San Francisco district attorney, 2020 VS fictional district attorney 1941 film classic

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Bitch, I’m Elizabeth Wurtzel, 52

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Elizabeth Lee Wurtzel z’ l’

edit to ad:

below the fol

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If Lizzo’s audience is only 5 Percent black, does that mean she’s going to toss in her towel the way Noname did?

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Lizzo fans at NPR taping

I don’t mean to sound like a hater; I felt I was pretty cool for going to the no name show in March 2019 in Oakland and it didn’t occur to me how wide the audience was until nine months later I was being criticized for being myself or for being open minded or for trying to be hip.  I don’t mean to sound like a hater; I felt I was pretty cool for going to the no-name show in March 2019 in Oakland and it didn’t occur to me how white the audience was until nine months later I was being size for being myself over being open-minded or for trying to be happy    I said “have “but the computer knows better   Hi hip.

I’ve been hip to Dessa for about 10 years

I have never heard biggie smalls until Spiderman

I’ve been down with boots Riley since day one or before they blow up the World Trade Center at least

I heard taking the bangers and late-night TV and texted it to someone night.

I still like telling people about let us see your neighbor day

E8273ACB-2901-42FB-99C7-CC88A7511FEEFu k is u sang

fuck is you sayin’?

CB19AE2D-DD42-4D33-AF2D-0891626CCE6B.jpegOK this is sort of a wood shedding kind of thing but now I have to watch the NPR tiny desk concerts for Lizzo, no name, tank and then compare each track to the Apple version which I think is free on my phone or nine dollars a month less I’ll eventually get a bill for like $75,000;

And another thing although it is still sort of the same thing in certain ways I’m trying to learn come Sunday by Mahalia Jackson or Dee Dee Bridgewater and whoever else Duke Ellington and I have to admit they go back to Stevie Wonder as my fundament Cohen there’s base email or Sacramento and the king of all sir duke.  And another thing although it is still sort of the same thing in certain ways I’m trying to learn come Sunday by Mahalia Jackson or Dee Dee Bridgewater and whoever else you going to I have to mitt to go back to Stevie wonder as my fundament: there’s base email later so I can move in the king of all sir Duke

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Mam VS Kam

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Yes, Mam

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I spent 10 minutes listening to covers of someone you loved; I was really…

I spent 10 minutes listening to covers of someone you loved; I was really …Trying to figure out whether Tom Barnes co-writer was the same Tom Barnes from engine 88 —not likely

I was the 85 millionth person to learn this song:

And1:

Kudos to the guy who is nominated for writing Terry Alan Lerner notes and to Julian Lage Into Linda Perry who is like Al Pacino she never forgets her face for cowriting something with Dolly Parton

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Awkwafina Golden Globe VS Terry Allen liner notes Grammy nom

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Bendtime for Bongo

C9C23929-9E19-495C-8EE2-0A1B3A2648F3.jpegDirector Bong Joon Ho prepares to take a bow, as first foreign film director to win Best Picture.

I touteded him 12 years before The Carpet bagger:

Dear relatively short and random list of friends:

I want to share with you my enthusiasm and
anticipation for a movie that is opening tomorrow
called “The Host.”

It’s playing at Century Mountain View on the Peninsula
and at the Embarcadero in SF.

It’s a major-distribution film but I feel a certain
in-the-know giddiness about it sort of like I felt
when I saw Richard Linklater’s “Slackers” or Spike
Lee’s “Do The Right Thing”.

This film may herald the arrival of a major cultural
voice in director Bong Joon-Ho. The film grossed more
than $100 million in Korea — breaking their box
office record — yet I feel that this guy speaks for
me, my generation and the “indie” nation; he’s not a
strictly commercial phenomenon.

The movie is something like a monster movie but has
deeper meaning and a point of view. It’s sort of like
“Jaws” meets “Team America” (the “South Park” anti-war
satire). He’s good with details and relationships.

There’s also a local angle in that the CG was made by
SF’s The Orphanage, a rising star in movie animation.

I had never heard of Bong until the Bay Guardian’s
cover story last week. But I was lucky enough to hear
him speak in person Monday at a mini-retrospective of
his work at Clay Theater in SF hosted by SF
International Film Festival.

I’m thinking of gathering some people to see this film
locally and maybe hosting/producing some type of
satellite event to promote his work or the film.
(Although I am a recovering concert promoter and have
been relatively undirected lately, I also once
produced a benefit screening of Jessica Yu’s
“Breathing Lessons” plus the Tin Hat Trio animation
live soundtrack concert back in the day….).

Here’s a link to the movie:
http://www.hostmovie.com/

Let me know if any of you share my interest in this.

Mark

P.S. Based on my viewing Monday of his previous films,
I’m betting that “The Host” also showcases Bong’s ear
for film music. I liked the music for his “Memories of
Murder” by Japanese jazz pianist Taro Iwashiro, for
example.

 

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Chesa Boudin, ‘Gringo’ (2013) VS John P. Marquand, ‘The Late George Apley’ (1937)

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One I am reading about in today’s Chronicle the other I bought yesterday at Bell’s books along with call of the wild and a collection of ring Lardner; I gave the Jack London to a young person named Zakiyya who was trying to sell chocolate bars for a bogus Charity

Kudos to San Francisco’s top cop.

bw

 

Speaking of memoir or faulty memory I could not recall The instrument of Phillip Greenlief pictured here in my own show in October 11:

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Madonna’s daughter doctored VS Barbara Streisand as yenta

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Backed with :  i’ve been listening to electric light Orchestra ELO for 43 years but only just for the first time heard 10538 thanks to an article by Jim Harrington listing the top 10 songs which appeared in the mercury … Continue reading

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