Wednesday July 20 and August 7.
Complete schedule
Wednesday July 20 and August 7.
Complete schedule
Sun Kil Moon, the legendary and pervasive indie rock folk jazz band featuring Mark Kozelek of Red House Painters fame, crashes the Mitchell Park El Palo Alto Room, also known as The Mitch, Friday, September 27, 2019, for a concert presented by Earthwise Productions.
Tickets are onsale now for $20 (plus fees) at EventBrite.
Here is what the first draft of the on-sale page looked like:

It featured a nice Chinese lady from Hillborough and her friend posed in front of a classic early modern Corduroy car, at the DeYoung Museum “precisionist” show – -I shot the photo myself, and briefly corresponded with her, the nice lady in the orange dress.
Reality creeped in like a George kudzu so I downgraded to Mark himself in a video for a recent Donny McCaslin video, that features Mark, called “The Opener”. The video features a cameo by Donny and stars a nice lady who looks more Italian than Chinese. Not to be racist.
A concert not to be missed! Hurry! Sept right up! Surprise are limited!

If I were better at this whole promoter thing and internet thing, there would be a link right here
I’m totally Geeking Out on Mark Kozelek which I just realized its pronounced like the word “Cosmic” and Terribly excited to be in their own seeing a on sale with Sun Kil Moon at The Mitch September 27, 2018 Evening with so to speak i.e. no opener but I’ve had weird fantasies also about my little bit announcing the act and maybe reading David Rattray as some kind of weird intro but also maybe telling the story of two bits of serendipity that ended up being integral to being here tonight in that I’m a fan of Donny McCaslin And I happened to both catch Mark at the folk yeah Kuumbwa thing Then Johnny with his group at Stanford bing second stage Which was kind of reassuring because it’s boxy the way The Mitch is Boxy The Mitch is also known as Mitchell park el Palo alto room. And I did almost going to this other weird serendipitous thing about the fact that Donny album is produced or at least marketed by Jana Herzenberger And my dog are our dog and Terry TMW my wife was friends with the HerzenBurger Hound apparently longer story.
But of course I had known the name red house painter for many years but not really familiar with his sound or their sound maybe I got them mixed up with American music club Mark Eitzel Mark Kozelek you know what I’m saying. But then I picked up a random copy of NME new music express Special issue about Joni Mitchell and her influence on the next generation and totally blindly the song I was tripping on was about the boxer Duk Koo Kim, which Sun Kil Moon fans will know as one of their greatest hits or maybe it’s even how the band got its name I have no idea. Weirdly after we walked pride Sunday if you excuse the digression – and they say everyone is Irish on St. Patrick’s Day – Terry wanted to go to KaJa A new fusion Asian junk food place but we got there at 5:05 and they told us we are SOS or SOL sorry. Anyways so starting this new concert series and becoming all the sudden into MK at least one song I went to Santa Cruz and in the little record store I bought an old RHP maybe the first or HP and Mark had about 20 CDs on sale and I bought another three and so flipping them in and out of the change I was a little confused and then I got tired of it and put in the Donnie but then I heard Mark’s voice again it was super confused. Anyways so starting this new concert series and becoming all the sudden into MK at least one song I went to Santa Cruz and in the little record store I bought an old RHP maybe the first or HP and Mark had about 20 CDs on sale and I bought another three and so flipping them in and out of the change I was a little confused and then I got tired of it and put in the Donnie but then I heard Mark‘s voice again it was super confused.
Oh yeah and then I was in San Francisco for the Giants game last Wednesday day game and was walking back to my car parked on Bryant But then a 30 bus went by and I jumped on it even though my clipper card was negative bucks already —and circling back in time or circling forward a bit jump cut I think actually the Czechoslovakians invented this they had a word for story and a word for style that my post/modern English teacher told me back in the 80s at Dartmouth- dang if I did not get to click off again so I got charge like 15 bucks rather than eight bucks I guess Caltrans needs the money more than I do.
So I was sitting in Caffe Trieste last Wednesday at one of the share tables down the center they’re all pushed together I guess And my nose is in a magazine I hear a voice that is familiar and I look up and it’s Mark and when his friend goes to the bathroom where to get a refill of Joe I speak with him and he says I can call Mitch and try to get a show so here we are.
But a lot of my confusion and therefore epiphany— and I read somewhere that there is a piss any creep meaning it’s become something more Monday and we have a warrant out mundane…wore it out—I would’ve been spared search and then maybe not had this story which might be just as well if I had only seen the video of the opener which I just now saw and only heard about it last night somehow when I took my eyes off the Kenney Werner Grégoire Maret show and somehow circled back to Donny his pictures on the wall.
I was imagining the movie in my head something more like Richard Linklater 1987 in the backseat of a cab starting the ball rolling with slacker.
I had heard “BTF” for “DTF”.
Yeah there is no opener although I am the opener.
Mark in Donnie’s video

Richard Linklater left in slacker

Donnie with a Y in his own video although You might think it’s marks video
Finally the beautiful girl who lip-synchs marks monologue is if she were Mark is if we all were Mark and I wonder if this is Mark’s girlfriend lucky guy I’m pretty certain it’s not Donny’s wife and baby mom the former Reverend with the Scottish not Italian name:
My dog gets a cameo although I’m sensitive about invading his privacy
He was licking his feet earlier.
I was going to add the word mic drop here although I’m not sure what it means and in fact I did drop my phone earlier this morning while straightening my room including his self—And I’m not sure if I will translate this back to English from auto correct I am quite lazy and somehow think that is a style thing — for the average reader it is bad enough that I jump back-and-forth from a Giants game to walk in the dog near the dish at Cetera let alone leaving the bits that our machine stupid and not human stupid —It’s a missed directed type of protest I guess my whole life is i mean. When I said “the magazine “the computer wanted to say “her” something. Some dogs actually do that stick their nose in peoples crotch they certainly do it to each other I would if I could.) and that last bit is the end of the parentheses not some kind of quirky smile creepy thing.
(Kay Kostopoulos and I visited the niece of Stella Brooks in Santa Rose about 15 years ago and leafed through a box of correspondence and briefly – -on the ride home and a few brief epistolary exchanges later — dreamed of creating a one-character show about the former jazzsinger; we only got as far as opening on an elder Stella rising from the chair to become young 1940s Stella singing “I’ll Never Be The Same”)

The title references a Henry Jaglom movie which references an old song, taught to be my Tom Harbeck the former journalism advisor to Gunn High Oracle and later my first boss at Chiat Day SF Worlds of Wonder account
Kay Kostopoulos directs and teaches acting, acting pedagogy, voice, speech, and Shakespeare in the Department of Theater and Continuing Studies Program at Stanford University. She teaches “Acting with Power” at Stanford’s Graduate School of Business, and has coached for the Knight Fellows Journalism Program, the Clayman Institute for Gender Research, and the Department of English. Kay has created and directed training programs for Stanford’s School of Medicine and co-taught a class for Symbolic Systems in the development of facial recognition for the treatment of autism.
Kay has taught private seminars for live and on-line presentation for Twitter, Genentech, Cisco, Sony, Hitachi, Lippincott, Ernst and Young, First Republic, Stand and Deliver Consulting, The National Association of Speakers, Fripp & Associates, Stanford’s Executive Program for Women and Women in Entrepreneurship Program, eBay’s Global Women’s Conference and Women In Cable Telecommunications. Her work has been featured in “O” magazine. http://www.oprah.com/spirit/Body-Language-Signs-Body-Language-of-Women/2. She has also been featured on NPR’s Philosophy Talk radio program http://philosophytalk.org/shows/faces-feelings-and-lies for her work on understanding facial emotions in the treatment of Autism.
Her work with the Knight Fellows is here listed: http://knight.stanford.edu/talks-events/2012/speaking-with-power-and-learning-to-lead/ Articles have appeared about her in STANFORD BUSINESS MAGAZINE ON LINE: http://westallen.typepad.com/idealawg/2012/05/does-acting-help-you-project-power.html
Kay most recently did the coaching for the “Lean In” program faculty videos from the Voice & Influence program by Stanford’s Michelle R. Clayman Institute for Gender Research and Lean In: http://stnfd.biz/jtwdA
Her work in the jazz world and business appears in this newsletter: Stand and Deliver Consulting: http://standanddelivergroup.com/3-essential-skills-that-leaders-can-learn-from-jazz-musicians/
Kay served as Education Director at The California Shakespeare Festival. At Stanford, Kay performed multiple voices in “Encountering Homer’s Odyssey,” an online classics program through the Stanford/Princeton/Yale Alliance. She has directed and performed in educational and centennial projects for Stanford’s Continuing Studies Program, including the Emily Dickinson, William Saroyan, Charles Darwin, and Robert Frost centennials.
Kay is also a singer and actress who has performed in many Bay Area and regional theaters, including A.C.T., the Magic Theatre, the San Francisco and California Shakespeare Festivals, and Stanford Repertory Theatre. She has additional credits in voiceover, film, and television. Kay leads her own jazz ensemble, Black Olive Jazz. She draws from her acting background and her Mediterranean heritage to establish a unique sound in Jazz, bringing this vision to audiences all around the San Francisco Bay Area. Featuring Kay on vocals with master musicians from the local jazz scene, Kay performs songs from film and the Broadway stage to jazz standards, along with groundbreaking offerings from the “world music” genre. www.blackoliveazz.com
“Beautiful voice with a wide range… Ms. Kostopoulos is equally skilled on ballads and uptempo material… Makes a strong case for being considered a major jazz singer”
Jazz Critic Scott Yanow
“Quintessential San Francisco Jazz”
Wayne Saroyan, Jazz West
“Wonderful lyrical imagery that transports the listener to another… Velvety vocal work”
Billboard
“Kay is a singer with good technique and beautiful tone”
Jazz Times
Categories: Ethnicities (“Jewish”), Filthy Lucre (“money”), Words (“literature”) and Sex (this being the day after Pride, I would say that part of his appeal as an author is that men and women might buy the book for the back cover)

It’s like one of those essay tea questions: Bears:Zoo::Goldfish:Pet Store.
I’m saying you should buy both Frank Portman’s King Dork and Steve Almond’s latest book — in fact they have a whole display of several Steve Almond books, and I actually shot that! I will likely “edit to add” for actual book title and maybe a linx.
b/w pay no attention to>> now for something completely different:
OKAY HERE FOR NEARLY THE FIRST TIME IN 2,186 POSTS, PLASTIC ALTO HAS AN ACTUAL INTERVIEW WITH A FAMOUS PERSON, OR OUR ROYAL WE VERSION OF SUCH
SA is Steve Almond
MW is Mark Weiss
You are so old school, thanks.
The thing about a blog, as far as I can tell, is that it is easy enough to amend if something looks sketchy. Nothing goes viral.
Good luck with your reading, meaning the public appearance. I’ll buy a book as log-rolling. Mark W
(P.S. I saw two former Oracle types — Murphy Halliburton and Steve Cohen last week).
And, after I actually read your responses: I think my ability to think was arrested in 1979: everything I say sounds like Alan Eagle in the 1978-1979 Gunn Oracle about who is a “Player” versus “PUD — Performs Under Demand”. David Leavitt came by the English class to recruit writers for his journal but I thought it would be cooler to try to emulate Alan, and Marsh McCall and Ann Vandenberg and join the mainstream press. (Actually, and this is really crate-digging, but there was an underground press briefly at Gunn, I think started by Suzy Cincone and we or I actually panned it in an editorial. Now I both regret that and wished I had jumped ship.
“For five dollars I will fuck your capitalist dreams.”
Pretty fucking prophetic and sexy –youth wasted on young. et cetera.
Also, Joe Russo Almost Dead is playing Frost Aug. 17 and it calls to mind maybe one of the last times I saw David Almond was a Dead show of actual Dead members in 1988 or so and he wore a skirt.
On Monday, July 1, 2019, 12:12:51 PM PDT, stevealmondjoy wrote:
Mark,
Just got these. Done my best to respond below…
On Jul 1, 2019, at 1:55 PM, mark weiss wrote:
MW: 1. Are you influenced by Borges, “Borges y Yo” in terms of the dual-identity of the speaker and the protagonist of a piece of writing? Is your case complicated by the fact you have a twin brother?
SA: I think you’re talking about the inherent tension that obtains with a first-person narrator, where that speaker is both the narrator (teller of the story) and the central character of that story. Yeah, it’s an issue. I see a lot of manuscripts (my own included) where there isn’t a clear distinction between these two. It wreaks havoc on storytelling. Not sure this has anything to do with my twin brother, though everything in my personality dates back to this circumstance.
MW: 2. I read somewhere that now that the word “literally” means both literally and figuratively and there is no other synonym for the word “literally,” that basically this is the end of all language, like an acceleration of the Tower of Babel phenomenon, plus when you add in Auto-correct what should we do? Also David Shields is not helping is he? Or is that a statement?
SA: I agree with Orwell here: language is (among other things) a political tool and an expression of the morality of our perception, and therefore our politics. When the language gets vague and/or intentionally imprecise, euphemizing, etc. it’s because some painful reality is being erased. This is typical of every corrupt regime. One of the sorry shocks of our moment is that our press has decided—for economic reasons, essentially—to become captive to the gibbering of a political actor who speaks a language of insinuating nonsense. To the extent we listen to his nonsense—as opposed to focusing on the actions of his regime—we’re complicit.
MW: 3. Do you think pictures are words? I mean, do you think you know what do I mean when I think pictures are words? For example: I have a blog and sometimes I write 20,000 words and other times I put three photos or I think links are a type of punctuation— is the electronic media revealing to us a huge paradigm shift or a disillusionment in terms of how we think we communicate? It’s sort of like that Tom Wolfe book about the guy who thinks that everything else before him was wrong because he found some Native Americans in South America who didn’t know what recursion was [Daniel L. Everett, Piraha, 1983], you know I’m sayin? You know {what} I’m saying? — If so, please tell me.
SA: Pictures are not words. They are pictures, a different medium. Words can, with the help of an attentive reader, make pictures in the mind. But everyone looks at a different picture. Which is good. It’s a collaboration. Part of your confusion here may redound[!] to the fact that visual storytelling has overtaken (and lapped and lapped) literary story-telling. But both still exist and are distinct.
MW: 4. Is it ironic that the Russians are hacking this? How was it different than Polonius eavesdropping and getting stabbed? Is it only a coincidence that Polonius and Putin start with a “P”?
SA: As I wrote in the last book, the Russians recognized that the American empire was susceptible to bad stories, and internal divisions. Our press essentially served as Putin’s press agents, by publicizing his stolen goods. Press, you’ll note, also begins with “P”.
MW: 5. Extra credit: do you have any stories good or bad about Steve Jenkins a.k.a. Steffan Jenkins a.k.a. Stephen Jenkins a.k.a. Stephan Jenkins? (If you have no idea what I’m talking about you are lucky and I won’t spoil it for you)
SA: No idea. Let’s keep it that way.
[Note: there was a fellow student at Terman one year and Gunn at least one year, the class between Professor Almond and myself, who became a rock star, made millions, shtupped a movie star and accumulated a set of “bad stories”, “bad” meaning both bad and good]
MW: Something that like that but smarter.
Sent from my iPhone
On Jul 1, 2019, at 10:39 AM, mark weiss wrote:
Steve / Scoop
Apropos of your appearance here (and I saw you at your previous appearance here) do you have time for a quick Q&A interview or a “pistol Larry dealio” with Plastic Alto, my blog?
I don’t think I knew the word “epistolary” until I went to reading by our Gunn contemporary, my classmate Sylvia Brownrigg, “The Metaphysical Touch” [FSG, 1999] although I also did recently pick up a copy of “84 Charing Cross Road” for whatever reason —I might just mail it to that address and see what happens.
???
Cue: write something ridiculous or equally nonsensical and include some Auto-Correct boo-boos. I.e. type here and hit reply
Mark Weiss
Sent from my iPhone
new almond stuff: 7:10
SA: Very odd book. What a strange set of books for a person to have written, what a strange person.
Books are reading us as we are reading them.
“Literature exists to help people know themselves” p9
Something about “potions and products” which reminded me MW about Paracelsus “poisons and potions”.

Earlier that day, I ran into Steve Almond his wife and two of his children, at Town and Country Village (El Camino at Embarcadero, kitty corner to Stanford Stadium across from the high school) seemingly as participants in a protest about the detainees at the U.S. border with Mexico. I actually had joined the fray a few minutes prior, after spending $64 at the bookstore and another $10 at the coffee shop. I was with my dog in one hand, or his leash actually, and a small rainbow flag I had bought the day before in San Francisco – I had marched in the Pride Parade. A uniformed guard from Forbes (not the magazine I don’t think) asked me if I was with the group. I took that to be a question of whether I was a protestor. I said “I’m waiving a rainbow flag and walking a dog, why?” He took my photograph and made some notes in a book and said that if I was a protestor I would have to get up the private property of Town and Country the mall and move closer to the street, where, in fact the vast majority of the others were. (On three corners, eventually). I tried to make a point about The Bill of Rights and than protestors also shopped there and he said I was making shit up. Then I saw Josh Becker the tech investor running for state office and I got him to stand with me and waive a sign and I chanted and the officer took note and pictures of Josh, too. I thanked Josh for humoring me and promised to donate $100 to his campaign. Maybe I will write the owner of the property and ask for permission to stand 10 feet from the curb and speak my mind. Later Duffy and I chatted up a protestor I had met previously and told her this story and then the Bar-Kays came on and I made a short vine of my dog — there’s a pun. My dog agrees with Chomsky that Everett is out to lunch.
you are so old school thanks.
the thing about a blog, as far as I can tell — is that it is easy enough to amend if something looks sketchy. Nothing goes viral.
Good luck with your reading, meaning the public appearance. I’ll buy a book as log-rolling. mark w (I saw 2 former oracle types — Murphy Halliburton and Steve Cohen last week).
and, after I actually read your responses: I think my ability to think was arrested in 1979: everything I say sounds like Alan Eagle in the 1978-1979 Gunn Oracle about who is a “Player” versus “PUD — Performs Under Demand”. David Leavitt came by the English class to recruit writers for his journal but I thought it would be cooler to try to emulate Alan and Marsh McCall and Ann Vandenberg and join the mainstream press. (Actually, and this is really crate-digging, but there was an underground press briefly at Gunn I think started by Suzy Cincone and we or I actually panned it in an editorial — now I both regret that and wished I had jumped ship. “For five dollars I will fuck your capitalist dreams” pretty fucking prophetic and sexy –youth wasted on young. et cetera
Also, Joe Russo Almost Dead is playing Frost Aug 17 and it calls to mind maybe one of the last times I saw David Almond was a Dead show of actual Dead members in 1988 or so and he wore a skirt.
On Monday, July 1, 2019, 12:12:51 PM PDT, stevealmondjoy wrote:
Mark,
Just got these. Done my best to respond below…
{this uncorr3ct3d version stood for until the next day}
> On Jul 1, 2019, at 1:55 PM, mark weiss wrote:
>
> 1 Are you influence by Borges Borges Eo in terms of the dual identity of the speaker and the protagonist of a piece of writing is this complicated by the fact you have a twin brother?
sa: I think you’re talking about the inherent tension that obtains with a first-person narrator, where that speaker is both the narrator (teller of the story) and the central character of that story. Yeah, it’s an issue. I see a lot of manuscripts (my own included) where there isn’t a clear distinction between these two. It wreaks havoc on storytelling. Not sure this has anything to do with my twin brother, though everything in my personality dates back to this circumstance.
>
> 2 I read somewhere that now that the word literally means both literally and figuratively and there is no other synonym for the word literally that basically this is the end of all language like acceleration of the Tower of Babel phenomenon plus when you add in auto correct what should we do? Also David Shields is not helping Izzy? Or is that a statement?
> sa: I agree with Orwell here: language is (among other things) a political tool and an expression of the morality of our perception, and therefore our politics. When the language gets vague and/or intentionally imprecise, euphemizing, etc. it’s because some painful reality is being erased. This is typical of every corrupt regime. One of the sorry shocks of our moment is that our press has decided—for economic reasons, essentially—to become captive to the gibbering of a political actor who speaks a language of insinuating nonsense. To the extent we listen to his nonsense—as opposed to focusing on the actions of his regime—we’re complicit.
> 3 do you think pictures are words? I mean do you think what do I mean when I think pictures or words? For example I have a blog and sometimes I write 20,000 words and other times I put three photos or I think links are a typo punctuation is the electronica media exposing us to a huge paradigm shift or a disillusionment in terms of how we think we communicate it’s sort of like that time will book about the guy who thinks that everything else before him was wrong because he found some native Americans in South America who didn’t know what iteration was you know I’m saying you know I’m saying if so please tell me.
sa: Pictures are not words. They are pictures, a different medium. Words can, with the help of an attentive reader, make pictures in the mind. But everyone looks at a different picture. Which is good. It’s a collaboration. Part of your confusion here may redound to the fact that visual storytelling has overtaken (and lapped and lapped) literary storytelling. But both still exist are are distinct.
> 4 is it ironic that the Russians are hacking this? How was it different than Polonius ease dropping and getting stabbed? Is it a coincidence that Polonius and Putin start with a P.
>
sa: As I wrote in the last book, the Russians recognized that the American empire was susceptible to bad stories, and internal divisions. Our press essentially served as Putin’s press agents, by publicizing his stolen goods. Press, you’ll note, also begins with P.
> Extra credit do you have any stories good or bad about Steve Jenkins a.k.a. Steffan Jenkins a.k.a. Stephen Jenkins a.k.a. Stephan Jenkins. (if you have no idea what I’m talking about you were lucky and I won’t spoil it for you)
sa: No idea. Let’s keep it that way.
>
> Something that bad but smarter
> Something that like that but smarter.
>
> Sent from my iPhone
>
>> On Jul 1, 2019, at 10:39 AM, mark weiss wrote:
>>
>>
>> Steve / Scoop
>> Apropos of your appearance here parentheses and I saw you at your previous appearance here parentheses do you have time for a quick Q&A interview or a pistol Larry dealio with plastic alto my blog.
>> I don’t think any of the word epistolary until I went to reading Vallarta Gunn contemporary my classmate Sylvia Brownrigg the metaphysical touch although I also did recently pick up a copy of 84 Charing Cross Rd. for whatever reason I might just mail it to that address and see what happens.
>> ???
>> Cue: write something ridiculous or equally nonsensical and include some auto correct boo-boos. I.e. type here and hit reply
>> Mark Weiss
>>
>>
>> Sent from my iPhone
>
and1:
this is from nearly four years ago and the Amazon reviews have more than doubled from 45 to 95:
This has 45 reviews on major web portal compared to 3 for the compilation I bought and mentioned above, with Namath and Red Smith and Dwight Clark the catch on cover, but 500 for Nate Jackson:
Steve Almond who lives in Boston has three kids, two brothers and was two years behind me at Gunn and the editor mantle of the Oracle apparently it appears does not like Football and is eloquent or elegant enough to stretch that thought or run under it like Cliff Branch from Snake Stabler in 1975 or like me running under a Billy Parker toss that glorious six seconds to last if not a lifetime then forty years — FORTY YEARS I SAY — my inner foghorn leghorn likewise rising out of its four-pint stance — for 177 pages and twenty three doll hairs from or for Melville House and Amy Sedaris too.
I spy the words “3.7 GPA” which is not referencing Ken Williards average yards per carry for the 4.9 in 1970.
I hope but am not counting on calling Jim Harbaugh a dick.
He was also known as “Scoop” his twin just Mike and also Dave or David big brother we also called, in a tip to Mel Brooks, in Mr. Murray’s Spanish class, Brad Elman and me, Professor Little All Man. Earlier he wrote about rock music. Maybe he is glossed herein and above, in previous 500,000 memes and moans.
Some joke about a woman before the baby-mom and a pun on statistics and sat-dick-sticks and “regression to mean”. Ok, but not very Nitsky or Nagurski. P. 98 “biggest fucking pussy…change your tampon you woman” this is not good for me, Steve, was it good for you?
And 1: pp 148 to 150 sustained thought about Pat Tillman that is promising, I hope to actually read it soon enough. I did not know Don Delillo had a book on football called End Zone listed in thanks.
Maybe stick to candy, kiddo. I am not baiting him. Ok, I will cut to the chase, the big opening number:
okay, references Harvard and Yale in the 1860s and banning of early versions of game which I have to admit does appeal to my inner snob of the six-figure private education club. Swede Oberlander call your ghost Dave Casper agent. I think David Almond started at Harvard and switched to Stanford. And Yes Ryan Fitzpatrick is making more of a dent in NFL than John Paye of Stanford did or does if you excuse the mixed metaphor. You would think a guy working at B.U. or what not would piss on Harvard, will have to skim for that. Nowinski, should be here. I think I traded briefly with Steve a minute ago. Jonathan Martin p. 115. Ok.
I have to admit that when I heard about Kwame the Stanford lineman who could play piano and was I think part West Indian (you can go West-East but not North-south, if you are jumping somehow from Bruce Hampton to hear as I am) there was a broadcast news bit I wanted to reach out and maybe Earthwise manage him, that being before he started beating up his partner, or you would think. Does Stanford have some kind of pipeline so to speak on gay black linemen?
Anyhow good luck, Steve Almond. I owe you a better two minutes, so to speak. I am not at bookstore, I am at Peets, across from a bookstore I knew or know but not in biblical or Wesleyan rapper sense even das butt.
andand especially since I kind of leave hanging the Frank Portman part of the equation, so I will break it down: Steve Almond is an author and teacher who has a book about hard rock while Frank Portman is an author and rocker who earned a fake “doctoral” merely by having meathead friends — Dr. Frank — so here is a link to an entire concert o fhis from 1997 and you can watch this or knot and then read both books — Steve Almond Stoner Book and King Dork by Frank Portman — and make your own comparison and put it up on your own blog. Excerpt from the video or synecdoche

reprinted did from 6 posts ago, courtesy of the artist, but not bloody likely a selfie:
which all somehow reminds me that after 45 posts and two hours here this morn I have a date with some laundry origami and maybe as I said earlier the world’s most famous 3rd sex, running in circles, 2x, on The Farm.
check back for the links. It’s all about the links. As Aaron Luis Levenson the producer said at the class I took at UArts in 2004.

Robert was cutting out sideshow freaks from an oversized paperback on Tod Browning. Hermaphrodites, pinheads, and Siamese twins were scattered everywhere. It threw me, for I couldn’t see a connection between these images and Robert’s recent preoccupation with magic and religion.
As always, I found ways to keep in step with him through my own drawing and poems. I drew circus characters and told stories about them, of Hagen Waker the nocturnal tightrope walker, Balthazar the Donkey-Faced Boy, and Aratha Kelly with his moon-shaped head. Robert had no more explanation of why he was drawn to freaks than I had in creating them.
iI was in that spirit that we would go to Coney Island to visit the sideshows. We had looked for Hubert’s on Forty-Second Street, which had featured Snake Princess Wago and a flea circus, but it had closed in 1965. We did find a small museum that had body parts and human embryos in specimen jars, and Robert got fixated on the idea of using something of that sort in an assemblage. He asked around where he might find something of that sort, and a friend told him about the ruins of the old City Hospital on Welfare (later Roosevelt) Island.
On a Sunday we traveled there with our friends from Pratt. There were two points on the island that we visited. The first was a sprawling nineteenth century building that had the aura of a madhouse; it was the smallpox hospital., the first place in America to receive victims of contagion. Separated only by barbed wire and broken glass, we imagined dying of leprosy and the plague.

The other ruins were what were left of the old City Hospital, with its forbidding institutional architecture, finally to be demolished in 1994 [Ocean Beach]. When we entered it, we were struck by the silence and an odd medicinal smell. We went from room to room and saw shelves of medical specimens in their glass jars. Many were broken, vandalized by visiting rodents. Robert combed each room until he found what he was looking for , an embryo swimming in formaldehyde within a womb of glass.
We all had to agree that Robert would most likely make great use of it. He clutched the precious find on his journey home. Even in his silence, I could feel his excitement and anticipation, imagining how he could make it work as art.
b/w
Miscellaneous prize fight still footage

and1: speaking of which I look fairly pinhead-ish as I watch fireworks over Stanford Stadium last night after the San Jose Earthquakes defeated Los Angeles Galaxy 3-0 — I liked the Georgian guy, number 11.

Or, as David Shields says, when I write about Mark Kozelek or Robert Mapplethorpe I am writing about Mark Weiss

C 1958 General A***** & Film Company
October 18, 2018 Mitchell Park Allison Miller, Ben Goldberg, Kirk Knufke
February **, 2019 Art Center Amendola VS Blades VS Parker VS Skerik
April **, 2019 Art Center Beth Custer Drawdown
June 21, 2019 Mitchell Park Jane Monheit, Wong Vanharen Family Band

Bob Margolin & Jimmy Vivino “Just Two Guys and 200 Stories “ special guest Mitch Woods, Saturday July 6, 2019 8 PM Mitchell Park El Palo Alto Room Tickets info 305-0701
july 6,
aniline
Park