Risky Business y Yo Soy 132

Sometimes you gotta say wtf?

I was watching television, lazing away my Saturday morning, dog by my side — Tom Cruise in “Risky Business” 1983 — when I got a text from a friend who lives in Mexico asking me if I had heard about “Yo Soy 132”. I had not.

Yo Soy 132 appears to be a citizen’s initiative, based in Mexico City, that wants to impact the outcome of the upcoming Mexican presidential election and future of their country. Specifically, it refers to an incident earlier this month in which students protested the visit of a leading candidate, the telegenic Enrique Pena Nieto. His party claimed that the protests were fake, that political rivals planted the protests with agents acting as students. In response, 131 students posted their photos and names on the internet, essentially taking credit for the dissent, identifying with it, and perhaps putting themselves in harms way for their cause, to show their commitment. The term “Yo Soy 132” — “I am 132” refers to the rest of the crowd, the people, who stand with them in solidarity. It’s like the 6th man concept in college basketball (the crowd augments the five-man team).

I’ve only been following this for about two hours, so my account may be off or a little superficial.

I didn’t see anything about this movement in the newspapers.

But I noticed on a blog that someone said “Hey, America, turn off your tv and tune in to this!”

And then the famous Bob Seger – Tom Cruise bit came on and I felt a little foolish.

And worse: I forget which party in Mexico I think represents the best future. Frankly, I am a little intimidated by Mexico. I am not sure how widespread the corruption is, or how pervasive the violence is. Ok: someone said PRI is like the Soviet Politburo. Pena Nieto some say is a front for ex-president Salinas. I guess liberals should hope that despite the 20 point or more deficit the former Mayor Lopez Obrador will rally and seize the moment.

Meanwhile, and I hope this is not too superficial, I am trying to understand the Mexican culture better. For example, I am studying my Manuel Alvarez Bravo book. I have about 12 texts I am trying to freshen up with or by.

I could also add here, since I am an arts writer, that David Packard’s Stanford Theatre showed the 1934 Howard Hawks film “Viva Villa” about Pancho Villa last week. I missed it but my dad saw it. Written by Ben Hecht starring Wallace Beery.

There is an extensive wiki article on Enrique Pena Nieto. I do recall sometime in the last year or so noticing a mostly favorable article about a handsome candidate and his telenovela new wife. Not sure if I should venture to characterize him further. He’s an interesting contrast to Palo Alto’s Ron Kent who married a Oaxacan, runs Oaxacan Kitchen restaurants and farmers’ market booths, and who I shot last week chopping his own cabbage while his co-worker made tortillas from hand.

Ron Kent un hombre de right livelihood

Let me mix metaphors: in Buddhist thought, a man who integrates his mind, his heart and his hands is a good man, has “right livelihood”. I would venture that Mr. Kent is a better example of this than either me or Mr. Pena Nieto.

Youtube has three videos that appear to be by the people who actualized this moment. I still don’t see it in The New York Times. Basically the students are saying that the major television network are pushing through a telegenic candidate who they assert is flawed.

Now I am also flashing to another Stanford Theatre movie, “Sergeant York” and its use of “render to God what is God’s and to Caesar what is Caesar’s” and also Bob Marley lyric I caught on my new XM: if the cap fit let him where it.

We live in interesting times. Cuidado mis queridos amigos y hermanos Mexicanos y Oaxaquenos.

Maybe Bob Marley can offer some insight here:

edita: here is Times from April, 2012:

But cynical commentators joke that the race is essentially a battle between the Pretty Boy, the Quinceañera Doll and the Tired Has-Been.

Enrique Peña Nieto, the telegenic front-runner sometimes called the Pretty Boy (or Gel Boy because of his styled hair), will need to persuade voters that he represents a new, corruption-free Institutional Revolutionary Party, or P.R.I., the party that ruled Mexico from 1929 to 2000.

Josefina Vázquez Mota, a former education secretary under the current president, has perhaps a greater challenge. She has been called the Quinceañera Doll because she is always smiling, but her party — the P.A.N., or National Action Party — has been in charge for 12 years, a time of rising violence and continued corruption.

And even for Andrés Manuel López Obrador, a liberal former mayor of Mexico City who lost the last election in 2006 by 0.6 percentage points, the past and future compete. The oldest of the candidates, sometimes called the Tired Has-Been, he must answer the question of whether he has put aside the radical populism of his last campaign to govern as a moderate.

edita2, one post later: “Risky Business” is winding down — not sure how to tie it all in to this beyond the occasional out of context “wtf”, and I am missing the first couple innings of either Indians – White Sox or Giants-Marlins, but I went back to my original incoming text to add this link. The Mexican protests, also called “Mexican Spring” is linked to Occupy.

edit to add3: so, RB is done, and I am fact-checking, but I cannot resist, although it may Muddy the waters, in not a mannish-boy way, more mannish>boy I guess, but the media box rolled into a fake Chris Matthews Rick Santorum bit from 2003 in which Santorum suggests a tattoo on his back that says exit poll only.

edit to add, June 8: here is Pacific News Service about Yo Soy 132 in SF:

SF Protesters Support Mexican Student Movement #Yosoy132

Posted: Jun 07, 2012 Review it on NewsTrust
SAN FRANCISCO — On Wednesday, protesters gathered outside the Univision headquarters in San Francisco to demonstrate their support for a student uprising taking place across Mexico. Mexican students there are calling for the democratization of Mexican news channels and a rejection of PRI presidential candidate Enrique Peña Nieto. The Mexican student movement is nicknamed #Yosoy132, a reference to a recent protest by 131 university students against the PRI candidate. Univision announced during its evening news show that it would broadcast the Mexican presidential debate on Sunday, June 10, from Guadalajara.

Page 1 of 1

(the link is from New American Media, formerly known as Pacific New Service — they had an office off Civic Center Plaza in SF; I dated Carol Hegna in 1984 when she was at PNS and I was at Peninsula Times Tribune; pretty sure I met Sandy Close then; Close won a MacFound Genius award in 1995, and helped Jessica Yu produce “Breathing Lessons” in 1996.

(three years later: someone sussed “Carol” in my search function, which had me re-checking this: Pacific News Service v. Bay City News. Ooops. Our first date was a chicken farmer in Petaluma, she had featured).

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Dog day morning

I met these three dogs, the mother and her two pups, mixes of Maltese, Javanese and Terrier.

Then others started shooting the same group.

Then I pulled from my archive this view of Mathilda, who does not waltz but her companion is from Oz.

Someone put their “dog tag” on the switcher-box mural, near Peet’s on Uni Ave.

Then I remembered that I noticed a few weeks back someone’s “dog tag” on the switcher-box murals.

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John Mayer Hat Act

John Mayer aka Bob Newhat

I rebooted my Wednesday morning by 45 minutes to review Jimmy Fallon with John Mayer, and then write briefly about it. It was John Mayer’s hat that struck a chord with me. Is he channeling Dr. John Mac Rebennack or Jack White?

I thought of Will Bernard’s “Medicine Hat” especially apropos of the fact that Mayer is having health problems, with his vocal chords.

When he came out, the Roots played “Johnny Be Good Tonight”. Mayer sat in with the Roots.

His new cd is out as of Tuesday, “Born and Raised” but due to the injury he is not touring.

I actually like and admire John Mayer. Most of which, as I’ve described before, is because he took Charlie Hunter Trio as a support act, and according to John Ellis, Mayer could sing back a lot of the solos. And he can basically play them. He has the chops.

Charlie also got a writing credit on “Continuum.” Maybe some day we can hit up John regarding some kind of legacy work for Paul J. Cohen, the continuum hypothesis, although it is a stretch.

And I met John once when Stew toured with Mayer and Counting Crows. I’ll keep milking that story for a while, I guess.

BTW, Greg Dulli and Afghan Whigs came out and gave a good report, after the Mayer interview — “if I ever face reality, that’s gonna be the end of me.” Dig.

Ok, I admit I had to use “search-injun” to hear that Jimmy Fallon did introduce him or them as doing a cover by Marie “Queenie” Lyons and the album is called “See and Don’t See.” Dig or double-dig the strings, and ?uestlove sitting in, as well.

One last gratuitous crate-digging of my own cv: Greg Dulli is or was a fan of New Orleans music and my former client Henry Butler.

Not that he needs my help, being number 1 at Amazon, but tap here to get your copy:

Ok, so the Afghan Whigs thing is only a single and you have to get it from their site, which is cool. And, I guess I am the Rip Van Winkle of indie rock, but, this is their first release in 13 years and first show in 11 years, sold out in NYC, but I may have to check them in Frisco. (Although I admit I do confuse them with High Llamas or something. Also reminds me of the great gospel singing I saw at Hardly Strictly Bluegrass of Mike Farris formerly of Screaming Cheetah Wheelies, and also I found his chapbook at the record store where Michelle Malone performed in South Carolina. Which to me begs question of if Michelle and John have jammed???? Both being ATL et cetera.

I also hat to check that it is Peter Tosh who does the “Johnny Be Good Tonight” as opposed to Chuck Berry, different song.

Ok this is a bit of a digression even by my standards, but Alex Rawls of Offbeat in New Orleans has a recollection of Henry Butler sitting in with Afghan Whigs at Howlin Wolf in 1997, whereas I got in direct from HB in 2003.

Dulli noted

edit to add, ten weeks later: I finally listened to John Mayer, “Born and Raised”. Here is a video of a secret show he played the title track at, in 2011, a different secret show at Hotel Cafe than the one I saw while stalking Jonah Matranga and Anna Rosenthal in May, 2009. (Someday I will post about my numerous trips to LA on a whim, most recently to see Anna Fermin).

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Protected: working title: “memory is an elephant”

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More bike, less blog

Thank you, Rudy of Palo Alto Bikes, for aiding my sagging tubes and planting the seed of an idea that perhaps we’d all be better off if during the warm weather I did slightly more bike and slightly less blog.

Meanwhile, here is two minutes of “Triplets of Belleville.”

It took me a minute to suss out that the singer of the single “Belleville Rendez-vous” is Beatriz “Betty” Bonifassi with her then-husband the composer Benoit “Ben” Charest.

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Danilo Perez in Palo Alto 12th anniversary show

Stanford Jazz Workshop and Festival (concert series) is announcing its “40th anniversary” calendar and is kicking off with Danilo Perez Trio featuring Ben Street and Adam Cruz.

I have not scrutinized the schedule close enough to answer this a posteriori but I sure hope that on tops of the $42 ticket concert Jim Nadel and dem have arranged for Danilo to teach a clinic or two.

When Danilo performed in my Cubberley Sessions in town at Cubberley Community Center (the former high school) theatre in October, 2000, his schedule permitted him to do a clinic for charter middle school students in Redwood City, thanks to Orlene Chartain and Music for Minors. For twelve years running I have delighted in recounting this event, the clinic more than the show, which of course was fantastic, and further featured Kitty Margolis as a support act.

Danilo started with two students in front of the class, a girl and a boy. One said “hello” the other said hi back. He explained that jazz is merely a conversation, like two people talking.

He built this up to literally the entire class jamming on improvised melody, on flutes, percussion, singing, rapping, clapping, the whole shebang.

What he has with Adam Cruz, his longtime percussionist and kit drummer, he broke down and projected on these young students, and believe me by the end of the hour this group of young ‘ins looked like they could someday take it on the road or record for Concord and win Grammy’s.

What kind of struck me as funny-sad, however, was when he invited someone to be a rapper. In those days, Donny McCaslin was on tenor in Danilo’s band and would spit a little of his surfer days stuff. Here in Redwood City, the eager participant somehow felt content to say “Would the real Slim Shady, please stand up, please stand up” in a loop; the kid didn’t realize yet that he too had a voice, had something to say and didn’t have to just repeat what he heard on the radio or MTV. Danilo would have gotten to that point in hour two, would there world enough and time.

I also have fond memories of visiting Chuy Varela and KCSM that week with Danilo and Luciana Souza, who was also in that amazing band at Cubberley and is returning to Palo Alto for probably the first time to be part of the Stanford series, June 29.

Here is Marianne Messina’s prophetic preview from back in the day, and then I’ll outro with a vintage Danilo bit on video.

Pan-Musical

Danilo Perez continues to bring together diverse sounds and cultures on his latest CD, ‘Motherland’

By Marianne Messina

ON HIS 1995 CD, PanaMonk, pianist Danilo Perez asserted his Panamanian roots within a tribute to Thelonius Monk. “That record had a lot of revelations for people,” Perez says proudly. “You’ve got an Israeli bass player, who isn’t supposed to play jazz or whatever; then you’ve got a woman playing who’s been in the pop world [Terri Lynne Carrington on drums]; then you’ve got this Panamanian piano player playing the music of Thelonius Monk.” Perez chuckles. “I think it broke a lot of stereotypes,” he says. “I love that about the music. Music breaks all the boundaries.”

Stepping into his new role as Panamanian cultural ambassador to the world, Perez introduced his CD, Motherland, a complex response to the historical push-pull of influences that define the Americas: Panamanian mountain singing, indigenous pan-piping, Spanish guitar, African chant–all of these are given voice. At times, Motherlandcan be moody (as in “Prayer,” written for a cousin who died of pancreatic disease), or bright (as in the piano solo of “Pan-Africa”). “There are a lot of different emotions in the record,” Perez agrees. “It’s like life for me.”

At the New England Conservatory in Boston where Perez teaches, his lessons are notoriously unconventional. For one thing, a lesson may last all day. For another, it may involve the student dancing to music he is trying to learn. “The music and the dances–especially Afro-heritage–all come together,” Perez explains. “Music has to be felt through the body; that’s basically what it is.”

Perez absorbed percussion, rhythm and melody in this direct way as a boy–from the festivals, from nature–and he often revisits his native country for inspiration. “You go there and you hear the sounds of the birds, the animals. The music comes from the earth, really. And God made it that beautiful and we can pick it up if we tune in. The birds, they’ve got melodies they’re singing. And the rivers have sounds they’re making, and the trees, the wind blowing–there’s music.” Perez suggests that thanks to recent genres like New Age, Meditational and World music, people are realizing the relationship between music and nature. “Right now it seems vague, but in 10 years,” Perez predicts, “it will be totally connected.”


edit to add: Music For Minors is meanwhile celebrating 35 years and asking people to submit their stories so I will.

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Shedroff farms

(Hit play on both of these videos simultaneously….)

nb: Nathan Shedroff is my high school classmate at Gunn High and neighbor twice growing up in LAH; in fact we first met at Temple Emanu-El Sunday school when we were about 7 years old; about that time, Nathan’s auntie Renee became baby-mom for Dewey Redman, and (although I didn’t realize this until about 30 or 40 years later) there came into this world — although this was still some time before Plastic Alto, or my version of it — Joshua Shedroff, Nathan’s first cousin, who I have not actually met, although I did see him jam with Medeski at the old Knitting Factory in about 2000. When J. Shedroff was a senior at Harvard, he won the Monk Competition for Saxophone and put off law school, signed to Warner,  changed his nom de axe to Redman and went on the road. I thought of all this because Andrew Gilbert wrote a piece recently about how now Joshua Redman is performing as James Farm. And they are doing the Bay Area real soon. They are playing “Kuumbwa” which is the African word for “Shedroff” and then “Yoshis” which is the Japanese word for “Shedroff.” Mazel to all the Shedroffs and Redmans and them.

You can hit the Nathan part of the above mash-up about three or four times while the Joshua part rolls…

 

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Lend me Ken’s ears

Greetings, Friends and Music Lovers.
I’m pleased to tell you portions of The Midway!, my ballet score on a child’s first visit to an amusement park, will be presented in concert on Sat. Feb. 11, an 8pm concert presented by NACUSA-sf (nat’l composers org.) at Covenant Presbyterian Church, 670 E. Meadow Dr., Palo Alto, just west of 101 at the San Antonio Rd. exit., and north (right) on Middlefield: http://www.covenantpresbyterian.net
The one-hour concert features works of seven other SF branch composers. Tickets are available at the door: $17 Gen., $12 Sen. Stu.
I’d be honored if you could attend. I can guarantee you’ll be delighted by the piece, scored for piano 4 hands.
Hope to see you there. Ken Malucelli http://www.nacusasf.org
i mean i cannot — unlike a jon pareles or josh kosman — describe or critique how the changes affect me or differ or are similar to john adams or the other john luther adams for that matter — but only that i can say “ken malucelli did this, check him out” or such.
I could post it to palo alto patch perhaps.

From: Ken Malucelli
To: mark weiss
Sent: Monday, January 30, 2012 10:11 PM
Subject: Re: Ken’s ballet score in concert Feb 11

Yazzuh (and I just sent you a midi)?

um this is a page literally torn out of journalist ethics book but can i quote from this exchange as part of a post-modern interview with ken m??

Fugue yeh. BMG. : >)))
(torn out meaning because it would violate journalism ethics)

Oh, I think we’ll survive. LOL!!!
i would write a brief review for “plastic alto” if you sent me a link or a cdr.
i had a weird obsession with Mark Morris for a while. longer story. Knew the name “Ethan Iverson” in that context before he became more wellknow with Bad Plus. I went on a date with MM dancer J___ O_____ after her mom suggested it semi-seriously. lunch date. talking music. actually, funnily, i showed up backstage and her other suitor was D_____ M_____ publicist of Grateful Dead. like the time i showed up on an impromptu lunch date with a “friend” and the other Suitor was Randall Kline — circa 1990.
i digress.good luck with show.
mark weiss

earthwise productions and mgmt

“plastic alto ” blog for Patch
(I submitted this to Palo Alto Patch in February but they would not publish it, owing to its experimental format; fits the format here in Plastic Alto however, methinks…meanwhile Ken has written and performed a few more operas and arias….)

edit to add: “Midway” was also the name of the business, in Chicago’s South Side, that my namesake MB Weiss founded, a Chevrolet agency and leasing. Ken can write about that; previously I imagined that Stew and John Corbett, and maybe Terry Abrahamson, could team to create “South Side Story” about Alton Abraham, Sun Ra’s business manager, whose papers are at the University, way off topic but back to my own roots.

see also or ping-backly my riff on Ari Cartun, Bob Dylan and Matthew Shipp.

He really has a ken for this:

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Fahrenheit 404

This is my 404th post. I have  been meaning for some time now to write about the George Beattie murals in Atlanta, which a clueless and probably homophobic agricultural commissioner, got banned. The title “Fahrenheit 404” refers to Ray Bradbury book about burning books to repress ideas and consciousness. And 404 is area code to Atlanta. It also means “mistake” or “error” in computer talk.

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artMRKT and Modest Mouse

I wore a fake press pass — from Microsoft opening a few weeks ago — to artMRKT in SF and publicist Wendy Norris upgraded me to an actual press pass.

I shot photos of Max Fishko, the co-founder of the event, who lives in Williamsburg, the 718 not colonial Virginia, and is profiled more fully and with aplomb by my dear friend and colleague Sarah Bailey Hegerty at the DeYoung site; Richard Misrach giving a slide show about toxics in Louisiana, a NorCal artist and photographer who had a studio near Joan Brown, three phases of my improvised sculpture also known as recylable trash. And then I snuck into the last five songs of Modest Mouse at Stanford’s Frost.

Modest Mouse at Frost, May, 2012

I’m doing the best that I can. With my trusty Samsung dumbphone.

Modest Mouse at Stanford Frost, May, 2012 but took me back to 1997

Henry Moore said that to be an artist is to believe in life.

Henry Moore said to be an artist is to believe in life.

Three more thumbnails of Modest Mouse and the Stanford kids:

 

 

 

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