch, a Floridian who has lived in Versailles for many years, plays with the same taste and finesse as Lacy and Avenel. He is first an ensemble participant – a

“team player,” if you will – and then a soloist. So cohesive is the trio’s overall sound that solos come and go unobtrusively throughout a selection without affecting the flow of the performance.

Lacy mentioned that it is Monk’s use of space that most affected his own writing and playing. Lacy’s compositions are clearly defined from the first notes, even when those notes may be on Avenel’s bass. Dynamics are carefully balanced, the expansion of a simple melodic theme reveals fascinating innovations on all three instruments and soon a listener feels like a member of the crew on this musical voyage.

Perhaps the most fascinating work performed came in Sunday’s second set. Avenel began playing an African theme, rolling rhythmic figures on a thumb-piano, with the drums – gradually increasing volume – developing contrasting rhythmic patterns in support. As Lacy’s soprano sax entered, wailing minor-key expressions, Avenel shifted to string bass, alternating rhythmic patterns and explosions with Betsch’s drums.

This is chamber jazz at its best, in heaven.

Pete-in-memory-2014

(by Phil Elwood, in the Chron, about Steve at Pete’s, unearthed and Plasticized by Mark Weiss with a little help from the search-injuns and Eric Hanson)

phil

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Storytellers, reportage, reenactments and posts

Pitch #100 on a quality start by Timmy, on tivo

Pitch #100 on a quality start by Timmy, on tivo

Sunday afternoon consists of watching Tim Lincecum struggle with the Marlins — it’s 2-2 in the third as I commence — while posting a fairly mindless little ditty, comprising for the most part 21 images I managed to move from my Smarty Pants Cellphone camera to blog, and a few tossed off interstitial ideas or linkages, not unlike sausage casing

cochitiStoryteller

 

 

 

 

 

 

 

 

 

 

 

 

 

2. Rodin

Gary, Ron, Joe, Peter

Gary, Ron, Joe, Peter

Saturday started with Terry driving to Ferry Building SF so as to catch Jerry Hannan and other guests on West Coast Live, the long-running and unique talk and performance show, hosted and produced by Sedge Thompson who married a little blond haired girl from Mrs. Creighton’s 6th grade class, Sylvia Brownrigg, sometimes also known by the non de plume Juliet Bell. Probably merits it’s own post, excepting the fact that I was sensitive about not disturbing the event by using my camera — I still don’t know how it decides when or when not to flash. I snapped this image of Claes Oldenberg’s Cupid’s Span en route, probably already listening to the show, which is a fun part of WCL, that there is a sort of reward for your tardiness.

CupidsSpanSFWe rushed back from the City to catch our friends Natalie and Nicole Hong doing a recital of classical, opera and folk singing, at All Saints Church on Waverley (the one with the labyrinth, which reminds me: been a long time since I did the stroll). Parents Paul and E.J. Hong surely have never been prouder; again, probably deserves it’s own post. Check back for that.

Natalie Hong, a Gunn grad off to major in Engineering but minor in music, at Carnegie Mellon, and sister Nicole, at her Senior Recital, Palo Alto, July 19, 2014

Natalie Hong, a Gunn grad off to major in Engineering but minor in music, at Carnegie Mellon, and sister Nicole, at her Senior Recital, Palo Alto, July 19, 2014

Not far at all from All Saints is Walgreen’s at Bryant and Uni, where Theranos, a $9 Billion valuation pre-IPO health care company, helmed by a 30-year-old Stanford dropout Elizabeth Holmes, beta-tests in diagnosis products: that is pretty boring, I admit, going downtown to shoot a drug store counter. Holmes was also on the cover of Forturne Magazine two weeks ago. I inadvertently told people that it was a $30 billion company started by a nine-year-old.

Theranos retail, Palo Alto, July, 2014

Theranos retail, Palo Alto, July, 2014

Actually, as I write this — Monday morning, Linceum lost, by the way, and I ended up seeing only 9 pitches, not that each pitch is not a mini-masterpiece — an Elizabeth Holmes-type comes into Peet’s on Uni and a do a bit of a double-take and try not to stare, and then shoot this photo of her (the non-Holmes, I presume; Elizabeth is known for wearing all-black, and is probably too busy to relax at Peet’s, on a Monday). She leaves before I finish posting. The guy sharing the table with her remains– I’m guessing they are not together.

probably not Elizabeth Holmes, founder of Theranos, 10 a.m. Monday, July 21, 2014 at Peets on Uni

probably not Elizabeth Holmes, founder of Theranos, 10 a.m. Monday, July 21, 2014 at Peets on Uni

 

In theory I could do nothing but take cellphone photos of Downtown Palo Alto and post them to WordPress, and see how high I can elevate that form, which is a step above writing reactions to other media — I do a lot of that — or posting too many screen-captures from tv. I am meaning to re-read Winesburg, Ohio at any rate.

Friday evening I saw the media crew setting up to document what is at least the third appearance at Lytton Plaza by a group of 11-year-old rockers, sometimes a trio — their name indicates — and sometimes a duo, of the core singer and guitar player. Meanwhile Lytton regular Skee was cranking away on guitar; he yielded to the kids, then plugged back in with a band at the “bandstand” (near the bike racks). The kids tend to play on a diagonal angle, facing the bench along the fountain, or midway between where buskers play and the “bandstand”.

My understanding is that the guitar player’s father is a successful investor, in the medical devices segment, with office space and real estate investments downtown. And as someone who caught Norah Jones’s first show in the Bay Area and was told “she’s Ravi Shankar’s daughter, but don’t tell anybody” I don’t feel that bad assessing the band by gleaning tidbits of intelligence about their parents. I enjoy hearing them play and slowly the indie-rock favorite work their magic and displace my jaundice. I love Green Day, frinstance, and was psyched that they do a Nina Simone song. (The one that is also in the movie about the French cripple and his street-wise aid). Also, one of these days I need to post Hershel Yatovitz in 1976 playing a Bar Mitzvah, or sitting in at least; Hershel who plays Mountain Winery next week as Chris Isaak’s guitarist.

Unnamed young guitar whiz, Lytton Plaza, summer 2014

Unnamed young guitar whiz, Lytton Plaza, summer 2014

This is Skee. I have his card somewhere. Palo Alto Police once ticketed him for blocking the alley while he loaded out his gear. (And they ticketed me one night for blocking the taxi stand, although I had already returned to move my car before they started writing it).

skee2014This is one of at least five members of the media crew that documents the young band; she’s fairly young herself, maybe his sister or cousin? (most of the other media workers are twenty-something and have other media credits, I’ve learned; nice gear certainly)

photoCrewLytton

 

I’m deliberately not referring to the band by their name; partially because their name is weak; they need a better name — not that I would approach them and offer suggestions and I certainly doubt they read Plastic Alto. One of these days I, especially if I write about them a fourth time, I will give them a pet name. Like Bennie and the Not Yets– BNY.

Meanwhile I am dubbing this guy Boogie Man. My photos do not do justice to his moves, which upstaged Tony Lindsay at Cogswell Plaza Thursday, July 17, 2014. Lindsay was great, or at least very good, although I would say the sound system was weak, a low ball bid and low ball fulfillment, by Pro Audio, which is Kevin Corecky’s firm (local stalwarts, I used once, at the Edge, in 1994). And somewhere I want to debunk or if necessary praise the fact that the artist and this event billed Tony Lindsay as “11-time Grammy winner”. I believe that Carlos Santana may be have won that many Grammy’s, and Lindsay has sang with him as a side-man for many years, and recorded, but I somehow doubt the math there, I must say. Which also reminds me of reading locally something about a senior at Los Altos or St. Francis having a demo produced by someone claiming to work with Elton John and John Mayer and me, the first time I read this, months ago, wanting to suss that out.

Here are three shots of Boogie Man. If I see him around I may ask his name:

boogieMan1of3BoogieMan2

It may look like he is standing still here but he is not — which is my homage to Muybridge, 1877.

boogieMan3after 1,200 words and two hours I had to repark the car, from Lime to Corral, and added the remaining 1,000 and 10 more photos:

aquariusMarqueeaquariusMarquee – I saw “Begin Again”, John Carney’s folo to “Once” twice. I thought of the following alternate tag lines to the actual ones posited by Lance:

 

Keira Flowers (which only works if you know that Adam Levine’s first band was called Kara’s Flowers)

Marooned 10 (which only works if you have heard of Maroon 5 and think Keira Knightly is a 10)

Music Wants to Be Free but We Charge $10 (too many characters)

Where The Ruffalo Foams (which I think of as a Hunter S. Thompson reference although Lance says more generally its “Home on The Range”)

 

The actual picks: Keira Loses Her Corsets and All the World is a Studio

 

I would rather see a fictionalized version of Bill Callahan and Cynthia Dall, circa 1995. Sad as it is, but more real.

 

LanceAquariusWriter

Lance of Aquarius

Lance of Aquarius

 

LincecumInDefeat — I caught 9 pitches, numbers 99 thru 108. I thought earlier this season about posting a pitch by pitch Lincecum post, like the Zidane movie by Douglas Gordon or Deadbase.

it would be about 2,000 pitches per season (although reminds me of the book I saw that has virtually every book reference in “The Simpsons”)

 

Palo Alto Mosque

Palo Alto Mosque

paloAltoMosque- The tip of the mosque is visible from nearby Palo Alto Studios — art spaces — on Transfer Street; I am looking forward to the mosque; not many know that the community of Muslims in Palo Alto has a preponderance of Indians. There is also a dance studio going in around the corner.

 

dougherty

dougherty — Patrick Dougherty installation of bent reeds and twigs shows some staying power. I prefer this as a landmark, for Palo Alto Art Center and Rinconada Library (new, stupid name, for Palo Alto Main Library). I suggest a big, stupid sign saying BIG STUPID SIGN to what is actually suggested as way-finding, for corner of Newell and Embarcadero. My first choice would be a giant book by Oldenburg, or a soft drum kit. There’s also a set of c-prints of or by Daughtery (check that spelling) at Cubberley, in the room that is often but not always Palo Alto History Association, or, as I often say, three doors down from “The Wave.”

 

Like a lot of people, Karen Kienzle is sometimes perturbed about a lack of respect for the arts

Like a lot of people, Karen Kienzle is sometimes perturbed about a lack of respect for the arts

KienzleOuttake — nobody will ever see this less flattering photo of museum director Karen Kienzle, who posed for me the other day in front of the Ehren Tool installation, she spearheaded. I think this shows character.

 

StrengthTool- As a lagniappe to the 880 ceramic mugs made and installed by Ehren Tool at Palo  Alto Art center and his residency, former arts commissioner Paula Kirkeby (my second yiddishe momma) suggested the win-win-win of housing Ehren at Smith-Andersen on Pepper, and bringing him to the printing press, with Kathryn Kain, master printer. There are seven prints on display, two series, one based on the lotto or tarot, the other more like extensions of the mugs. One says “strength” which is how Ehren signs correspondence, a al Dan Rather “courage.” I guess both sets are based on “lotteria” I note the hebrew “beth” which means “house”.

 

caliSherm — I took a bunch of photos around 385 Sherman where greedy developers want to tear down perfectly fine and fully leased one-story tilt up and build maxed out three story office buidling, with a couple housing units thrown in, more to qualify for some sort of zoning loop hole than because it is a good idea. I waffle about comparing it, in another post, to the Orson Welles character in the Third Man and his famous dismissal of externalities. I am wavering between “Would you really miss some of those dots” to “Would you really miss some of these dot-coms?”  I shot this from Cali Ave next to probably the best actualized public art project in history of the program, the triptych of murals by, in order, Chris Johanson, David Huffman and Joey Piziale, the former fastest cornerback on the Paly gridiron team, of his day (and a chilumbicaner-producer in his own way. Bless).

 

matt – Matt W one summer day not unlike today but forty years ago was a star youth soccer player but he was involved in a car accident coming home from a tournament, spent time in a coma and I was thinking of him, in terms of who is or isn’t earshot to the 385 Sherman racket, when lo and behold her materialized, using a walker, going past Sarah Wallis Park. We are both looking forward to news of our friend AF and his collection of Chilumbicans. Mazel tov. Cue Helen Sung, Anthem for A New Day without explaining why.

 

SteveCohenStanfordJugglers — Steve and Eric Cohen, and honorary Cohen-clan member Trish, spent a few days last week posing as Stanford affiliates and even passed themselves off as members of the Stanford Juggling Club. I also caught them reuniting at Cool Cafe at Cantor at Stanford (Leland and Pierson Room) with Joey Oliveira, who was their neighbor on or at San Juan Hill for more than 40 years. The picture at the very top shows Joey Oliveira on his way to lunch with Peter Selz the dean of Bay Area modern art critics and curators. They had been, incomprensibly, chased moments earlier from the construction site of the Windhover Contemplative Center; which is like the time I overheard Doris Fisher telling someone by cellphone that, at the installation of Richard Serra “Sequence” at Cantor, she got a parking ticket  and “I guess they need the money”, although maybe some of that comes back to us, townies, and we kinda do. Sergeant Steve Savage of Palo Alto’s Finest, meanwhile, on Thursday, at the Boogie Man show, I mean Tony Lindsay, pre-empted a few parking tickets to permit the actual bass player, not the UPS guy, to make his hit on time, plus the Pro Audio truck. Which reminds that I have a decent picture of Russ Cohen, of PAD, at the gig — he was instrumental — like a cheesy hammond — in the rebirth of Brown Bag. And that reference is not “derogatory” it is actually a very hip Steve Lucky reference.

 

You know a good place for a Palo Alto pick up gig? The piano at Caffe Venetia at historic train station. They have an email address to let them know, or just go and play and run, ala Ruffalo et al in “Begin Again” if the police come. Maybe we can get a grant for PAPD in uniform to come and tickle the keys, as a form of outreach and sensitivity training. We have Olympic badminton players and Dartmouth rugby players on the force, why not Vince Guarldi devotees?

 

probably not Elizabeth Thomas, speaks for itself

 

nerdNation — how many hundreds of thousands saw the Youtube version of Stanford Nerd Nation video that runs in a loop at Stanford Bookstore and Emporium?

 

I have a long riff previously about Jun Tulius lecturing in SF about this Mentawai 35 miles, not 12,000, away

I have a long riff previously about Jun Tulius lecturing in SF about this Mentawai 35 miles, not 12,000, away

Mentawai and PaloByPalo: how many miles apart are the creators of the Mentawai gibbons at Stanford and the carvers of a wood version of the Palo Alto seal by our brothers and sisters in Palo, Leyte, the Philipines? I would guess less than 5,000. Maybe they can do a spit party and see how closely are their genetics related. I should write Anne Wojcicki and see if she will do this pro bono.

I started by imagining making some kind of crack about Selz, Oliveira et al looking like a re-enactment of Rodin “Burghers of Calais” which actually can be seen, a short walk from the museum and it’s motherlode of his sculptures and the gate, and Thinker. (And held off posting at all until Steve showed me that Joey put photos of the meeting on his social media page).

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All the young dudes, at Lytton

lyttonPlazaWhizKid

I caught, for the third time, the young band that performs and creates video content at Lytton Plaza.

A guy I met who moved here from Ivory Coast 20 years ago and has an 11-year-old himself congratulated or gave well-wishes to the young singer’s mother, who accepted the attention with aplomb.

Set list: Knocking on Heaven’s Door, Green Day, Sweet Child of Mine — I didn’t hear any Zep this time. Are they mellowing? Also: Blind Melon sung and probably written by a heroine overdose, but the bumble bee video is probably catnip to 11-year-olds.

edit to add, minutes later: I guess I’m stereotyping to write that Shannon Hoon died of a heroin overdose. It was cocaine, in Houston, at age 28, the day he was supposed to continue on to Tipitinas in New Orleans the big easy. Blind Melon the name is supposedly a Cheech and Chong reference. Their debut album was produced by Rick Parashar who I recall having lunch with once in SF, on the invite of Sybil Vain, a.ka. April Deveraux another Parashar product — I think she was on a bill with Billy Nayer Show at Bottom of the Hill; I remember she wrapped her very long microphone cord around my neck mid-song, which made me blush and I had to take off my fleece jacket, and she stayed on our Earthwise mailing list for awhile but I never worked with her or saw her again, or heard from the band, for that matter. Blind Melon broke slightly before I started really following the scene. I wonder what the bumble bee little girl is up to know – I presume, for example, she is not the mother of the young singer pictured above. Hoon sang back-up on Guns N Roses, btw.

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I wanna get I Wanna Get Better but not for $1.29

Bleachers released his her or its debut cd on Tuesday, but I just heard about it yesterday or today due to a Kimmel re-run (I was actually taping to capta St. Paul and the Broken Bones or something — I was on a “pauline” riff). I thought the dude singing did look a bit like the dude in fun. It wasn’t until his guitar riff that, like punching the button on The Voice, I popped on my laptop to get the skinny. I’ve had this computer — my actual first, my virgin effort — for about six months now and have not yet downloaded or bought any content, except a download code for Sharon Jones that arrived as a blank. My girfliend (I had to try twice to get that by that bitchthe spellchecker) set up everything and did send me my codes but I never bothered to learn them(you need a code to go to the Apple store, for instance (I wanted to write “itstance” but am tired of fighting). I liked his t-shirt Downtown 4 Democracy – -will have to suss on that. I don’t like his GF that much. Shadedfreud or just a hater, or I’ve potentially met too many Smithies (of that generation). See also Kevin Cadogan, for the fact that it does sound like 3EB and poor Kevin’s solo effort never went as smoothly, so far. I am the poor man’s Christgau. (Better than the poor Christ’s Mangau). So $1.29 is the new .99 is it? Rather than continuing on with ABC coverage of Burning Airlines (that’s a misguided Eno reference) I am going to rewind to “I Wanna Get Better”. I presume the original Fun deal provides for solo projects, in this case on RCA. see also Nathan Fielder (dumb star*ucks) Strange Desire is the new of the set. PS the cap edit to add: weird sign that there might actually be a D-G: mid-solo there was a test of the EBS emergency broadcast system – -which reminds me of the band Elastica — but it deleted my pseudo-cat-pure on fake-tivo. May have to plunk down the $1.29. Now we have Meryl Streep asking me to check my polyps so I don’t feel as bad about my Eno joke. In fact I will link to it (disclosure I used to manage this act and may actually still receive 2.5 or now 1.5 percent of what they get by your streaming, from 2003, there’s so much in life we can’t control, such as colorectal cancer, she say: https://www.youtube.com/watch?v=kZ5szyqkAHQ Your best shot is to check for a spot — PSA I am not making this up edita2: that’s 427 words and here’s a lift of another 200 or so: Last night in Brooklyn, the artist Dustin Yellin couldn’t keep his shirt on. That’s probably atypical for a political fund-raiser, but it wasn’t weird — it was Yellin’s place, after all, and he was surrounded by friends. At his Red Hook studio, The Intercourse, a self-described “cultural think-tank-slash-museum school experiment,” a bearded and bespectacled crowd of about 200 paid $50 each to enjoy the borough’s finest ceviche and moonshine, with the proceeds going to the political action committee Downtown 4 Democracy, “an alliance of professionals in the arts and creative media who share a deep commitment to progressive ideals.” Yellin welcomed guests with a bright red T-shirt slung over his shoulder, putting it on only when the sunshine softened, but he ended the night barebacked again, in case there was any question about the kind of event he was hosting. D4D was founded in 2003 and raised $1.5 million to get the vote out for John Kerry. We all know how that turned out. The organization disbanded soon thereafter, having become a full-time side project for its art-world organizers. “It was extremely successful in terms of getting the creative community to participate in the political process,” said Bronwyn Keenan, a former Guggenheim events director and original D4D board member, in Yellin’s garden last night. “But creative people tend to take it personally if we lose. It was a crushing defeat.” “It wasn’t until Sarah Palin that everyone woke up again,” she explained. That missile dodged and the world still intact, D4D has risen from apathy’s ashes this year and partnered with CREDO, a liberal super PAC, with the aim of unseating “The Tea Party 10,” the most extreme and vulnerable members of the U.S. House of Representatives, from Pennsylvania to California. Without their own Sheldon Adelson, the group hopes to make its dent in smaller markets. “I’m personally in a better position to give money now,” said Keenan. “Last time, I was in a position to do the grunt work.” Much of the organizing now falls to a next generation board member, 25-year-old Audrey Gelman, who’s just not busy enough as press secretary for Manhattan Borough President Scott Stringer and an actress on Girls. Gelman launched a reborn version of D4D earlier this year with The Pocket Guide to Politics, a civics textbook-gone-Tumblr featuring government lessons told through art from Terry Richardson, Dan Colen, Aurel Schmidt, and Andrew Kuo. The book’s launch party, at the Standard Hotel, featured appearances from Gelman’s wide sphere, including Stringer, Lena Dunham, and Mos Def. Maybe that is Jack’s way of telling Lena he is leaving with Audrey. (If I can stay awake another 28 minutes, Jeff Koons may be on with Seth Myers…)

Audrey Gelman in the Times, October, 2013: this explains everything. Except Stephen King’s blurb for Josh Ritter.

This message brought to you by the letter B:

 

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Fountains of the Deep: Visions of Noah and the Flood

This gallery contains 6 photos.

Originally posted on Art, the Bible & the Big Apple:
Coinciding with the release of his new feature film, Noah, director Darren Aronofsky presents an exhibition of contemporary art inspired by the biblical story of Noah and the Flood. Fountains…

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Here’s to ya, Pete Douglas

Pete Douglas the founder of the Douglas Beach House in Half Moon Bay took his last bow Sunday, at 85.

That’s a tough act to follow.

peteDouglas

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Escobar by Carolyn Castano, a Columbian-American also showing at Meridian SF LAST CHANCE

I clicked thru a note about Carolyn Castano show closing at Meridian Gallery on Post in SF — Sunday, July 20, 2 to 4 p.m, 2014 — to rip this salute to Escobar the football player who was murdered after letting in an own goal in a previous World Cup. I also have in my cue a documentary (I’ve seen) about The Two Escobars. There was an art director or photographer in SF (maybe he worked with Jeremy Postaer, on a billboard about Red’s on the pier, I posed for, as an extra, circa 1990) named Dan Escobar.

There’s actually an enya on the “n” in Castano, please note.
AndresEscobarSerigraph-web.img_assist_custom-600x879

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Peace is the only adequate war memorial: ceramics installation by Ehren Tool in Palo Alto

Containers of Community by Ehren Tool detail 42 of 880 mugs, plus 8 prints

Containers of Community by Ehren Tool detail 42 of 880 mugs, plus 8 prints

Eight hundred and eighty ceramics mugs comprise a type of Old Glory reference and codex, at Palo Alto Art Center, which I am calling Palo Alto Peace Center for the next eighty eight days or so.

Here is my reading of a detail of such, about forty two cups, seven rows of six; I did not actually touch or turn these pieces, per the signs posted, but from examining other parts of the series — there are more than 14,000 cups extant — I know that each mug includes between two and five elements, plus the base of bricks or sandbags that are practically part of Tool’s signature. To my eye the piece as a whole is green, red, white, blue and orange although I will leave it to experts to fix that estimation (close enough for Plastic Alto, I like to say). Kudos to Karen Kienzle for making this happen:

1, three guys in their Army unies, circa 1941; 2, pink, “clearing barrel” gun with helmet balanced on point, as relief; 3, red; 4, green, amulet ? question mark; 6 (I am skipping five, seven and eight) green and red hearts; 9, is that Slender Man?; 10, a quote from Dwight David Eisenhower, general, president, subject of a book by Palo Altan Jim Newton, aka Ike: “it’s brutality, it’s futility, it’s stupidity” quote about you have to have served as a soldier to know the full extent — I can swap out the exact quote later, check back; 15, (I skip eleven thru fourteen) solider with pistol pointing to own head — there is a warning posted that some of the material is for mature viewers; 16, fist; 17, young man in uniform; 18, Hello Kitty, or a bootleg version of her or him, holding a rifle – this repeats a couple more times, at least, in this set, the 880; 19, Egalitie Fraternite and a skull, maybe someone’s patch that plays on the famous French motto: Ehren collects war ephemera and history, and people contribute icons and ideas; sometimes he swaps for something he really wants, he carries around a collection of these — he made these cups during a one-month residency here in Palo Alto, in June, 2014; during the year he teaches ceramics at U.C. Berkeley and shares a home/studio in town with wife and mother-in-law artists all; 20, intricate relief of a battle scene or several, over a backdrop of the pyramid you find on a dollar bill, the Masons thingy, Annuit Eucept or whatever — this also repeats in the set or super-set; 21, some Arabic writing over some artillery, rifles, in Orange; Ehren served the U.S. in the first Gulf War, Desert Storm; 22, Guy Fowlkes motif, in orange, maybe a gas mask; 23, Peace Is The Only Adequate War Memorial — source?; 25, someone named Bloom, part of BGEEA, maybe that’s the father of the school psychologist I met here and mentioned previously, from Vermont — he did work on missile or antimissile guns, Ehren found on youtube as we three were gabbing, and he was otherwise working; 26, a shrine, in relief, with three Indian or yoga gods, in blue; 27, some dude in a tie, presumably a vet or loved one of a vet; 28, this is my dad, Paul Weiss, posed in his Navy blues, in 1941 or so, when he was 18 or so and had just enlisted, he said to avoid being drafted into the army, so that he would have a bunk and not be in a foxhole, he was a radar guy on a small ship, an LCF or flag ship for a fleet, Terry and I snagged it out his wall, of his and Mom’s Palo Alto home and brought it in to the Palo Alto Art Center to scan and include, and in September, in theory, the art center will disseminate the work and we may be taking the piece home with us, Dad did meet Ehren and hopefully will make it to the show, and or the Sept. 7 event, lecture, panel; Benjamin F. Davis, Terry’s dad, who was in the Merchant Marines, unless that is her grandfather, also a U.S. veteran and buried in Colma; they never met in real life, my dad and Terry’s dad; 30, another amulet, like in 4: is that George Washington? Is that a Purple Heart? Reminds me that my Mom gave me, about 2004, as they were downsizing and feng-shuing, her dad’s medal from Rochester VFW, which I promptly squandered to burglars, Feb, 2008, while living in Barron Park; 31, something in green with eagles and the globe; 33, another Eagle insignia; 34, pin-up girls, PG-rated, in contrast to racier stuff Ehren has worked with and included in his book, giving new meaning both to Chicks with Sticks and Big Guns; in green; 35, In Times of Universal Deceit it is a revolutionary act to tell the truth — George Orwell, which reminds me of the Santa Clara Grand Jury report about Palo Alto from June 6, 2014, while Ehren was in residence here; 39, pink, soldier with pistol to head; 40, blank, white — ok, I admit I did pick this one up and inspect it: blank all four sides: did he say the blank ones are tribute to his dad?; 41, This is not Political; 42, more pyramids (actually I cannot read my notes: pyramid ndoss? Whatever. Come see the show yourself and make your own notes and notices.

Kudos to Palo Alto Art Center director Karen Kienzle for bringing Ehren Tool here and for kindly posing for moi:

IMG_20140718_112427918

edit to add, 1: I hate war as only a soldier who has lived it can, only as one who has seen its brutality, its futility, its stupidity. Maybe I can write Jim Newton to get some context for this if it’s not in his book per se. I ripped it from brainyquotes dot com

edit to add, 2: In A Time Of Universal Deceit, Telling The Truth Is A Revolutionary Act. – George Orwell  Apparently this is a bumper sticker and not an actual Orwell idea, or maybe it was coined, pressed or thrown by a member of the Santa Clara Grand Jury who criticized us for our dealings with a developer in recent years. Close enough for Plastic Alto and more importantly for Ehren Tool, artist, father and Patriot. He hates it when you say “thanks for your service” btw. Two more things, more or less appropriate here: I counted four or five war memorials at 27 University Avenue, being eyed first for office towers and now for dense housing, and what triggered the GJ report. This never gets talked about. The historic building, the first community center, for USO, sure, but not the flagpole and monument or meeting board for VFW of old; the line “Peace is the only adequate war memorial” seems to be a completely original thought by Ehren Tool. Nice going. He also has published some of his letters to people in power, offering to give them a mug or asking them, for the sake of the troops, to be more efficient at least about their war-making. Do what you said you will do, et cetera.

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Would you really feel any pity if one of those dot coms stopped moving forever?

edit to add: I later decided not only to run for City Council but to double down and apply for ARB; meanwhile I happened on to Rita Varell working on her garden and she added her name to the list of my endorsers, about 20 to 25 by September 24, 2014; I also spoke out against the cellphone tower at Little League Park and although Rany Popp had recused himself, he was watching he meeting on his computer and said he had :no comment: to me–Mark Weiss

385 Sherman, partial view, at Ash

385 Sherman, partial view, at Ash

When Palo Alto ARB members Clare Malone Prichard and Randy Popp talk about “property rights” I’m not sure they are not talking about this post-Citizen’s United, post-McCutheon phenomenon of “corporations are people”. Are they saying that they believe that Property per se has rights, like if there is a $10,ooo pile of gold somewhere we have to honor its rights to self-determination and self-actualization and not get in the way of it becoming a $20,000 pile of gold?

I don’t get it.

Steve Levy said the same thing at a meeting, and workshop. He said government and We The People have to be super, duper careful not to tread on Property Rights.

Huh?

I sat thru two-and-half hours of a meeting Thursday about 385 Sherman, where the developer, a slick young guy in a suit, wants to tear down a perfectly good and fully-leased building, down the alley from Cali Ave and it’s triptych mural, to build a super-sized uber-building, with that many more workers and four little pied-à-terre overlooking Sarah Wallace Park. Meanwhile there is a group of homeowners from the 40-member condo association next door, Birch Court, about 19 of whom are pretty vehemently against the proposal. Or at the very least, they want to make sure the project is well-vetted before it proceeds (in this climate of give a developer and inch and he’ll reach for 44 feet).

The board to my mind is likely to let Minkoff be Minkoff and is basically telling the residents “tough titties.” Popp actually said something to the effect of buyer beware if you move into an underdeveloped area, which makes sense if you are talking about a former chicken farm in East Palo Alto or you are a member of the Donnor Party or something, but again in this case these people have lived there for 30 years in some cases and so has 385 Sherman.

Maybe I am too influenced by the fact that one of the homeowners, at the meeting but did not speak — although she told me she was influential in moving the HOA towards what become hiring Bill Ross as council — is my favorite Buddhist-Capitalist, Norzin Lama of Norzin Collections boutique, who came here as a refugee from Tibet in the 198os, sent two daughters to Gunn, Paly and or dental school, and if her English is not perfect (it’s better than my Tibetan, you can bet on) has a way of emoting the meaning of things. I’m encouraging her to speak up at the next round of things, for her sake, her more-in-the-firing-line neighbors and for  all of us.

I worry that America and frankly all of the developed world (sic), are indeed losing our spiritual bearings and beyond confusing corporations (or capital) with people, seem to have forgotten the Seven Cardinal Sins.

Maybe we should rename Sherman, Grant and Sheridan for Wrath, Lust and Gluttony?

I see Palo Alto as first of all a vacuum of non-participation in Democracy, following by a huge push from, in this case, the real estate industry, such that leadership is basically compromised — not necessarily completely corrupt, as is indicated by the Grand Jury report of 6/6/6 I mean 6/6/2014, which references one developer and two of his deals or near-deals — such that yeah, the architects ask about types of Magnolia trees, and types of lighting but never say the obvious:

why do we need the building in the first place?

(which reminds me of my other post last week about the architects on the HRB, historic resources, and the proposal to turn a historic theatre into more office space and they guy said it would not bother him at all if a theatre he designed as a theatre was used as an office. And I wished I had asked him if he hears back from his residential clients that they find themselves shitting in the living room and therefore want him to come back and tear out the bathrooms. I actually referenced, in real time, Howard Gossage and David Brower and their ads to save Grand Canyon from development: Would you flood Sistine Chapel to help tourists better see the ceiling).

The coldness and callousness of the applicant, his attorney (making little jokes every ten minutes to his crony — his name is David Van Atta) and leadership reminds me of Harry Lime in “The Third Man”:

how many of those little dots disappearing before it bothers you? (he was a post-War drug dealer sitting atop a ferris wheel looking at the people, commenting on his disregard for shipping bad drugs to hospitals).

 

 

 

Anne Steinle Birch Court homeowners board
It does not give us much privacy.
build for common good, not developers.
massive, not respect scale of neighborhood, mit neg, mitigation monitoring plan

arborist report not current (march)

six trees, only 1 high chance of surviving

magic photos , esp of birch

decks across from us, problem already

please remove any decks and walkways facing our residences

contaminated soil near eating establishments? Mary Ryan

1,700 pages of documentation??
44 days of excavation
(proximity to, but not at, toxic plume…)

72 percent higher than state standard on toxicity (in 2009? study of toxics)
the residents are pretty convincing, to my ears

Brenda Lowen
lives on second floor, of CC2 picture
privacy screen of trees

Pat Baty
(works at PA clinic — lives in next building)
(PAHC condos, nearby —her neighbor — )
asks about Comp Plan on office versus res (although mostly Downtown cap)

Peter Holland
scale, privacy, zoning
too massive for small site it sits on
misleading diagrams, height of 4-story building
trumpets gain of 4 market rate at expense of 19 existing homes (inc BMR??)
CC2 next to rm-40? 40 percent of project next to Sarah Wallis Park — loophole
city is giving away public benefit of the park to private developer

Kevin Kiser
challenges the rush nature, the 1700 pages, and the 30 day period
72 percent above legal limit, on soil
demolition releases asbestos and lead paint?
parking issue alone should be enough to put the brakes on this project

Sue Kiser 30 years resident

(Sherman v. birch:)
(burning atlanta vs a tree grows in brooklyn)
(immune compromised)?

(where does matt live?)
canary in the coal mine (song by Police)

Bob Moss at 935
hazardous material report is inadequate
based on work at barron park and moffeit field
TCB in groundwater
mitigation is inadequate

Rita Varell
lives outside area
lives near a noisy church??
mention GJ report, and asks about disclosure (3 board members said they met with applicant)
pump out of private residents water, where does the water go?

Bill Ross at 945 — 24 minutes of time

260 Cali as comparable case: do neighbors really get the chance to enforce CeQa aspects of adjacent new projects?

Cara Silver, city attorney, responds
(“weak response” bill says privately during break, around 1025; i had moved my car, 1020)
1035 reconvene
spoke to rita varell during break…

randy popp asked about materials. material board…or was that lew?
title 24 and soft lighting regarding energy???

clare and randy mention “property rights”
people should expect that whatever is around them will get built up someday. (spoken like an architect or the fountainhead)

11 am i gotta go, concerts i s more in my wheelhouse. follow up with some of the people and do right about this.
(do write, i mean)

(later I walked the block, including Sarah Wallis Park, and did run into my friend Matt who lives on Grant; I also traded voice mail with one of the residents that I know personally and left a note at the door)

(in between I had an excellent Tri-Tip sandwich from John’s downtown on Lytton, which I took to the Brown Bag concert at Cogswell Plaza, featuring Tony Lindsay and Spang-a-lang (including Bryant Mills on drums, and a bass player on lunch break from UPS, wearing his uniform, for three songs; and met Sgt. Steve Savage of PAPD, and said hello to Russ Cohen of PAD and Ali Williams of the City who spearheaded the resumption of the series after a 5-year hiatus; I will return to this post or a further post to organize my reaction to 385 Sherman proposal — classic case of values clashing in Palo Alto — I would tend to side with the residents of Birch Court, who have hired former Council candidate Bill Ross to represent their views, while Minkoff has hired John Paul Hanna and Dave Van Atta, I believe their names are, he Van Atta spoke at the meeting).

edit to add, Aug. 21, 2014 reporting direct from ARB, then posted to PAW:
I spoke out against 385 Sherman proposal just two minutes ago, at ARB, as did Bob Moss, Bill Ross and a dozen others.

I wrote up my notes of the earlier ARB hearing here

Web Link

Too massive, too disruptive, not in keeping with our General Plan…protect neighbors first!

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