

“What does it take to play music with another human being?” he asked in a streaming workshopposted a day before he died. “What it takes is the same things it takes to live together as human beings: appreciation of other, not being completely self-centered — which is kind of a hard one — kindness to yourself and being completely present and awake.”
Ethan Iverson published an obituary for Jerry Granelli. It resonated because Lee Townsend once sent me his press kit, for a possible Palo Alto play. I never heard him, but I had Seward McCain the bassist be on a panel about jazz history. Seward, like Granelli, played with Vince Guaraldi. As a consequence of my esoteric intro to this excellent artist, I confuse him with Paul Motian another drummer, roughly 10 years older, connected somehow to Lee Townsend, Phyllis Oyama, Bill Frisell and or Jenny Scheinman.
Also, my Dayna Stephens show was made possible by the fact that Billy Hart played in Healdsburg. Who Ethan plays with, maybe Ethan was in town to0. If Healdsburg is my town.

SF Jazz described as managing a $64m new building, producing 400 yearly shows on a $19m budget, has 17 open positions
This one is to be the right hand or the left foof Randall Kline:
This Artistic Administrator position will be principally responsible for assisting in booking the 400+ shows presented and produced by SFJAZZ. This position will be responsible for assisting in booking shows for Miner Auditorium, Joe Henderson Lab and off-site concert series. Administrator is responsible for handling and tracking all contracts and performance fees for the Artistic Department. This position will also be responsible for assisting in producing events such as the Poetry Festival, Resident Artistic Director week-long residencies, the New Year’s Eve concert and others as assigned.
ESSENTIAL DUTIES AND RESPONSIBILITIES
Artistic Programming Duties
SFJAZZ Collective
Administrative
MINIMUM QUALIFICATIONS
SFJAZZ is a dynamic organization that has been rapidly growing. Successful candidate for this position should have the ability to be flexible and have the enthusiasm to take on new tasks as they present themselves.
TO APPLY
Please send your resume in .doc or .pdf format, cover letter to jobs [at] sfjazz [dot] org with “Artistic Administrator” in the Subject line. Resumes will be accepted until the position is filled.
comes down to thus:

1. I did not know that Tom Harrell was in Malo – and he played with Carlos Santana? Did he play with Gregg Rolie of Palo Alto, or at Cubberley? Did Gregg play at Cubberley? I was at a garage sale the other day with a young couple – -he almost sold me a photo of Jorma.
And an older neighbor said that Gregg Rolie lived over the other fence.
2. I have Tom Harrell at #14 of top 50 Palo Alto jazz tropes. I have another list that is not ranked that goes close to 500 but it, like a jazz tune, skips obit or iterates.
Dick Fregulia is my best source on Tom.
I am not sure what it is fair to say about his October, 2019 show here, other than we can do it better next time.
I asked Tom if he played with the Stanford pep band at basketball games — as Dick said he did — but he said he did not recall that.
His pianist, drummer and bassist played on without him and later said it was interesting for them to learn on the fly how to do that.
I had Dayna Stephens play a show here last Monday, free and outdoors at Lytton Plaza and Dayna was only here because he played with Billy Hart in Healdsburg — I drove Dayna to airport to fit it in. (Mr. Randy Gibbons blog)
I am adding this out of turn because the internet is having a bad hair day: what about a movie like “Taxi Driver” but the star is Steve Reich-type who is brilliant composer but never made it.
https://www.youtube.com/watch?v=-QWL-FwX4t4
My other fav trumpet of that era is Jack Walrath…Jack did a tribute to Jerry Garcia here, the head from “Touch of Gray”, in about 2005 in a gallery on corner of Hamilton and Alma; whereas Mads Tolling quartet ripped thru a Robert Hunter tune just last week.
and1: my wife is in the other room napping while watching the stupid Robert Di Nero film about corporate hegemony (“The Intern”) and I wanted to run a still from that, and then he with a sax in “New York, New York” but also I am taping “Caberet” not sure I ever saw it. And I started watching “The Wire” because I read Michael K. Williams obit; Dayna Stephens said Season 3 is the best. I spoke with Caroline Davis, while she was making lunch- Italian not Thai – with her husband Ben Hoffman — and I think Caroline will be coming out to Cali this winter, lord willing and the cricks don’t rise.
In 1957, Topps issued a baseball card, of Henry Aaron with him “batting left” but it is actually a reversed image you can tell by the backwards “4” (actually “44” concealed) on his jersey front.
In 5751, I commissioned a woman from my book arts class — taught by Alistair Johnston of Poltroon Press — named Elizabeth Hutchinson to carve me a new years card reclaimig the swastika — I made ‘5″, “7”, “5” “1”, link at bottom, linked descenders.
I meant to do it more cleanly in 5757.
In baseball vernacular they sometimes say “crooked numbers” for innings that you score more than one run. In fact, this is not baseball. The 2 is two marks. The nine is an eight with an extra descender. Et al. Touch em al.
I wonder of all the Topps Aaron cards, how many call him “Henry” versus “Hank”.
Earlier today I texted Mateo Romero about an article about a rich person selling a plot of land that also includes some rare cave art by plains (or cave?) indians. That should be illegal!
My grandfather, a baseball fan, was named Henry. So I vote “Henry” not “Hammer” or “Hank”.
Cecilia Peña Govea the rock star known as La Doña prefers that only family members call her “CeCe”. She issued me a “cease in song”. (which only makes sense, the last bit, if you know that there is a link between Tommy Jordan and Tommy Chong…)
Five post-meridiem, Lytton Plaza, twenty-two September, Wednesday: Scott Amendola, drums versus Wil Blades, Hammond B-3 organ with Leslie cabinet;
Two post-meridiem, Lytton Plaza, two October, Saturday: Brittany Haas, fiddle; Jordan, guitar, Hawktail;
Two post-meridiem, Mitchell Park Bowl, seventeen October, Sunday: Mary Gauthier, guitar and voice; Jaimee Harris, guitar and voice.
Sagejubako picnic served by Earthwise Productions with arigato to City of Palo Alto Staff, Audio Pro Group sound and Chamber of Commerce money.
and1: The Mary Gauthier show is my fourth show at Mitchell Park Bowl, since the reset. There was some feedback that the term “bowl” is confusing or it is not pinned properly on social media and the internet. Not my problem. When you enter the park is is the obvious circle of cement — maybe you can roller skate there, on another day — with a flat space for a stage, and surrounded by grassy knolls. The City had concerts there on Tuesdays in the summer for many years. Joan Baez — who shares the same agent as Mary Gauthier — did a show there once with a KZSU dj named Leonard Iniquez (sp) and they had Joan on the stage but facing west towards the soccer fields rather than east into the bowl. She drew about 1,000 whereas the bowl looks like, seated, in chairs – bring your own — or the grass — about 300.
andand: my friends Scott Shield and Mariah Briel at the Crocker Museum of Sacramento wanted equal time for their sagebukako: