Mia san mia: can you identify 10 soccer immortals?











Rose B. Simpson: Behold
January 17, 2026–ongoing
Floor 4
Behold, the latest work by mixed-media artist Rose B. Simpson, is a colossal outdoor sculpture commissioned by SFMOMA for its Floor 4 terrace. Simpson, who resides in Santa Clara Pueblo, New Mexico, is one of our moment’s most important sculptors, working with clay and mixed materials in a matrilineal tradition that bridges past, present and future. At over 24 feet tall, the honey-colored bronze Behold will be visible from various locations in and around the museum, including Yerba Buena Gardens across the street.
The mother and child figures depicted in the sculpture are connected by beaded necklaces strung from their shoulders and a bending, ornamental ladder that arcs between their heads, illuminating a mental and emotional connection that flows between them. In the artist’s words, “Like branches of a tree, a child grows from the hip of a monumental parent.” The figures’ steady outward gazes also connect the sculpture, visitors and the museum itself to its surroundings.
Behold is a profoundly hopeful and vulnerable artwork. As Simpson says, “It asks us to be human with each other, to change our narrative through wonder, witness and a foundation in the soft warmth of our humanity.”
Rose has an installation featuring two art cars and a mural LEXICON at the DeYoung and is installing a sculpture at SF MOMA on January 17, three months from today.
Congratulations to Rose.
Rose is from Santa Clara pueblo but i met her in sf. Her mother is Roxanne Swentzell who made a bronze sculpture owned by my parents. Her cousin is Jody Naranjo who sold me a pot called The Pueblo Girls which depicts a rock band. Actually I tried to recruit Rose to be in that band. It doesn’t really exist beyond that pot, this blog and maybe the text thread.
O.N.I.B v. G.L.O.R.I.A
I’ve been a cultural broker for 30 years, but I had no idea until I read today’s times the impact of a play from 30 years ago and a album from 50 years ago.


bw we are 45 days from our pow wow with Janus:

coda







Tickets at Eventbrite or $20 at door. Eight pm show.
An award-winning trombonist, improviser, composer, and educator, Naomi Moon Siegel uses the trombone as a vehicle for sonic expression colored by breath, spit, and physicality. Moving beyond conventional genre norms, she allows her lyrical sound to unfurl intuitively. Her original musical vocabulary draws on the richness of global musical traditions and the sonorities of the natural world. Siegel is touring in support of her third album, Shatter The Glass Sanctuary. Produced by award-winning drummer Allison Miller, Shatter The Glass Sanctuary is an ambitious and sweeping statement, showcasing Siegel’s prowess as a composer, improviser, bandleader, and trombonist. Her ensemble for this tour features Marina Albero (piano) and Christopher Icasiano(drums), luminaries from the Seattle music scene, and the Bay Area’s own Jayla Chee(bass).
Naomi Moon Siegel – trombone (Missoula/Seattle)
Marina Albero – piano (Seattle/New Orleans/Barcelona)
Jayla Chee – bass (New York/ San Francisco)
Christopher Icasiano – drums (Seattle)



Earthwise welcomes a jazz summit with stalwarts of the scenes, in the Bay Area, New York, New Orleans and Seattle: Steven Bernstein, slide trumpet; Wayne Horvitz, piano, and James Singleton, upright bass and pocket trumpet. Performing as: Tricoastal Consortium, Thursday, Friday and Saturday, three nights.
Old friends since way back when, the group performs as a compact trio at Palo Alto Mitchell Park Community Center, El Palo Alto room, which has intermittently served as a music workshop and listening room.
Steven says:
very excited about a new project with Wayne Horvitz and James Singleton.. 2 musicians who share love for the same things I do… groove, melody and mystery.. it’s also my first ever piano trio project.. into the unknown and in residence at Mitchell Park Community Center Palo Alto
Bernstein played an Earthwise show at the Bottom of the Hill San Francisco, Diaspora Suite, in 2008; Horvitz played as a duo with Sara Schoenbeck at The Mitch in May, 2022; Singleton played a residency with Will Bernard and Charles Rumback at The Mitch in June of last year.
Bernstein is based in New York, Horvitz Seattle and Singleton New Orleans. They appear as Tricoastal Consortium.

Tuesday:
12:30 pm Bennett Paster Trio
4 pm Adam Moezinia Trio
Wednesday:
6 pm Mads Tolling Quartet
Friday:
11:30 Caroline Davis Camila Meza acoustic duo
Presented by Earthwise




It’s part of our Palo Alto Public Art collection, and spans two quasi-linked surfaces, the U Building which hosts some artist studios and H, especially H-1 a meeting space where Ron Jones’ infamous “Wave” project took place. The mural is considered “temporary” which I reckon means the artist waived his rights to sue us when the wrecking ball finally comes.

Delbert Anderson a Navajo trumpet player from New Mexico called me on my 60th birthday to say he was stranded at the airport in San Francisco and then both came to my celebration at Chef Chu’s and more to the point hit at Lytton Plaza the next day with Rabiah Kabir and Jonathan Lagunta, for Earthwise
EWP 2Q24 RECAP
I have assorted holds and offers pending for summer fall 2024 and project about 40 shows for the year, down from 61 in 2023, an all time mark. Although I also say that having started Earthwise in fall, 1994 that this is my 31st season that’s not quite right since some years I focused on management of acts and artists to the exclusion of producing shows here, and did virtually no work in music the year my mother died and the year before my mother died (0 and 1 shows respectively in 2017 and 2018, which is a very Silicon Valley set of digits, dig it?)
bw STAN vs MLG Rules: the Times reported something about quantitative social media based mass obsession for music — based on an Eminem song but also maybe an acronym — which I compare to the fact that Mark Lettieri I hosted last night at Mitch Bowl has 192K followers on social media platform and then 192 fans turn out for his (homecoming show), a 1::1000 ratio. So I would say the Lettieri Rule is that artists generally have 1 fan in the real world for every 1,000 fans on the internet. (and if you are reading this in the future the internet was a thing that accompanied the massive proliferation of semiconductors, computer devices, handheld computer devices and so-called social media, which created billionaires out of certain millionaires and then nearly killed off Democracy based on disinformation by Fascists and autocrats in foreign lands.