Lefsetz on Westergren

I’ve been a hater on Pandora since day one. I was psyched to see that industry gadfly Bob Lefsetz didn’t mince words on this topic:

This is why the music industry hates technologists. Self-satisfied pricks like Tim Westergren who believe they’re entitled to make a huge profit off the hard work of others, in this case the copyrighted material known as music. And he rationalizes it by saying it’s good for the public. Isn’t that like saying free food is good for the public? And free cable TV? But who’s gonna pay to grow staples and lay the pipe?

 Well played young man.
Westergren is a Stanford grad who played piano in local hotels while trying to advance his band but then figured out how to make millions on the backs of better musicians and bands. I’ve probably spent less than 10 hours on Pandora and think its supposed “mentaculus” is a sham; the average college radio dj does a more interesting job of picking segues. It’s kind of a prank on the Turing test or the machine that plays chess; I mean, it’s more The Turk than Deep Blue, but it does effectively capitalize on the same truism that Earthwise does less effectively: there is a vast universe of great unheard bands beyond the industry controlled “Top 40”.
It’s been amusing to be a Luddite concert promoter here in the epicenter of high tech. I’ve produced about 200 shows in Palo Alto, since 1994. Pandora does more for the proliferation of high tech than it does for music. In a related matter, I nearly evaded a fist fight in Old Pro sports bar for saying that Al Davis did as much for his field as Steve Jobs. A guy in a Packers shirt wanted to kick my ass, until a mutual friend interceded.
And excuse the irony of my outro with Joe Jackson in that neither I nor the poster have the rights to this topical performance (although I am not monetizing so I think of it as fair use — and the further irony that I believe the leading search engine overpaid for the leading user-generated content site which is or was principally a borrowed content site, and worth bank, on the backs, et cetera)
Posted in ethniceities, filthy lucre, media, music | Tagged , , , , , , | Leave a comment

New York street music from Santa Cruz

This popular video of street music in New York features Jesse Scheinin the son of San Jose Mercury writer Richard Scheinin.

edit to add: if that link don’t go thru, there’s also this video:

I guess the kid is out there working it, such that he also ends up in a PBS film:

related story: Donny McCaslin has a new cd out this week. (the connection is that Donny is also a jazz sax guy in NYC from Santa Cruz…not to step on Jesse’s moment in the plastic)…

edit to add a minute later, not a New York minute, or a euphemistic hipster minute that means next week or next month but not never, but real minute, ok 2:00: for a real jazz Charles Ives kind of thing, play all three videos at the same time….

Jesse Scheinin is totally a candidate for ICOBOPA or something better down here….there should be an ICOBOPA of 20 sax players in different downtown locales.

Posted in ethniceities, jazz | Tagged | Leave a comment

‘Five Tables At A Cafe’

(If it means anything to anyone, I snapped these photos in rabid succession while reading about the minimalist and eclectic Robert Wilson, a piece in the recent The New Yorker by Hilton Als, especially “Einstein On The Beach”.


http://www.newyorker.com/arts/critics/atlarge/2012/09/17/120917crat_atlarge_als

The New York Times was relatively unimpressed.

Sometimes you have to cut and paste not merely click.

Now, a couple hours later, it actually looks more like twelve tables and six people although some of those six people might be the same person twice, if that is even possible. To what extent are we the same person twice, or more like a river, changing all the time? Sometimes I cannot help but feel that I am wasting all of my time.

 Fifteen tables and nine people?

I left the fifth and final shot of the series of five “unslugged” such that it would preserve the exact time stamp, a Saturday around 2.

Eighteen tables and fifteen people, comprising “Five Tables At A Cafe”, the article referenced three types of shots in “Einstein”, close-up, medium-shot and something the scope of which compares to the fact that Wilson grew up in Waco, Texas. That triggered my impulsive intrusion into the lives of my fellow Cafe Society members. Coinky or not, the last group, in the interior section where I was, left directly after this shot. I was shooting the couple against the window; between them you can see what used to be the entrance to the famous social media social network company, for what that’s worth -less than fifty billion dollars I would think.

I was shooting the couple, across the room, not the nearer group of actually three women (we see two here). Before I started shooting, some time before, I noticed the woman in green and that she was wearing a sorority shirt but it featured a Native American motif; I am guessing Florida State Seminoles, and almost had the nerve to approach the table and question her about it).

edit to add, a few minutes later: this is gratuitous non-coincidence just an overlap or something but I started quoting some old song lyric, because partly because the script for “Einstein…” apparently has some lyrics flung in there, but didn’t remember what I was referencing and when I typed in the lyric fragment to the search-injun it reminded me that it was Fleetwood Mac “Over My Head” by Christine McVie and that the first couplet has “paradise” and “cold as ice” and I thought of the fact but fairly trivial thing that when Wilson was a special ed teacher and trying to connect to his students he created, according to Als — maybe referencing the two or three other primary researchers writing about Wilson — a character named Ice Man, who carried blocks of ice “like suitcases” (which I couldn’t quite picture — did he fasten them with handles?). Also, and only my coach and my freshman roommate still recall this, my mock-nickname in high school, rhymes with “Weiss”, _ _ _. The true obsessive then searches for any other overlapping reference to “christine mcVie” and “einstein on the beach” but I will stop here.

Posted in art, media | Tagged , , | Leave a comment

Burghers, bridges, and blessings

Four snaps on the theme of thread of public works, public art, chance encounters, history and such. A tad quotidian, admits.

First, as I strolled campus on a mid-day break, I noted the incoming freshman (2016) in team-building, social-media-intensive yet fun orientation projects, in groups of five or six, usually co-ed.

Devon from Pennsylvania indulged me in a shot next to the Rodins at the Quad. Not sure if the students’ project had them thinking any harder than I was about Rodin, Calais, Hundred Years War or Burghers. I didn’t realize, for instance, that Burghers, in the sense of commercial merchants, is the translation of the sometimes-cognate French word bourgeois. My European history is limited to one class with Wood and Lagomarsino, years ago (and for comparison, as far I as I know, my people, contemporaneous to the period depicted by Rodin, and nearly until the time of Rodin himself, were schutzjuden, meaning  a protected class of not-quite-full-citizens in Eastern Europe and Germany).

Five minutes earlier I accosted a group who were posing on a cover to what should be and perhaps again will be a Maya Lin kinetic sculpture, which is being repaired. They tolerated politely my brief art history lecture and then proceeded on with their fun.

Earlier in the day I had stopped traffic behind me for a second to snap an architectural detail in the form of perhaps frescoes of medical scenes at PAMF, the one I was trying to capture seems to be a homage to the work at the old PAMF, now Palo Alto Historical Society. It is small enough in scale not to stop traffic too significantly, I hope.

You have to squint, but if you look too closely you may go blind

Similarly, I snapped a rolling view recently of the spans of Bay Bridge. People with less than 30 years driving experience should not try this. I promise not to do it again.

My campus excursion included popping in on El Centro Chicano, at Old Union, on Lausen Mall and suddenly noticing the 1980 mural, more recently restored, by Jose Montoya, and more timely an new interior set of murals by Berkeley’s Juana Alicia (I think her apellido is Montoya tambien, but am unsure of a connection). The center is hosting a reception for Juana Alicia and the new murals on November 9, according to Frances Morales, PhD., associate dean and director of the center, who has been at Stanford 20 years, and hails from South Texas by way of a b.a. from Fresno State (her doctoral is from Stanford). The photo is actually from a previous wandering — I generally walk, if it is part of my so-called workout, without phone or watch or any other gadgets beyond what the good Lord did me with bless.

Posted in art | Tagged , , , | 1 Comment

Cube^2 or hypercube by Andrzej Sekula


I am not sure how I got here but I am compelled to post this short video, rarely seen (66 views), of a 2002 film “Cube2” or hypercube by Andrzej Sekula, a Polish cinematographer and director. It reminds of: “The Matrix”, “Inception”, Winchester Myster House, the Simpsons’s version of “Tron”.
This is mostly a music blog but here I have posted three consecutive items about film.

Posted in Uncategorized | Tagged | Leave a comment

Sayles as Lardner

I and I caught “Eight Men Out” on cable tv, and then captured this still of John Sayles, as Ring Lardner, singing a parody of “I’m Forever Blowing Bubbles” (by Burr and Campbell, 1919, Tin Pan Alley thing):

I’m forever blowing ball games;

Pretty ball games in the air;

I come from Chi;

I hardly try;

Just go to bat and fade and die;

Fortune comes my way;

That’s why I don’t care

I’m forever blowing ball games;

And the Gamblers treat us fair.

Youtube has an authentic version of the song; interestingly, the British football club West Ham does a version of this, I also found.

Posted in media, music, sports | Tagged , , , , | Leave a comment

Nellie McKay street music movie

Nellie McKay (standing, in red pants) and four other musicians or mere humans pretending to be musicians, in “Downtown Express” a film.

Nellie Mckay and at least four other fellow travelers play street music and concert music, in a film, and perhaps appearing nearby and soon, like in San Jo, maybe or maybe not part of ZERO1, and someday, or in a parallel universe for The International Congress of Buskers of Palo Alto (ICO-BOPA).

I wrote previously about crashing an interview in the lobby of a Hotel in 2009 at SXSW in Austin. I will edita with a better take on this David Grubin film, called “Downtown Express”.

I believe that Philly-based sax player Sabir Mateen also appears in the project, diegetically.

Nellie McKay performs Sunday, Oct. 21 at Montalvo.

Posted in media, music, sex | Tagged , , , , | Leave a comment

Ava Mendoza Trio shreds Smith-Andersen art show and party

Dominique, Nick and Ava sound-checking at Smith-Andersen

Ava Mendoza, Dominique Leone and Nick Tamburro crushed it like so many pomegranates going POM Saturday at the opening party at Smith-Andersen Gallery in Palo Alto. They played three short sets over two hours, then rushed up to Berkeley for a club show at Starry Plough. I schmoozed with about a half dozen fans, artists and staff before retreating to a stool within two feet of the keyboards, for my own little peace of music/food/art/weather heaven. I am not sure if they noticed when, finishing 90 percent of my bottled water, I blew across the mouth a few times, at, to my mind, appropriate points in measure, to create if not a note per se than something note-like, or more note-like than noise-like. That I subsequently kicked a group of hanging nearby metal rulers and t-squares a couple times did not seem to inspire much ire either. I may have clapped once or twice, after a song. I hooted first once than twice. “That was a double-whoop!”

Good luck to Ava and gang, with new cd and changing their name, to Unnatural Ways. But don’t change that sound!

PS. this is a weird segue and speaking of heaven but my “pomegranates going POM” reminds me that I caught “60 Minutes” talking with a supposed former Navy SEAL who wrote under the name Mark Owen about about the killing of Osama Bin Laden and that he added the detail that on his way home given liberty he stopped for “two tacos and a bean burrito” at Taco Bell reminds me of the restroom-based  danger-evading story-telling scene from Tim Roth in Tarrantino’s “Reservoir Dog”. edit to add, two minute later: Mr. Orange (Tim Roth) “bag full of pot room full of cops” bathroom scene>>>

Posted in art, Plato's Republic, sex, sf moma | Tagged , , , | 1 Comment

Thomas lifts giant boulder at LACMA

A two-hundred-foot-tall anthropomorphic being

Thomas the Giant toys with Heizer boulder

descended on LACMA recently and examined the nut part of Michael Heizer’s “Levitated Mass” with his two fingers. He said his name was Thomas and had studied art in other galaxies.

Posted in art, la la | Tagged , , | Leave a comment

Recipe for Cherry Colgado Pie

Recipe for Cherry Colgado Pie
1. While in Minneapolis, near or at the Walker Art Center and Walker Sculpture Garden, do not fail to notice the giant Cherry on a Spoon, by Claes Oldenburg. Take a picture, or get your hands on the brochure. (aku “Spoonbridge and Cherry 1985-1988″)
2. In Hanover New Hampshire, the Hood Museum at Dartmouth College has a sculptural piece by Juan Munoz (1953-2001) called “Hombre Colgado Pie (Man Hanging From His Foot, 2001)”. If the piece is not to be found on display, the little gift shop usually has a post card of this work.
3. In your mind, or with a scissors and paste, or some high falluting high tech thingamajig, juxtapose or put together as in a dream or a mash, these two concepts. Cherry plus colgado pie equals cherry colgado pie.
4. Serves one to six billion. Store the rest in a container, well-chilled for future use, reissue, a caprice.
5. For a little more spice, listen to “Symphony for improvisers” while you work, or certain hockey broadcasts, BUT NOT BOTH. See also.

Note may also be served with couscous van bruggen

edit to add: I described this project and even showed my actual sketch to the actual artist Kara Maria (fka Kara Maria Sloat) and she took me serious enough or indulged me enough to ask about production per se. So yeah maybe I could write to Hood Museum about lending Juan Munoz “Hombre” and letting travel like the mother in William Faulkner’s “As I Lay Dying” all the way from Hanover to Minneapolis in a carriage or hearse and then, so, yeah, can it hang from from the Cherry stem, so how, for a minute. And maybe Dave Douglas or Steve Bernstein can gather there and play Don Cherry, his music. But for now the piece is a thought-experiment (like a Yoko Ono thingy) or exists only in Plastic Alto. (And not to digress but last night a PBS doc about Mexico 1910-1930 and Eisenstein said something about “film and plastic arts”. What are “plastic arts”?)

Posted in art | Tagged , , | Leave a comment