

to post a quick item about the occurrence of colorful garments in today’s times I don’t know why the blog wanted to link it to my concert Saturday, but if it sells a few tickets, that’s great
POWER GARB


to post a quick item about the occurrence of colorful garments in today’s times I don’t know why the blog wanted to link it to my concert Saturday, but if it sells a few tickets, that’s great
POWER GARB

I was reading about the war crimes committed in our name, in The New York Times, when a banner came acorns1 the page regarding a concert in Mexico featuring the rock band Goose. I had to look it up to see if that was the band I saw at Stanford’s Frost Amphitheater2 a year ago September.
Suddenly a light has gone on! I really dig this band!3 Or however much if it I can take in an hour. Four hour live concert album as MSG. A cover of Shama Lama Ding Dong from the movie “animal house”4.
The Washington Post had an article about a (different) band named Geese. There is a third new band with a geese reference in its name.
Thanks Chris Richard of the Post for saying he would read my post about Goose, Geese and That Other Band named Not Geese or Goose but Something Goose-like.
There’s an Adrienne Rich poem I still don’t understand that I wrote about in Thomas Sleigh’s class at Dartmouth — it might be “Fact of a Door Frame” that references the Goose Girl (It also reference Makeba and I had no idea who was Makeba).
I like Goose “Hungersite”. Goose is the new Vulfpeck and the new Cory Wong.
I loved Grateful Shred at the Fillmore. I am doing my best to bring them to Palo Alto this summer. I also liked their opening act, Holly Bowling who does The Bad Plus on Dead songs and Phish songs. I don’t really like Phish. I went to an early show, at the Warfield, by myself and got there late and kept getting ushered out of a chalked off area near the sound board and got the box office –maybe Teal Good – to give me a refund. Why do I remember the box office person was named Teal Good?
Thanks Ted Gioia for writing something I misinterpret as giving me license5 to write like this.
And thinks to Ethan Iverson both for writing brilliantly about all things music and film but also for sometimes printing my comments (I was banned from his column once for saying something outrageous and not kind, about his mother in law).
I should practice writing the name Rick Mitarotonda. Rick Mitarotonda. Rick Mitarotonda.
Not to digress but Yahoo mail has locked me out of my handheld. Or as John, Paul or Ringo would have said, I want to handhold your
And I:
Shoot out to Phil Klay of Dartmouth for his op ed.
And And:
Richards, Chris
From:chris.richards@washpost.com
To:mark weiss
Tue, Nov 25 at 8:39 AM
Peace!
—
Chris Richards
Pop music critic
The Washington Post
1301 K Street N.W.
Washington D.C. 20071
From: mark weiss <earwopa@yahoo.com>
Sent: Monday, November 24, 2025 9:55 AM
To: Richards, Chris <chris.richards@washpost.com>
Subject: Brother Ah >>mother goose
1) I’m working on a blog post called “Geese, Goose, Goofy Geese” on “Plastic Alto” wordpress;
2) I noticed you’re NOT on a list of 114 critics who voted in Downbeat poll.
3) fyi: my upcoming — may include Abe Mamet later in season
earthwise winter
spring 2025-2026
dec 13 Russian Telegraph P
Jan 4 Johnny A P
Jan 28 29 30 Corey Harris M
Feb 22 Jim Campilongo Adam Levy Duo P
Feb 28 Edward Simon Trio, Stephan Crump P
March 17 Edu Ribeiro Noah Garabedian Vinicius Gomes trio, Murray Low M
P = Palo Alto Art Center
M = Mitchell Park Community
Center
$20
😎 ⛄️ 🐍


Rock ‘Em Sock ‘Em Robots versus manga Joe No Tomorrow
ahem:
Ashita no Joe (Japanese: あしたのジョー, Hepburn: Ashita no Jō; “Tomorrow’s Joe”), also known as Ashita no Joe: Fighting for Tomorrow, is a Japanese boxingmanga series written by Asao Takamori and illustrated by Tetsuya Chiba. It follows drifter Joe Yabuki, who discovers a passion for boxing in a juvenile prison, and his rise through Japan’s and the global boxing scene.
Sunday, January 4 at Palo Alto Art Center
In a musical landscape that often leans on flash over substance, the JOHNNY A.TRiO stands out as a beacon of authenticity, artistry, and soul. Helmed by acclaimed Grammy Nominated guitarist Johnny A., the TRiO is a masterclass in musicianship, bringing together three seasoned pros who share a deep reverence for the roots of rock, blues, jazz, and soul—and a passion for pushing those boundaries into exciting new territory.
Live, the JOHNNY A.TRiO is nothing short of electrifying. The band’s chemistry is palpable, forged through years of mutual respect, shared influences, and countless hours of playing together. Their setlists weave through Johnny A.’s acclaimed catalog, inventive covers, and jaw-dropping improvisational moments that blur the lines between genres.
Every show is a journey—one that nods to the traditions of great instrumental music while forging a fresh path forward. Whether it’s a soulful reimagining of a Beatles tune, a blues-drenched original, or an off-the-cuff jam that catches fire, the trio plays with passion, precision, and a sense of joy that’s utterly contagious. In a world where digital effects and backing tracks often replace raw performance, the Johnny A.TRiO reminds us of the power of real instruments, real interaction, and real soul. This is music made by humans, for humans—vibrant, honest, and alive.
“Devotion to melodies, tight dynamics and succulent tones perfectly temper Johnny’s balance of fire and ice.”
– Guitar World
“Johnny A. lets his guitar speak for him with eloquence and spirit.” – Washington Post
“Johnny A. has eclectic musical vision and the skills to realize it… both accessible and sophisticated.”
– JAZZIZ
“Johnny A. is a musician who resists easy categorization and that’s always cool by us.”
– London Free Press
Best Regards,
JOHNNY A.
Apollo Music Ventures llc