Yardley’s ‘Brave Dragons’ hits the mark

CHINA CAGERS BOOK A ‘SWISH’ BUT NOT ‘SWISHY’

From Carolina Blue to ‘His ass is blue’ in reporter’s hoops odyssey

Jim Yardley’s “Brave Dragons” can be read two ways, at least; one, as a basketball book that takes place in China; or, two, alternately, the parallax case, which I find compelling, as a book on China that uses basketball as trope, meme, organizing structure, story, background or substrate. Hoops is the ball, here, but modern China is the net, popping up through the rim after the various insightful and literary “swishes”. The players run various motions, drills and in games – or not; they in default pass off to the American and clear out– but maybe we are actually watching China, the skylines roaring up, the trains whizzing by, the hotels and malls blinking to life, as we squint to distinguish clues and familiar brands, from knock-offs; the bikes and taxis, whizzing past each other impossibly, their use of our language: their billion-man-weave, and King Rag/googolplex of cues, clues and kung-fusions. As the subhead states: “A Chinese Basketball Team, an American Coach, and Two Cultures Clashing”. Clashing, but riffing off each other, our game and theirs, equal and opposite reactions, mutual contamination, a cultural exchange, cross-pollination in cross-over dribbles; Schrodinger’s cat meets the beckoning kitty, meets Walt ‘Clyde’ Frazier in his Pumas.

I’ve never been to China but am finding myself more and more intrigued by it. My parents went when it first opened up and I recall they brought me a Mao Jacket I never wore and a bamboo chicken sculpture either lost or discarded in our various family downsizings and potlach randomizing redistributions of wealth.

I’ve been a basketball fan for most of my life; I traveled to summer programs in Mexico and Europe carrying a ball, for instance, as a way to keep somewhat in form with my hopes of high school varsity glory – achieved somewhat: I was a benchwarmer for a championship team, although nowadays, I hardly notice that March Madness is starting or who the seeds are. I am more likely to catch the Hung Liu show at Oakland Museum than to watch all three games of the Final Four.

I remember thinking I was sophisticated for insisting on Hunan food (i.e. spicy, like Brandy Ho, Hunan Homes et all, North Beach, circa 1986) rather than Chinese per se (compared to my mom telling me that years ago, on cooks night out, she would go to Chinese for chop suey, Hyde Park or Lakeshore Drive, circa 1950). To me Nanking was a restaurant on Kearney Street(Peter Fang) before it was a historical novel by a tragically sensitive author(Iris Chang). I remember being intrigued about a review of a book that said that wonton means “swallow cloud”. Food, by the way, does play a bit part in “Brave Dragons” like Bonzi Wells complaining about it or Yardley being socially compelled to eat too many buns as a special guest in someone’s home.

Part of my hopes for this book is that it will give me insight into my city Palo Alto’s new “Strategic relationship” with the Yangpu District of Shanghai – so far my kneejerk or run and gun reaction to the deal is to think we are being duped into backing a real estate boondoggle. I admit I am a little confused about the distinction between Mandarin and Cantonese. Or what came before Pinyin. Although I did correspond with Merriam-Webster on a point related to this regarding Webster’s Ninth, not to digress, and got a letter praising my observational ability. (I was the first letter on the point but they had already fixed the problem, for edition ten dictionary. I wrote to say that they used the term “Wade-Giles” in their definition of “pinyin” but there was no entry for “Wade-Giles” itself).

I think Yardley’s book would make an interesting movie, along the lines of “Iron and Silk” Mark Salzman’s 1987 book and movie about his interest in swordfighting, and not coincidendentally I think Jessica Yu would be an interesting person to pitch the rights to, on the strength of the fact that she, I and Jim Yardley all worked together briefly for the Gunn High Oracle newspaper. (I suggested previously above that Yu would make a good person to tell the Jeremy Lin story. Yu also going on to marry Salzman and win an Academy Award for documentary film, and does commercial directing for example “Ping Pong Playa” which I thought at first was a beach movie).

One effect of this book is that I now can claim, for the first time, even the faintest sense of Chinese geography, thanks to the handy map by Steven Shukow. Yardley spent a good portion of 2008 commuting between Beijin (where, for six years, he was a New York Times writer) and Taiyun, in a province due West, in the interior, maybe 300 miles) where he covered the struggling Shanxi Brave Dragons. The book describes trips to coastal cities like Shanghai (where the Brave Dragons played the Sharks), Guangdong, well to the South, to play both Guangdong by the way it amazes me that the spell checker here warns me from leaving out the middle “g” Southern Dragons of Dongguan or the Dongguan New Century Leopards of Tangxia. There are also trips described in eagle-eye detail to Bayuquan (Liaoning Pan Pan Dinosaurs) , Tianjin (Golden Lions), Quingdao (Double Star), Ningbo (Bayi Rockets, the New York Yankees of the CBA, and a club affiliated most closely with the PLA, People’s Republic Army). There’s also a Chinese New Year’s holiday beach trip described whose participants included Yardley, coach Bob Weiss and wife, Nigerian Center Olumide Oyedeji and his entourage, and Brave Dragon interpreter Garrison Gua.
One insight of mine is that although I have been pondering the Jeremy Lin story for more than a year, the treatment of the lone Taiwanese player on the Dragons makes me realize I over-estimate by half the upside of the Taiwanese-American Lin in Asia. Sports Illustrated said it could be worth a billion dollars to the former Palo Alto Viking; I am guessing, if anyone asks me, probably no more than two or three hundred million. The description of the tug of war between Chinese government, the League (partially single-ownership, partially run by local business tycoons, not unlike the model of the American Major League Soccer entity; or see also, The Economist, December 2011 “Little red card” about failure of Chinese soccer), the NBA, who built three stadiums in China, in conjunction with AEG but still have not real foothold. My first thought for Jeremy Lin was that based on that one partial season with the Knicks, or that one Friday in Madison Square Garden, he should partner with Dillion Schneider of Harlem Globetrotters organization (and a Dartmouth contemporary of mine) to form a barnstorming team, tied to an equipment manufacturer, and tour Asia that way (not unlike the And1 league or circuit or initiative that was trendy in 2007-2008 domestically).

The Nigerians in the book reminded me of my brief acquaintance and correspondance (mostly about music) with former Penn star Ugonna Onyekwe, who I met at Stanford’s museum a couple years ago, and wrote about, albeit indirectly. Actually that piece, “Heroic stoic dude named Ugonna….” was similar to this in tone, style, breadth and general confusion-inducing-ness.

As a Pulitzer-prize winning (for coverage of Chinese legal system) Timesman who loves and knows hoops, hailing from Page High of Greensboro, NC (where, for instance Danny Manning played) and UNC Tar Heels (overlapping with Michael Jordan), he had a extremely privileged position to take on this type of look at Chinese basketball. They called him Yanngsee or Older Brother. I liked the scene of him playing pool in the off hours with Bob Weiss (the former Bulls star and second-tier NBA coach, for Spurs, Sonices), Bonzi Wells and others. Yardley in his forties had the perfect mix it would seem of Old Boy, confidant, mentor and sage, but could also mix it up and let his testosterone trump his Southern Charm, to optimize first respect and then access. Although he did not actually sit on the bench, he ends up in press row, dorms, practices, meals, pool hauls, vacations and slide shows with his subject. The expediency of indulging in the observer effect shows in the prose; Yardley is part of the team he is covering and probably helped the team in its modest success (of moving form the cellar to tenth place, despite numerous obstacles).

This book would be dope for teenage hoop fans, but could also be used in university level development courses. (He also recommends Brook Larmer’s  Yao Ming biography, which he calls “the gold standard for Westerners writing about Chinese hoops”).

The book is just out in paperback, although I am pleased to have procured a first edition hard. The story is not spoiled by the five year incubancy period. Now we can use Youtube to find supplemental peeks into the topic of CBA; Stephon Marbury displaced Bonzi Wells as the greatest foreigner to grace the CBA – I also found a chapter in the 2012 Best Sports writing on Marbury in China.

There were modest departures into manufacturing (Spalding and its contractors) and the history of hoops; coincidentally Shanxi was the site of one of the first YMCA built by Christian missionaries in China in the late 19th century shortly after James Naismith nailed the peach hoop to the wall in Springfield, Massachusetts. Yardley takes us on a site trip and deftly compares the relative fates of YMCA and basketball in this different soil. Or actually, he compares the seeds of basketball planted in China and the U.S. and their very different fruition.

I would rank this book with: A Sense of Where You Are by John McPhee, Hoosiers, the recent Harvey Araton “When the Garden was Eden” (which I am anxious to crack open; I pawed it yesterday at Books Inc at Town and Country, where I also noticed BD in paper), “The White Shadow” tv show,  “The Punch” by John Feinstein.

Yardley (Julius) peppers his book with a hint of the Chinese he has picked up but all the while slashing through the lane with his “Alex” English.

(I have to admit I was pre-sold on the books merits due to my longtime friendship with JBY and the fact that the book’s focal point shares my name, Weiss).

I said this earlier but I have fond memories of shoot arounds at Stanford Escondido Village with Jim Yardley and his little brother Bill, those spring afternoons 32 years ago. The Yardleys came here because Rosemary Yardley (now Rosemary Roberts) won a Knight Fellowship to study for a year on the Farm. Years later I learned that music maven Ian MacKaye (Fugazi, Dischord Records, A Minor Threat and The Evens) also spent a year here, a few years prior, as an eighth-grader at Terman, in a similar deal. Bill Yardley, who I recall as barely five-feet, is now a Timesman, based in Seattle (bureau chief) and writing some interesting obituaries of late, for example, for the drummer of the rock band Spirit.

I was tempted to start this with a discussion of monsters; Bonzi Wells, Boss Wang, unfettered Capitalism unhitched from Democracy; also, here we have some discussion of the meaning of our foray into Shanghai development circles and a discussion of the pros and cons of a billionaire builder to donate (some say “push through”) a new gym at Palo Alto High (a classic oldschool pit, where, besides me as a visitor, the court has seen among other Jeremy Lin, Jim Harbaugh, senator Ron Wyden and Celtics “Jungle Jim” Luscutoff) – I am wondering if there is an analogy between YMCA building gyms in the 1890s and billionaire Mormons building gyms here. I’ve digressed from Brave Dragons but the Yardley book does provide context for many other topics of currency regarding these games we play. Five-on-five billion. Who’s got next?

Yuanfen!

Does Ai Wei Wei have Yardley Brave Dragon style?

Somewhere in here I wanted to mention that I played on a 25-3 championship team that featured more Chinese (Alan Ng and Jerry Chang) than blacks (Danny Brown).

In the movie version I’d like to see an actual Dragon (CGI, actual enough) running thru and enlivening various scenes like the creature downriver a ways in Bong’ Joon Ho’s 2006 film “The Host”. I can also picture a fanpage that mashes BD:TCC with “The Hobbit” (cf Smaug) and “Fear and Loathing in Las Vegas”; maybe just the New Year’s beach trip by the Chinese and Nigerians he describes.

More soundtrack:

Superchunk, “Slack Motherfucker” not that ‘chunk has toured China but that founding guitarist is a childhood friend of JBY;

Of Monsters and Men: ()

Imagine Dragons, “It’s Time” (“Zhongyu”?), from Vegas, on Interscope, appearing in Raleigh, NC on May 5.

Peter Paul and Mary – This is kind of a weird thing about being a blogger, for “Plastic Alto” and NOT a Timesman or even editor of the Gunn Oracle: I’ve written about 2,000 words, on and off all day, except for checking on the aging cocker spaniel — and I actually sprained my left ankle, rushing her to the yard, a wee bit too late, if you get my drift, so much for BD:TCC inspiring MY hoops comeback — about five hours total, and I know there are at least 20 spots to edit or clarify, but I publish anyhow, or post or update in that the internet, wordpress, at least at my level is sort of like writing in a spiral notebook and leaving it open-faced on a coffee-house table. On average 50 people eventually will see my posts, or it may go viral but basically its just me and the cloud; I’ve spent the last few moments watching videos — does this review even need a sound-track? I spent five minutes sorting between some random guy pondering to himself and 83 viewers about translating “Puff The Magic Dragon” into Chinese and hearing in entirety a novelty song by the novelty act Flight of the Conchords — 8 million hits — a parody of the Peter Yarrow Leonard Lipton classic they call “Albi the Racist Dragon”. The search-injun does helpfully over me some kind of translate, and that Elon Musk named his spaceship after samesaid Dragon. Yardley was born year of dragon whereas months earlier in ’64 I was fated to be a hare. I think of the links as a tradeoff or trade-up for writing>rewriting.

Terracota Troops: short-lived local band featuring soon-to-be-more famous Japanese rapper Shing02.

Sweetbox: Germany and LA-based project with rotating vocalists, actually used by Dragon’s dj, and lyrics quoted by JBY in book. “Don’t Push Me” featuring Jade Valerie, a mixed race Pinay from San  Diego, whose real name is Jade Villalon. Apparently the producers auditioned 3,000 singers to continue the project after her departure, all of this news to me, and more obscure than Henry Finkel, despite my 18 years in the music scene (domestically — I am down with Girls’ Generation, the K-Pop group, thanks to John Seabrook of the New Yorker, however).

Another amusing observation about Americans playing basketball in China is when Bonzi Wells noted the Chinese players habit of touching each other, in a brotherly way  and wondered if they were homosexuals. By the way, it’s “Bonzi” because of his childhood fondness for bon-bons, not “bone-zi” for something more stereotypical. (Although truth be told, although I actually have a framed trading card of Bob Weiss, I wasn’t sure I had heard of Bonzi Wells until this book…)

The full name of the team includes the word translated as Zhongyu which means “finally” which maybe in this case refers to the lag between his research and publication.

Here is Yardley’s screen test to play himself in the film version of “Brave Dragons”. If you give him a little Tsingdao, his voice softens a bit and you can hear the Carolina twang. If the movie gets made within five years, he can play himself, otherwise you’d have to opt for a younger man playing the thirty-something Yardley; maybe John Krasinski from “The Office,” who went to Brown, grew up in Newton, Mass., 82 miles from Springfield, was in a comedy troupe called Out of Bounds and once coached youth basketball in Rhode Island. Or, do it as a documentary  slash reality show, in India(where Yardley relocated after Beijing), with “Jai Bhim Comrade ” director Anand Patwardhan, who I met on the Farm recently and have his cell and email direct. Maybe pro basketball in India can be a way up for the dalit. There’s a longer video of Jim talking China per se.

Here is link to GQ article in May, 2011 by Wells Towers, about Stephon Marbury in Shanxi (anthologized in “Best of 2012” go figure).

Around the time, Feb. 2012 that Yardley’s book in hardcover came out, The Times ran this story which is somewhere between an abstract and an update of Brave Dragons (ok for future reference I’m going with BD:TCC). I didn’t know about Yardley’s book until a blurb in the Sunday book review three weeks ago.

*Or as David Shields says when I write about Clyde I write about myself, because I bought those shoes for $100 from Aaron Biner at Premier on Bryant. and that’s a ping-back to a previous post…

That I mis-identified team owner and steel-industry millionaire Boss Wang in earlier versions of this reminds me that I sometimes refer to the leadership of local Palo Alto Weekly as their “Dong-Johnson”.

Edita: earlier version of this mentioned Michelle Rhee and Kevin Johnson, despite the fact that Rhee is actually Korean-American and not Chinese. The only connection is that the kind of people who attack teachers unions and promote charter schools also probably like the kind of Capitalism divorced enough from Democracy to allow massive growth.
The Tar Heels were eliminated by 1-seed Kansas 70-58 yesterday to finish 25-11.
Jay Jennings a year ago in the Chron glossed the “ass is blue” riff to which my subhead alludes; for me that part was definitely an old-school LOL almost a spittake; early on, maybe page 49 or so if memory serves, where search-injun fears to tread.
This is totally trivial even by my standards but Yardley’s book describes and provides photo-evidence of a man-hole that Bob Weiss and his wife Tracy find particularly tempting, as a hazard. It reminds me that in 1972 in Misses Todd’s second grade class at Foothill Elementary School in Saratoga, Calif (near San Jose), I wrote a short story called “The Country Switch Around” in which a hypnotized man but not necessarily a follower of Sri Chinmoy digs a hole although to China precipitating an event wherein the entire continents of human inhabitants of North America and China switched places, not unlike the 1972 transaction involving the Colts and the Rams, and um, yeah, Yardley and the Bob and Tracy Weisses in 2008.  My parents saved for many years my contemporaneous reading of this masterpiece, which will endeavor to upload to Itunes as an audiobook any day now. The people in the short story, perhaps like blogger Plastic Alto Ice Weiss, apparently never hearing, due to hypnosis or other vagaries of consciousness, the expression if you find yourself in a hole stop digging
edit to add, march 27, six days later: still thinking about the movie adaptation of Yardley’ “Brave Dragon” loosely inspired by the Salzman book and movie, but also “The Host” by Bong Joon Ho and the grey glob movie by the filmographer of the Grateful Dead (above, somewhere), or a Woody Allen movie Shadows and Fog I think, plus Werner Herzog “Bad Lieutenant” with Nicholas Cage and we are not sure who sees the alligators, Mary Shelley Frankenstein, something John Carpenter, “American Werewolf in London”, Warren Zevon, song; so the team in the movie has a dragon mascot and something kinda dark and scary happens, maybe involving the mascot, or maybe Boss Wang shape-shifts into a monster and does something bad, like speculates in foreign currency; there’s a bit about a reporter asking Bonzi Wells about being a “monster”. There’s the metaphor about “”elephant in the room” and I think a film about Columbine about that, by Gus Van Zant. The monster is development (which to me is  deadly sin, like greed, avarice, glutony), or spectre of War per se, less so racism — and it would be hard to avoid this being our white racism against the Chinese; see also Bong Joon Ho in the trilogy about the shut-in and the shapeshifter I think Michel Chondry or someone.  Godzilla of course. The creature in ‘The Host” or “Growel” symbolized the anxiety of the modern multinational age, now divorced from the Eisenhower military industrial complex. Also, my friend and near-client Essence Goldman has a video for kids about a Dinosaur who eats Reeces candies. There is a sequel to “The Host” with another director while Bong is doing “Icebreaker” or something pseudo-comic book mythological cross-cultural commercial. “White Men Can’t Jump” if you do it straight ballery. For the discussion of the proposed Peery Gym at Paly High, I was thinking of a cross between “Mormon” the musical and “High School Musical” which has a hoops theme, different project: call me for three in the key. Also, I didn’t realize that Bob McAdoo was from Greensboro but saw that he had a cousin on this year’s Tar Heel squad, and there was a starter from Greensboro, not Page.
edit to add, April 24, 2013: I am still trippin’ on this, Yardley’s book on Chinese basketball, and my concept of imagining a movie adaptation, and especially that the movie would have a subplot about a dragon or monster loose in the background, challenging the team’s ability to run a business or the visitor’s ability to write his book. (The basketball team is called The Brave Dragons, at least in English; there is talk in the book about a player being called “a monster” and the owner being called such; the so-called monster could be a manifestation of the West’s fear of the rise economically of the East –China, or could be BRIC, Brazil, Russia, India as well –; it could be about racism, the residual and enduring legacy of Africans in the post-slavery diaspora; it could be fear about climate change — I’ve been impacted by such for almost 20 years, the genesis of Earthwise Productions is such a concern — Godzilla is a manifestation about similar concerns, like nuclear power, like Pandora’s box opening; there’s also the Zodiac and how it impacts us, East or West, etc.) So today I was catching up on Tuesday’ Times and spied this story about Wagner’s “Siegfried” and the slaying of its dragon, Fafner, described in the review as a 45-ton clumsy mess, compared to other more high tech effects, like the 3-d birds of light. So maybe my version of Yardley’s book could split the difference between “Siegfried” and his actual adventure, or all these modern and not so modern dragon-myths should at least be considered. Actually, the 45-ton monster referenced in Vivian Schweitzer’s review of the Robert Lepage Met opera might be the stage itself, and not merely the dragon, duly noted. My other influence is Len DellAmico’s “Welcome to Dopeland” which riffs on the “grey goo” worry about nanotechnology run amuck, I wrote about earlier. Edita, three hours after that: maybe the Yardley character, in the movie version, if he weren’t so happily married, and a dad, could fall for the young blogger who turns out to be The White Snake.
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From VTA to Vatican for former Gunn High journalist

Jim Yardley reports in The New York Times today from Vatican City on the surprise choice of Jorge Mario Bergoglio as Pope Francis. In 1981 I edited his first byline, an article about Gunn High students who took what is now the VTA bus to school. (I presume his historic route was 22 down El Camino to 89 up Arastradero, I just checked. The VTA was merely Santa Clara County Transit, in 1981, my sussing tells us, fyi; “V” is for “valley”, natch).

Photo-0122From VTA (30 kids on public transportation beat, gray-black puffs of carbon monoxide and diesel-soot) to The Vatican (white smoke and the conclave, new leader of a 1.2 billion worshippers beat) in only 32 years is quite a journey for Yardley. He had stops along the way in Greensboro (his hometown, where he was a Page Pirate, lettering in football), Chapel Hill (pretty sure he edited the Daily Tar Heel, as did his dad a generation before), Atlanta, Brooklyn, Houston, Beijing and New Delhi, plus a Pulitzer in 2006 for coverage of the Chinese legal system. I would estimate about 2,000 Yardley bylines from the various ports of call in between.

He also has about 400 tweets on Twitter, and about 3000 followers there; We recently had a brief exchange via text messaging/email about his book on Chinese basketball. (I didn’t realize he was watching the smoke when I started bugging him).

Here are my texts, which is like a crude form of review:

Jim Yardley: his ass is blue. Weiss

I am enjoying your book. Mark Weiss

Beyond the ‘observer effect’, Yardley constituted the secret sauce in the Dragons whopper of a season.

I saw Jim in Brooklyn around 2000, and barely missed him in Houston in 2002.

The Weekly at the time ran this blurb about his Pulitzer.

I am reading this book about hoops, and will write a slightly more focused review soon enough — this is about the tenth time I mention him here in Plastic Alto.

Oh, God, help me but I am edit-to-adding a quick parody of Joan Osborne:

Super Jim was once one of us/

Just an Oracle cub on the bus…

Yeah, Yeah, Jim is pretty great journalist. (And was also one of the first 500 fans of Superchunk….which is sort of like noting, as Bruce Newman does in today’s Merc that computer stalwart Peter G. Neumann sang back-up on a Norah Jones recording).

edit to add, a few minutes later: Jonathan Yardley was editor of the Daily Tar Heel in 1961; the paper talked to Jim when “Brave Dragons” came out, last year, and didn’t mention his being a former editor, so I may be making that up.

edit to add, March 19, 2013: This is a departure from “Brave Dragons” review (and the Vatican) but an old friend of Kent Lockhart commented here that he was looking for Kent and did I have any recent contact info (Answer: apparently not). But I was meaning to write a more direct review of the Yardley basketball book, which I have now finished, and I keep thinking about talking to Jim about Kent and our 1980-1981 Titans team. I only knew Jim for a matter of weeks before hoops season started but I could sense his passion for the game, and thought that being from Greensboro, North Carolina made him some kind of authority. I remember Jim came to our lunch hour public workout and rally to kickoff the season, and that Jim sat in the first row. I remember being anxious to see if our team met the standards of the great Page Pirates of Greensboro. I remember asking him what he thought the rally (which included some drills, some scrimmaging and some type of dunking exhibition — that would not have been allowed in pre-games per se — not that I could dunk — I could barely reach the rim — but Lock and maybe two or three others could). I recall Jim saying “Lockhart could start on any team in the country” and that it meant a lot to me that we have gotten his approval. I presume he caught more that a handful of games including the CCS championship at Maples Pavillion (that is now uploaded to the cloud by starting guard and Lock’s closest friend Jerry Chang).

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Aloha Hawaii our 50th State, specifically Big Island, Kailua-Kona, Holualoa, Keahou, Honokaa and HUG

Sunset Feb 23, 2013 from near Energy Labs, Kona

Sunset Feb 23, 2013 from near Energy Labs, Kona

We had a pleasant lunch at Jolene’s in Honokaa, on an attempt to visit Hilo (which we were told was being deluged), via Waipio Valley lockout and the excellent gift shop gallery.

At Hapuna Beach, on the Kohala Coast, north of Kona, I did a bare minimum amount of body surfing, while Terry schmoozed the locals.

IMG954024A French guy snapped the photograph of Terry and I standing near but not in the Puako beach cove. This links to what is probably the same exact spot. We weren’t sure if we were at the famous Beach 69 or what. We weren’t sure if we could indeed walk to the famous petroglyphs in about 15 minutes (yes!) and instead drove all the way around and entered near the Fairmont Orchid and Mauna Lani hotels.

I joked that not surfing, not touch-football (like 35 years before, on family holiday trip to Kapilua Bay), not frisbee, not tennis, not golf, not scuba, not ziplining but car touring was our island sport of choice — so glad I pushed for the little Camry and not acquiesced to the upgrade of the clunky Ford AWD, which had a certain Sysyphus or Atlas feel, especially with gas prices what they were — I wondered if they offered the “upgrade” because we switched to a 700-mile package for around $400 rather than a “free miles” package for around $500). Coming home from our day trip Terry started to grill me about not being anywhere cool for the sunset — we were 40 minutes from home while Big Gassy had about 20 minutes left in his tank. So I felt cool that I whipped little Camry into the entrance to NELHA the energy lab and indeed found a little strip of sand and tide pools and ocean to observe the above. (I actually took no photos, zero, zilch null set bagels on this trip!)

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“The Color of Palo Alto” as dueling videos, referencing Plato’s Allegory of the Cave, Pink Floyd/Oz and Errol Morris

The relative value of public art is debatable, but let’s keep in mind our budget here is about $50,000 of $150,000,000, or around a dollar per capita. While I generally hate corporate-creep into civic affairs, in this case I think the sponsor who underwrote the second phase was acceptable; Sam Yates’ shed both mocks and honors the famous site at 367 Addison.

This story does a disservice to the case. See the follow up or watch this 30 minute excerpt from the Feb. 21 PAPAC meeting.

The gist of the matter is that the artist’s contract says he has copyright and now we are trying to negotiate a licensing agreement for use of the photos he owns, something that was discussed but never agreed to. That members of PAHA and PAST complain is really looking a gift horse in the mouth, to say the least. (i.e. he finished the project long ago but has been working pro bono to add this bonus feature but not being nice enough fast enough for those two people whose squeaky wheels provoked the recent discussion).

I like the piece and to the extent that it is or was temporary, abstract, and process-oriented, at least it gets it beyond the fate of the sculptural work that one of the comment-makes abhors.

There’s no disputing matters of taste…

The credits at the end of the staff report has Sam Yates thanking the dozens of Palo Altans he met during his time here who helped him or “The Color of Palo Alto”.

(i think i invented this kind of weird mash-up in which wordpress and youtube allow me, on some computers, with a large enough screen, to play two videos simultaneously, for somewhat amusing effect; for example, previously I did something juxtaposing Superchunk and Richard Serra; I said previously that reducing Sam Yates “The Color of Palo Alto” to the 17,000 parcels data-based would be like Plato’s “Allegory of The Cave”; sussing that famous concept made me realize that this popular song by Mumford and Sons — viewed here 16 million times — is loosely based on the same story. That their video features a bunch of scooters and riders made me want to see how this document looks next to Sam’s trailer  — seen only 6,000 times; see also “Dark Side of the Rainbow” wiki; Errol Morris only in that “Fast Cheap And Out of Control” I saw in theatres in 1997 and claim to be influenced by it, especially for “Plastic Alto” which I admit does not mean I am successful at achieving its effect; but distinct from Craig Baldwin or Christian Marclay; A.O. Scott does a decent synopsis of Morris here).

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Miles Kurosky Signs with Majordomo!

Ok, so I’m a little late with this, in that Miles signed with Majordomo in fall, 2009 and here we are closing out 2012. But I want to take this opportunity to SHOUT! out as it were to MK and wish him well.

Miles Kurosky founded the band Beulah which was part of the Elephant 6 collective, and played the Cubberley Sessions in 1998, supporting Archers of Loaf — with the memorable poster featuring Muhammed Ali. I recall trying to book them to play the Earthwise 5 year show at Cubberley, supporting Superchunk but they were not available so we had to settle for their management-mates Creeper Lagoon. I recall drinking with Miles and crew one night at the Bottom then helping them load their gear back into their warehouse space near the old Seals Stadium site.

Majordomo incidentally is the new music imprint of SHOUT FACTORY, founded by Richard Foos, who was one of the first people in the biz I met up with, although I have not seen him since 1995, when he was still with Rhino. I talk to Foos every once in a while; I recall him telling me that Airborne Toxic Event was one of his new music discoveries.

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ps22 do lumineers ho hey


Over 50 million people have watched the video performances posted on the youtube channel for PS22 chorus, an elementary school chorus led by Greg Breinberg in Staten Island.

I got to this by searching for something Bob Lefsetz mentioned, a Times article about music blogs being passe.
Which led me to a Paul Krugman post featuring Lumineers song.
Which led me to Lumineers site, giving props to the kids.

My blog isn’t popular enough to be passe.

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Save The Bagel, or So Sez Me

The cup and bagel also calls to mind the 1's and 0's on which Silicon Valley was built, by people who in many cases refused to follow the rules

The cup and bagel also calls to mind the 1’s and 0’s on which Silicon Valley was built, by people who in many cases refused to follow the rules

Greg Brown and I have started an ad hoc Save The Bagel committee, to defend the giant bagel and coffee cup at 477 S. California Avenue in Palo Alto, known for 18 years now as Izzy’s Brooklyn Bagels.

We suggest the powers that be consider the bagel and cup works of art and add it to our collection. The City meanwhile sent a message from the Code Enforcement team that there should not be a sign on the roof.

I am finding a comparison between this case the Chanukah story and hoping a miracle keeps the bagel here a wee bit longer.

Mural artist and all around bad ass Greg Brown of Palo Alto is fired up about Izzy's bagel

Mural artist and all around bad ass Greg Brown of Palo Alto is fired up about Izzy’s bagel

The cup stands about 7 feet, the bagel five — they both appear to be made of foam and affixed to the roof via a metal bracket doohicky. The store owner Israel “Izzy” Rind told me last month, when I noticed the sign driving south on El Camino craving ramen but re-routed, that he had commissioned Mohamed Soumah to make the signs; if readers don’t know Soumah by name they may recognize his “poppies” mural a few doors down, at Country Sun (part of PAPA collection, 2004) or his other mural on the wall of the dive bar further south, toward the tracks. I met him once briefly and recall that Mohamed, sometimes called “Slim” is an immigrant from Africa.Photo-0293

Photo-0294To my mind his work recalls Andy Warhol, Claes Oldenburg and Banksy. And with 18 years, 20 employees and thousands of satisfied noshers, Izzy’s deserves a proclamation more than to be hassled.

edit to add, later that night: Jason Green has a story on “Save The Bagel” in Friday’s Daily News and Mercury papers, and here online.  Quoth he:

A mini-controversy has erupted over a giant cup of coffee and bagel recently added to the roof of a Palo Alto eatery.

The city has ordered Izzy’s Brooklyn Bagels at 477 S. California Ave. to remove the 7-foot-tall display because it violates the city’s prohibition on roof signs. Manager Maria Arzate said the green coffee cup and sesame-seed bagel are scheduled to come down Saturday.

“In order to have roof signs the city and city council would have to change the sign code,” Brian Reynolds, one of the city’s two code enforcement officers, said in an email interview Thursday.

But concert promoter Mark Weiss and muralist Greg Brown are hoping to convince the city to spare the cheerful display, arguing it is more art than advertisement. Indeed, it was crafted by Mohammed “Slim” Soumah, who also painted the “Under the Sun” mural on the east wall of nearby Country Sun Natural Foods.

“It’s somewhere between being a sign and being a comment on signs,” Weiss told The Daily News. “There’s something compelling about it.”

Weiss said he has already reached out to four of the city’s nine council members about securing an exception for Izzy’s.

That’s true. Here is what I texted (although none of them responded or acknowledged me YET):

LET’S PROCURE IZZY’S BAGEL AS PUBLIC ART

I WILL RAISE THE DOUGH

MARK WEISS

18 YEARS 20 EMPLOYEES DESERVES PRAISE NOT HASSLE.

Who said: I will never join a revolution that is short on kishke-gelt?

edit to add, four days later, post-Chanukah: Greg Brown called to say that the bureaucracy did indeed eat the bagel; Izzy had called from his journey to say that his strategy was to remove the sign then possibly seek a way back to Cali Ave for this masterpiece, or it could end up at his new East Palo Alto location.

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135 plus 636 equals #@&^ in Palo Alto

So many dykes so few fingers

So many dykes so few fingers

I have a four-deep pile of issues I am compelled to dig into and then write about, on policy pe se, here in Palo Alto, on “Plastic Alto”, if you will. There’s also various voice-mails, text messages and e-mail trails — I am the General Petraeus of local blogger/activists in that I can’t seem to stick with one topic.

I posted on the Weekly (for no compensation — not that I get any of WordPress’s revenue stream either — I once made $300 per week doing this for the Worcester Telegram, back in the day) the following set of commentary on downtown parking and the developers:

I’m wondering about the significance of Gennady Sheyner cleaning up Chop Keenan’s quote slightly in graph #22. I heard him say “rule and regs” as in a jargon version of “rules and regulations”, what GS reported. I replayed the speech on my “tivo” because I was struck by the developer’s colorful language, replete with so many metaphors, the familiarity and casualness of it, like he was talking to his own staff, or they had been through this over and over again, and not in a public hearing.Maybe it’s a red herring, or it could be a tell. But it begs the question of how else the Weekly cleans up this somewhat complicated scenario so as to not make the developers look like the gluttons and philistines they seem to be.


Posted by Mark Weiss , a resident of the Downtown North neighborhood, on Dec 12, 2012 at 1:04 amAlso I completely agree with the report card posted above, adding that Scharff was interesting in that he sort of turned the tide after Holman and Schmid were so adamantly rebuffed by Klein, Sid, Nancy and Gail. Scharff pulled out a JJ. Hunsecker “don’t kid a kidder” in that he said, as a developer himself, he knows that Keenan has plenty of wiggle room at this point and does not have that strong an argument about the rules changing. Yeh gets a “B” for “brilliant” in that he effectively kicked the can past his lame duck tenure to the next council so as to not have the taste of this sordid affair in his mouth so to speak — and now I am talking like Chop by my mixed metaphors, the difference being of course I am not speaking in public for the record merely posting at 1 a.m.I wish Allen Drury were alive to see this drama!!


Posted by Mark Weiss , a resident of the Downtown North neighborhood, on Dec 12, 2012 at 1:36 amCome to think of it, Yeh’s brilliant “TDM” gambit is exactly what I said somewhat facetiously on these same pages, back in August:Web Link(I said let them build the under-parked structure on Hamilton but require builder to get a Clown College as a tenant in that clowns famously commute to work up to eight or ten of the little cute fellers crammed into a Mini-Cooper….)


Posted by Mark Weiss, a resident of the Downtown North neighborhood, 5 minutes agoI was drawn to this speech because of his colorful use of language; I re-wound my device and took some notes and counted about a dozen metaphors or tropes. Whether Gennady consciously or merely unconsciously cleaned up the language, I think the Weekly’s readers would like more coverage of the real estate industry, who are the main players, why they are so successful, is it true that council is “too cozy” with them.Don’t get me wrong, I find the guy compelling. Here’s a transcript of his speech:Good evening, 700 Emerson. This is of course the pipeline question. I’ve been involved in this property, with this application, for about a-year-and-a-half and certainly if this moratorium per council-member Schmid’s argument, had there been a moratorium at that point, I wouldn’t have pursued it. But we spent a lot of time and money in reliance on your rules and regs, and I won’t use the word “bait-and-switch” but we’re on the one-yard-line, or whatever metaphor you want to use, and here we are. So is the 376 thousand dollars, which includes future interest, even though we are effectively paying off the principal, a acceptable number? The answer is, it’s a lot more than what we started out with, a couple years ago, but it’s a long way from an in lieu fee, and is — I know when to fold the cards.I think that staff’s recommendation is something we’ll swallow and absorb and the 150 thousand dollar downtown cap study we’ll address our success problem in downtown Palo Alto and the adjacent neighborhoods which are also having their own success issues.So I would just say that on the ground floor retail issue, I only have so many fingers to plug in dykes, but we worked hard on this, for a year and a half, two years ago, when we had over 15 per cent vacancy on University Avenue, there was a concern that — there was a safety valve – those might turn to offices. So we eliminated the safety valve, also allowed flexibility for retail or offices and adjacent streets, and particularly west of High Street, which has always been a problematic retail area, and that would be a fatal flaw, for this project, if we only had one way to go. Thank you.Council debated for about two hours on whether to give the applicant a $2.4 million tax break, on top of a $1.2 million “TDR” “transferable development right” tax break, or to merely, as staff suggested, charge him about $300,000 — although Scharff pointed out an obvious math flaw in the way that was calculated — plus another $110,000 or so to pay for a study, versus “kicking the can” which is what they opted to do.We have been using the figure of $60,000 per space as what it would cost to build a parking garage. The moratorium would eliminate his initial intention to under-park 135 Hamilton by 40 spaces, The 636 project is smaller, only 15 spaces (worth $900,000), exempted. Staff said they could treat the two projects differently.

 

 

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My friend Misty Gamble rocks out in ceramics

Covetous, a complex work by Oakland-based artist Misty Gamble, on display and presumably for sale in Kansas City

Covetous, a complex work by Oakland-based artist Misty Gamble, on display and presumably for sale in Kansas City

It’s been quite a thrill in recent years to follow the ascent of visual artist Misty Gamble. She makes ceramics that remind me of the work of Viola Frey and Terry Allen.
When I met Misty she was talent buyer for The Starry Plough and was one of my earliest “buds” in the music scene here. She now splits her time between teaching, residencies and all that art stuff. She is repped by Sherry Leedy in Kansas City.
You, go, girl!

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The Pueblo Girls and Edward S. Curtis follies

Reading Anne Makepeace book on Edward S. Curtis, I was surprised to learn that Curtis produced a live music event in New York to pay for his photography book series. I am folding that into the clay that is to become The Pueblo Girls project, a rock band ala Sleater-Kinney or riotgirls that would in part honor the heritage of these Southwestern civilizations. Most people think of pottery, rugs and jewelry before they think of music, in these parts, but there’s still time to fix that and I am just the guy destined to help.
Here’s a passage I found from a handy site sussed up via the search-injuns:
As a means of raising much needed funds for The North American Indian, Curtis creates an elaborate ‘picture musicale’, combining hand colored lantern slides and motion pictures with live music. He takes the show to cities throughout the Northeast, including a sold-out performance at New York City’s Carnegie Hall. Despite enthusiastic reviews and large audiences, production costs exceed ticket sales. From Eric Keller’s Soulcatcher Studio of Santa Fe website.

Here is a link to the Anne Makepeace book, for National Geographic:

By the way, I find it auspicious that this is post number 505 as Plastic Alto — 505 being the area code for New Mexico. Did I mention here that my producing partner for The Pueblo Girls is Jody Naranjo the master Santa Clara potter and business woman? Talk about “picked to click”!

Not to digress too far down that canyon but Timothy Egan also has a new book on Edward S. Curtis with which I will have to confer:

http://www.barnesandnoble.com/w/short-nights-of-the-shadow-catcher-timothy-egan/1110764632?ean=9780618969029

Well, I tried to give equal time to that other site but it does not format as nicely as

I hope to get sponsorship from leading Native cultural institutions but I will also think about naysayers like Elizabeth Hutchinson who wrote “The Indian Craze” pretty dismissive of the whole scene, sounds like (and I knew her slightly in her SF days and took her to Cirque de Soliel “Allegria” or maybe we went “dutch”):

 

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