What I want and what I got

What looks to be a reader of the Palo Alto Weekly and potentially a supporter of fellow Palo Alto City Council candidate Lydia Kuo — he posts anonymously or under the name “another res” — directs a question to me about my intentions or my philosophy, aspiring to rise or evolve from mere activist and “engaged citizen” to leadership per se:

Mark Weiss,

“I don’t want anything from anybody, that has been a hallmark of my campaign”
(he is quoting from my post, under the article about Lydia — as is the nature of the internet the commentary digressed from the topic per se and took on its own life)

You must want something, or why enter an election, even if “all” you wanted was what is best for something, that’s still something. You seem to want to be heard at least.

What I meant by “I don’t want anything from anybody” or what I mean by that is that in 2012, and likely to continue, I ran for Council a) without accepting campaign contributions and b) literally not asking anyone for anything. I did not ask for endorsements; I did not ask to meet with mentor or people I admire for advice or inspiration. As an experiment I tried to go thru the entire campaign period, roughly four months, responding to queries and unsolicited advice, but not initiating, not asking. I had exactly one meeting with a known-community leader, because he called me and invited me over to talk about my campaign and offer suggestions.

I did meet with outgoing Mayor Yiaway Yeh once during campaign but did not talk about the election; we have three or four ongoing dialogues and projects to update; I even told him that I didn’t want to talk about the election.

When the campaign was over Yiaway texted me and congratulated me for the outcome — 4,300 votes, which I considered a success, and still do. And he noted that my tactics and philosophies were “awesome”. (I think, my virtue of being 15 years younger than me, he uses the word “awesome” more than I would; I call this “awesome-creep”).

In 2009 I had exactly four meetings: with Peter Drekmeier, Matt Gonzalez (the SF Supervisor, and mayoral candidate, by phone), Quentin Kopp (former SF supe, and state rep) and Sid Espinosa.

I am working on my policy on endorsements. It definitely registers when people I know and respect say they support my candidacy or they voted for me and will vote for me.

I’m not a horse-trader, although I realize “game-theory” and comprimise is a huge part of politics.

I guess I might have said “I don’t want anything from anybody else” but I substituted precision for a slang directness.

I waited until three weeks into the campaign season, and roughly six months after the earliest announcements, to see if there would arise a pack of people I respect, to continue the “residentialist push-back”, but I don’t see it. I am not impressed, overall, with the quality of candidates.

So, yeah, I want Palo Alto to continue to be a great place to live, for me this has been my community for about 40 years, on and off, but I am concerned about our future. I’m concerned about our country, our Democracy.

Perhaps there is something self-serving about wanting to be leadership per se, and a bit of ego, but I think my actions are reasonably altruistic and sincere.

As Hillel said:

If I am not for myself, who will be for me?
If I am only for myself, what am I?
If not now, when?

I found it fun to run in 2009 and 2012. Serious fun, but fun. I think I learned a lot. I found it challenging and enthralling. I will get something out of this, come what may. That’s a little selfish, but a defensible position.

Emma Goldman is the source of the idea that she wants to be a part of a revolution that she can dance to.

As I work in the music business, and have a blog mostly about arts and culture — the term “Plastic Alto” references the acrylic saxophone of jazz artist Ornette Coleman — I often sign off or “outro” a blog post with a song. This is “What I Got” by Brad Nowell of Sublime. (Never worked with him, but was once asked to host at Cubberley a benefit concert for his widow and child – which became moot and unnecessary when this song came out and the album sold millions, five-times platinum, five million units sold):

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Lense wars, Weiss v. Weber

Veronica Weber, photo by Mark Weiss, using a Samsung flip phone, 2012

Veronica Weber, photo by Mark Weiss, using a Samsung flip phone, 2012

I warned Veronica Weber, in fall 2012, not to do me like the (fictional) press did the Jimmy Stewart character in “Mr. Smith Goes to Washington” (they ran pictures of him doing bird-calls).

As insurance, I snapped this from my Stupid Cell Phone.

Meanwhile, next to a kind of  back-handed announcement of my candidacy of Palo Alto City Council, they re-ran this picture of me. I actually think they ran a picture of me looking into space, to over-emphasize my Aquarian nature. (The other five candidates, in 2012, were depicted looking straight-on into camera).

I told Veronica that I wasn’t going to sit for her at all this time around. Plastic Alto competes with the Weekly, and seeks to surpass it some day. (By covering Palo Alto without a pro-developer bias, and without 60 pages of realtor ads).

I went thru a reporter training program with the Peninsula Times Tribune, at Lytton and Ramona, in 1984. Things have never been the same here, since the demise of the PTT. Even with three local rags.

Goodbye, Fourth Estate, we hardly knew you.

I'm not sitting for Veronica Weber of the Weekly at all this time around, 2014

I’m not sitting for Veronica Weber of the Weekly at all this time around, 2014

edit to add, the next day: As I mentioned in an email to a local residentialist activist and blogger: will it make a difference now that I have upgraded to Ludditte (and Jerry Mander-in) to MacBook Pro and Motorola Droid smartphone? I will update with new picture of Veronica, next time she wanders into range.

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Save us, George Willard

I mean, Jack Burden.

 

That’s funny, I just name-checked (and vowed to re-read) Winesburg, Ohio on my blog:
Web Link

Palo Alto needs a George Willard to get to the bottom of what is going on here; not sure how close to that I can come; I’m either running for Council to spice up my blog, or writing a blog to forward my campaign. Plan B would be, if not elected, to grow my blog to compete more seriously with…Palo Alto Weekly .

Looking forward to reading more Nick Taylor (sounds like a Hemingway character name, or a Hammett…)

I take this as an omen…almost makes up for being basically dissed by GS of the Weekly.

Some earlier Andre Dubus 3 sit on my desk unread, although I am fixing to re-read Broken Vessels about his father’s demise. I recall sitting on the lawn, with Star Teachout, waiting for Dubus II to show up only to learn, from a note on the door, that he had taken ill (and soon after we learned that he had died).

Robert Penn Warren is also calling out to me, All The King’s Men.

Those who don’t re-read the classics enough are condemned to live thru them.

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I am running, if you define running as walking around, shooting photos and then writing about that or those

Within an hour of visiting Donna Grider, the Palo Alto City Clerk, to “pull papers”, two reporters called to confirm if I was indeed running.

I called back Breena Kerr of the Post and asked if I could add another point. I said that I disagreed with the stance of her publisher Dave Price regarding the enforcement of a City Ordinance regarding whether restaurants on University Avenue could use the sidewalks for al fresco dining. He said, a few weeks back, that enforcement of that ordinance would be like putting a boot to the neck of small business.

I told Breena on the other hand that the lack of enforcement would be like a subsidy of the landlord. “Wouldn’t it be a subsidy of the business — aren’t they the ones who, via enforcement, would be responsible for any punitive measures?” Good question. I had, do note, lauded her for an article she had written recently about CPI the metal-coating business and the concern among residents of Barron Park, specifically on Chimalus Street, about the possible release of toxins.

I realized later that I was perhaps playing with fire to directly contradict a stance of her publisher — who I take as a Libertarian, and to bring up a point that, in truth, I don’t know the ins and outs of (other than the fact that I do eat at some of these restaurants and had read the article on the issue, if not, to my knowledge a staff report on the topic).

As remedy, I decided to take a little stroll, shoot some pictures and maybe interact with John Q and Jane Q, Public that is.

Rachel Burke and Daniel Summer-Hays were sitting in a portico of Patxi’s Pizza, on Emerson. This, I thought, was the perfect compromise between indoor and out. They graciously complied with my request to document their evening, and we chatted a bit about the difference or similarities between development here compared to Mountain View.

rachelDanielPatxiI admit that I am an atypical political candidate, a strange mix, if this is evidence, of Christopher Alexander’s “A Pattern Language” and Sherwood Anderson, “Winesburg, Ohio”‘s George Willard (which I read in 1984, as an undergraduate English major at Dartmouth, and I hope to re-read this summer).

I am not going to mention any other of the restaurants by name. I am not going to be the whistle-blower. I just noted the types of reactions to the temptation to eat out of doors, or al fresco. I will, since I brought it up, re-read the press coverage of the recent discussion and maybe staff report if I can find that simple enough. People I spoke to, as I wandered, were more in favor of being able to eat out door than concerned that the public space might be privatized. My concern is within context of a larger issue of overdevelopment in terms of adding office space at the expense of what could be a public amenity such as a restaurant. I did sneak a shot of the famous dive bar turned headquarters for something that at this point is better known by its squiggle than its actual name.

I've tried this one, but I sat indoors

I’ve tried this one, but I sat indoors

This one, quite popular, always a line, has a ledge facing the street and recently added tables, including one in front of their neighbor:

casi casi

casi casi

I categorically would avoid this place

I categorically would avoid this place

I rarely if ever eat at this place, maybe never. I would sooner, if I ordered there, take my meal to Lytton Plaza, which is open to everyone and not just the adjacent pizza parlor (which I frequent).

i'm a sucker for baklava

i’m a sucker for baklava

Although it was sooner than the evening rush, this ledge looked like a decent place to wait your turn:

ledgeI actually took 20 pictures, and have uploaded them from Android to Laptop, and may get around to an addendum here; but meanwhile think about buy, borrowing or reading my two main sources here:

It’s a bit of a red herring but I am also strangely inspired by an article in The New York Times, from 2007 but new to me, by filmmaker Errol Morris, comparing two similar photographs from the nineteenth century. I like the way he thinks.

edit to add: Elena Kadvany of Palo Alto Weekly, on May 2 of this year, reported on this issue and got 53 comments. I don’t recall how much more recently the Post and or Dave Price’s comment was, but I think I saved the tear sheet. It’s not a huge issue, other than it traces the outlines of mega-trends like Downtown v. Residents or the encroachment of a business mindset into the public sector.

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Harry Hillman, 1881-1945

Harry Hillman (1881-1945)

1. Olympic Gold medals — 3 in 1904 — St. Louis
2. Coached at Dartmouth 35 years, 1910 – 1945
3. Died in 1945 — how?
4. Coached in the Olympics
5. set a world record in 3-legged-race, in 1909, 11.0 100 yards with Lawson Robertson
6. designed a fast track; designed a better hurdle
7. Track Hall of Fame
8. His son was a great skier and P.O.W.
9. Donated his medals to Dartmouth (his daughter did)
10. joined a National Guard regiment in Brooklyn to train
11. made a scrapbook that someone is reading 109 years later

In my file
1. 02/04/03 letter from Don Burnham, 4 pages
2. 03/06/03 letter from Don Burnham
3. tear sheet from Dartmouth Alumni Magazine with notes:
a. according to Michelle from Alumni Records (603) 646-2253, the son died on 04/13/92
b. Don Wheaton ’39 — nephew (828) 894-(XXXX)? Columbus(?), NC?
c. “Susan”, Cynthia and “Hallie”
d. Phil Crunnervelt — alumni records — (603) 646-0538? helped me with contacting the nephew. Recommends switchboard.com
e. 724 Bentley Village, Naples, FL 34110?
f. Did I speak with Jack Faunce 1940 re Hillman’s survivors?
“Trinka”, Canton, CT, (860) 693-XXXX Check my phone records?
5. Hillman resume via Burnham
6. Mile Progress Chart supplied by Burnham:
Gunder Haegg, 1945, 4:01.4
7. excerpt from NYAC history, supplied by Burnham, re gold watch incident, 1905
8. Burnham c.v. 4 pages (1996)
including 28 article cited he wrote on psychology 1955-1996
9. my notes on Burnham interview from 01-13-03
10. receipt for $XXX for scrapbook from Resser-Thorner Antiques
11. January note to Burnham after interview
12. xerox of photo of Hillman and Burnham, circa 1940
13. xerox of display case photo + 3-legged race photo
14. my notes from November, going thru SID files
“1,000 prizes, 50 titles”
“Company C, old 13th, Putnament Sonner(?)
“fire, 1944” article on fire
Brooklyn High School for Boys
NYAC “Star AC Brooklyn”
Mason (?)
Dick Whiting (603) 863-6067
15. Keith Peters, 12/18/02
16. John Klein ’52 re camp
17. Joel Platt 01/23/03
18. article ms “Three-legged Race: Oddity or ritual or both” by Burnham and Weinstein 1994 unpublished 19pp 5,000 words
19. article from Ed Burns ’85 1985 Sports Illustrated on ancient Olympics
20. phone numbers, per 3., above
H.Q. Hillman (239) 254-XXXX (Susane)
Harold Hillman (941) 761-XXXX
Har J Hillman (727) 896-XXXX
possible descendants of Hillman from switchboard.com: FL 01/03
21. query response from Sean Plottner 12/02
22. Wallin notes 03/06/03 cf Frank Zarnowski (301) 646-XXXX reference on track history
cf Cornelia Wallin (603) 646-3713
23. interview with Dick Whiting ’40 — also an athlete
24. John Herdersheft of Track and Field news (650) 948-8417 re Roberto Queratamis book John Hendershott
25. macdisc@iccas.com is this Mac Wilkins? Bob McKay, reference to 3-legged-race in AAU book, 1940
26. emails: Crumpacker, Chapin
27. Gregorian, Vaje

Sources
1. College archives Barbara Krieger and Cornelia Wallin
2. SID office files Cathy Slattery
3. Quercetani book – track and field news
4. Zarnofski book
5. Koop?
6. Wallchinsky?
7. NYAC
8. Brooklyn Boys School
9. Stanford Invitational Meet
10. Vin Lannana
11. Gene Bokor, 1948 thesis
12. the book (scrap book)
13. Ripley
14. Guinness
15. Chariots of Fire (film)
16. Jim Thorpe story
17. Gangs of New York (Daniel Day Lewis story about New York gangs, 1880 or only 25 years or so before Hillman started running)
18. SuperStars TV reality show
19. April 24, 1909 depicted in 1918 Ripley drawing: champs or chumps
20. Carey Heckman ’76 06/23/03
a. never heard of him; b. recommends Jere Daniell; c. has book on early years of Dartmouth sports published in 1903
21. Don Lucas?

Oxford Companion to World Sports and Games, Artoff (London, 1975) p. 1094 Tossing the Weight
Part of Highland Games
weight is a metal sphere with a chain and ring attached weighing together 56 lbs, to achieve height and distance. In 1969 Anderson tossed a height of 15 ft 7 inches (4.75 m) the best ever achieved. He also holds the distance record of 41 ft, 11 inch (12.77)
coach wallin had said something as an aside about the world records, some not contested, that the best man in his wedding held a weight throw record

p509 hurdling, first instance of a 120 yard course, 1864 Oxford University sports, (sheep hurdles 3’6″) regulation 8 lb toppling mount 1932 IAAF rules

p31 three timekeepers necessary for valid or submitted for ratification of records, photo-finish, since 1964 Olympics

echelon or staggered starts: 200 meters+ 800 meters

Gunder Hagg (1918 -??)
1945 held the world record 4:01.4 until Bannister broke it in 1954
disqualified for professionalism
also held 5K records, 1942-1954

shot put is 16 lb

The Olympic Games, Barry Hugerman and Peter Arnold
Facts on File, 1988 (New York)
56 lb 1904 and 1920 only 2 competitions (competitors?) in this event
Hugman sources:
NY Herald 1904
Chicago Daily Tribune 1904
The Olympic Games 1904 by CJP Lucas and E.B. Woodward (1905) (available on internet)
describes Hillman grimacing veins bulging in neck, wins by one yard
track is one-third of a mile, 200 yard across infield

Spaldings Olympic Games of 1906 by J.E. Sullivan 1906
Track and Field News 1948-1984
The Games M. Brant 1980

05/01/03
Don Burnham must film!!! must meet!!
Reggie Williams
Boys and Girls — shoot the film there?
Andy Shue
John Paye
Superstars
Fox Sports Network
Neil Pilson ’89P/Dana Pilson ’89
Stacy Livingston
Henry Livingston Hillman
Meisue Fencos / Fernandez
Dartmouth student I met at depot (I did meet a Dartmouth undergrad in Hanover who said she was from Brooklyn and had attended Brooklyn Boys and Girls, the same school that Hillman had attended 100 years prior)

I surfed the web, 12 – 1:30 a.m. — approx 2.0 hours
Elisabeth Thompson?
Coen Brother — “funny charming sports documentary”
Good funny sports film
Steve White (cal sports?)

1908 Ostay Ewry, London, vertical high jump
2. standing long jump – Ewry 3. makdkdkg 4. marathon
Dionde Pietra falls at finish, wrong way, collapse Johnny Mills got gold
given a trophy for great sportsmanship Alexandria

The first 90 Years: Olympic Gold Medal winners 40 min Best Film and Video, Great Neck, NY 11021
1984 cat #811
technical advisor Ron Pickering
honorary advisor Sir Stanley Rous CBE
research asst Patty Povey
asst to the producers Linda O’Neill
conrad film Associates Intl

Peter Ueberoth
“Classic Family Entertainment Presents”
John Wesson
first 90 years
Derek Conrad producer writer director
Robert Sidaway, assoc producer
John Wolstein Holme prod supervisor
1. 1912 ceremony; 2. W Smim; 3. greco-roman wrestling; 9 hours no fall both silver??–Louise Lee 4. marathon; no Thorpe? action but had medal ceremony
7th Belgium Antwerp 1. Nurvi finished 1924 France, winter.
silver cup won my Spiradon Louis in 1896 Marathon
Alvin Krinstein (U.S.) 60, 110H, 220H, long jump
Archie Hahn 200 footage
sack racing
obstacle – steeple
rope climb -obstacles
barrel climbs – obstacles
net climbs -obstacles
1906 footage 1. b.Kes (ceremony); 2. hurdles; 3. tug-of-war

(at the same time I was the manager of a rock group called Waycross and their various side projects, including an old demo — i.e. never produced or published, featuring my client Caroleen Beatty and her boyfriend from a few years prior, Jon Langford, a more famous musician (Mekons) as Pre War Jewels including a song I call “Leave Home Now” that for whatever reason I did and still do, 10 years later think of as the title track to a documentary about track and field, Brooklyn 1900-1904, as Harry Hillman and Lawson Robertson go from competing for the local militia the 13th and Company C, in armories, to international renown and Olympics medals and a coaching rivalry that comprised 35 years, one at Dartmouth and one at Penn; and that they competed hundreds of times as a team, the three-legged race, what I started calling “tandem sprints” and hold a record that is still not touched or touchable, 105 years later. I am culling all the above from a spiral notebook hated 3/03-11/03 although today is July 23, 2014 i.e. eleven years later. I fetched this or fished it out an open box in my storage locker, replacing my suitcase after a quick trip to L.A. for Terry’s birthday two weeks ago.Burnham has since passed, as has Cathy Slattery, the Dartmouth Sports Information Director. Somewhere in my data-trail I have a photo of the Hillman Gold medals over coach Bostwicks door, at Alumni Gym, circa 2005, but I wonder if they are there today; I did not check at my reunion, 2011.I thought I was going to be writing about or at least copying my notes on Sonic Youth Daydream Nation, 04/15/03 although the recording is much older, and features a Gerhard Richter painting I wrote photo looks like a photo of a candle. I think the list above is less than the half of it, on Hillman, but not much avail)

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I do Spoon on KFOG

Okay I admit I didn’t recognize the new Spoon song as a new Spoon song, but I knew I knew that voice somewhere.

Meanwhile I am tripping on Errol Morris “Unknown Known” although in this case Spoon was a known unknown.

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Moxy Fruvous, Paul Celan, Lefsetz and Petty

This is pretty scrambled, but:

lefsetz mentions something about jian ghomeshi and tom petty

jian ghomeshi, as part of moxy fruvous, did an earthwise show, that is to say, I organized the show, although it was a free show at Stanford Tresidder, about 1999.

The link is to, randomly enough, or not, a play on “green eggs and ham”.

Meanwhile, and this might be an outlier, the Geisel estate made a huge gift to Dartmouth who in term renamed the med school for him. (Which I once mocked as Red Pill Blue Pill)

I also recently was reading, for first time, Paul Celan, and went to Palo Alto Childrens Theatre “Seussical” to try to further a thought-exercise I was calling Red Fish Blue Fish (something that rhymes with “red”) Fish (something that rhymes with blue) Fish. Think: Holocaust.

So maybe Jian Ghomeshi, Tom Petty, the journalist musician in Brooklyn or Wisconsin who records for Tzadik (John Zorn) and I exchanged emails with, will also combine on something that looks at our darkest years with a new light. I mean Dan Kaufman of Barbez.

Check back.

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Shame on local leadership for silence on Buena Vista

Posted by Mark Weiss, a resident of Barron Park
0 minutes ago
Kudos to Winter Dellenbach for her compassion and diligence and tenacity here.

Shame on local leadership — Council, commissioners and staff — for not doing more to broker a deal along the lines that Winter indicates. I would think converting the park from a group of disorganized renters to an HOA would entail a significant improvement to the site from a physical standpoint.

I thought it notable and slightly confounding that there was disconnect and dissonance between the referendum at Maybell and the defense of our neighbors at Buena Vista. I would think in both cases the principle is stopping greedy interests acting in their own interests but adverse to everybody else. People I like and respect were For D AND passionate about saving the park, for instance — Nancy Krop comes to mind. And there are plenty of Against D who haven’t said boo about BV.

The deal offered Jisser would be a reasonable profit for him. Why he is entitled to maximize his profit, especially given the externalities?

It is notable that GS reports that Palo Alto Housing Corp would have worked with Prometheus to develop the property but have not apparently figured out a way to help the BV residents organize and defend or buy their homes.

This is another good litmus test for the upcoming Palo Alto City Council candidates.

By the way I think discourse would be improved considerably if more than 5 of the first 55 posters here would do so under their full names.

Lastly, is there someone living at BV who wants to step up and run for Council? We need more residentialist and opposition candidates.

By the way, is it time for a Rent Board or Tenants Union here and not just a pro-landlord “mandatory mediation process”?

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Phil Elwood, Steve Lacy and Pete Douglas in heaven

steveSOPRANO SAXOPHONIST Steve Lacy, with Jean-Jacques Avenel, string bass, and John Betsch, drums – a “free jazz” ensemble – performed exquisite and innovative chamber music for the Bach Dancing & Dynamite Society in the Pete Douglas Beach House at Miramar on Sunday.

Lacy, a New Yorker, came on the jazz scene in the early 1950s, a soprano sax era dominated by the classic New Orleans stylist Sidney Bechet. Although Lacy did play clarinet, then soprano, in many Dixieland groups, his distinctive sax sound, thematic structures and improvisations bore more resemblance to such swing-era giants as Lester Young and Willie Smith.

He eschewed Bechet’s broad vibrato but still occasionally growls out a note, as did Bechet. Lacy’s is a strong, clear and flexible horn sound – a recognizable style on his recordings made in 1957-58, before John Coltrane was playing the soprano. It was at an Apollo Theater band-battle that ‘Trane heard Lacy playing soprano with Thelonious Monk and soon took up the instrument himself.

In those years, Lacy also recorded and played with composer-pianists Cecil Taylor and Gil Evans and others who were moving into “free jazz.” He stayed in the New York area, playing and recording until the 1960s when he toured South America, then Europe. After a stay in Italy, he moved to Paris, where he has lived for 27 years.

The Douglas Beach House is a perfect home for chamber music, whether Monk or Mozart. Lacy’s pure, strong tones carry beautifully through the 200-seat room with no need for amplification and Avenel’s resonant string bass sounds, whether bowed or plucked, melodic or rhythmic, are projected with clarity and richness.

On this 30-concert tour, Lacy is using no pianist, although he still includes Monk tunes in a performance. On his original compositions like “The Door,” or “The Rent,” Lacy regularly refers – in his jagged rhythmic patterns – to Monk.

Drummer Betsch, a Floridian who has lived in Versailles for many years, plays with the same taste and finesse as Lacy and Avenel. He is first an ensemble participant – a

“team player,” if you will – and then a soloist. So cohesive is the trio’s overall sound that solos come and go unobtrusively throughout a selection without affecting the flow of the performance.

Lacy mentioned that it is Monk’s use of space that most affected his own writing and playing. Lacy’s compositions are clearly defined from the first notes, even when those notes may be on Avenel’s bass. Dynamics are carefully balanced, the expansion of a simple melodic theme reveals fascinating innovations on all three instruments and soon a listener feels like a member of the crew on this musical voyage.

Perhaps the most fascinating work performed came in Sunday’s second set. Avenel began playing an African theme, rolling rhythmic figures on a thumb-piano, with the drums – gradually increasing volume – developing contrasting rhythmic patterns in support. As Lacy’s soprano sax entered, wailing minor-key expressions, Avenel shifted to string bass, alternating rhythmic patterns and explosions with Betsch’s drums.

This is chamber jazz at its best, in heaven.

Pete-in-memory-2014

(by Phil Elwood, in the Chron, about Steve at Pete’s, unearthed and Plasticized by Mark Weiss with a little help from the search-injuns and Eric Hanson)

phil

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Storytellers, reportage, reenactments and posts

Pitch #100 on a quality start by Timmy, on tivo

Pitch #100 on a quality start by Timmy, on tivo

Sunday afternoon consists of watching Tim Lincecum struggle with the Marlins — it’s 2-2 in the third as I commence — while posting a fairly mindless little ditty, comprising for the most part 21 images I managed to move from my Smarty Pants Cellphone camera to blog, and a few tossed off interstitial ideas or linkages, not unlike sausage casing

cochitiStoryteller

 

 

 

 

 

 

 

 

 

 

 

 

 

2. Rodin

Gary, Ron, Joe, Peter

Gary, Ron, Joe, Peter

Saturday started with Terry driving to Ferry Building SF so as to catch Jerry Hannan and other guests on West Coast Live, the long-running and unique talk and performance show, hosted and produced by Sedge Thompson who married a little blond haired girl from Mrs. Creighton’s 6th grade class, Sylvia Brownrigg, sometimes also known by the non de plume Juliet Bell. Probably merits it’s own post, excepting the fact that I was sensitive about not disturbing the event by using my camera — I still don’t know how it decides when or when not to flash. I snapped this image of Claes Oldenberg’s Cupid’s Span en route, probably already listening to the show, which is a fun part of WCL, that there is a sort of reward for your tardiness.

CupidsSpanSFWe rushed back from the City to catch our friends Natalie and Nicole Hong doing a recital of classical, opera and folk singing, at All Saints Church on Waverley (the one with the labyrinth, which reminds me: been a long time since I did the stroll). Parents Paul and E.J. Hong surely have never been prouder; again, probably deserves it’s own post. Check back for that.

Natalie Hong, a Gunn grad off to major in Engineering but minor in music, at Carnegie Mellon, and sister Nicole, at her Senior Recital, Palo Alto, July 19, 2014

Natalie Hong, a Gunn grad off to major in Engineering but minor in music, at Carnegie Mellon, and sister Nicole, at her Senior Recital, Palo Alto, July 19, 2014

Not far at all from All Saints is Walgreen’s at Bryant and Uni, where Theranos, a $9 Billion valuation pre-IPO health care company, helmed by a 30-year-old Stanford dropout Elizabeth Holmes, beta-tests in diagnosis products: that is pretty boring, I admit, going downtown to shoot a drug store counter. Holmes was also on the cover of Forturne Magazine two weeks ago. I inadvertently told people that it was a $30 billion company started by a nine-year-old.

Theranos retail, Palo Alto, July, 2014

Theranos retail, Palo Alto, July, 2014

Actually, as I write this — Monday morning, Linceum lost, by the way, and I ended up seeing only 9 pitches, not that each pitch is not a mini-masterpiece — an Elizabeth Holmes-type comes into Peet’s on Uni and a do a bit of a double-take and try not to stare, and then shoot this photo of her (the non-Holmes, I presume; Elizabeth is known for wearing all-black, and is probably too busy to relax at Peet’s, on a Monday). She leaves before I finish posting. The guy sharing the table with her remains– I’m guessing they are not together.

probably not Elizabeth Holmes, founder of Theranos, 10 a.m. Monday, July 21, 2014 at Peets on Uni

probably not Elizabeth Holmes, founder of Theranos, 10 a.m. Monday, July 21, 2014 at Peets on Uni

 

In theory I could do nothing but take cellphone photos of Downtown Palo Alto and post them to WordPress, and see how high I can elevate that form, which is a step above writing reactions to other media — I do a lot of that — or posting too many screen-captures from tv. I am meaning to re-read Winesburg, Ohio at any rate.

Friday evening I saw the media crew setting up to document what is at least the third appearance at Lytton Plaza by a group of 11-year-old rockers, sometimes a trio — their name indicates — and sometimes a duo, of the core singer and guitar player. Meanwhile Lytton regular Skee was cranking away on guitar; he yielded to the kids, then plugged back in with a band at the “bandstand” (near the bike racks). The kids tend to play on a diagonal angle, facing the bench along the fountain, or midway between where buskers play and the “bandstand”.

My understanding is that the guitar player’s father is a successful investor, in the medical devices segment, with office space and real estate investments downtown. And as someone who caught Norah Jones’s first show in the Bay Area and was told “she’s Ravi Shankar’s daughter, but don’t tell anybody” I don’t feel that bad assessing the band by gleaning tidbits of intelligence about their parents. I enjoy hearing them play and slowly the indie-rock favorite work their magic and displace my jaundice. I love Green Day, frinstance, and was psyched that they do a Nina Simone song. (The one that is also in the movie about the French cripple and his street-wise aid). Also, one of these days I need to post Hershel Yatovitz in 1976 playing a Bar Mitzvah, or sitting in at least; Hershel who plays Mountain Winery next week as Chris Isaak’s guitarist.

Unnamed young guitar whiz, Lytton Plaza, summer 2014

Unnamed young guitar whiz, Lytton Plaza, summer 2014

This is Skee. I have his card somewhere. Palo Alto Police once ticketed him for blocking the alley while he loaded out his gear. (And they ticketed me one night for blocking the taxi stand, although I had already returned to move my car before they started writing it).

skee2014This is one of at least five members of the media crew that documents the young band; she’s fairly young herself, maybe his sister or cousin? (most of the other media workers are twenty-something and have other media credits, I’ve learned; nice gear certainly)

photoCrewLytton

 

I’m deliberately not referring to the band by their name; partially because their name is weak; they need a better name — not that I would approach them and offer suggestions and I certainly doubt they read Plastic Alto. One of these days I, especially if I write about them a fourth time, I will give them a pet name. Like Bennie and the Not Yets– BNY.

Meanwhile I am dubbing this guy Boogie Man. My photos do not do justice to his moves, which upstaged Tony Lindsay at Cogswell Plaza Thursday, July 17, 2014. Lindsay was great, or at least very good, although I would say the sound system was weak, a low ball bid and low ball fulfillment, by Pro Audio, which is Kevin Corecky’s firm (local stalwarts, I used once, at the Edge, in 1994). And somewhere I want to debunk or if necessary praise the fact that the artist and this event billed Tony Lindsay as “11-time Grammy winner”. I believe that Carlos Santana may be have won that many Grammy’s, and Lindsay has sang with him as a side-man for many years, and recorded, but I somehow doubt the math there, I must say. Which also reminds me of reading locally something about a senior at Los Altos or St. Francis having a demo produced by someone claiming to work with Elton John and John Mayer and me, the first time I read this, months ago, wanting to suss that out.

Here are three shots of Boogie Man. If I see him around I may ask his name:

boogieMan1of3BoogieMan2

It may look like he is standing still here but he is not — which is my homage to Muybridge, 1877.

boogieMan3after 1,200 words and two hours I had to repark the car, from Lime to Corral, and added the remaining 1,000 and 10 more photos:

aquariusMarqueeaquariusMarquee – I saw “Begin Again”, John Carney’s folo to “Once” twice. I thought of the following alternate tag lines to the actual ones posited by Lance:

 

Keira Flowers (which only works if you know that Adam Levine’s first band was called Kara’s Flowers)

Marooned 10 (which only works if you have heard of Maroon 5 and think Keira Knightly is a 10)

Music Wants to Be Free but We Charge $10 (too many characters)

Where The Ruffalo Foams (which I think of as a Hunter S. Thompson reference although Lance says more generally its “Home on The Range”)

 

The actual picks: Keira Loses Her Corsets and All the World is a Studio

 

I would rather see a fictionalized version of Bill Callahan and Cynthia Dall, circa 1995. Sad as it is, but more real.

 

LanceAquariusWriter

Lance of Aquarius

Lance of Aquarius

 

LincecumInDefeat — I caught 9 pitches, numbers 99 thru 108. I thought earlier this season about posting a pitch by pitch Lincecum post, like the Zidane movie by Douglas Gordon or Deadbase.

it would be about 2,000 pitches per season (although reminds me of the book I saw that has virtually every book reference in “The Simpsons”)

 

Palo Alto Mosque

Palo Alto Mosque

paloAltoMosque- The tip of the mosque is visible from nearby Palo Alto Studios — art spaces — on Transfer Street; I am looking forward to the mosque; not many know that the community of Muslims in Palo Alto has a preponderance of Indians. There is also a dance studio going in around the corner.

 

dougherty

dougherty — Patrick Dougherty installation of bent reeds and twigs shows some staying power. I prefer this as a landmark, for Palo Alto Art Center and Rinconada Library (new, stupid name, for Palo Alto Main Library). I suggest a big, stupid sign saying BIG STUPID SIGN to what is actually suggested as way-finding, for corner of Newell and Embarcadero. My first choice would be a giant book by Oldenburg, or a soft drum kit. There’s also a set of c-prints of or by Daughtery (check that spelling) at Cubberley, in the room that is often but not always Palo Alto History Association, or, as I often say, three doors down from “The Wave.”

 

Like a lot of people, Karen Kienzle is sometimes perturbed about a lack of respect for the arts

Like a lot of people, Karen Kienzle is sometimes perturbed about a lack of respect for the arts

KienzleOuttake — nobody will ever see this less flattering photo of museum director Karen Kienzle, who posed for me the other day in front of the Ehren Tool installation, she spearheaded. I think this shows character.

 

StrengthTool- As a lagniappe to the 880 ceramic mugs made and installed by Ehren Tool at Palo  Alto Art center and his residency, former arts commissioner Paula Kirkeby (my second yiddishe momma) suggested the win-win-win of housing Ehren at Smith-Andersen on Pepper, and bringing him to the printing press, with Kathryn Kain, master printer. There are seven prints on display, two series, one based on the lotto or tarot, the other more like extensions of the mugs. One says “strength” which is how Ehren signs correspondence, a al Dan Rather “courage.” I guess both sets are based on “lotteria” I note the hebrew “beth” which means “house”.

 

caliSherm — I took a bunch of photos around 385 Sherman where greedy developers want to tear down perfectly fine and fully leased one-story tilt up and build maxed out three story office buidling, with a couple housing units thrown in, more to qualify for some sort of zoning loop hole than because it is a good idea. I waffle about comparing it, in another post, to the Orson Welles character in the Third Man and his famous dismissal of externalities. I am wavering between “Would you really miss some of those dots” to “Would you really miss some of these dot-coms?”  I shot this from Cali Ave next to probably the best actualized public art project in history of the program, the triptych of murals by, in order, Chris Johanson, David Huffman and Joey Piziale, the former fastest cornerback on the Paly gridiron team, of his day (and a chilumbicaner-producer in his own way. Bless).

 

matt – Matt W one summer day not unlike today but forty years ago was a star youth soccer player but he was involved in a car accident coming home from a tournament, spent time in a coma and I was thinking of him, in terms of who is or isn’t earshot to the 385 Sherman racket, when lo and behold her materialized, using a walker, going past Sarah Wallis Park. We are both looking forward to news of our friend AF and his collection of Chilumbicans. Mazel tov. Cue Helen Sung, Anthem for A New Day without explaining why.

 

SteveCohenStanfordJugglers — Steve and Eric Cohen, and honorary Cohen-clan member Trish, spent a few days last week posing as Stanford affiliates and even passed themselves off as members of the Stanford Juggling Club. I also caught them reuniting at Cool Cafe at Cantor at Stanford (Leland and Pierson Room) with Joey Oliveira, who was their neighbor on or at San Juan Hill for more than 40 years. The picture at the very top shows Joey Oliveira on his way to lunch with Peter Selz the dean of Bay Area modern art critics and curators. They had been, incomprensibly, chased moments earlier from the construction site of the Windhover Contemplative Center; which is like the time I overheard Doris Fisher telling someone by cellphone that, at the installation of Richard Serra “Sequence” at Cantor, she got a parking ticket  and “I guess they need the money”, although maybe some of that comes back to us, townies, and we kinda do. Sergeant Steve Savage of Palo Alto’s Finest, meanwhile, on Thursday, at the Boogie Man show, I mean Tony Lindsay, pre-empted a few parking tickets to permit the actual bass player, not the UPS guy, to make his hit on time, plus the Pro Audio truck. Which reminds that I have a decent picture of Russ Cohen, of PAD, at the gig — he was instrumental — like a cheesy hammond — in the rebirth of Brown Bag. And that reference is not “derogatory” it is actually a very hip Steve Lucky reference.

 

You know a good place for a Palo Alto pick up gig? The piano at Caffe Venetia at historic train station. They have an email address to let them know, or just go and play and run, ala Ruffalo et al in “Begin Again” if the police come. Maybe we can get a grant for PAPD in uniform to come and tickle the keys, as a form of outreach and sensitivity training. We have Olympic badminton players and Dartmouth rugby players on the force, why not Vince Guarldi devotees?

 

probably not Elizabeth Thomas, speaks for itself

 

nerdNation — how many hundreds of thousands saw the Youtube version of Stanford Nerd Nation video that runs in a loop at Stanford Bookstore and Emporium?

 

I have a long riff previously about Jun Tulius lecturing in SF about this Mentawai 35 miles, not 12,000, away

I have a long riff previously about Jun Tulius lecturing in SF about this Mentawai 35 miles, not 12,000, away

Mentawai and PaloByPalo: how many miles apart are the creators of the Mentawai gibbons at Stanford and the carvers of a wood version of the Palo Alto seal by our brothers and sisters in Palo, Leyte, the Philipines? I would guess less than 5,000. Maybe they can do a spit party and see how closely are their genetics related. I should write Anne Wojcicki and see if she will do this pro bono.

I started by imagining making some kind of crack about Selz, Oliveira et al looking like a re-enactment of Rodin “Burghers of Calais” which actually can be seen, a short walk from the museum and it’s motherlode of his sculptures and the gate, and Thinker. (And held off posting at all until Steve showed me that Joey put photos of the meeting on his social media page).

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