
A Hmong it is Manny Tallents

A Hmong it is Manny Tallents

bw
every cutie with a booty bought a Coogi
Since it’s Shabbat I am going to say that Fay Victor reminds me of my friend Victor or he’s really Andrew’s big brother who at 18 flew off a cliff or a path not entirely like Lew Welch 10 or 15 years before although Victor was in Yosemite and Lew we think was in Marin; This is a horrible thing to preserve or disseminate as it were: I found a reference to the Jayhawk hotel and the Menninger clinic and RB, Bobby.
I’m trying to read “the women on the wall” by Wallace Stegner I’m trying to read the bridge by hart Crane I’m trying to read three or four stacks of tear sheets from recent New York Times and the like.
1) Marguerite is my neighbor although I’ve only met her once or twice;
2) Jesse her daughter I’ve not quite met, but I know her husband, her kids and her mother in law;
Good luck Jesse Fletcher Ladomirak running for School Board!
This painting is hung in City Hall:




















Annealed
knees

Not sure what the word means but it says “Monk” to me and thanks Bill for posting this video.
Yoshi Kato in PAW and Almanac has the scoop that the Thelonious Monk Palo Alto live concert produced by Danny Scher then a senior at Paly has been shelved, because of an injunction by Verve’s Record’s rivalry with another label. Not to bask in Danny’s limelight but my take:
The concert production itself is legendary. The recording and release is icing on the cake.
Kudos for Danny, a true baller and all-time great Palo Atlan; he’s also the one who got Journey to play the 1979 Tri School Formal. And built Shoreline. And had Dr. John in his yard.
Brad Kava of the Mercury compared me, for putting on shows at Cubberley in the 1990s, to Bill Graham but Danny was actually Bill’s right hand band for many years. When people say that I am “the Bill Graham of Palo Alto”, I say “I’m not even the Danny Scher of Palo Alto”.
Another angle of this story is all the energy people are putting in years later to try to identify the the janitor who taped the show and tuned the piano. I’m going with: he was actually FBI COINTELPRO only in town long enough to pose for one picture in the yearbook, tune the piano, tape the show and his real mission of counting how many times Monk or Danny said “Nairobi” or “Revolution”.
and1:
I’m doubling down on my suspicious belief that the janitor who recorded the show was actually a Fed, part of COINTELPRO, and now the deep state doesn’t want this to help Black Lives Matter and have put the kibosh.
Other than that, how was the show, Dan?
I guess this answers the question, “Kenneth, what’s the frequency?” – the answer is maybe every fifty years, maybe 70.
And they killed Eddie Gale, my Miss Acker.
Step aside and let the gals go thru
I found this today looking for something else:
Bonus track: AJ Lee and Sullivan Tuttle – Molly’s brother, well, they are both former bandmates — live at Mitchell Park, doing Bob Dylan “From a Buick 6” audio only:
When I met Eddie Gale late in his career I had switched my focus from concert promotion to artist manager for the likes of Henry Butler, John Ellis, Chris Cotton, Laura Price with Laura Chavez, the blue eyed Devils, the orange peels, Alan clapp ,Caroleen Beatty, enorchestra, Doug Hillsinger, Annie Lin, Stonedays, the estate of Stella Brooks, The Negro problem, Mark stew Stewart, Heidi Rodewald and Jack Walrath.
Prepping for my meeting with him I caught up with liberty Elman, who Besides his band-leading, side work and owning a small label also worked for blue note most notably marketing Norah Jones.
if you know me, I lose track of time, I talk too much, one idea leads to another and by the time I found Eddie‘s house very near San Jose state where he taught, his wife told me that he was a “task master” and had already crossed me off his list.
Or a Shakespeare would say blow ye winds, Gale force.

This makes me want to listen again to my Sonic Youth record, and that I saw a great biopic about Gerhard Richeter at Vogue on Sacramento in SF and Bill Frisell did a show with strings and GR at SFMOMA once

This makes me want to zip over to Stanford and see if I can walk thru his torqued corten steel maze or just see it thru the fence, or is it in SF?

I don’t think Edward Ruscha truly belongs with Gerhard Richter or Richard Serra but his name camp up suggested by the computer when I was looking for something else; also: A Failed Entertainment something about Infinite Jest by David Wallace Foster?
I’m also wondering about: Manifestoes including Cate Blanchett as 15 different artists, Rose B Simpson driving her El Camino Maria down our El Camino from Menlo Park El Palo Alto to San Jose and filming in two directions like Ed Ruscha, Manhatta 1920 film also Eric Moffett did a film about Valencia Street during Covid shut down
bw what the hell i’m going to stick it here I was starting its own post about Emma Acker and the precisionists also known as “Cult of the Machine” and there are glimpses of 10 bridges in her book, but also cut to a local artist Jennifer Clifton print of Cupid’s Span sic in front of Bay Bridge — makes me want to find my art of Bay Bridge by a Palestinian artist drawn while Ed Crayton and Luis and I met to discuss the homeless from the window of 400 Vallejo circa 1991. It may have been the same day or certainly same month that Nolan Ryan thru a no-hitter, and also I was linking Charles DeMuth “5” with a screen capture I just did of Tim Lincecum’s no-no, wearing 55 — which made me think of Rose Simpson again “Gia”. From the essay in the Mia book.
10 Glimpses of Bridges in the Catalog of Emma Acker’s precisionsist show:

Louis Lozowick, p 173 Through Brooklyn Bridge Cables, 1938 Lithograph at Achenbach, 9 x 12 by the way its is definitely the suspense bridge I am keying on; and in the coda of the catalog a timeline with little illustrations including 1936 Bay Bridge Opens, p 228. Are there bridges in the show not in the book?
We are approaching the centennial of Hart Crane’s epic “Bridge”.
Contemporaneous depiction of Brooklyn Bridge, new to me as of Emma Acker’s “Precisionist” show at the DeYoung Museum in 2018:
Quirky and superficial but I did correspond with my former professor Donald Pease. A page from JSTOR version of his famous essay:
Above