Corner Laughers ‘Midsommar’ numbar one on Plastic Alto

Corner Laughers “Midsommar’ numbar one on Plastic Alto: Or, Karla Through the Looking Glass I mean Stained Glass Window.

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Weiss statement at ARB hearing on 27 University

From November 1, 2012, the week before elections. And well before anything was known about the corruption documented by the June 6, 2014 two years later Grand Jury Report. But this is prescient; you could tell something was or is up.

markweiss86's avatarSvayambh-PA, or New Residentialist Platform(NRP)

I want to thank the Board for its diligence, on this matter, and the preceding item (on Newell Street Bridge , where residents decried the plans for a new bridge design five times bigger in “footprint” than the existing bridge, built in 1911).

I attended the meeting on October 24. I want to highlight something I found interesting from that meeting. I noticed that three of you, or two (Architectural Review) Board members and one Planning Commissioner noted that in terms of the plan presented, (for the Arrillaga Office Towers and Theatre proposal, at 27 University) you would do, professionally speaking “the opposite”, that you would place the theatre closer to University Avenue and the office towers back near the soccer field.

I think this is relevant in that it speaks to something about the aesthetics of the proposal. I think there are concerns over both the product – what…

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‘New Residentialists’ Send Message with Four Thousand Votes For Weiss

I wrote this day after election. My actual tally was more like 4,300, a dramatic step up from the 800 or so from 2009, especially when you consider I have spent no money so far on either campaign.
If I do not run in 2014, and I have about 30 days to decide whether to pull papers, I will certainly cover the race at Plastic Alto.

“Svayambh-P.A.” — the name references a famous work of art by a famous sculptor — comprised 54 essays on sundry political topics, from local to global, from nuts and bolts to abstract realms, that to date has garnered about 3,000 views, much of that post-election.

markweiss86's avatarSvayambh-PA, or New Residentialist Platform(NRP)

Image

Mark Weiss received 4,016 votes for 2012 Palo Alto City Council without spending dollar one on his campaign. The result sends a clear message to the pro-developer establishment (Pat Burt, Liz Kniss, Marc Berman) that the average Palo Altan is going to watch all future projects that much more closely.

There is a meeting Thursday evening about Cubberley.

Twenty-seven University (“Arrillaga Office Towers and Theatre”) “potential project” deserves a thorough vetting by concerned citizens.

Stay tuned!

This is Mark Weiss and I resemble this message: TAKE BACK THE TOWN FROM POWERFUL DOWNTOWN AND DEVELOPER SPECIAL INTERESTS. (That’s me above casting my votes for Obama, Weiss, Schmid, Townsend and more).

edit to add: who would have thought that after all something as simple as rock and roll could save us all?

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He’s Reddy. R U?

Seelam Reddy of College Terrace tells the Weekly he is running for Council, but is besieged by haters, many along the lines of “don’t run, it will hurt our candidates’ chances”.

My response:

seelam reddy

seelam reddy

 

Posted by Mark Weiss, a resident of Another Palo Alto neighborhood
0 minutes ago
I would say I am relieved that of the first 6 or so prospective council aspirants the list is not packed with obvious shills for the real estate industry.

People may bullet ballot fewer than five choices if they do not want to pick their five top choices.*

I think a core issue in the fault in governance is the tendency to try to act more like business, like a corporate, like a private-sector entity. To the extent that Mr. Reddy is a product of the corporate system, but is aware of the limits to that, I welcome his input to the debate.

We need more people stepping up, leaning in, speaking out, not fewer.

I’ll even offer a tagline: I’m Reddy. R U?

Mark Weiss
2009, 2012 candidate: +-5,000 cumulative votes

* we should look into rank-choice-voting to remedy some of the collusion effect that 9 posters reference

outro, Nina Simone, who I almost hired to play Spangenberg Auditorium, which would have been her first U.S. show in years, in 2003, and who like myself and apparently Mr. Reddy, cultivated her outsider status, “See Line Woman” — I have no idea what it means but like the sound of it:

 

edita, later that day:

With due respect to the fact that this thread is about Mr. Reddy–

City Clerk Donna Grider is meeting with prospective candidates to “pull papers” now thru July 29. The filing deadline, which as of 2012 required 25 signatures and $25 or 100 signatures, is mid-August, although she can add a week if the incumbents do not run. There were 14 candidates for 5 spots in 2009, and 6 candidates for 4 spots in 2012.

I don’t know what good a rank-choice-voting initiative would do, between now and November. My guru on that topic is former San Francisco supervisor Matt Gonzalez.

I would recommend a “no” vote on the ballot measure, forwarded — and this is an important point, –NOT by citizens but by current office holders to reduce Council composition from 9 to 7. Please note that in subcommittee Gregg Scharff voted for the reduction but with majority assured he is cleverly switching or did switch his public stance to “no”.

I think Mr. Reddy, even new to area, should run just as I think 9 not 7 council composition both lead to more debate and better decision-making processes.

I would say ten or more candidates is healthy, ten or less here in 2014 is less so.

And no the Measure D/Maybell/Sensible Zoning group does not represent all possible non-Establishment or Residentialist candidates.

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Go Daddy Dorado!!

Grocery Outlet, Berkeley-based chain, actually controlled by a hedge fund, going public, I read, for $1 Billion dollars, we gave them an oversized sign on Alma.

Go Daddy, a website, one of whose bigger investors is a six-billion dollar hedge fund, here in Palo Alto, an office overlooking Lytton Plaza — incidentally has the same landlord as Grocery Outlet — whether he is an on any of this or not — going public for $1 Billion dollars.

Survey Monkey, chief tenant at Lytton Gateway—different developer—whether he is in on it or not — has BORROWED $800 million to pay back early investors, but pundits say it is going public for a $1 Billion dollars.

How many times will someone get lost looking for the oversized building on the corner of Lytton and Alma?

These signs do not face North South East or West — they face Wall Street slash Sand Hill Road. They face Rick Kimball, Scott Sandell, Jeff Crowe, Roger McNamee, Nick Sturiale, David Hornik, Tim Draper, Bill Draper, —-Bill Drapers cute little grandson “Teddy” in the movies. Although they are OUTDOOR ADVERTISING they are also, arguably, business to business plays, they are designed to help the finance community reap outrageous sums of money in an arguably under-regulated market. We the People, with a $150 Million budget, a fraction of that to regulate the industry — real estate development not too big to fail finance schemes — are not even the Fay Wray to their King Kongs — we are the Nits in Fay Wray’s hair; we are, literally nit-wits.

We say: at least the joints match up well, tongue in groove and all that. We like their faux-Neo-Colonialism, it’s a tribute to Portola, who came here in 1769 looking for Monterrey but found some twin redwoods, Dos Altos — Los Palos — Palos Altos — whatever sells.

Eureka, we finally found El Dorado!!!!!

That’s a rem cool house, but there are mice in the vander row. Frank God!

Go, Daddy!

Whole lotta love.

Jah Bless.

Babble on.

edit to add: “with due respect”…”it’s poetic” I read this verbatim to ARB, on 8:34 on July 3, 2014.

edit to add: at 10ish I was invited to speak to the subcommittee ms pritchard, french, four members of applicant staff or their vendors, for about 4 minutes and ms. pritchard responded in part to say “you raise some interesting points” . I mentioned that I look forward to being done, and hear there will be coffee and amy said “gelato, too.” You heard it here first.

10:04 shook hands with the 3 applicants: for sign vendor, Andy Fores?, for Butler the builders, John Something, (alvoresness?) and “Bennett” a woman from the tenant “that you will never use” not what I said — I said that I read the trades on where they are at — borrowed $800 million, worth a billion “the more people who know that the better off you are; I am not your enemy”. I wished her good luck, and have a nice afternoon.

That would be Bennett Porter, vice president, director of Marketing Communications (what we used to call MarCom), from Colorado College b.a. in English — hey, soul sister! — and Newhouse School advanced degree — I knew his niece was her editor at Dartmouth — I’m just guessing but the IPO is worth $100 million to her, the sign a $5  M lagniappe. I am here on own cognition and in fact am likely to get a $40 parking ticket if I don’t get back to car.

 

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Two free cultural events in Palo Alto

I am involved with two free cultural events in Palo Alto:

1) tomorrow, Thursday, July 3, 2014, Doris Williams, a performer known as Lady Doris, performs Celtic music (lute and vocals) at Lytton Plaza, University and Emerson. The event starts at noon and will last one hour — unless we get a noise complaint or force majeure.

Doris contacted me after the recent Fete De La Musique and we agreed to pool our resources to try to bring a concert series to Lytton Plaza, which the taxpayers and matching grant from some landlords used $800,000 to redesign and reclaim, in 2009.

Our impromptu event tomorrow to find fellow travelers to help us organize and fund a series or festival there later this summer or early fall. (The Downtown Business Association, plus City of Palo Alto, plus Stanford Federal Credit, have re-mounted Brown Bag series at Cogswell Plaza, starting July 10).

doris2

2) “Ripple Effect” an original musical and street theatre comedia dell arte, produced by The San Francisco Mime Troupe, comes to Mitchell Park, Thursday, July 10 at 7 p.m.

For SFMT, my role is trying to find good homes for about 20 cool looking posters. My understanding is that the event is looking for “loaders” to help move equipment, to the “south field” of Mitchell Park. The award-winning troupe will return to Palo Alto in August to reprise this event.

The distinction between producing a small concert and shlepping posters for a larger event reminds me of the joke about the ham and eggs breakfast where the pig is “committed” and the chicken is “involved”.

At the ham and eggs breakfast the pig is committed and the chicken is involved

At the ham and eggs breakfast the pig is committed and the chicken is involved

 

edit to add: sent 35 copies of this to people in my email band with whom I had corresponded about Lytton Plaza. I would imagine that the bulk of anyone who would notice Doris Williams playing lute and singing Thursday will do so because they are downtown anyhow. The idea of a series proper, perhaps on consecutive noon hours this September, would include more outreach and publicity, and planning. However, never underestimate a small group of the musically-inspired to create change, even in Palo Alto. By the butterfly effect and chaos theory, a lute struck in Palo Alto on July 3 could stop a tank in Afghanistan on July 10, in theory.

lorenzOr as Pete Seeger said: this machine surrounds hate and forces it to surrender.

edit to add:

Doris Wiliams life lute and vocals at Lytton Plaza Palo Alto, photo by Deirdre Crommie, a Rec Commissioner, here as private citizen

Doris Wiliams life lute and vocals at Lytton Plaza Palo Alto, photo by Deirdre Crommie, a Rec Commissioner, here as private citizen

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Historic Theatre as more downtown office space in Palo Alto

Staff planner Steven Turner dropped a bombshell this morning at the close of the HRB meeting: uber-owner and self-proclaimed “parking czar” Charles J. “Chop” Keenan III has submitted plans, not yet viewable electronically but agendized for historical review as soon as August 20, to turn the ground floor of the historic and beloved Varsity Theatre at 456 University in Palo Alto into “creative work space” / “group meeting space” / “private dining club” for a large software company already located here but who knows a good thing when served them on silver non-Democratic platter.

When Borders the national chain book store pulled out in Fall, 2011 City Manager Jim Keene did instruct staff to look into briefly the concept of finding a qualified prospective tenant to bring a cultural amenity to what most people think of as a movie house, where they saw “Rocky Horror Picture Show” or “Treasure of Sierra Madre” for instance. In actuality, live music acts who played the Varsity included: Stanley Jordan, Count Basie, Social Distortion, Tuck and Patty, John Fahey, and Bill Evans. In Berkeley, where Keene worked prior to coming here in 2009, there were at least two precedents for non-profits to build or expand cultural offerings: Freight and Salvage, who raised or borrowed $16 million to move from North Berkeley to a Downtown Theatre District, and The University (like The Varsity, once part of the Landmark Theatre chain), where former Bill Graham Presents executive David Mayeri leads a new non-profit to present live rock music, coming soon.

Within 48 hours meanwhile of being instructed by his boss to assess our prospects for something similar here, then-assistant city manager Steve Emslie instead told the Daily Post that a downtown theatre in Palo Alto, and 456, was a non-starter. (Steve Emslie who collects a pension from us but is also on staff as a “strategist” he told me, not a lobbyist and not a pr guy, for Goodyear Peterson, a Public Affairs company representing the developers). (see also staff report #1979 of August 1, 2011)

When I spoke to the same HRB at the time urging support for preserving The Varsity by having local leadership — elected Council, appointed Commissioners and Board, and our paid but besieged staff — work with Keenan, who after all owns numerous other properties and is always asking for a break here and there or friendly – to him, not We The People — interpretation or grandfathering — to find such a tenant, David Bower actually told me that I was Un-American to suggest what could be done with another’s property — this was reported by Gennady Sheyner in the Weekly (October 7, 2011).

Unbenownst to anyone — accept the majority of said- and alleged-leadership — uber-uber-owner John Arrillaga had already presented staff his proposal for a 10-story office tower at 27 University — not his land, it belongs to Stanford. Guess what happened? Staff said: hey, maybe this would go over better if you, um, put a Theatre beneath your giant office space tower and monument, maybe Theatreworks will put on a little show for you, wink wink nudge nudge.

In actuality numerous people said, for example on the Weekly site, when in March, 2012 news of the Arrillaga Towers plan finally were allowed to see light of Democracy –of a sort: wouldn’t the Varsity be a better place for Theatreworks downtown? I personally spoke to venture capitalist, Theatreworks board president (and my fellow Dartmouth alum, his kid brother was in my dorm) Jeff Crowe, in line at Coupa, about getting them on the cultural team, at 456, and he said “Good idea, I will bring it to my board”.

In my humble opinion, and having written a 500-word white paper on the topic, which staff economics development Tom Fehrenbach read or was asked to read, by Keene, leadership did a dis-service to the project and basically, in soccer parlance, kicked the ball out of bounds. Staff, council and commissioners, in my opinion, were afraid or unmotivated to challenge the will of Keenan. Chop meanwhile had told a Stanford undergrad, for her thesis, that the 1994 community uproar about converting the theatre to retail, was “a bunch of bitching.”

Nancy Shepherd, our current mayor, said during announcements: I have been getting a lot of calls about the Varsity Theatre (my heart started pounding, watching at home, channel 26, at 1 in the morning). What can I do to tell people that “we are not allowed” to help?

In my opinion, as evidence by this August, 2011 public document, Karen Holman is the only member of the Council at the time that took my white-paper seriously. I met with Fehrenbach and gave him phone numbers of eight leading regional concert promoters, the type of people qualified to book a 600-capacity room like what the Varsity could be.  (My company, Earthwise Productions had produced 150 shows at 300-capacity Cubberley Community Center and the list included people I had spoken with about Palo Alto’s lack of a music venue).

What did she mean, council member Shepherd, a future mayor, potentially running for re-election this November 5, 2014, that in response to your concerns and suggestions, as Palo Altans, and real Americans, that she is not “allowed” — is this something, in private, that was agreed? Is this part of a group of secret, and serial meetings she held with Keenan, or was that part of the John Arrillaga sessions, the ones that were subject of a June 6, 2014 Grand Jury report?

I only speak for myself, yet, as Michael Franti would say: I know I am not alone.

I am going to the August 20 to give them my 3 minutes worth, about what is the proper role of citizen, leadership and “owners” in a Democracy.

I think of this as Save the Varsity: Part 3.

As architect and board member Bernstein was leaving this meeting, after I had a few minutes of Steven Turner’s time to feel this out a bit, he told me that it would not bother him if he, for example built a theatre and and came back, 60 years later, to find a huge corporation using it a a really hip lunch-room. (I should have asked: do you hear back from some of your residential clients that they like to take a crap in their new living rooms?) What I actually said was this:

In the 1970s David Brower (the arch-druid, founder of Sierra Club, not our local yokel jingoistic board member) and Howard Gossage opposed a plan to damn the Colorado River, which would partially flood The Grand Canyon; they wrote a clever headline:

WOULD YOU FLOOD THE SISTINE CHAPEL, TO GET A CLOSER LOOK AT THE CEILING?

Brower & Gossage, 1966

Brower & Gossage, 1966

edit to add: I did send a version of this to a few local organizers and activists, although it still needs a wee bit of editing; meanwhile, I’m not sure where else I archived this, posted on the Weekly’s excellent coverage of 27 Uni — I posted months later, when I heard of the Grand Jury report:

Posted by Mark Weiss, a resident of Downtown North
on Jun 20, 2014 at 10:33 am

Mark Weiss is a registered user.

I also disagree with Weekly columnist Steve Levy’s suggestion that staff would engage Arrillaga and Stanford about bringing dense housing to this mostly park land, and historic monuments — war memorials — site.

I’ve been saying these things for quite some time now, about defending status quo from developers:

1. Commercial real estate developers have too much say and sway; leadership –council, commissioners and staff – should listen to RESIDENTS first;

2. Planned Community (PC) zoning is the most concentrated form of abuse of the system in recent years and should be amended, enforced or outlawed;

3. The 27 University project, “Arrillaga Office Towers” should be vigorously opposed by residentialists, as part of taking the town back from these powerful, oligarchical special interests.

Mark Weiss, November 2, 2012 (on his own website, running for Palo Alto City Council)

Without any knowledge of a grand jury, I have been saying various versions of this, in private, at meetings, on Palo alto Weekly comments board and in my blog “Plastic Alto” consistently for three years, probably 20 posts and 10,000 words.

I also link what happened or didn’t happen at 456 University to 27 University.

Democracy is on the ropes getting pummeled here. Are we Rope-A-Dope (like Muhammad Ali, and leadership will start fighting back) or merely dopes?

Which of our current 9 council members, if any, are not actively engaged in working their influence to personally profit and enhance their real estate holdings?

Why doesn’t the Weekly break down the 9, and PATC for good measure, by their role in real estate: what they own, what they do professionally, maybe cross-referenced by what they’ve said or voted on various issues?

Go ahead and vette the candidates for 2014 election by the same algorithm…

Also, break down who the major players are in the the real estate industry here.

The local Palo Alto borders commercial real estate industry I estimate is a $1B per year industry and therefore dwarves certainly municipal budget ($150 M) but total public sector, and when you consider what percent of our civic budget regulates it, about $10 M maybe, and that the attitude of staff is to appease, please, abet and be of service to them and not We The People, the industry, the special interest is largely UNREGULATED.

edit to add: This item was agendized even sooner, Aug. 6, maybe because Steven Turner, after 16 years here, is moving on, to RWC.  I am writing you from that event, in real time. There is a 10-page staff report by Steven Turner, Advance Planning Manager, one of his last acts before moving on, after 16 years here, to Redwood. I spoke at the meeting, during orals, about 261 Hamilton; I said “I’ve spoken my piece / peace about 456″. I should probably try to reach the tenant and feel them out and maybe influence how they do the stage part of their project: why 100 cap, I had it as 600 all-in? Also, I spoke to Chop Keenan, the owner, for about 30 minutes last month and he convinced me to give him benefit of the doubt about the HANAhaus. I will, for about six months after curtain is up. Remember: Roy Orbison is watching!

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Don’t Weep For Me, the Wepner musical

 

I just watched the replay of a song from “Rocky” the musical on Letterman and it set me to suss around a bit about Chuck Wepner, Sylvester Stallone, the Rocky franchise and this new musical.

More to come.

I must have seen the 2006 Times article about Wepner suing Stallone for $15 million. I remember Wepner, in that from age 8 thru 18 or 28 I was an avid Sports Illustrated reader, and remember the guy who fought Ali.

I think there is a certain amount of racism in the hagiography of Wepner, white standing up to Ali, black and Muslim.

The Bayonne Bleeder, Wepner was called. I looked it up and find that it is closer to Staten Island than Philly.

It would be interesting to do a Bayonne Story or Chuck Wepner the Musical and musical influences could include the guitarist from Ozzy, the guy who wrote “Sweet Georgia Brown” and Clem Burke the drummer for Blondie who is also an associate of Mark Stewart, whose life story reached Broadway as “Passing Strange.” Maybe Stew could be the one to do Don’t Weep For Me, the Wepner Musical. I also had a riff on Eugene Robinson and I creating a truer (i.e. more black) version of what became “The Set-Up”, a good Robert Wise boxing film — and a source methinks for Tarantino “Pulp Fiction” — although they make the fall guy Pansy Jones white not black.

The song I saw on Letterman was a little too Christian rock, with the “you” referring either to Adrian or Jesus, and him crossing himself. It kinda reminded me, it’s still standing them, of the September 11, 2001 incident, which I guess is truer to the original Wepner story or myth in that it is New York not Philly.

What inspired Sly is that Wepner hung in there, bleeding. Others were psyched that Wepner knocked down Ali, with a body blow although there is photo evidence that he stepped on the champ’s foot.

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Happy 70th birthday to Jazz guitarist and Gemini Jack Wilkins

Jack Wilkins is a jazz guitarist celebrating his 70th birthday this weekend at a hit at the Jazz Standard, although he is actually a Gemini.

His “Red Clay” cover of a Freddie Hubbard song is also sampled by a few hip hop composers and thiefs.

So it goes.

I remember sitting in his office to settle when Henry Butler my then-2002-client played a week there, Seth Abramson the music director, of Jazz Standard, and recalling also meeting his brother Todd Abramson of Maxwell’s of Hoboken at a different club, Mercury Lounge. I also recall going to see Steve Lacy at Jazz Standard with some of the staff from Anthology Film Archives — and as I write this I am also thinking about time-travel slash Alice Thru the Lookingglass article on brain picking blog by Maria Popova my bestest new imaginary friend (in that she has 400,000 readers and has never heard of me)

Anyways, keep on swingin’ Jack.

 

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Mark my words

We picked up one excellent word–a word worth traveling to New Orleans to get; a nice limber, expressive, handy word–‘lagniappe.’ They pronounce it lanny-yap. It is Spanish–so they said. We discovered it at the head of a column of odds and ends in the Picayune, the first day; heard twenty people use it the second; inquired what it meant the third; adopted it and got facility in swinging it the fourth. It has a restricted meaning, but I think the people spread it out a little when they choose. It is the equivalent of the thirteenth roll in a ‘baker’s dozen.’ It is something thrown in, gratis, for good measure. The custom originated in the Spanish quarter of the city. When a child or a servant buys something in a shop– or even the mayor or the governor, for aught I know–he finishes the operation by saying–

‘Give me something for lagniappe.’

The shopman always responds; gives the child a bit of licorice-root, gives the servant a cheap cigar or a spool of thread, gives the governor– I don’t know what he gives the governor; support, likely.

When you are invited to drink, and this does occur now and then in New Orleans–and you say, ‘What, again?–no, I’ve had enough;’ the other party says, ‘But just this one time more–this is for lagniappe.’ When the beau perceives that he is stacking his compliments a trifle too high, and sees by the young lady’s countenance that the edifice would have been better with the top compliment left off, he puts his ‘I beg pardon– no harm intended,’ into the briefer form of ‘Oh, that’s for lagniappe.’ If the waiter in the restaurant stumbles and spills a gill of coffee down the back of your neck, he says ‘For lagniappe, sah,’ and gets you another cup without extra charge.

I got to this from this. tempted to cut and paste the artwork: A Southerner talks music drawing. It’s actually about the inflection, not about music per se.

I have a copy of Life on the Mississippi by Mark Twain and hope to re-read it, just as I pulled from my shelves Roughing It. I do think about Life on the Mississippi apropos of environmentalism and the emphasized point of the foolishness of building too close to the banks. Mother nature bats last.

I think this one is a floater:

and our little cultural lagniappe to this post is to say that cover art of that edition of Twain Mississippi reminds of Terry’s teacher Altoon Sultan, who we visited in Vermont in 2011, and her recent paintings, close cut captures of largely industrial things. see here.

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