Ludwig Guttman neurologist; Barbara Manning Vargas, ‘Cantor’s Mind Was Rockin”

I would normally just do a quick post: Ludwig Guttman neurologist.
But then, because I have a few more minutes, but not world enough and time, I will make a list of what I would write about today, because I am carrying these things in my book bag, although really I have an alarm sounding in 28 minutes and want to get my eyeglasses re-lensed, buy a Spanish-English dictionary from Bell’s Books, get home to eat a bagel my wifey brought home, or so she claims via text, and watch England in the Euro 2022 at 11:30 – -I might watch it in Spanish, however.
1. Yesterday’s Times, maybe something about Bruce on Broadway;

2. Pollstar Agents, Label, Managers directories, recent; also: venues.

3. Downbeat, July: Julian Lage; Downbeat, newer, has critics poll: who do I know who is honored: Carla Bley on Cover, Maria Schneider big band article–?

4. All Music Guide, hard copy, bound; 1,499 pages, circa 1997, especially what they do with Latin or World Music. I think its part of folk here.

5. My brother in law Gary just texted me a video Sly Stone “eVery day people” ;

6. rgbunnyl an instragram archivist in the times;

7. Donald Rumsfeld obit in times – -was he also in Errol Morris movie? Which reminds I watched “Fitzcarraldo” the Herzberg movie and thought of Les Blank.

8. There was an obit in San Jose Mercury reprinted from the Times about a woman who was a leading “chicana” activist; she helped coin the term.

9. Metro, June 23 back issue, news to me;

10. JAG arts collective in Vermont but near Dartmouth;

11. upcoming re-launch of Earthwise in Palo Alto, potentially as early as 7/24 i.e. three weeks from today, at 2 pm at Palo Alto Art Center Auditorium, in conjunction with art exhibit there “The Black Index” featuring Lava Thomas and others. Which runs thru August 15 — I may do a series of Saturdays at 2 in July and August.

12. The New Yorker — has fireworks on cover; reminds me that I saw Lin Manual Miranda “In the Heights” directed by John Chu on video and it sounded a lot like “Hamilton”; it had fireworks which were used to compensate for a blackout, ironic term.

13. Maya Wiley, strong showing in NYC, maybe still in it, to win it. And she used a song by Gregg Alexander (New Radicals) and Julian Casablancas of the Strokes. They wrote and recorded for her causa. 

14. Two zines i bought near Mission and 23rd or 24th: “Fruit Hoops”, Leesh Adamerovich; “Dead Wrestlers IV”, Adam Villacin;

15. portrait of Barbara Manning also known as Barbara Manning Vargas, who is on my label, Loins With Wings, and played in my series years ago; sic. 

16. CORRECTION: A Poem by Jeffrey McDaniel on May 15 included an error: The third line should be “up from the tires of a bus” not “from the trees”. Another sign of global warming. Third rock from the sun. Third son from the rock. 

17. Metro 6/30 newer with picture of punk rock and article about live music and article by Mike Huguenor, p12;

18. Crawford of the Giants was once football QB for Foothill of Pleasanton, I saw some old highlights; also, Davante Adams was in town, in EPA, doing some sort of clinic.

19. SF Weekly, July 1, re parklets

Lasty: its a good omen that they are speaking Spanish behind me: I like the way La Doña sings or says “wifey”.

 

and1: that thing about the Alameda Sheriff using a Taylor Swift recording as a weapon. In his case he somehow thought that if he played music while he was interacting with some protestors, whose signs he had had removed — violating their First Amendment rights to gather or have free speech — that this would be a magic protective field preventing them from publicizing or documenting their interaction. To me this is also psy ops. The crux was the idea that Youtube enforces copyrights by taking down monetized uses of major recording artists and major labels. But was he playing the major label version of Taylor Swift or the re-recorded version? 

At 12:06 a cheer went up from Old Pro across Ramona Street, so I presume it is England 1, non-English 0, and I like Barbara Manning Vargas as moniker or BMV for shorty

 

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Molly, Remi y La Doña –top new voices coming out of the Bay Area

 

My favorite new artists to listen to, track and tell people about are Molly Tuttle, Remi Wolf and La Doña, also known as Cecilia Cassandra Peña-Govea.
Molly and Remi are from Palo Alto, though Molly lives in Nashville and Remi lives in LA. They were actually neighbors, or their parents are. Remi went to Paly and Molly Peninsula School.
I first met Remi about eight years ago, at an open mic at Philz coffee, the one on Alma. I was doing a comedic monologue about Jim Harbaugh and she and Chloe were about to sing “Somebody that I Used to Know”. Got it?

  1. I met Molly at the Gryphon Stringed 50th anniversary party, and then she played the next day at an Earthwise Productions concert at Mitchell Park Community Center El Palo Alto Room, fall, 2019. I am not sure I had heard of her until a friend reported that she was the star of Telluride Bluegrass Festival that year, and then I saw her picture on the wall at Gryphon — her father Jack Tuttle has taught at Gryphon for many years.
    Terry and I took Beth Custer, her husband and five others to Stern Grove two weeks ago, their opening event. The headliner was Ledisi, the Oakland/NOLA/NYC soul diva, who I knew slightly from her Bay Area days (she too, like Molly, played my new band series, but in 1997). We were just getting settled and passing around various salads and snacks – and arepa from Coupa Cafe, remains from Terry’s retirement party during the previous week — when we noticed La Doña’s music, which was a mix of Latin styles. I noted later that eight of our party of nine spoke Spanish, three as their native language (Beth Custer apeared in my series once as Doña Luz 30 Besos – -which the spellcheck wants to change in reference not to Argentina the land of arepa but Amazonia the land of, as La Doña would say the land of “ratas que quieren comer nuestra pan)”.  Since then I’ve been obsessed and enthused. 

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    Terry, Steve and I went to the City yesterday to see the Naim Jun Paik show at SFMOMA and also the Diego Rivera mural that was moved from City College. There was a preparator touching it up as about 100 of us stared, sort of performance art. I also met a guard who gave me her email address; I’m going to suggest she do a Cindy Sherman impersonation and show us, readers of Plastic Alto, two different looks different than a young woman dressed in men’s clothes. Maybe she will dress at Frida, like Terry did a few Halloween’s back. I told Terry and Steve by text that I was leaving the museum to catch a bit of Belgium-Italy, but couldn’t resist a quick diversion into the main gallery in search of, thematically, since I was humming La Doña setas y ceros setas setas y ceros setas, something Spanish or Mexican and instead I was drawn to a Cy Twombly that I read as “Mas no menos” but is actually “mainomenos” the Greek word for rats eating your bread.

The Cy Twombly is actually titled “Bacchus Psillax Mainomenos” and showed at the Gagosian Gallery in New York in 2005, before coming to SFMOMA. There is a catalog you can find somewhere. In this usage, cutting it short a bit, “the crazed violent god of fury” – -which actually sounds more like La Doña than Molly or Remy. She has a song about a dream that included a earthquake and gentrification. Also, there is now a mural at 24th and Alabama I think that says “RESILIENT” and is an tribute from the Giants to their fans and features a depiction of La Doña — although when I saw her there she was wearing a 49ers jacket, but said it was more about being a San Franciscan than being a sports fan (whereas whilst I write, here at Coupa, sipping a mocha made with Mexican chocolate, I am wearing a black shirt with a depiction of Joe Montana at Super Bowl XIX — because I was there. I’ve never met Joe Montana but he and his family sat near us at Stanford Lively Arts and as he passed by us I resisted an urge to tackle him just for the thrill. Te lo juro, it was one of those things where you are seated and you have to stand for people to crab-wise scoot pass you and it did cross my mind that if i was Jim Burt of the Giants or Reggie White of the Eagles it would be curtains for Joe Cool. 

and1 or andale: this is already all over the place or “acabando” as Meche used to say but as I am fact-checking – -yes, I fact-check — it is news to me that the 2011 pop hit is actually co-written or based on a song by Luis Floriano Bonfa, 1922-2001, a Brazilian composer and guitarist known for the music of “Black Orpheus” film. And I admit that Plastic Alto is the place where Spanish and Brazilian/Portuguese are sort of blended, in contrast to all the Germanic and eurocentric stuff; and yes I am mixed or mixted and conflicted.

NOTE: LA DONA APPEARS LIVE IN PALO ALTO SATURDAY, AUGUST 7, 2021 AT MITCHELL PARK BOWL, 600 EAST MEADOW DRIVE, PRESENTED FREE BY EARTHWISE PRODUCTIONS — ADVANCE TICKETS AT EVENTBRITE

 

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Les Namingha pot in my parents’ home just before being shipped to the DeYoung and 15 months before it was displayed there

Hopi pot

I think I counted seven of the 30 pots in the DeYoung Hopi Pottery display came from my parents’ gift, from The Paul E. And Barbara H. Weiss Collection of Pueblo Pottery.

I just noticed this Les Namingha pot in a short film I made about the collection right before we sold my parents’ condo, in Palo Alto, where they lived with the pots the final 14 years of their lives. They had started the collection about 15 years prior, while living in Los Altos Hills. They would go to Santa Fe at least every year, especially for Indian Market. 

In 2007, they gave about 30 pots, and about a dozen more in 2011. Ultimately and at their death, the DeYoung took about 75 pots from the Collection.

I noticed in a book in the DeYoung gift shop that Les’ pot is based on an historic Nampeyo pot that is currently also in a show at the Metropolitan Museum in New York. I had somehow thought his design was modern or post-modern, but it’s historical. 

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John Rogers’ photo of Stanley Cowell, Ethan Iverson, Jason Moran and Fred Hersch reminds me of being in France with Henry Butler, Mulgrew Miller, Ralph Peterson, Ivan Lewis and Xavier Felgeyrolles, Clermont-Ferrand, fall, 2002

Copyright John Rogers
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La unica, la mejor

Cecilia Cassandra Pena-Govea de San Francisco, La Dona y su cuates aka real hyphy b——— or G. Te lo juro. 



NOTE: LA DONA APPEARS LIVE IN PALO ALTO SATURDAY, AUGUST 7, 2021 AT MITCHELL PARK BOWL, 600 EAST MEADOW DRIVE, PRESENTED FREE BY EARTHWISE PRODUCTIONS — ADVANCE TICKETS AT EVENTBRITE

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Anything with love

Yes, I use “they/them” pronouns and the reason why I put “and anything with love” is because I appreciate words that can be used to signify community or kinship. Given that I am Black, I often hear phrases (especially from Black older folk) such as “hun” “sweetie” “sugar” and from my peers words like “sister” “sis” “bro” “girl” as a way to signify community or friendship. When I began to use “they/them” pronouns, I was afraid that it would signify that I no longer wanted to be referred to with those community/kinship markers. I look at those markers as a way to signify connection of some sort, and I welcome it. For others who use they/them pronouns, they sometimes prefer not to be referred to by those markers anymore as those markers are also sometimes gendered (for example, the phrase “hun” is often used towards female-identifying people. When using they/them pronouns, sometimes the person no longer identifies as female and therefore do not prefer to use markers such as “hun” to refer to them). SO, I welcome people to use any and all markers when referring to me so long as it is done out of love!

words: Sabyne

image: Sloane

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Nina Simone tribute, ‘Skin’ by Sabyne Pierre



What am I
Am I 
if I am not a Black woman? 
if not woman?
not woman
not
What left?
 
Imprints scar my flesh as parts of me slip away
I am molding oh
I am fighting and I am molding oh
keeping these parts close to my chest
Here! 
 
 
 
 
Take
my 
hair.
Take 
my 
nail beds.
take 
my 
scalp.
Rip 
the 
earrings 
out take all the blood, too oh 
Please, my
Please leave me my skin.
 
It is the only part of me I 
know how to love.
Poet Sabyne Pierre is a writer, educator and activist based in Pittsburgh who previously wrote and performed poetry in New Hampshire and New Jersey. She sometimes signs her work Free, The Poet. 

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  • Ledisi included several Nina Simone songs in her set at Stern Grove. I noticed that many people mouthed the words to her originals. This is not about me, but I do wish to add that I met Billy Taylor, Dr. Billy Taylor, who was the author of the Nina song; my then-client Henry Butler was part of his Christmas show and radio special at the Kennedy Center in Washington D.C. in 2002. When I ran for City Council especially at a particular panel discussion among candidates I introduced myself with this statement: “I wish I knew how it would feel to be free”. 


  • I do not apologize for the crowd noise including my own voice and those of my guests; I would just say that the music is out there if you are listening. And thank you Sabyne and Ledisi for all you do, all you don’t do, and for the wisdom to “no” the difference. Anibade, people.
 
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Two fantastic shows for audacious music fans getting back into the swing of things

Cecilia Govea-Peña performer known as La Doña

Terry and I have seen two live shows, Jon Craigie at Roaring Camp and Ledisi at Stern Grove.
The opening act at Stern Grove, La Doña (Cecilia Peña-Govea of San Francisco) is doing a free show Saturday, July 17 at 2 p.m. at Yerba Buena Gardens in San Francisco.

I also bought tickets to finally see Fantastic Negrito, a multiple Grammy nominee from Oakland, at Stanford Frost Amphitheatre. It’s Terry’ s birthday, so hopefully we will have as nice a time as we did at Lionel Ritchie, Willie Nelson and Bob Dylan. The Negrito show is produced by SF Jazz, whereas the first season of the new Frost was produced by Golden Voice (talent buyer: Rick Mueller — who I congratulated at Pollstar, February, 2020). July 8, Thursday night.

La Doña has big showcases/festivals in Chicago (Ruidofest) and Austin (Austin City Limits). She is booked by Amy Davidman of TBA Booking, who apparently is good friends with another dozenne of Latin, Amy Blackman who managed Ozomatli for many years. Too much inside beisbol, I know.

Fantastic Negrito, a 3-time Grammy winner for contemporary blues, booked by Bruce Solar formerly of Absolute SF

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Portrait of Gaby Castro, a World Music Month participant

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Amazing goals by Pogba and Messi in world soccer today

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