Scharff: Not a cap, a halo

Two-term council member and mayor emeritus Hans Gregory Scharff gestures toward a barely perceptible glory or presence directly above his head and suggests it as a substitute for a "cap" apropos of downtown office buildings

Two-term council member and mayor emeritus Hans Gregory Scharff gestures toward a barely perceptible glory or presence directly above his head and suggests it as a substitute for a “cap” apropos of downtown office buildings


Live from 250 Hamilton, in real time:
Council members are taking five minutes each to tell us their latest thinking, on the downtown cap (meaning: LIMIT) which has been on the books since at least the 1998 Comp Plan, general plan, and was continued a matter of weeks.

It reminds me of a joke from my advertising days:
How many art directors does it take to change a light bulb?
Answer: does it have to be a light bulb?

Greg Scharff, the real estate lawyer, landlord and developer, now asks (like a push-poll) if the cap is meant to be permanent? Is it solid? Is it for real? Is it more, he seems to hope, like a polite suggestion, a hint. Billion dollar cartels are good at taking hint. He knows.

I think the word he is suggesting, the metaphor is more like “halo” than “cap”.

edit to add, the next day: maybe he is advocating if not a cap, a scarf. An ornament. I started my day Tuesday by referring to what is obviously and painfully missing from Breena Kerr’s story on this, the Downtown Cap, program L-8 on Page L-8 of the Comp Plan: Limit new non-residential development in the Downtown area to 350,000 square feet, or 10 percent above the amount of development existing or approved as of May, 1986. Reevaluate this limit when non-residential-development approvals reach 235,000 square feet of floor area. The point of this is that We The People thru our General Plan or Comp Plan promised ourselves to say “no” to the developers once they had 25 million square feet in the city. There’s also an additional Policy L-8, under sub-heading Commercial Growth Limits, after Maintian and Strengthen City Character in Goals Policies Programs Local Land Use and Growth Management Goal L-1 (a Well-designed compact City, providing residents and visitors with attractive neighborhoods…) “maintain a limit of 3,257,900 square feet” for new development in the nine planning areas.

Yesterday’s meeting was supposed to be The New Residentialist majority saying “ding dong the witch is dead” and we are regulating, as we have been promising for years, and five months after being elected, the real estate cartel, not um, gee, staff will find a magical way to soften the blow of us saying we do not have the courage to say no, or enact a moratorium. See also: we are gutting the Comp Plan, in favor of the developers and not updating or revising or improving it.

Breena’s story makes it sound like progress but I saw it as a sad defeat. Meanwhile I was somehow surfing the web and found Ben Page of Northwestern article co-written by a Princeton professor about how America is now more of an oligarchy than Democracy. And I have to admit I missed whatever it was that cleared the room (Doria Summa, Jeff Levinsky, Emily Rentzel) because I was bored and frustrated and was chatting up KZSU analyst Vince Larkin and doing a Marcel Marceau by putting on a cap, pulling it down over my head, down to my hips, wriggling it to my feet and stepping out of it. Maybe I will reprise that during the next 3 Minute Drill. I also shot a photograph of four open seats as a particular gadfly tried to address council. I will save that until after April 15.

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Office versus culture in Palo Alto

papaclaireethan
I am late for the City Council study session on water because I am reviewing the voluminous packet of letters regarding tonight’s later item about a Downtown Cap or a moratorium on office space.

I want to chime in, via this post, as a letter to Council and I will try to read this aloud, during my 3 minutes, that a specific type of retail that has been displaced is live music.

Here is a photo of a flyer for a concert series I produced, in 2004, at an art gallery, on the corner of Hamilton and Alma.

The series featured, it says here, Papa Mali, doing a Jerry Garcia Tribute, Claire Daly, Alexis Harte and Ethan Iverson, among others. Esbjorn Svensson appeared there, was later on the cover of Downbeat and sadly died in a scuba accident a year or two later, in his native Sweden.

The art gallery is now office space. For a real estate firm.

Mark Weiss
Earthwise Productions of Palo Alto

P.S. There are probably ten or more places downtown that hosted hard-ticket small and medium sized concerts between 1968 and 2004 or so, but I am hard-pressed to think of anything in the last 10 years.

edit to add: I did speak, based on this post, to Palo Alto City Council on Monday, March 23, 2015 around 8:30. I added the fact that I moderated a panel about the history of jazz here, and that the defunct venues came up there. I added the anecdote about Papa Mali, Malcolm Welbourne later meeting Billy Kreutzman (a Palo Altan, and founder of the Dead) later and forming 7 Walkers –I claimed that this humble series was like an incubator for new music, in this case, played a role. Here is Billy, Mali and others doing “Friend of the Devil”:

andand, the next day: The Examiner, probably based on CBS/KPIX had a cold-case story about Jerry Garcia losing a briefcase full of lyrics, in 1985, today and that spurred me to send the above to an archivist at UC Santa Cruz Nicholas Meriwether (and I also had a panic attack about whether I had mis-identified Papa Mali by confusing his name with that of the ubiquitous writer of pseudo-social-science.

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Chip Conley where r u?

I met Chip Conley the day he was touring Uni Ave apropos of his conversion of Casa Olga into The Epithany and Lure +Till. I said I had stayed in his rock and roll dive, The Phoenix in SF. I snapped a photo, not a 2-fer selfie but he and his crew.

I am confused about him giving a keynote to a music conference: I am not sure what boat I am missing that Chip Conley rides so effortlessly. (I displaced my work in music to study policy; he sold out his share of hotels to work on festivals?)

chipconley

and:
Chip w. Chop self-borrowing from October, 2011:
On the flip-side and sunny side, Nancy Shepherd introduced me to Chop Keenan; I offered to turn my research over to him if that will help him see the light. We actually shared a moment, regarding our favorite tribe of Indians, so who knows. It definitely does not work, history has shown, to try to alienate him. Also, I met Chip Conley of Joie De Vivre, touring Our Fair City with people from Ideo and he said, off the cuff, that the Varsity Theatre would help his new hotel here, at Casa Olga site, on Hamilton, more than would more office space.

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Down with hateful license plates from Texas and Florida

texas you messed up

texas you messed up


NPR radio had a report about rightwing weirdos and hate-mongers in Texas wanting to use the government to sponsor their views via special license plates and how the Roberts Court is trying to figure whether the First Amendment applies here to protect the haters. No, First Amendment would unfortunately protect private hate speech from government interference but We The People should not be the ones sponsoring the hate, or insensitivity or whatnot. (14th? Equal Protection?)

At issue is whether a group attempting to honor their ancestors who at the time fought for the Confederacy can issue a special interest license plate via the state. (Meanwhile, blacks, descendants of blacks, descendants of slaves and most decent people would find the Confederate Flag objectionable, including on a license plate).

It says here that Florida made $1.8 M on these offensive icons.

It says here that Florida made $1.8 M on these offensive icons.


Meanwhile it had struck me just yesterday when I saw what looked to me like an offensive caricature of a first nation person or indigenous in the form of a mascot of the Florida State University, Tallahasse I guess, the Seminoles. (Jamais Winsten and them, I guess — are there notable non-athletes out of these schools? My cousin married a nice feller who played intercollegiate soccer, maybe FSU probably not the Gatorades, I will have to edit to add other notable alumni, out of fairness. (Hunter S. Thompson, took evening classes; Jeffrey Scott Shapiro, a journalist I thought I heard him just today on radio; )

I am saying that just as Stanford and Dartmouth got with it and went to Cardinal and Big Green, and just as the feds cancelled the ability of Dan Snyder to profit of his hateful “Redskin” stereotype, the public universities and high schools who use these things should follow suit. I used to think the private enterprises like NFL or MLB who do these are less offensive because they are what they are, whereas with a college or university part of the problem is that the offensive stereotype seems inconsistent with the educational message.

On the other hand I once argued, in print that Dartmouth Mohegans would be less offensive and a compromise compared to Dartmouth Indians, because Samsom Occum was Mohegan.

I don’t want my tax dollar supporting ethnic stereotypes. If Florida or Floridians or even highly educated Floridians and FSU alumni and leadership want to honor the indigenous forbears I’m sure they can think of something less offensive. Also, if alumni and private individuals (haters — sometimes I get carries away and use 7-letters we all have one — ) want to push the limit of First Amendment, so be it.

But not in my name should we harm our brethren and sisters who find this a slur.

“Why should we as Texans want to be reminded of a legalized system of involuntary servitude, dehumanization, rape, mass murder?” asked state Sen. Royce West at a public hearing about the plates in 2011.

royce west is a texas state senator graduated from UT-Arlington Blaze, based near Dallas

royce west is a texas state senator graduated from UT-Arlington Blaze, based near Dallas

edit to add: there’s more to the story: there’s already nine other states selling this thing.

Meanwhile Dave Zirin chimes in with discussion of FSU as “champions of racist mascots”
I did skim the Sons of Confederate Veterans website and agree there are some defensible goals of their organization, but suggest they stick with bumper stickers not a sneaky buy-in from the rest of us.

andand: I was storing this screen capture of the brilliant “South Park” take on the Washington Football Team issue. I edited it slightly to make it a wee bit less offensive, to respectable standards but does not target ethnic groups, I don’t think. I think the overall effect is that South Park is standing with the people who want the sports logo to disappear, despite the fact they are using it here. Will edit if needs be:
southparkoffenseive

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This is the best link to Cheryl Wheeler gun song

Quick back and forth with Nashville music manager and mensch Tony Gottlieb reveals that the best link to Cheryl Wheeler “If it were up to me…” is via Soundcloud.

Here.

God bless.

Cheryl played the Cub back in June, 1998, but it still resonates. Live events can do that, in a way that media cannot, methinks.

for strange reasons, lunchtime here and I am thinking french fries (potato, potato, potato, inside joke for CW fans)

cherylwheeler-mbw

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‘Mr. Mastodon Farm’ w. ‘Guitar’: birds fall w. if i throw my guitar

windows 1,418.0*

Birds fall from the window ledge above mine
Then they flap their wings at the last second

w.

this is deep hamlet-type stuffing:
If I threw my guitar
Out the window, so far down
Would I start to regret it
Or would I smile and watch it slowly fall?
hamlet, mixed with Isaac newton…

(I got to this because Cake chestnut “Guitar” is anthologized by Rounder for gun control as a cause or NGO alongside Cheryl Wheeler more obviously topical “If It Were Up To Me” which i referenced in previous post; 1998 was a good era for indie music, implanted me gray matter).

whoa…there is a Cake tribute band out of the midwest so here is their version of “MMF”:

and1: hey, vince difiore, any way you can give me a vibra-slap lesson? I sat in with the Grateful Dead/Dylan/Beatles dudes at Lytton Place, Lucas and friends, on egg shaker, vibra slap and Unicef Kenyan beer can maracas and man my hand is all bruised! i guess its just like John Santos you gotta tape up your knuckles or something but is their a trick to it? Actually dude from Cascades De Flores showed us a real Mexican ass-jaw that rattles….I am way off topic. Don’t throw the guitar, this too shall pass.

*1,418 posts so far to WordPress plastic alto; about 100 mention Cake, I would reckon.

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Media images and the Fabian Way murders

guns
This is somewhere between a red herring and besides the point, but I couldn’t help noticing that the Daily News (The Mercury) had two photos Friday that seemed to glorify gun violence, on the day that the double-killing was discovered.

One, is city staffer holding the nozzle as if it is a firearm. Innocent enough, right? I shot the same figure without the nozzle.

Two is a Stanford baseballer holding the bat as if it is a kind of weapon. Maybe this is fencing pose as much as a rifle. Or, I will retract this if it is part of his normal batter’s box routine. I doubt Norbert von der Groeben, who I’ve known since at least 1984 said “Hold the bat as if it is a rifle, this is Florida, and your are exercising your stand-your-grounds rights” but even so. I have 10,000 baseball cards and few have this pose.
gunswords

I think the media could do better on these things.

And outro with:
Noel Perrin, “Giving Up the Gun”
Cheryl Wheeler, “maybe it’s the guns” (which I read from at school board)

I left a voice mail to Mario Dianda the editor.

and1: Campy is in the wrong, but probably not lethal here.

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Belated kudos to Norm on the mallard stamp

Marge congratulates Norm Gunderson for his painting of a mallard to adorn the 3 cent stamp

Marge congratulates Norm Gunderson for his painting of a mallard to adorn the 3 cent stamp

and1:
And kudos to EPA for enforcing the Clean Water Act apropos of the Cargill scheme to develop 1,400 acres of marshland in Redwood City, CA and to KQED forum with Joshua and San Jose Mercury with Paul Rogers for bringing the glad tidings.

if you merge or marge cargill with fargo you get cargo.

actual size but not actual duck:
notactualbird

andand: it was on my radar but I missed the boat, the chance to see Frances McDormand with the Wooster Group at Z Space SF last month, Ruthie Stein reports.

my notes on the Cargill discussion:
EPA cargill Kqed

David Lewis Save The Bay

Cargilll and DMB

David Smith Tice law (Stice Block)

40,000 infill sites
nearer to transit

absolutely the wrong place for housing

paul rogers san jose mercury

chron and merc editorialized against this project

2012 council forced cargill to withdraw project

150 elected officials opposed this project

diFi against it

corporate interests above the natural world
“saltworks”

Joshua

2008, charter initiative 2:1 failed

2012, may, we did withdraw.
downtown precise plan of RWC

their re-engagement to the bay, this site fits with

we feel it unfortunate that politics has entered the discussion.

it shouldn’t be political.

todd in RWC: 12,000 impact slow traffic on 101. 2-lane road only access in and out of there. bad move.

jim in marinwood: storm-surge barrier, like in london. bay model sausilito. museum.

(clean water act, rogers, 3/19, )

earthquake resistance. todd.

evaporator ponds for salt harvest. 5-year process.

Photo by Kenneth Lu via flicker curated by Rachael Myrow of KQED:
Cargill Salt Flats

outro: Colin Meloy formerly Decca Carson’s office manager, of the Decemberists, “Down By the Water (out by the old main drag)”

encore: here i dreamt I was an architect:

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Chocolate Williams bass

The Sunday night guy on KCSM says that in 1941 a bass player named Chocolate Williams, along with a nearly equally now obscure vocalist Ollie Potter, recorded “There’ll Be Some Changes Made” with Art Tatum. He was working on a segment on Art Tatum groups, a minor part of his oeuvre compared to his solos.

its also true, and perhaps revealing that Terry and I went by 3 times this week for chocolate popsicles from Gelataio on Lytton

its also true, and perhaps revealing that Terry and I went by 3 times this week for chocolate popsicles from Gelataio on Lytton

Nobody loves you when you are old and gray. I’m just saying.

edit to add, Barbara Feldon sang “There’ll Be Some Changes Made” in the “Casablanca” episode of “Get Smart”.

and1: Billy Taylor, doctor, told Bill Milkowski of JazzTimes in 1991 that Chocolate Williams played at Minton’s a lot, and that was how he got on a 1952 session they were hearing together, a Herb Nichols joint.

In Ralph Ellison’s essay “The Golden Age, Time Past” he states that Charlie Minton the founder of the famous jazz club on 118th in Harlem, at the Cecil Hotel was also the first black to join the musicians’ union (Ellison pp. 244).

andand: backtracking or fack checking, the suss, one finds, via the KCSM Jazz91 site (its Richard Hadlocks show, the annals) and then their link to all music, that you can find these performances on a collection of Tatum:

now i wanna see if its in my hard copy of all music guide, indexed…

(Whitney Balliett, in an essay collected here, called “God” notes that Potter’s singing is off, but he says that only encourages Tatum)

the internet is the ultimate fake book

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Let’s put Farrah Fawcett on the $20 bill

farrah

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