I’m not a fan of The National but just bought 4 tickets on AXS for their show at Frost, which is only 2 miles from here;

After less than a minute of their set on Colbert last Tuesday, I had taped and just watched.

nat

that’s the tip of my foot, in New Balance, an Ehran Tool mug featuring my father’s mug, some dog treats, a ceramic rat bought at Sanchez mex of Race Street, and I presume the singer or a singer from The National, unless it’s just a guitarist doing bv.

 

That’s the whole item. The show is September 1, which gives me 100 days to bone up on their first 20 years or so, to optimize my enjoyment of the show.

I also bought: Joe Russo’s Almost Dead, Lionel Ritchie.

It’s a little extreme, and I digression, but I think I’m going to try to see all 25 shows at Stanford Jazz Workshop.

Also: Donny McCaslin plays the Bing second state June 8. (He played Cubberley, with Danilo Perez, Fall, 2000).

Plus I have onsales at Mitchell Park “Not Quite The Mitch” with Jane Monheit, June 21 and Bob Margolin, July 6. My focus — if that’s not self-cancelling term — is selling those 400 combined ducats at $20 each to replenish that $8,000 to the Earthwise coffers.

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Palo Alto’s ‘grassy knoll’ of rock and roll

Bo Crane, 67 — a Paly and Stanford grad — is giving a talk at Palo Alto Historical Association next month — their annual dinner — about rock and roll. He published a book or chapbook on such — maybe he used notes I sent him about more recent artists with roots here.

The Weekly had a blurb about CSPAN doing a segment on Palo Alto, or several, including one that featured six minutes of Bo, and some stills and a bit of footage that is likely not Lytton Plaza or El Camino Park, and so far about 300 views online.

Bo repeats the story about Jerry Garcia a music teacher at Dana Morgan Music on Bryant scratching away on a banjo in the alley and then Bob Weir of Menlo Park saunters by and the rest is history.

I call this the grassy knoll of rock and roll — or the psychedelic movement — in that he looks like he is talking about “back and to the left” in Oliver Stone or real life or Magruder. (I had never heard anyone say that Weir turned from Hamilton onto the alley, if that matters — I’ll have to replayto see if he was heading up or down, west or east before turning to the left or right to hear and meet Jerry).

A much better story and that much more recent and therefore plausible — and the principals are both living — and nearly lucid — is about how Gregg Rolie of Palo Alto met Carlos Santana after a police raid on a jam session or smoke out near Shoreline in Palo Alto.

The Dead or Bob and John Mayer and friends are playing next Friday and Sat at Shoreline and I am going if I can figure out where my electronic tickets are: Ticketmaster, Stubhub, AXS, who knows?

I’ll probably go to Bo’s show. I know him slightly from a men’s biking group I was briefly trailing — Bo is very fit and does know a lot of area bike paths, if that gives his view on rock any authority.

There’s a guy named Bernstein who used to book blues shows into a warehouse downtown and tour managed or roadied with Willie Nelson and wrote a chap book and spoke to PAHA (and then emailed me a few times back and forth). Andrew Bernstein, relative of my Gunn classmate and party-mate I think Steve Bernstein but not the slide trumpet player from Berkeley — he lived way up to Page Mill and in fact Andy Zenoff and Matt Maltz once rolled a musle car trying to race me and my new Chevy Camero down. Excuse the digression (Kudos to Matt for a winning season for Gunn softball, he leads).

And: in 2004 as publicist for an art gallery downtown showing his lithographs and drawings, I got mayor Bern Beecham to issue a mayoral proclamation about Jerry Garcia’s history here — actually April Higashi the jeweler and admin for the Jerry office had promised to donate a drawing or litho for display and sell us at printing cost the first known photo a print of Warlocks playing locally. That deal was force majeured when the gallery owner flaked out and cancelled my music series there – -and stiffed me on my cut of the Jerry take and I think bogarted the actual parchment document from COPA. (I had booked Steve Mule, Malcolm Welbourne Ethan Iverson, AJ Roach, Jack Walrath — John Ellis, of the Charlie Hunter Trio, got axed in the kerfluffle. )

Anyhow, Bern said he do it if Steve Staiger would verify my version of the story, and Steve showed both the Palo Alto registry of 1964 listing Jerry as a music teacher and a clipping from Palo Alto Times about the music teacher engaged to a debutante. Sarah.

And then: Steve and I enjoyed an exchange in which I would nominate people for the fictional so far “Palo Alto Rock and Roll Archive” including Ian MacKaye, Chris Appleton, Matt Flynn, Tommy Jordan, Maya Ford, Richard Marriott, Steve Jenkins, Hershel Yatovitz and Manny Moore.

I also spoke up at a Jerry Hill meeting (that Lenny Siegal attended) about putting a marker where Rolie met Santana.

I’d say Blink 182 for Earthday Rock and Bike at Cubberley Auditorium (cafeteria — library — childrens museum) for 150 kids for $6 or two-for-one solar powered is worth noting if “the beatles slept here” is.  Although by my own reasoning, I nominated running into to jazz man Josh Roseman at Printers Cafe as part of my 500 Palo Alto jazz tropes, itself a panel at PAHA (that featured Akira Tana, Seward McCain and Rebecca Coupe Franks, and filmed by Brian George).

Also: dribs and drabs: Social Distortion and Dead Kennedy’s at The Varsity.

I’d like to hear from: Gina Arnold, Danny Scher, Nick Dement, Stevie Nicks — played the Cub, as a high school, under a pre-Fleetwood band name or band per se.

A little choppy but: Randall Klein told me recently the roots of SFJazz is in an Oregon (jazz band) show he produced at The Varsity circa 1976.

Scher for his part –before booking the dead into frost and building Shoreline for BGP — booked Journey into the tri-school (Gunn-Paly-Cubberley) formal spring, 1979 but when I met him for the first time in 1995 16 years later he said his proudest palo alto moment or fondest memory was booking Thelonious Monk in Paly the month after MLK was killed.

and1: I’m still trying to verify (even for Plastic Alto) my claim that I saw JB Pritzker (future governor of Illinois) sing “If I Were A Rich Man” at Beth Am in 1975. Leah Garchik doesn’t believe me.

Oh: I saw Amy French of COPA at Coupa (!) today and apropos of Bo Crane I said she should be in the book.

andand: vintage Irving Penn of Dead and Jefferson at Pace in Palo Alto this spring

afivingate

if you ask me, and you did not, but I have a blog, and witnesses, but AFI for 420 kids — ok, 412 — at The Cub, capacity 300 — is more epic than the Beatles Room at Crowne Plaza, which is silly. Which is like something I saw driving to Seattle via “Jefferson” rumors have it that Jack London slept here, but he did not.

 

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Two weeks later; or 20 hours

 

I’m focusing on advancing my shows June 21, with jazzsinger Jane Monheit, and July 6, with blues guitarist Bob Margolin (and guests Jimmy Vivino, and Mitch Woods). Both concerts will be at the new Mitchell Park Community Center El Palo Alto room. We will sell 200 tickets for each show, or offer such. Tickets are $20, available at the door, and you can rsvp here or at earwopa@yahoo.com. I’m mulling over other places to offer hard ticket advance ducats, or online ticketing services.

Jane, who is also doing a free outdoor show at Los Gatos, will be touring with her piano player Andy Langham. I went to see Jane’s combo at Yoshi’s last month, to advance this event, and milled around backstage, wondering if I should make contact. I approached a tall, well-dressed man, sucking the fresh air, behind the club, and took him for the driver. Andy is a big fella, but I could not tell that from my perch at the club. He chuckled and led me in to meet the rest of the band, and his boss-lady.

beth0519

Custer

Beth Custer and friends played last night at Palo Alto Art Center, her show based on the writings of Paul Hawken, “Drawdown”, which in her use seems to mean a concerted effort, so to speak, to reduce carbon in the atmosphere.

Beth’s project, a commission from SF Arts, repeats tonite at the 55 Taylor Street New Music center.

Here is a 2-minute clip, mostly instrumental, of her group featuring clarinet, voice, cello, violin, piano and percussion.

 

 

 

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May Fete VS Little Feat

1, There’s a small dog, in the parade, with a mini Giants bat;

2, There’s a fat man, in the bath tub, with the blues.

Screen Shot 2019-05-04 at 7.42.43 AM.png1.a. If you be my Dixie chicken, I’ll be your something something (Tennessee) man…

  1. b Duffy eats a prescription chicken stew but prefers buffalo lung treats, from Colorado edit to add the next day bw: we completed the May Fete Duffy and I and a good time was had by all. I marched with Camille Townsend and Jack Morton of the Recreation Foundation, and handed out postcards for Black and White ball, coming October 4, 2019. Here also are some stills from a live video of Lowell George, Emmie Lou Harris and Bonnie Raitt, circa 1975; Also, when I came down for breakfast — spinach fritatta, Terry was listening to a podcast about the arts with Ted Leo and Aimee Mann who i guess are also and item and a band, and although she said she had never heard of either of them she liked the podcast. I saw Ted Leo the first time during noise pop at Gamh and then also stumbled upon them or him (with Dessa Doomtree) at the Macelester spring fling, in 2009. I think i spoke to him.
  2. not quite a podcast, or interesting:

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Krasny’s lit bus

Terry, TMW, tagged along Thursday night to hear Michael Krasny’s literature “bus tour” at Stanford Continuing Studies. There were six texts on the syllabus, by four authors: Flannery O’Conner (1925-1964), Eudora Welty (1909-2001), Tennessee Williams and William Faulkner. I read the first two acts of “A Streetcar Named Desire” plus watched about 30 minutes of the Marlon Brando interpretation, and read “Barn Burning.”

I am meaning to update here with my notes from the class (or the namecheck: the over-under line is 20), lord willing and the charger works.

In reverse order:

Adrienne Rich

Robert Lowell

Allen Ginsberg

Sylvia Plath

Anne Sexton

Garrison Keiler

Mae West

Willie Lowman

Stanley Kowalske

Sophocles

Lear

Aristotle

Blanche DuBois

Mitch

Karl Malden

Joe Biden

(Budd Schulberg — “he could have been a contender — more an allusion than a namecheck, but I like Budd. I met Budd)

Levin (the editor of Norton Anthology)

Betty Frieden

Petrified Man

I think he said “anec-dotage” — like in your dotage you tell too many anecdotes?

Major de Spain

Bill McKibben

Abner Snopes

Colonel Sartorious Snopes

W. J. Cash (?) who wrote “psycho-history”

Absalom, Absalom!

Lillian Hellman

Little Foxes

Manley Pointer

Good Country People

Good Man is Hard to Find

Edgar Allen Poe

St. Cyrus

(something I cannot read (Bruker Yvrz): “god doesn’t exist, anything is possible”

Blanche DuBois

Kafka

The Misfit

Nathanael West “saragossa sea of dreams”

Marlon Brando

Rossecky

E.A Robinson

Camille Paglia

A Rose For Emily

There’s also a list of two titles that a student mentioned: Evelyn Waugh, TK

And the list of things I mentioned, plus a list of things I put in my notes but decided not to mention.

But for Krasny per se, I count: 42

bettyfrieden

camilepaglia

eudora welty.png

 

 

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Doris Day VS Dan Pritzker

I don’t have time to right this but Doris Day has two movies coming up at Stanford Theatre “Love Me or Leave Me” this Fri sat sun and then more to the point “Lover Come Back” May 17-19 whereas last night at SfJazz I met the filmmaker and musician Dan Pritzker who was opening-nighting his Buddy Bolden film but also had a minor hit in the 1990s called “Lover”. Probably too late to get Doris Day to cover it, but he did tell the story of how he got Wynton Marsalis to do 20 Bolden songs and 20 Satchmo songs for his movie (By nailing the merciless one question trial: who was the Bolden Band guitarist? Something Mike McDermottish, which Wynton got by “speed-dialing” Phil Schaap I think, a famous jazz expert.

I saw Danny Scher last night without his posse. He said David Crosby will perform Coventry Garden (his backyard 300-cap benefit venue) and that Kate Wolf comes alive again at the Pig Farm.

There was a good band that played klezmer and blues in the lobby Thatcher and The John Brothers Piano Company. Or as my Mom claims to have once written on the back of a program that featured a young Frank Sinatra” “He’s good”. The John band be good?

I took about 40 mental notes on the Prizker film but wil have to update later. I told Jon Cormak one of the producers and Pritzker Possee Original G’s that they should work with Corey Harris on the history of blues. Then today I thought they should collaborate with my former client Stew.

My mission was to fact-check my own claim that JB Pritzker, a cousin of last night’s man of the 2-hour (101 minutes to be precise and parochial), was in my Sunday School class at Beth Am in Los Altos Hills, California in 1974 and stood up a an assembly, in the sanctuary and sang “If I Were A Rich Man” from “Fiddler on the Roof” and nailed it.

I thought of this 7 months ago election night when JB Pritzker’s name flashed on the screen, CNN, as the governor-elect of Illinois, only the third Jew as such, and then I texted my rabbi Janet Marder on the news. Leah Garchik tried to check my story but nobody currently at Beth Am had institutional knowledge of the Pritzker’s. Rabbi Alelrad would know but is not here anymore.

I told my story five or six times and got a variety of responses, but no one called “bullshit” or anything.

Cornak (I will have to update his actual name) agreed with my thesis — explanation — of my behavior — the stalking — and sussing — that the Pritzkers across several lines are musical, not just Dan from Sonia Dada and jazz films. “Artistic” corrected or suggested Cornak.

I ran for City Council on an arts platforn and consistently, over a 10 year period, that we need leaders who decide policy with a touch of creativity and feel for the arts. So I am saying that the fact that JB Pritzker could sing on key is a good thing. We can go into later the Jungian nature of his repertoire choice.

I’m also dreaming that JB will own this then agree to go back into the studio and cut a song or two for charity, and raise millions.

Or: if JB Pritzker can actually sing the way I am claiming he once did, that will help him to the White House.

If I Were a POTUS, I would….

But tonite it’s all about Dan. Good luck, Dan. I will see the movie a second time, at Opera Plaza.

Ok, well i have time for 14 short graphs, but no graphics.

edit to add, instantly: wow, this is like the 8th reference to “Pritzker” in Plastic Alto — this is becoming a real source.

and1: Ok, Dan is guitarist and the funky singer is a TBA black guy, presaging “Bolden”!!

sonia2

black singer from Sonia Dada Lover video,and likely performance; ok, i”ve gone back to look it up they were on Capricorn and Dan found a trio of street singers harmonizing on the streets of Chi town near the L and invited them into the band. Paris, Michael and or Shawn

sonia1

Dan Pritzker’s slow hand

is this Jimmy Cagney in 1955 “Love Me or Leave Me” title track showstopper set up scene or Dan Pritzker on May 1, 2019 appearing to promote his film at SFJAZZ?

cagneyorpritzker

I’m trying to say that Dan Pritzker looks a bit like Jimmy Cagney

Ok and one as I say: there was a kid there named Prince friends of a friend with a lady there named Norma, from TSX or whatever the Lucasfilm thingy and he didn’t see the film and I said there was a scene I related to, as an artist manager where the Buddy Bolden character is fucking a whore –who was in the room, at the premiere, as was her gown, although in that scene she was naked and you could see her nipples — and then he overdoses on cocaine or heroin, injected and she runs out of the room, and down the hall and gets his manager, who is fucking two whores, or three and maybe he is blindfoldded but we can see their tits and then he runs back and does the Heimlich or the Storyville version of such and Bolden comes too or comes to rather and the manager goes “That’s what a manager does” and I said I managed a black and blind piano player and when he was eating dinner sometimes I would say “Henry, you have missed a bit of food” and direct his fork, verbally, towards the meat, or fish, if you excuse the pun.

Andand: the nut graph about Bolden film is he says Dave Benson (x-KFOG) is his friend and they were at a NYE show in Boulder and Benson mentioned he’s reading about the guy who invented jazz and this was nidus of a 20 year journey to create this film. I heard somewhere that they spent $100M on this film which sounds high but how much would it take to get Wyton to arrange or record a book or two books of about 30 songs total? Plus Mark Isham. And like ten beautiful black actresses willing to do full nudity and or be stabbed and injected and smacked around.

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From ‘My Vag’ to ‘Trump’s bathroom…’ in only six years

awkvag19

she literally says “Donald Trump’s bathroom” in this shot. I usually don’t mention that guy in this blog because I fear extraordinary reactions some day; which reminds me of a thing I’m not working on about good week for Rupa Marya VS Roope Hintz and another one about meeting two billionaires in 10 days, Ron Conway and Dan Pritzker

Terry, TMW, is home early from work and watching “Crazy Rich Asians”. She said she wanto so come along to my Michael Krasny literature omnibus at Stanford tonite, which is “A Streetcar Named Desire” and Faulkner “Barn Burning”. I had rented the Marlon Brando version of such — pay per view – and hoped to get a little blue screen time as well.  I mean Williams, although I did write earlier here in Plastic Alto about screen lifts of “Barn Burning” the story.

Awkwafina is the reason I saw both “Crazy Rich Asians” and “Ocean 8”. Her breakthru in 2012 was a blue-rated parody video about her Virginia. (Whereas the Faulkner is about his Yoknatawpha….feel me?) I only peaked at it — the movie — for 9 seconds along enough long time to catch a bit of Awkwafina visiting the rich lady’s house which they call “based on Palace of Versailles” or something and A_ asides “and Donald Trump’s bathroom”. Which I also captured her. (Capture the Vag?)

I also like to say, but have not been able to suss-taint — that I saw somewhere in Steinbeck maybe “In Dubious Battle” use of a contraction (!) of “vagrant” “on the vag” I guess with a hard “G”.

Anyways I hope to catch a lick of more Brando as Stanley.

b/w I had a cold-call that went well today with a distant cousin in Chicago named Tom Asch who owned a cafe, edited “Strong Coffee” a literary journal, married an artist, is a lawyer, defends democracy from corruption AND has a brother named Jamie Asch that search-injun says once played in a Brando tribute live theatre  in city of big Shoulders (Carl Sandburg). He played Brando in his 40s whereas other actors did 20s (i.e Stanley) and 80s ie post-Apocalypse and maybe Wounded Knee.

But the pic is likely not my cousin. Close enough for Plasty:

are you my cousin

Jamie Asch if you see this feel free to send a more recent or more accurate photo

To review:

Awkwafina

Asch, Jamie and Tom

Brando, Marlin

Chicago

Crazy Rich Asians

Davis, Terry Acebo

Faulkner, William

In Dubious Battle

Krasny, Michael

My Vag

Sandburg, Carl

Steinbeck, John

Strong Coffee

Williams, Tennesse

Yoknapatawpha, Mississippi (fictional, but close enough for Plastic Alto)

 

 

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Kudos to KeeSean Johnson the former Paly star and Tinsley VTP student for being drafted by the NFL Cardinals

Screen Shot 2019-04-28 at 9.59.32 PM.pngKeeSean Johnson starred for Palo Alto High, Fresno State and is now drafted by the NFL (Arizona Cardinals) as a wide receiver and is from East Palo Alto.

A few years prior, Davante Adams starred for Palo Alto High, Fresno State and then and now plays for the Green Bay Packers.

So there are two NFL players who attended PAUSD on Tinsley Voluntary Transfer Programs — with recent talk about consolidating for cash purposes the Tinsley students, why don’t we do the opposite in terms of blue chip athletes in major sports (football and basketball) and distribute them evenly between Gunn and Paly?

Also, kudos for Sacred Heart grad and Washington Husky Ben Burr-Kiven for being drafted by Seattle Seahawks.

I have not heard yet whether Stanford center Jesse Burkett I met recently at Ike’s Sandwiches in Palo Alto will sign with the NFL undrafted.

Screen Shot 2019-04-28 at 10.00.49 PM

Fresno State pr and fundraising departments shot KeeSean visiting his alma mater, including posing him near Kerr’s portrait of Davante Adams, who mentored KeeSean. I have to say I didn’t follow KeeSean but am curious to talk to Kevin Mullen’s mother about him.

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Seasons of the Mitch; or Woods that it were so simple

mitchwoods2018aug

I shot this pic of Mitch Woods in Palo Alto in August of 2018; I’ve seen him play a half dozen times in last 8 months

Someone sent me an old photo from 1991 with Mitch Woods, Johnny Sansone two others and Bob Margolin.

I also shot Mitch Woods last year in downtown Palo Alto.

In between, from his website, promoting a new life album, are two more seasons of the Mitch.

mitch91.PNGinto the woods:

Mitch Woods
A Tip Of The Hat To Fats
Live From The New Orleans Jazz
& Heritage Festival 2018
The king of jump-swing’s rollicking tribute to
Fats Domino and the legends of the Crescent City
Featuring “Walkin’ To New Orleans”
and “Blue Monday”

Recorded live at the Crescent City’s famed Jazz & Heritage Festival, A Tip of the Hat to Fats showcases the masterful pianist and entertainer in his element — onstage and in command of a wealth of styles, from jump swing to blues, boogie-woogie to primal rock ’n’ roll.

“I’m an entertainer, and there’s nowhere I’d rather be than at a festival playing and singing the music I love and making people happy,” Woods relates. “Onstage is where I flourish. The music I love and the songs I write in the spirit of that music do make people dance and laugh. It all comes from the era of the late 1940s through the early ’50s — a soundtrack of jump swing, blues, New Orleans music and early rock ’n’ roll, and I love to go right to the roots of it.”

bfg

 
In a sense, A Tip of the Hat to Fats is a sequel to two of Woods’ earlier releases: 2010’s Gumbo Blues and 2008’s DVD/CD package Big Easy Boogie. The former is a tribute to the legendary New Orleans blues and soul shouter Smiley Lewis, and includes Lewis’ biggest hit “I Hear You Knockin’” and well as a studio version of “Blue Monday.” And Big Easy Boogie is a dream project for Woods, who enlisted Bartholomew as producer and drafted original Fats Domino band members Herb Hardesty on sax and Earl Palmer on drums. Woods also commissioned a film of the historic sessions and a subsequent concert featuring the album’s players at the 2002 Jazz & Heritage Festival. Altogether, the globetrotting Woods has played the event five times and considers it his favorite festival. The 2018 JazzFest, as the annual series of concerts is known, was in part a tribute to Domino, who had died five months before.

“A raise-the-roof performance… Nothing less than a super-caffeinated, jump-for-joy heat wave.”
– Baltimore Blues Society

Also available: Friends Along The Way
The acclaimed 2017 album featuring guest performances with Van Morrison, Taj Mahal, John Lee Hooker, James Cotton, Elvin Bishop, Charlie Musselwhite, Marcia Ball, Maria Muldaur, Cyril Neville, John Hammond, Ruthie Foster and Joe Louis Walker

bfg

 
“Only a musician’s musician could gather together talented friends like the ones on this record, a major achievement.” – Independent Journal

Mitch Woods and His Rocket 88’s have been the torchbearers of a uniquely American blues musical heritage for more than three decades.

Three-time Blues Music Award nominee Mitch Woods
is available for your festival.

 

bfg

  2019 festival appearances include:

  • Feb 25 – Lancaster Roots & Blues Festival, PA
  • May 12 – Redwood Coast Music Festival, Eureka, CA
  • June 14 – Rendezvous Folk & Blues Festival, Anguilla
  • July 26 – Polish Boogie Festival, Czluchow, Poland
  • August 8, 9 & 10 – La Roquebrou Boogie Woogie Festival, Laroquebrou, France
  • September 13, 14 & 15 – Telluride Blues & Brews Festival, Telluride, CO
  • October 26 – November 2 – 2019 Legendary Rhythm & Blues Cruise, Mexico
  • Dec. 28-Jan 1 – Umbria Jazz Festival Winter, Italy

Some of the many festivals Mitch has performed at include:

  • New Orleans Jazz & Heritage Festival
  • Telluride Blues & Brews Festival
  • Doheny Blues Festival
  • Legendary Rhythm & Blues Cruise (since 2002)
  • Mississippi Valley Blues Festival
  • Bayfront Blues Festival
  • North Atlantic Blues Festival
  • Rhythm & Roots Festival
  • Big Blues Bender
  • Umbria Jazz Festival (Italy)
  • Ascona Jazz Festival (Switzerland)
  • Peer Rhythm & Blues Festival (Belgium)
  • Notodden Blues Festival (Norway)
  • Edmonton Blues Festival (Canada)
  • Efes Blues Festival (Turkey)
  • Jazz a Vienne (France)
  • Porretta Soul Festival (Italy)
  • Riverfront Blues Festival (DE)
  • Michael Arnone’s Crawfish Festival
  • Cincy Blues Festival
  • New York State Blues Festival

 

bfg

Did I mention that besides all of the above, Mitch Woods is opening for Bob Margolin at Earthwise Productions at Mitchell Park (“the Mitch”!) Community Center “El Palo Alto Room” on Saturday, July, 6, 2019 i.e. between Anguilla and Poland?

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Thirty young ladies, 12 in solids, 18 in stripes

womenstripes

Another difference is that this group is facing 45 degrees to the viewer

solids

Or as Shakesperstein once said, oh that this all too solid or sullied dress might mesh

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